4 Voice Audio - MyeLearingWorld https://myelearningworld.com/voice-over-equipment/ Your Source for All Things eLearning Fri, 05 Jan 2024 19:12:23 +0000 en-US hourly 1 https://wordpress.org/?v=6.3.2 https://myelearningworld.com/wp-content/uploads/2023/09/cropped-My-Elearning-World-Icon-1-32x32.png 4 Voice Audio - MyeLearingWorld https://myelearningworld.com/voice-over-equipment/ 32 32 The 6 Best Studio Monitor Isolation Pads for a Home Recording Studio (2024 Guide) https://myelearningworld.com/best-monitor-isolation-pads/ https://myelearningworld.com/best-monitor-isolation-pads/#comments Fri, 05 Jan 2024 19:12:16 +0000 https://myelearningworld.com/?p=1827 The best studio monitor isolation pads can play a huge role in making sure you're getting the most accurate sound from your monitors during playback.

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As an instructional designer who’s been recording various projects in my home studio for years, I’ve found that when studio monitors are placed directly on a surface, such as a desk, the vibrations generated by the speaker drivers can transfer to the surface itself. This can create unwanted resonances and distortions in the audio, affecting the monitor’s frequency response and overall clarity.

Speaker isolation pads can cut out vibrations so you can make sure you’re hearing your monitors clearly, allowing you to better mix your recordings. More simply put, isolation pads let you get a clearer, more accurate sound from your monitor speakers so your final mix is better than ever. This is especially beneficial in home studios or untreated spaces, where the room’s acoustics may not be optimal.

The best studio monitor isolation pads are designed to provide the utmost in sound isolation and decoupling, so you can be sure your mixes will come out as well as possible. I’ve reviewed and ranked the best speaker isolation pads based on numerous factors, including their overall quality of construction, shape and design, effectiveness, customer reviews, price, and more (click here to learn about our entire Editorial Process & Methodology for product reviews).

What Are The Best Monitor Isolation Pads?

Here are my picks for the best studio monitor isolation pads you can buy in 2024…

  1. Sound Addicted High Density Studio Monitor Isolation Pads →
  2. Auralex MoPAD →
  3. Adam Hall SPADECO2 →
  4. LyxPro MNS-4 →
  5. Pyle PSi03 →
  6. Auralex ProPAD →

1. Sound Addicted High Density Studio Monitor Isolation Pads →

This Sound Addicted pair of foam pads is designed for 5” monitors. It’s a solid solution to avoid distortion in the low-end frequencies, this model will be a great fit for your recording environment.

What are the tech parameters of these studio monitor isolation pads?

  • High-density acoustic foam pads
  • Dimensions: 7.5” x 11” x 1.6” inches (W x D x H)
  • Five various angle configurations to make sure the tweeters are positioned at ear level
  • Plain design with no logos.

All in all, these Sound Addicted speaker isolation pads support all celebrated monitors like Yamaha HS8, JBL LSR308, M-Audio BX8, KRK Rokit, and others. Got speakers that meet the profile? Go for it!

Official Sound Addicted website.

Best for: standard 5” monitors.

2. Auralex MoPAD →

Auralex MoPADMoPAD are well-known iso pads that have helped many a pro and amateur avoid monitor vibrations.

What’s special about these speaker isolation pads?

  • Sold in pairs, flexible sizing and positioning, including horizontally-placed monitors
  • Four base pieces as well as four angling wedge pieces
  • Bases are 12″ long x 4″ wide x 1″ thick
  • They eliminate sympathetic vibrations
  • They help yield a more accurate bass response and clearer high frequencies.

The ‘industry’ standard Auralex uses dense foam that easily handles heavy weights and vibration. You can configure the monitor angle and set the right height.

Best for: multiple sizes of bookshelf loudspeakers or monitors up to 100 lbs. each.

3. Adam Hall SPADECO2 →

Adam Hall SPADECO2A cost-effective model that will meet most budgets and expectations, the Adam is a great example of high-density acoustic foam pads. Some users view these iso pads as a decent Auralex MoPAD alternative. Whatever the rationale, these speaker pads simply do a good job!

What are the tech specs of these studio monitor isolation pads?

  • Two-component design
  • Dimensions (W x D x H): 10.43” x 12.99” x 1.57”
  • Anthracite color

The Adam always works as intended. The ‘two components’, in fact, make up three possible combinations: horizontal placement and two different angles. The Adam helps avoid disturbing resonation and makes audiophiles happy at a reasonable cost.

Best for: mid-sized and big heavy monitors.

4. LyxPro MNS-4 →

LyxPro MNS-4Another two-component pair of acoustic isolation pads, LyxPro is a good way to decouple monitors from a surface.

What does these speaker isolation pads come with?

  • Great sonic isolation, optimization of performance for a wide range of reference monitors.
  • A wedge piece that allows you to tilt the monitors to and fro up to 8 degrees
  • High-density acoustic foam, two component design
  • 1-year warranty.

Long story short, these studio monitor isolation pads are a good value for the money. Since they can angle up to ear level and support heavier monitors, you simply can’t go wrong.

Best for: 5″ and 8″ studio monitors.

5. Pyle PSi03 →

Pyle PSi03Pyle is another great option if you’re looking for sound isolation pads. The model offers two dampening recoil stabilizer risers, 9” x 12” each. A great pair of studio monitor pads at a reasonable cost!

What’s in the package?

  • High-density durable foam
  • Dimensions: 9.44” x 12.1” x 2.0”
  • Universal stabilizers for optimized audio performance
  • Reduced vibration and resonance, efficient absorption of bass recoil
  • Supports studio monitors, shelf speakers, subwoofers, etc.

The features speak for themselves. In addition, the platform bases can be reversed for the sake of upward and downward-firing effects.

Best for: mid-sized speakers up to 33 lbs.

6. Auralex ProPAD →

Auralex ProPADA premium version of MoPADs, the ProPAD is a bit more sophisticated and comes at a somewhat higher price – and it’s the best you can find!

What do the ProPADs do?

  • Ensure optimal durability with their open-celled PlatFoam
  • Provide protection against unwanted vibrations
  • Support most surround-sound and stereo monitors
  • Keep away sympathetic vibrations and improve sound clarity.

These studio monitor isolation pads have the dimensions of 13″ length x 8″ width and a slip-resistant ISO-plate top. You can think of these speaker pads as a cheeseburger, where the cheese is the plate. This design is slip-resistant and provides effective isolation at all times.

Best for: mid-sized studio monitors, a good fit for home theaters, listening rooms, media rooms, etc.

FAQ

What are monitor isolation pads?

Studio monitor isolation pads are designed to go underneath speakers to decouple them from the flat surface they’re sitting on, helping to reduce vibrations and other noise issues during playback.

Are monitor isolation pads necessary?

If you want the clearest, most accurate sound from your studio monitors during playback, isolation pads are a must.

Do speaker isolation pads work?

Yes, good studio monitor isolation pads will drastically cut down on vibrations when you’re using your speakers, allowing you to hear your mix more clearly and accurately during mixing.

What are monitor isolation pads made from?

The best speaker pads are made from high-quality foam that can absorb vibrations and prevent them from being heard during playback.

Final Thoughts

I’ve learned that decoupling studio monitors is absolutely crucial for your audio ambiance. It’s good to know there is an abundant choice of solutions for reverb reduction.

The good news is with the right isolation pad setup, you can improve sound quality and reduce interference from the supporting surface to get clear, crisp sound.

Some of the speaker isolation pads in this guide are original designs, and some are mere variations.

The rule of thumb here is to check out the dimensions, read the reviews and see if the monitor isolation pads are in line with your budget expectations. Good luck, and feel free to share your experiences!

Have any questions about choosing studio monitor isolation pads? Comment below and let us help you out.

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7 Best Studio Monitor Stands for People on a Budget (2024 Guide) https://myelearningworld.com/best-monitor-stands/ https://myelearningworld.com/best-monitor-stands/#respond Fri, 05 Jan 2024 18:36:47 +0000 https://myelearningworld.com/?p=1808 The best studio monitor stands can play an essential role in the setup and performance of your home studio.

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As an instructional designer who’s been recording voiceovers and other projects in my home studio for years, I’ve found that the best studio monitor stands can play an essential role in the setup and performance of your studio.

The right accommodation for your home studio monitors will help you decouple them from unwanted surfaces, and ultimately produce pure sound and enjoyable audio experiences. Studio monitor stands are specifically designed to position the monitors at the ideal height and angle, ensuring that the sound is directed precisely toward the listener’s ears. This placement is crucial for achieving accurate and balanced sound reproduction, which is essential for critical listening, mixing, and producing high-quality audio.

In this article, I’m sharing what I believe are the 7 best studio monitor stands from various budget categories and announcing my top picks (click here to learn about our entire Editorial Process & Methodology for product reviews). This guide has been fully updated for 2024 to bring you the best options currently on the market today.

What are the Best Affordable Monitor Stands?

Here are our picks for the top studio speaker stands worth a look…

1. Ultimate Support MS-90 →

Ultimate Support MS-90Combining the advantages of both wooden and metal stands, the MS-90 is a game-changing model from Ultimate Support that fits most common application scenarios in a sound recording studio.

What’s great about this set of studio monitor stands?

  • 36″ column made of extra-durable 6000 series aluminum
  • Nifty internal design featuring three standalone channels: two small ones for audio cables and power cables, and a large one for weighting
  • Three rubber feet to provide isolation from the floor
  • Four rubber pads to separate monitors from the stand
  • Two joints to decouple the bottom and the top

All these characteristics translate into maximum decoupling and reliability with this affordable studio monitor stand set.

Plus, you get the perk of a lifetime warranty: whatever happens, you’re covered.

One downside to these studio monitor stands: the height is non-adjustable here whereas many other stands are. Aside from this drawback, MS-90 is the best choice!

Best for: pro and semi-pro studios, mid-size and larger monitors.

2. SANUS Adjustable Height Speaker Stand →

SANUS Adjustable Height Speaker StandAs the name suggests, the SANUS studio speaker stand offers full adjustability and a few other perks. Need more details on this studio monitor stand? Here you go:

  • Supports satellite speakers up to 3.5 lbs.
  • Adjustable height – 28” to 38”
  • Heavy-gauge offset steel column with a built-in wire channel
  • Top plate, keyhole adapter and L-shaped brackets included
  • 5-year warranty from the manufacturer.

It’s cheap and functional! At this budget, you should seriously consider this stand for lightweight speakers.

Best for: home studios, satellite and small bookshelf speakers (JBL, KEF, Sony, and many others)/smaller monitor speakers

3. VideoSecu 2 →

VideoSecu 2The VideoSecu stand mount supports a great selection of speakers. It’s easily adjustable, heavy duty and nice to look at.

What are the key features of these studio stands?

  • Stylish steel column to support up to 30 lbs weight capacity for quality stereo sound
  • Flexible side clamping on the top plate – width from 5.5 to 11 inches
  • Adjustable height – from 26.5” to 47”
  • Screw-in rubber feet facilitate great isolation on carpet or solid floor
  • The top plate can rotate 180 degrees and tilt up to 10 degrees
  • Stealthy wire management, ensured stability

Best for: PA systems, club environments, a broad selection of studio monitors including JBL, KEF, Klipsch, Sony, Yamaha, Pioneer, and beyond.

4. Mounting Dream MD5401 →

Mounting Dream MD5401 height-adjustable speaker stands raise the bar for durability. The model has an extendable tube (35.5” to 48”) with 11 lbs capacity per stand.

More details below:

  • Various attachment options catering to specific speakers: adapter bar for horizontal holes, vertical hole/keyhole, as well as a round holder for wooden speakers
  • Heavy-duty cast iron, black finished steel (supports heavier monitors weighing up to 11lbs/5kg per column)
  • Floor-standing design features with a triangle shape base
  • Neat cable management solution with cabling hidden out of sight.

All in all, this is a very sturdy and very flexible model that provides full compatibility with a wide spectrum of speakers. In any case, make sure you check the location of the speaker holes before you buy.

Best for: mid-weight acoustic systems, semi-pro, and home applications.

5. VIVO (STAND-SP03B) →

VIVO (STAND-SP03B)Universal floor speaker stands, this VIVO pair works great with bookshelf and surround sound speakers.

Let’s look further into the model’s parameters:

  • Dimensions: 25” height, 6.25” x 6.25” top shelf, 9.5” x 9.5” base measure
  • Smooth compatibility: this stand accommodates most satellite and bookshelf speakers
  • Design: high-gauge steel speaker stands (2 columns) in sleek matte black finish
  • Spikes: easy carpet placement with smoothly attachable and detachable spikes
  • Padded feet: a nifty option for solid floor placement.

In other words, VIVO offers a stylish neutral look, and it’s heavy-duty and easy to assemble. For a pretty low budget, VIVO is as sturdy as it gets. If you prefer to conceal the cords, this may not be the right option though, since there is no cord management.

Best for: home and semi-pro studios, monitors weighing up to 22lbs.

6. Pangea Audio DS400 →

Pangea Audio DS400Heavy-duty 32” speaker stands, Pangea is a high-quality steel model that holds the speaker firmly for best performance.

Here are the features:

  • Durable, all-steel
  • You can fill all four support piers with sand or steel shot
  • Adjustable bottom spikes for better carpet standing
  • Four rubberized top pads for speaker isolation
  • Supports a bunch of compact speakers as well as larger monitors.

The DS400 utilizes sturdy support piers and provides a rigid base for compact monitors and bookshelf speakers. Stylish, impressive, worth every penny.

Best for: amateur and pro recording studios, large monitors.

Now that you’re familiar with some nice speaker stand options, you might want to supplement your acoustic infrastructure with isolation pads for better decoupling and sound performance. Check out my brief roundup of iso pads, and pick what feels right!

7. DR Pro SMS1BK (36″) →

DR Pro SMS1BKA wooden model, the DR Pro is a popular studio monitor stand despite the traditional drawbacks associated with wood.

How does DR stand out?

  • The model has a hollowed-out cavity that you can fill with the right material for greater density
  • Thus, you can boost acoustic isolation between the monitor and the floor
  • Shipped in various versions, e.g. DR Pro Maple Wood.

All this should be taken with a pinch of salt though. Wooden models  are far less durable. Plus, they have a larger footprint and you can’t adjust their height.

Best for: smaller studio monitors and speakers

A Final Word on Studio Monitor Stands

Spending hours recording in the studio only to find out that your tracks don’t sound quite right is frustrating.

One of the most common problems is that the speakers aren’t properly positioned.

This can happen for a number of reasons, but one of the most common is that the speaker stands aren’t positioned right.

If your speakers are too low or at the wrong angle, they won’t be aimed at your ear level properly and you won’t be able to hear all the detail in your tracks.

This can lead to subpar recordings that don’t represent your hard work accurately.

That’s why choosing the right speaker monitor stands for your studio is so important. The right stands will place your speakers at the perfect height, so you can hear all the details in your tracks and create a better mix.

With the guide above, you can find great monitor stands that will set you up for success.

Have a question about choosing the right studio monitor stand? Comment below and we’ll help.

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7 Best Studio Rack Mounts & Cabinets for Home Recording (2023 Guide) https://myelearningworld.com/best-studio-rack-mounts-for-home-recording/ https://myelearningworld.com/best-studio-rack-mounts-for-home-recording/#respond Mon, 11 Dec 2023 16:23:41 +0000 https://myelearningworld.com/?p=2682 The best studio rack mounts provide you with a safe, accessible space to set up your equipment in your home studio.

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Choosing the right studio rack mount is incredibly important for home studio owners as it directly impacts the organization, efficiency, and overall functionality of your recording setup. A studio rack mount serves as the backbone for housing and organizing various audio equipment, such as preamps, audio interfaces, compressors, equalizers, and other fancy gear.

If you’re a beginner to recording, it might seem like a good idea just to place your equipment on shelves and go from there. But here’s the thing I’ve learned over the years, doing this compromises the very sound quality you are trying to produce. Every piece of equipment has a vibration signature. Placing them on a shelf magnifies that signature.

Studio equipment also produces considerable heat. Placing them on a solid object of any type creates a barrier that reduces the exhaust of heat. Take it from the professionals: the only way to combat these two critical concerns is to use a recording studio rack mount or studio rack cabinet.

I’ve reviewed and ranked the best rack mounts for studio equipment based on numerous key factors, including quality, size, style, and price (click here to learn about our entire Editorial Process & Methodology for product reviews). This guide has been fully updated for 2023, so you can be sure you’re getting the latest information on the best current products to help you make an informed buying decision.

And if you don’t feel like reading the whole guide, you can see my top pick for a rack mount here:

On-Stage RS7030 Rack Stand On-Stage RS7030 Rack Stand
$44.53

This 12-space studio rack can securely hold several pieces of gear of up to 115 pounds. The black powder-coat finish also makes it very durable and prevents it from chipping over time.


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01/17/2024 04:22 am GMT

What are the Best Studio Rack Mounts?

Here are our picks for the best audio racks for a home studio environment:

  1. On-Stage RS7030 Rack Stand
  2. Odyssey Carpeted Studio Rack
  3. Samson SRK-12 Rack Stand
  4. StarTech.com Wall Mount Bracket
  5. KENUCO Vertical Wall Mountable Rack
  6. Procraft Equipment Rack
  7. StarTech.com 12U Open Frame Rack

1. On-Stage RS7030 Rack Stand →

On-Stage RS7030 Rack Stand On-Stage RS7030 Rack Stand
$44.53

This 12-space studio rack can securely hold several pieces of gear of up to 115 pounds. The black powder-coat finish also makes it very durable and prevents it from chipping over time.


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What’s Inside: Support bars and braces with screw fasteners and additional rack screws to fasten up to 12 equipment modules.

Top Features: I am choosing the On-Stage RS7030 Rack Stand first because it is an excellent example of the bare-bones or basic approach to the issue of mounting home studio equipment.

The stand offers space for up to 12 units, so all your basic home studio equipment should comfortably fit with a good amount of room to spare.

The steel tubing supports a maximum of 75 pounds of equipment without bending, and its angled style provides easy access for the user to every module.

The rack is usable anywhere in a studio or on stage. It can be placed beside a desk, on a platform, or elevated near musicians on stage for easy access during performance.

One of the things I like is this frame is easy to assemble and can be broken down and reassembled in minutes with each gig stop.

Best Use: This rack mount is best used in a home studio but sees a lot of use on performance stages.

2. Odyssey Carpeted Studio Rack →

Odyssey CRS08 8 Space Carpeted Studio Rack Odyssey CRS08 8 Space Carpeted Studio Rack
$169.79

This carpeted studio rack is built from 3/4" Plywood and offers an angled face so you can easily see and access your gear. 

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01/17/2024 02:57 am GMT

What’s Inside: The rack-mount system is already assembled and ready to receive equipment. Unfortunately, the kit does not include rack screws, so you need to purchase those separately.

Top Features: Rated as a portable system, Odyssey URS08 8 Space Carpeted Studio Rack comes in only one size.

Though the design features a slanted front to allow easy access to equipment controls, the back is vertical, creating an ever-diminishing space for equipment. The bottom of the cubicle allows equipment up to 15.9 inches in depth while the top of the cabinet only allows 12-inches.

You should consider these dimensions while choosing your devices to ensure you have room.

The cabinet is completely enclosed with one-inch thick plywood making a sturdy structure in which to house your equipment.

The structure is 19 inches in height with apertures that accept up to eight devices.

The outside carpeting serves as an insulator and presents an attractive appearance.

The item is portable and wears well when shipped from one place to another. It is priced in the mid-range of the rack mount market.

Best Use: The Odyssey URS08 8 Space Carpeted Studio Rack is best used in a home studio environment and is small enough to be placed on the side of your desk for easy access to the control units. Some traveling musicians use the rack on stage as it has wheels and is portable. With its laptop computer-sized flat top, I have seen this rack used as a multifunctional podium in classrooms and churches.

3. Samson SRK-12 Rack Stand →

Samson SRK-12 Universal Equipment Rack Stand Samson SRK-12 Universal Equipment Rack Stand
$179.99

The Samson SRK12 is a universal studio equipment rack designed to easily accommodate all of your rack-mounted gear. It's made from heavy-duty steel built to last and has fully enclosed side panels and front and rear rack rails. It's compatible with both US and metric screw thread sizes and both sets of screws are included.

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What’s Inside: The kit comes in a flat pack that includes two steel side panels, a steel plate bottom and top panel, two steel rack posts, and a package of screws in both US and European sizes to accommodate equipment purchased from either source. The rack comes with four 3-inch casters and a single-space blank panel.

Top Features: The Samson SRK-12 Universal Equipment Rack Stand comes in four sizes including eight-unit, 12-unit, 16-unit, and 21-unit versions and is the costliest of the racks I considered for this list.

The rack accommodates the standard 19-inch equipment packages and has a consistent depth of 18 inches with an allowance of overlap beyond that if needed through the open back.

The casters are large enough to roll across carpet even when the rack is fully loaded.

I found this rack a pleasant surprise when using it in my home studio as the smaller eight-unit size fits beneath a desk, and the largest 21-rack size works well as a high-end rack that sits against a wall.

The rack-mount is easy to assemble with clear instructions and plenty of screws and cage nuts to support any equipment you wish to include.

When the casters are attached, this sturdy unit can handle up to 350 pounds of equipment. Removing the casters lets you upgrade to nearly 500 pounds.

Best Use: The best use for this rack mount system is in a home studio. Many musicians gravitate to this rack as the large casters allow easy movement across a stage, or from transport to the stage, and the casters are lockable once the rack is in place. The largest version is seeing use in customer service sites.

4. StarTech.com Wall Mount Bracket →

StarTech.com 6U Wall Mount Network Equipment Rack StarTech.com 6U Wall Mount Network Equipment Rack
$63.99

This sturdy studio rack allows you to safely wall mount your equipment to save space and make it more accessible. It's 14" deep and can handle up to 44 pounds of equipment.

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01/15/2024 11:47 pm GMT

What’s Inside: The kit includes a fully assembled wall-mountable rack system and the screws needed to mount the rack on the wall. Each kit also includes enough screws and cage nuts to install the highest number of rackable devices dependent on the size of the rack ordered.

Top Features: The StarTech.com Wall Mount Patch Panel Bracket comes in three sizes—6-unit, which can handle up to 44 pounds, 8-unit that takes as much as 80 pounds, and 12-unit, which handles 120 pounds of equipment.

These racks are constructed to be mounted on a wall. If you place them on a desk or other flat surface without mounting them, then the weight capability drastically drops.

Bear in mind when purchasing these racks that they are only 12 inches in depth. If your equipment is deeper than that, then it will not fit.

Remember, you also must allow for cable attachments in the rear of the devices, so the 12-inch limitation is further reduced, especially if you are using a high-grade stiff cable to shield from interference.

My recommendation when purchasing these racks is to find some four-inch mount extensions or build your own but cutting sections from a 4×4 block of wood. Using the extension allows you to use deeper equipment and makes it easy to attach or detach your cables.

Yes, there are convenient cutouts in the back of the rack where you can run your cables.

The advantages of these racks are that they are cheap, permanently installed, and look great when filled.

Best Use: These racks are not portable. That factor alone restricts their use to home studios or small businesses.

5. KENUCO Vertical Wall Mountable Rack →

KENUCO 19 Inch Steel Vertical Rack and Wall Mountable Server Rack Mount (Black-2U) KENUCO 19 Inch Steel Vertical Rack and Wall Mountable Server Rack Mount (Black-2U)
$39.99

This low profile, highly durable wall rack can handle up to 75 pounds of gear, including studio equipment, server gear, telecommunications devices, and more. It offers open airflow to ensure gear is properly ventilated.

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01/16/2024 08:17 am GMT

What’s Inside: The kit includes the rack, eight screws, eight connectors, four wall-mounting bolts, and an Allen wrench of the appropriate size.

Top Features: The KENUCO 19-Inch Steel Vertical Wall Mountable Rack is an original and unique product in the rack mount market. It is a step above the StarTech.com version that holds equipment in a vertical format, which allows you open access to the connections and controls.

The solid steel construction lets you hang up to 175 pounds of equipment in a small space within your home studio, freeing up more space in cramped studio environments.

The product costs nearly double that of the StarTech.com wall mount rack but more than makes up for it in convenience.

Best Use: The vertical rack mount is a perfect fit in a home studio or a small business where space is at a premium.

6. Procraft Equipment Rack →

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01/15/2024 11:52 pm GMT

What’s Inside: The kit includes the rack and a set of screws and washers to attach up to four pieces of equipment.

Top Features: The Procraft 12-Inch Equipment Rack is one of the most portable racks on the market. Housing up to four units, this rack, when filled with equipment, is light enough to be carried by the leather strap conveniently attached to the top.

When using this rack, you will find yourself limited to mounting equipment that is only nine inches in depth.

The original intent that drove Procraft to create this rack was to perfect a commercial rack that would sit easily on a desk.

Of course, musicians and other performers found other advantages for its use as its visible presence on stages across the globe attest.

Some users find themselves removing the back rails to install deeper equipment.

The rack consists of an attractive birch plywood and sports a carpeted bottom to reduce vibrations wherever it is placed.

Best Use: The Procraft 12-Inch Equipment Rack is best used as a desktop rack in a home studio.

7. StarTech.com Open Frame Rack →

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What’s Inside: The kit includes two support flanges, two post bars, and a structural support brace. It comes with 20 M5 screws and cage nuts, allowing you to install up to five devices immediately after assembly.

Top Features: The StarTech.com 12U Open Frame Rack comes in a variety of sizes—eight-unit, 12-unit, and 16-unit. I chose this rack because it is constructed with strong steel posts to support even the heaviest of equipment in a compact and limited space.

The modern design takes advantage of physical laws to provide the type of support that an entrepreneur appreciates.

The eight-unit rack stands a mere 24 inches in height, the rack takes up little room while providing easy access to the equipment for performers and producers alike.

The 12 and 18-unit racks stand 36 and 48 inches in height respectively and require placement other than under a desk.

Sturdier than the On-Stage rack stand, the rack supports up to 140 pounds of equipment without a grunt.

Coming in a hinged design, the rack is easily moved from one place to another.

Best Use: This rack is built for use in tight spaces, making it ideal for the small home studio. I recommend you consider purchasing it for your second generation of equipment, which is normally heavier than your beginning set of devices.

Additional Equipment for Your Studio Rack

I have included this section as information for any new home studio builders. The section includes essential rack gear for your home studio.

NavePoint Ventilated Shelf →

NavePoint Ventilated Shelf

The NavePoint Cantilever Ventilated 10-Inch Shelf is a useful piece of equipment that takes up only one unit of space in your rack. Its ventilated design allows airflow, and it fills any of those ugly spaces you may have left between equipment while constructing your rack. If you need more depth, it also comes in a 14-inch version.

PDU Power Strip Surge Protector →

PDU Power Strip Surge Protector

Another piece of equipment that covers an unused space is the PDU Power Strip Surge Protector. Instead of using a vulnerable external protector that may unplug or disconnect without notice, this protector fits directly into your rack.

Power Conditioner and Surge Protector →

Furman Power Conditioner and Surge Protector

The Furman M-8X2 Merit Series 8 Outlet Power Conditioner and Surge Protector serves the same purpose but is a bit more expensive.

NavePoint Blank Rack Mount Panel →

NavePoint Blank Rack Mount Panel

The NavePoint 1U Blank Rack Mount Panel serves as a less costly cover for blank spaces and comes with a ventilated surface to encourage airflow for your studio equipment.

NavePoint Lockable Drawer →

NavePoint Lockable Drawer

To add security along with the convenience of accessibility to your blank space, the NavePoint Server Cabinet Case Lockable Drawer works well to hold those small necessities that every home studio discovers. Pencils, pens, pads, and cards are among those things that litter desks in home studios. Mounting storage drawers in the blank space in your rack cleans your desk while organizing your extra studio equipment.

The DIY Alternative

There are two DIY YouTube videos by Richard diZerega, that I find interesting. They inform you how to build your studio equipment. If you are an avid DIY addict like I am, then you will enjoy these videos. The first is an instruction video on how to build a Studio Equipment Rack. The video includes the sizes of the parts, how to put them together, and how to mount your equipment easily.

The second video involves instruction on how to build a Studio Desk. In this video, Richard includes how to find the correct measurements for the design you favor, how to protect the surface, and how to adjust measurements to accommodate either square or angled rack mounts. After watching these videos, you will appreciate the time and effort that goes into constructing these essential pieces of home studio equipment. The challenge may influence you to purchase a ready-made product, or may, if you are anything like me, set you on the road toward building your own.

What is the Rack Mount Size?

What is the Standard Size of Studio Rack Mounts?

What I find interesting about the standard sizes in-studio rack mounts is the consistency that they employ.

The consistent element has created a market where rack-mounted equipment is restricted to the width of the traditional rack mount, 19-inches, with the height occupied by the module inside of the rack regulated in units. Each unit is 1.75 inches in height.

Many modules are built higher, with some reaching more than ten-units in size.

For the home recording studio, the largest device that you will use is likely four-units.

The Proper Order of Installation on Your Rack Mount

Order of Installation in a Home Studio Rack Mount

For most of us, our home studio does not include the advanced airflow systems found in production studios.

The unwritten rule is to keep the ambient temperature around your studio equipment below 85-degrees Fahrenheit.

Your home studio rack mount provides the area necessary to allow for heat dissipation.

The rack design configures 0.5 inches of open space between each unit and 0.24-inches of space on each side, allowing for air to flow naturally and cool the equipment.

The trick is to place a module that generates the most heat at the top of the rack creating a chimney type of effect that draws cool air from the bottom and sides of the rack. The order of installation, then, is determined by the module’s heat signature.

Here is the correct order of module installation in a home studio rack mount from top to bottom:

  • The power conditioner regulates all power that runs through your equipment. Since all power runs through this module, the heat signature is significant and continuous
  • The multi-channel mic preamp is filled with micro-circuitry that produces a tremendous amount of heat. Placing it near the top helps in establishing a chimney airflow effect that whisks away heat
  • The headphone amp is a key component of the home studio system. It allows the operator to increase or decrease pure sounds coming through the device to get the perfect aural quality. The device generates little heat
  • The monitor management system is a light-weight module that basically distributes the volume to create the stereo effect. Its heat signature is virtually non-existent
  • The audio interface works to condition sound and removes noise through a series of in/out cables and switches. The process generates so little heat that the module is the perfect choice to occupy the bottom position of your rack

How to Install Equipment on Your Studio Rack Mount

Rack-mountable equipment has ears installed at the factory. These ears are placed appropriately to fit the standard frame.

Looking at the ears, you can see the tapped holes that match the holes drilled into your rack.

With an assist from another person, these modules are easy to install as you have someone to hold the equipment in place while making the attachment.

If you are alone, the process is more daunting. It is difficult, at best, to hold the equipment in place while screwing in the fasteners. Heavier modules may be simple for a modern Hercules to install but are nearly impossible for most of us.

Many first-time designers of their home studio lay their racks with the back to the floor and place the equipment into the rack, screwing them into place before setting the rack upright.

This technique works well during your initial efforts to construct your studio. If you are adding equipment later, using such a method would require you to disconnect all your existing equipment before laying the back of the rack on the floor.

Types of Studio Rack Mounts

The main types of rack mounts and studio rack cabinets for homes studios come in three categories, including:

  • Basic studio racks are the cheapest available and works well in the home studio where the function is more valuable than fancy design
  • The portable rack is designed for use by musicians and groups while on the road. Portable racks are more expensive as portability requires a stronger framework and reliable, lockable wheels
  • The high-end studio rack is the most expensive on the market. I do not recommend these for a home studio due to the cost. These racks are insulated with a soundproofing material that does not conduct heat and therefore requires a silent fan to create airflow to protect your expensive equipment from heat damage

A Final Word

There are innumerable reasons for setting up a home studio.

Whether you’re looking to record music, do voiceover work, make a podcast, or do something else, having the right equipment is essential.

Whatever drives you to build a home studio, don’t get discouraged by the complexity you find there.

When you are stuck, go to My Voiceover Equipment to find an answer.

If you are looking for equipment beyond audio racks, then check out some of my other guides below for my analysis of those important pieces that add so much to your home studio:

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How to Clean a Microphone in 5 Steps [+Useful Videos and Links] https://myelearningworld.com/how-to-clean-a-microphone/ https://myelearningworld.com/how-to-clean-a-microphone/#respond Mon, 11 Dec 2023 15:27:24 +0000 https://myelearningworld.com/?p=3828 Knowing how to clean a microphone properly is very important for those that use these devices often.

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As an instructional designer who spends a ton of time in my studio creating courses and modules, I’m a big believer that maintaining clean, high-quality audio equipment, especially microphones, is incredibly important.

Whether you’re recording voiceovers, podcasts, or instructional videos, a clean microphone ensures that your audio is crisp and clear, free from any interference that dust or dirt might cause. Not only that, regularly disinfecting microphones is an important for helping keep everyone healthy and avoiding cross contamination.

In this article, I’ll cover the importance of practicing good hygiene with audio gear, how to clean both condenser and dynamic microphones, the tools and products to use for microphone cleaning, the things to avoid, and the steps to follow during the process. Knowing this valuable information will greatly benefit you, your devices, and anyone else who uses them.

 

The Importance of Hygiene When It Comes to Audio Equipment

How to Clean a Microphone

Since we speak into microphones and our mouths spread germs quickly, these devices can become extremely dirty. 

It is also common for handheld microphones to frequently be passed around, used, and held by different people.

Even if you may be unable to see it, this causes saliva, sweat, makeup, and skin particles to land on the devices.

If you do not clean your microphone often, it will cause a build-up on it. You can determine if your audio equipment has a build-up by opening the top part and taking a look inside. By choosing to continuously ignore this build-up, the particles will continue to accumulate, and your device may begin to sound muffled.

The reason for this is because build-ups in a mic can significantly reduce its frequency response, which will cause the device not to perform to its best ability. Therefore, if your device is sounding unusual and has not been cleaned in a long time, you should check to see if it has a build-up.

The Importance of Hygiene

To keep everyone safe, healthy, and happy, you should practice good hygiene with devices just like you would with any other item in your home or office space.

Cleaning a microphone consists of fully removing germs and dirt with soap and water, and disinfecting a mic consists of eliminating germs with chemical products to kill bacteria. Most people choose to first clean the device then disinfect it for extra protection against germs, bacteria, and dirt.

It’s important to keep in mind that there is no single wrong or right way to clean your device as long as you thoroughly clean it as often as possible. However, there are some recommended cleaning dos and don’ts for taking care of your mics as best as possible.

Below, I will provide a guide on how to clean two popular types of devices, the dynamic and condenser microphones, in which you can follow for inspiration.

 

How to Clean a Dynamic Mic

In my experience, dynamic microphones are the easiest to clean. Most of the dynamic mics have a grille that is very easy to unscrew and separate from the body of the device, making microphone cleaning pretty simple.

Tools and Products for Cleaning a Dynamic Mic:

Tools and Products for Cleaning a Microphone:

  • Washing liquid which is typically used to wash dishes
  • A toothbrush
  • Cleaning surface disinfectant wipes
  • A paper towel roll

Things to Avoid while Cleaning a Dynamic Microphone:

Things to Avoid

  • Avoid using any cleaning product that contains bleach
  • Avoid using hydrogen peroxide
  • Avoid using hand sanitizers
  • Avoid using abrasive cleaning materials that may be too rough on the device, such as a scouring pad or scrub brush
  • Avoid excessively hot water. Warm water works best.
  • Avoid placing the device back together before it is completely dry to avoid rust

5 Steps of Cleaning a Dynamic Mic:

5 Steps to Clean a Dynamic Mic

1. Remove the Grille

The first step is to gently remove the grille from the body of the device. It should easily come off with a firm twist and unscrewing. Do not use too much strength or you could permanently damage the device.

After you have successfully detached the grille, remove the foam windshield as well. You may begin to notice that the foam windshield has saliva build-up, and the grille has lipstick, dirt, and saliva build-up.

2. Wash the Grille

Next, you will need to use the toothbrush to apply warm water and washing liquid. Begin scrubbing the grille of the device to get rid of any build-up. Be gentle and ensure that you get into all corners and edges.

3. Dry the Grille

Completely dry the grille with paper towels before reattaching it to the device. If you do not make sure that it is entirely dry, you may cause the device to rust. Air drying is another method you can use if you have the extra time.

4. Wash the Windscreen

Now, you will need to wash the foam windshield with water and washing liquid until you are sure that all build-up has been completely eliminated. Again, you will need to make sure that the foam windshield is entirely dry before putting it back on the device. I would recommend letting it air dry overnight or using a blow dryer if you need it to dry quickly.

5. Clean the Mic Body

Use the surface cleaner disinfectant wipes to wipe down and clean the body of the device.

If you need to clean your dynamic audio gear quickly between multiple people using it, use a mouthwash that has been diluted with water. Make sure the device stays upside down while scrubbing the grille to ensure that all particles fall out. This will not be an extensive cleaning, but it will at least assure the next user that the equipment is clean for them to use.

For a visual look at how to clean a dynamic microphone, watch Worship Leader Hangout’s YouTube video. The individual in the video gives an in-depth guide on how he sets up a routine to clean and sanitize his dynamic devices to prevent the spreading of germs.

 

How to Clean a Condenser Mic

Cleaning a condenser device is usually a little more difficult than a dynamic one. This is because condenser devices are more fragile which means you must be very careful.

Tools and Products for Cleaning a Condenser Microphone:

  • A toothbrush
  • Cleaning surface disinfectant wipes
  • Paper towel roll
  • Washing liquid which is typically used to wash dishes

Things to Avoid while Cleaning a Condenser Mic:

Things to Avoid while Cleaning a Microphone

  • Avoid using any liquid products directly on the condenser microphone element itself. Only clean the grille and windscreen.
  • Avoid using any cleaning product that contains bleach
  • Avoid using hydrogen peroxide
  • Avoid using hand sanitizers
  • Avoid using cleaning materials that may be too rough on the device, such as a scouring pad or scrub brush
  • Avoid excessively hot water. Warm water works best.
  • Avoid placing the device back together before it is completely dry. Even a tiny bit of moisture will permanently damage the condenser device.

5 Steps of Cleaning a Condenser Mic

5 Steps to Clean a Condenser Mic

Depending on if the grille of your condenser device is able to be removed or not will determine how you should clean it.

1. Remove the Grille

Carefully remove the grille from the body of the device if possible. This may be tedious and require removing screws. Ensure that the device itself never comes into contact with any water or liquid products. A tiny amount of moisture can cause permanent damage to the device.

2. Wash the Grille

If the grille is able to be removed from the device, take the windscreen off as well. Begin washing the grille with a toothbrush and washing liquid just like you would for the dynamic device. Use warm water and focus on eliminating the build-up that may be on the grille. Also, check the corners and edges for hidden particles.

If the grille is unable to be detached from the device, gently use a dry toothbrush to scrub the grille. Hold the device upside down to let any dirt and particles fall out onto the ground. Try not to push any grime or toothbrush bristles through the grille, or it will be stuck in the chamber forever.

3. Dry the Grille

If you have a detachable grille that you were able to wash, dry it completely before reattaching it to the device. This is an extremely crucial step because a wet microphone grill will significantly damage a condenser device. You can use a paper towel, but I would also recommend using a hair dryer or letting it air dry to ensure that it is 100 percent dry.

4. Wash the Windscreen

Next, you should begin washing the windscreen with water and washing liquid until you are sure that all build-up has been removed. As stated before, you will need to be sure that the windscreen is completely dry before placing it back on the device. This is very important. Air drying overnight or using a hair dryer is the best way to dry the windscreen.

5. Clean the Mic Body

Use the surface cleaner disinfectant wipes to wipe down and clean the body of the device.

Replace Windscreen with a Clean One

If there are multiple people using the same condenser device and you are unable to clean it after each use, I would recommend using removable external foam windscreens that can be cleaned quickly and easily with soap and water. By using these, you will be able to switch out windscreens and clean them, which ensures that the audio gear will be protected from germs and grime.

However, it is important to remember to make sure that the removable external foam windscreen is completely dry each time by using a blow dryer because water cannot touch a condenser microphone at all.

To find out more information and see somebody clean a condenser mic, take a look at Eklo’s YouTube video. In the video, he takes the time to show how he cleans his large condenser device using simple products like a paintbrush and distilled water.

 

Additional Parts of Microphone Cleaning

These parts also collect a lot of bacteria and germs! When cleaning microphones, make sure you also sanitize these components…

Cables

Most people probably do not think about it, but cables do need to be cleaned every once in a while. They are typically on the floor, ground, or on a surface that can easily collect dirt, dust, and particles that have fallen. To clean them, gently rub them with coconut or olive oil. This is a simple, quick way to get rid of anything that may have fallen on the cables.

You can also use warm water and soap if you do not have any oil, but you should make sure that no water or soap enters the connectors or goes near the mics. After cleaning, let the cables air dry for a few days to ensure that all germs have been killed.

How to Сlean a Cable
It is important to clean not only the microphone but also its cable

Another method to try is UV-C light which is known to eliminate any germs. By exposing your cables to UV-C light as much as possible, they will remain clean and germ-free. This type of light will not affect the functionality of the cables, but you should be sure to protect yourself when close to the light.

Do not sanitize cables, as it will cause the cable jacket to wear and tear.

Windscreens

As mentioned above, be sure to always remove foam windscreens from the devices and wash them carefully with warm water and soap. Air dry them for a couple days or blow dry them for quicker results.

It is not recommended to apply isopropyl alcohol (rubbing alcohol) or chemicals to the windscreen because it will damage it. Therefore, you should thoroughly wash the windscreen to ensure that all germs and dirt are completely removed.

 

Final Thoughts

As I’ve said, knowing how to clean a microphone is a great idea. You might feel like it’s an unnecessary step or that it adds to your daily tasks, but it’s worth taking the time to do.

Once you make the process of cleaning mics a part of your studio maintenance routine, it should become a normal part of your day. It is important for hygiene and cleanliness, which is important for you, your audio equipment, and others who may use it.

Have any questions about how to clean a microphone? Comment below and we’ll help you out.

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How to Change Mic Sensitivity in Windows for Quality Recording https://myelearningworld.com/how-to-change-mic-sensitivity/ https://myelearningworld.com/how-to-change-mic-sensitivity/#respond Mon, 11 Dec 2023 14:59:16 +0000 https://myelearningworld.com/?p=4541 Adjusting the sensitivity of your microphone properly can significantly enhance the overall quality of your recordings and live streams.

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Are you wondering how to change mic sensitivity in Windows so you can improve the quality of your recordings, conference calls, or live streams? Maybe you need to turn up the mic sensitivity to better pick up your voice. Or maybe the microphone device is too hot, and you need to reduce the sensitivity. No matter the type of recording you’re doing, your mic sensitivity can determine things like the clarity of your sound capture, your ability to apply post-processing, and more.

As an experienced eLearning creator, I’ve learned that the quality of your audio can make or break the effectiveness of your digital content.

In this article, I’ll guide you through the simple yet crucial steps to adjust your microphone sensitivity in Windows to ensure your recordings are clear and free from unwanted background noise or distortions. Whether you’re recording voiceovers for tutorials, lectures, interactive modules, or any other purpose, mastering this aspect of audio setup will significantly enhance the overall quality of your educational offerings.

A Primer on Mic Sensitivity

Mic sensitivity is the degree to which a capsule picks up sound.

A microphone capsule is usually comprised of internal components like a diaphragm and solid plate that measure changes in air pressure through sound waves. A sensitive device will have a diaphragm that vibrates easily, meaning it will measure smaller changes in air pressure resulting in more sensitivity.

Microphone Components

By and large, condenser mics (b) tend to be more sensitive because they employ this type of internal design. As a result, condenser models are usually used in studio recording environments to capture natural sounds and sounds that require detail.

Dynamic mics (a), on the other hand, employ components that are less conducive to movement and electricity. As such, they tend to be less sensitive and are suitable for live recording and the audio recording of louder sounds.

One important thing to note about microphone sensitivity is that there is no way to increase or decrease sensitivity after a sound has been recorded.

While there are software solutions available that can clean up or restore damaged sound files, the audio has been recorded at a certain level. You can’t fix mic sensitivity after the fact, so what you’ve recorded is what you’ve recorded.

This is why it’s a good idea to understand the difference between mic volume and mic sensitivity in order to get a recording right the first time.

Microphone Volume vs Sensitivity

In the world of recording, there are plenty of times where certain jargon gets used in the wrong context. For the most part, this doesn’t cause too many issues for seasoned veterans, but if you’re just starting out in recording, confusing terms with one another can lead to problems in a hurry.

Sensitivity is not Volume

An example of this can be found when talking about mic sensitivity and microphone volume or gain. These terms may get used interchangeably as they relate to how loud a sound is during the recording and playback processes, but they have very different meanings.

If you’re confused about these terms, you may not know how to adjust microphone sensitivity settings or select the right mic for your needs based on sensitivity. In doing this, you may be adding more gain and causing distortion and clipping in your sound capture.

Volume can be understood as how loud a sound is perceived based on the magnitude of the sound waves of an audio source.

In simpler terms, volume is how loud a sound is to the listener.

If you’re standing in front of a jet engine when a plane takes off, you’re going to perceive the sound as much louder than someone who hears the same sound a mile away. This is because volume is about perception, and perception of sound is usually based on proximity to a sound source and how easily the sound waves can be captured by the listener.

Sensitivity, on the other hand, is based on the point at which sound waves begin to be perceived.

You can compare sensitivity in recording gear to how your ear drums work.

When you hear a sound, you only perceive the sound and its volume because sound waves cause your ear drum to vibrate. These vibrations are translated by your brain into sound. The stronger the vibrations and the closer you are to a sound source, the more volume is perceived.

Sound Volume and Microphone Sensitivity

So, mic sensitivity is based on how easily it perceives volume.

It perceives volume by using internal components like diaphragms that measure sound waves. The diaphragm can be thought of as your ear drum.

A very sensitive device will have a thin diaphragm that reacts to sound waves easily, but a less sensitive model will require sound waves to have a greater magnitude in order to register.

This is also why you can be farther away from a sensitive microphone and still capture audio, but you need to be loud and close to a dynamic one to get the same result.

Adding more volume or gain to a mic input signal only amplifies the perceived sound. It doesn’t actually make the device itself more sensitive to picking up sound.

Can You Change Mic Sensitivity?

For the most part, sensitivity is based on how the microphone was manufactured.

Typically, the mic sensitivity can only be altered by changing its polar pattern.

The polar pattern determines which part of the capsule is active and at what angle. Ultimately, this can change which areas of a capsule are energized to determine where sound sensitivity will be greatest and from which direction.

Microphone Polar Patterns

While you may not have many options to fix mic sensitivity, software can be used to control the volume input of most microphones in Windows to achieve greater control over gain levels. This emulates a change to sensitivity by reducing the potential for a mic to clip and distort recordings, allowing you to record a whisper and turn up the volume to make the sound equal to a yell.

Some sound cards and audio driver enhancements may also give you options to employ noise cancellation effects in the recording path.

How to Adjust Microphone Sensitivity Settings in Windows 10

Windows 10 offers a number of sound control features for audio professionals and beginners alike.

Unfortunately, failing to properly configure and fix mic sensitivity (actually, gain) in Windows 10 can lead to recordings that suffer from background noise, unwanted breath noises, sound pop-in, and other audio issues.


Thankfully, you can adjust mic sensitivity (gain) in Windows 10 by following these simple steps:

  1. Left-click on the “Start” button on your desktop home screen. This button looks like the Windows logo and is usually located in the bottom left of the home screen by default.
  2. Select “Settings” by left-clicking on the gear icon in the list that appears.
  3. You then want to left-click on “System” to bring up a list of adjustable system settings.Steps 1-3 to Adjust Mic Sensitivity in Windows 10
  4. Select “Sound” from the list on the left.
  5. Under the “Input” section, make sure your preferred mic is selected as the current input device.
  6. Left-click on “Device Properties”.Steps 4-6 to Adjust Mic Sensitivity in Windows 10
  7. Left-click on “Additional Device Properties” which can be found on the right side of the screen.
  8. This will open a new microphone properties window with options located in various tabs. Left-click on the option for “Levels”.
  9. Here, you will have the ability to change the microphone level and possibly a microphone boost setting that can determine the volume of your mic signal coming into your computer.

Steps 7-9 to Adjust Mic Sensitivity in Windows 7

Please note that your specific device may or may not have the ability to change all of the settings listed above. Some audio drivers and audio processing units will have their own proprietary settings. If you are unable to find settings to make changes to your microphone input or sensitivity, please contact your mic manufacturer for more details.

How to Reduce Background Noise and Buzzing in Windows 10

You may also be able to reduce background noise and buzzing in your microphone by ensuring that all cords are connected properly. A poorly connected or damaged cable can cause a connection not to be grounded properly, and this can lead to a buzzing in your sound output from the mic.

Background Noise

Some noise cancellation enhancements may also be available depending on your audio driver and sound card. These are usually proprietary add-ons that are accessed through a separate control panel that gets installed when you install your micropone drivers.

How to Check the Driver

If you want to know more details about the driver that is controlling your mic, you can check it by:

  1. Follow steps 1-7 as listed above.
  2. Instead of selecting “Levels”, make sure you’re on the “General” tab.
  3. Left-click on “Properties” in the “Controller Information” section. This will open a new window.
  4. Left-click on “Driver” in the tabs provided. This will display information about the audio driver controlling your selected mic.
  5. You can also select “Driver Details” to get more in-depth information about the driver and its associated files.

Steps 2-5 to Check the Driver

If you have gone through all of the steps provided above to adjust sound settings, utilize enhancements and check the audio driver, but you’re still experiencing problems with microphone gain and sensitivity, you can run the Troubleshooter to have Windows automatically check for hardware and software problems.

How to Run the Troubleshooter

  1. Follow steps 1-4 as described above for accessing the “Sound” settings.
  2. Find the input device you want to troubleshoot and make sure it is selected in the drop-down menu.
  3. Left-click the button that reads “Troubleshoot” under the “Input” section.
  4. Follow the prompts. Windows will provide feedback and will attempt to automatically repair any problems it finds.

Steps 2-4 to Run The Troubleshooter

How to Change Mic Sensitivity in Windows 7

Although Windows 7 is a bit of an older version of the operating system, it is still used by many people across the world due to its efficient features, including its sound settings.

If you’re using Windows 7 to record and edit audio, you’ll be happy to know that you can also adjust mic sensitivity (gain) with ease.

Below are some easy steps you can take to fix mic sensitivity settings (gain) in Windows 7:

  1. Left-click on the “Start” button from your desktop home screen. This is the icon that looks like the Windows logo and is located in the bottom left corner of your home screen by default.
  2. Type “Sound” into the search bar.
  3. Choose “Sound” from the list “Control Panel”.Steps 1-3 to Adjust Mic Sensitivity in Windows 7
  4. In the window that opens, look for the tab labeled “Recording”. Left-click this option to see a list of audio input devices connected to your computer. The item with a green checkmark is the enabled input device.
  5. Left-click on the device you want to change.
  6. Once the item is highlighted, left-click on “Properties” in the bottom right of the “Sound” settings window.Steps 4-6 to Adjust Mic Sensitivity in Windows 7
  7. A new window will open with additional tabs. Select the tab labeled “Levels”.
  8. The “Levels” tab will provide you with options for “Microphone” and “Microphone Boost”. Use the slider controls to raise or lower the gain.
  9. You can also select the tab labeled “Enhancements” if available. This tab will provide you with additional mic controls that may include noise cancellation features for additional control over mic gain and sensitivity.

Steps 7-9 to Adjust Mic Sensitivity in Windows 7

As with Windows 10, you may not see all of these settings in Windows 7 due to differences in audio driver properties and microphone manufacturer specifications. If you are unable to find all of these settings when trying to adjust sensitivity or input gain, contact your mic’s manufacturer.

Useful Resources

Final Thoughts

Although software can help when making adjustments to mic sensitivity, you should also consider your recording environment.

A device that is sensitive by design, such as a condenser mic, will produce better results when used in a recording studio that has been acoustically treated as opposed to being used in a noisy recording environment.

This is also good to know if using your mic for Zoom meetings and other online chat purposes.

By combining the right model and the right recording environment with the knowledge of how to adjust microphone sensitivity, you can have better control over your recording experience and the quality of your audio.

Have any questions about how to change mic sensitivity on your computer? Comment below and we’ll help you out.

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How to Fix High Pitched Noise from Microphone: Step-by-Step Guide https://myelearningworld.com/how-to-fix-high-pitch-noise/ https://myelearningworld.com/how-to-fix-high-pitch-noise/#respond Thu, 26 Oct 2023 20:43:58 +0000 https://myelearningworld.com/?p=4370 Learn how to fix high pitched noise from a microphone when recording or performing with this guide.

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During my years as an instructional designer, while crafting eLearning courses, I’ve faced a number of audio challenges. One particularly vexing issue? That high-pitched noise that sometimes emanates from microphones, turning a perfect recording into a jarring experience for the listener.

Having grappled with this issue more times than I’d like to admit, I’ve honed a set of strategies to tackle it head-on. There are certain things that you should look at when this noise emerges, such as your cables, drivers, volume setting, power supply, hardware, and more.

In this article, I’ll walk you through a step-by-step guide to diagnose and fix that pesky high-pitched noise, ensuring your recordings are crystal clear and free from distractions.

Why is a High Pitched Sound Coming from Your Microphone?

To learn how to fix high pitch noise from a microphone, you first have to determine what might be causing this problem.

First and foremost, you should ensure that your audio device is not defective, old and worn out, or simply needs to be replaced. If your gear is broken and cannot be fixed, it is likely to make a high pitched sound.

High Pitch Noise

However, it is sometimes another issue that you can easily find and fix.

A few of the things to check are the grounding, cables, drivers, volume setting, isolation, power supply, the hardware, electromagnetic interference, and more.

By looking at these things that could be affecting the sound of your microphone, you may be able to assess the problem and fix it quickly.

The Source of the High Pitch Noise Problem and Its Possible Solutions

If your microphone is not broken or faulty, there is a source that is causing the high pitch noise. The goal is to find this source and fix the issue. Below, I will give a description of each source that may be causing the high pitch noise problem.

1. Grounding

I would first recommend to check the grounding in your computer as well as your audio interface. Checking the grounding is the action of ensuring that electric static discharge is not occurring.

2. Cables

If you are not using a USB mic that directly connects to a computer, you most likely are using a mic with several cables. It is important that you look at and analyze the condition of your cables that connect the mic to the audio source. Cables may have holes, rips, and leaking air throughout them which may be causing the high pitched noises. It is also essential to make sure that your mic cables do not run across your computer’s power supply on the ground.

Tangled Cables

3. Drivers

The next source I would recommend checking are the drivers on your operating system as they’re a common cause of high pitched noises.

Your audio drivers that you downloaded may need to be uninstalled, redownloaded, and reinstalled again to solve the high pitch noise.

If your drivers are not up-to-date, this may very likely be your issue.

4. High Microphone Volume Setting

Check out the volume settings on your microphone. If it is too high, it could be causing the high pitch noise. When an audio device’s volume is too loud, it will bounce back and cause high pitched squeals.

High Microphone Volume Setting

5. Bad Isolation of Either the DAC or the ADC

DAC stands for Digital-to-Analog Converters, and ADC stands for Analog-to-Digital Converters. The DAC is known to convert digital input code into analog output signal, and ADC is known to provide analog signals over input voltage and convert them to digital representations. The ADC and DAC provide opposite functions for the mic. Therefore, they should never share the same power supply. By using the same power supply, you will cause distortion.

6. Power-Supply-Related Problem

Take a look at your power supply, which is what your mic, computer, and audio interface are connected through. The power supply is giving power to your devices. Therefore, if something is wrong with the power supply itself, there may be high pitch noise occurring.

Power-Supply-Related Problem

7. Inside Hardware

The hardware inside the microphone may be defective or working too hard which can lead to annoying high pitched noises.

Unfortunately, there is not much you can do if it is a hardware issue. Your only option may be to purchase a new microphone that’s in good working condition.

8. Electromagnetic Interference

I would suggest looking for electromagnetic interference. This can happen when your device is overloaded with residual electricity from other components. To prevent this, you should try to unplug some things and use separate power sources.

Solution to the Problem

When it comes to microphones, there are a variety of solutions to the high pitch noise problem. You should first notice and acknowledge the problem, find the cause or source of the problem, then solve the problem. If you have evaluated each source mentioned above and still cannot find the problem, your only solution may be to replace your audio equipment.

For more information on how to remove noise from your microphone, watch YourSixStudios’ YouTube video. He will give you an in-depth look at how to eliminate any noise in your microphone by using Windows 10 options. His goal is to help you improve your audio sound quality when recording, streaming, or playing video games.

Final Thoughts

I hope that this article on how to fix high pitch noise from a microphone was helpful to you and your mic issue. It’s very common for anyone who has owned an audio device to experience some type of noise problems, including high pitch sounds. My overall advice is to not panic and try to follow the recommendations mentioned in this article before purchasing a new mic.

If you are unable to find where the noise problem is coming from or determine what is causing it, I would suggest that you start looking for a new microphone. An XLR mic is an excellent choice to begin your search. You can check out my list of the best XLR mics to find the perfect one that will meet your needs.

Have any more questions about how to fix high pitched noise from microphone devices? Let us know by leaving a comment below so we can help you out.

The post How to Fix High Pitched Noise from Microphone: Step-by-Step Guide appeared first on MyeLearningWorld.

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15 Best Voice Over Microphones for Narrating & Voice Acting in eLearning (2023 Guide) https://myelearningworld.com/10-quality-voice-over-microphones-for-a-home-recording-studio/ https://myelearningworld.com/10-quality-voice-over-microphones-for-a-home-recording-studio/#comments Tue, 24 Oct 2023 19:28:17 +0000 https://myelearningworld.com/?p=787 The best voice over microphones can make a world of difference when it comes to the quality of your voice acting work and narrations in your eLearning content.

The post 15 Best Voice Over Microphones for Narrating & Voice Acting in eLearning (2023 Guide) appeared first on MyeLearningWorld.

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As a longtime instructional designer, I can’t stress enough just how important it is to deliver high-quality audio content for our learners. Clear, crisp, and professional voiceovers can make or break a course, and the microphone you choose plays a massive role in this.

Simply put, not all voiceover microphones are created equal. It’s not just about the price tag; it’s about capturing the nuances of your voice, conveying emotions, and ensuring that your content resonates with your audience. Different microphones are better for different kinds of voices, scripts, and applications. For example, if you have a deep voice, you’ll want a microphone that can handle low frequencies. If you’re doing a lot of narration with dynamic range, you’ll want a microphone that can handle a wide range of sounds and volume levels.

I’ve reviewed and ranked the best microphones for voice over work based on a variety of factors, including audio quality, budget, durability, and more (click here to learn about our entire Editorial Process & Methodology for product reviews). I even looked at the setups of famous podcasters and voice over artists to figure out which mics the top starts in the field are using.

My Quick Suggestions for Voice Over Microphones

If you’re on a tight schedule and don’t have time to read this complete, in-depth guide, check out my best picks of voice recording microphones for various scenarios:

  • Blue Yeti – a plug-and-play USB mic for beginners
  • Rode Procaster or Shure SM7B – for recording long narrations and audiobooks; both are good at noise reduction and work in spaces with poor sound absorption
  • Neumann TLM 102 or Neumann TLM103 – high-end voice over microphones for professional work of the highest sound quality

The Complete List of My Favorite Voice Over Microphones in 2023

After reviewing dozens upon dozens of mics, I’ve come up with this master list of the best voice over microphones, including options at every price point. Later in this article, I’ll go into much more detail about each mic on this list:

Best microphones for voice acting
Blue Yeti
1. Blue Yeti

A feature-packed USB mic for amateurs offering a clear sound.

Category: condenser microphones [USB], low cost
My choice among low-cost USB mics
Check price →
 Blue Snowball iCE
2. Blue Snowball iCE

Solid USB condenser mic for home or office use. Great ease of use and value for quality.

Category: condenser microphones [USB], low cost
Check price →
 Rode NT-USB
3. Rode NT-USB

Studio-Quality USB Cardioid Condenser model for amateurs and pros alike. Comes with a tripod stand, pop shield, and ring mount.

Category: condenser microphones [USB], low cost
Check price →
Audio-Technica AT2020USB+
4. Audio-Technica AT2020USB+

An inexpensive USB mic for voice acting, requires no pre-amp, comes with self-monitoring.

Category: condenser microphones [USB], low cost
Check price →
Harlan Hogan VO
5. Harlan Hogan VO

Good for voiceovers, includes a hard case, shockmount, XLR cable.

Category: condenser microphones, low cost
Check price →
SE Electronics sE2200a
6. SE Electronics sE2200a

SE large-diaphragm mic provides a warm sound, covers versatile voices.

Category: condenser microphones, low cost
Check price →
Shure SM7B
7. Shure SM7B

Cardioid mic with a pop filter. Flat wide-range frequency response!

Category: dynamic microphones, mid-range price
My choice among dynamic mics!
Check price →
 Rode Procaster
8. Rode Procaster

Dynamic vocal microphone with impressive noise reduction, multipurpose and affordable

Category: dynamic microphones, low cost
Check price →
 Heil PR-40
9. Heil PR-40

Dynamic Studio Microphone for VO pros, wide frequency, and a solid competitor to condenser mics

Category: dynamic microphones, mid-range price
Check price →
Electro Voice RE-20
10. Electro Voice RE-20

Celebrated dynamic professional mic with great sound quality. With a pop filter and shockmount!

Category: dynamic microphones, mid-range price
Check price →
 Neumann TLM 102 MT
11. Neumann TLM 102 MT

Superb condenser cardioid mic for home and studio recording, comes with a standmount

Category: condenser microphones, mid-range price
My choice among mid-range condenser mics!
Check price →
Rode NTK
12. Rode NTK

This tube mic delivers a broad range for a decent price.

Category: condenser microphones, mid-range price
Check price →
 Neumann TLM103
13. Neumann TLM103

Celebrated cardioid mic for voice over amateurs and pros, comes with a large diaphragm and exceptional noise reduction

Category: condenser microphones, high-end price
My Choice in the High-End!
Check price →
Sennheiser MKH416-P48U3
14. Sennheiser MKH416-P48U3

The gold standard! Supercardioid shotgun tube condenser for recording pros.

Category: condenser microphones, high-end price
Check price →
Neumann U87
15. Neumann U87

Switchable studio microphone, three directional patterns. Extremely sensitive and efficient!

Category: condenser microphones, high-end price
Check price →

Contents:

If you’re looking to purchase a microphone for voice overs or other recording tasks and can’t decide which one to get, this is a one-stop reference point for you. Whether you’re a seasoned pro or a beginner taking online voice over classes, this info will help you out.

“The costlier the better” doesn’t really apply when finding the best microphone for voice over work; it’s not about the price. The majority of decent VO microphones are available in the $100-400 range, and they may work better for your task than a high-end $1,000 mic.

A microphone’s ability to capture the nuances of your voice, to faithfully convey the emotions behind your words, and to seamlessly integrate with the narrative atmosphere is where its true value lies. Rather than fixating on the price alone, consider the harmony between your voice’s timbre and the microphone’s sonic characteristics. A mid-range microphone meticulously tailored to your vocal nuances can outshine a high-end counterpart that wasn’t crafted with your voice in mind.

Justin David Proctor, an audio recording expert and Grammy Award winner, echoed this sentiment, saying “I like to keep it simple [when choosing a microphone]. I’m not a bells and whistles kind of guy. Is it from a company that’s been doing this for a while so they’ve really got their designs down?”

A fairly simple device, the microphone has a bunch of important attributes that you need to understand before considering specific options. You’ll need to choose between USB or XLR, condenser or dynamic, large or small diaphragm, cardioid or non-cardioid, etc.

In this article, I’ll go through the basics to make sure further recommendations make sense for beginners. Are you a VO pro? No worries — you’ll also learn a thing or two and get a few tips for an extra studio mic for voice acting or an upgrade 😉

5 steps to pick your microphone for voice over work

To choose a voice acting mic wisely, let’s answer some important questions about the qualities and use cases you may require.

Step 1. Choose a connection type: USB or XLR

First, you need to decide on connectivity. You can record great voice overs with both digital USB mics and traditional analog XLR.

USB mics are a more compact option, good for entry-level VO actors. XLR is more versatile and professional, yet more complex in terms of use.

USB

A USB voice over mic is a ready-to-use recording solution implying a minimum learning curve and a moderate price.

There are some great benefits as well as drawbacks to using USB mics…

Pros:

  • Plug’n’play setup
  • Compact all-in-one solution (includes portable audio unit)
  • Affordable (no need to buy audio unit, etc.)

Cons:

  • Limited sound quality by design, mid-range tops
  • Aimed at the entry-level segment
  • Unable to upgrade each part individually
  • Difficult troubleshooting: The issue may be in any part (the mic itself, cables, audio interface, etc.) and may be hard to identify
  • Works with a single computer only: one computer, one microphone.

USB mics are best for:

  • Non-commercial, lectures, podcasts, etc.
  • Lightweight travelling with a laptop
  • Recording at home, office, hotel

XLR

An XLR mic is a versatile, upgradable solution. It’ll require additional gear, such as an audio interface and XLR cable.

XLR connector

Pros:

  • The entire quality spectrum: from cheap and simple to premium
  • More upgrade options (cables, audio interfaces, etc.)
  • Record two or more mics simultaneously
  • Interoperability with other devices that support XLR (camcorders, portable recorders, etc.)

Cons:

  • Requires extras (audio interface unit, cable, stand, etc.)
  • More expensive and time-consuming due to extras
  • More cables on your studio desk!

XLR mics are best for:

  • Home and professional studios
  • Recording outdoors with a camera or portable recorder
  • On-stage use, presentations at expos, hosting events

Q: What does XLR mean?
XLR is a professional analog audio interface used for microphones. An XLR cable has 3-pin connectors on both ends. One connector (female) goes to the microphone, the nother (male) goes to an audio interface, mixing panel, camera or portable recorder.

Q: What’s the main difference between XLR and USB?
USB microphones have a built-in portable audio interface. Other than that, there is no principal difference. Some microphones come in both modifications, but the vast majority of mics are XLR-only, because they’re more in demand in the professional audio industry.

Q: Can I use a USB mic with an iPad?
It depends on the particular microphone’s driver. Some USB mics can work with iPads and Android tablets, but most likely they’ll require additional adapters. It also drains the device’s battery quicker.

Q: When are USB mics a viable choice?
For very specific, mainly non-commercial needs, where output quality isn’t a critical factor, USB mics may work just fine. If you prefer to keep things simple and don’t want to carry a pack of cables and audio devices along with your laptop, a USB mic is a soft option. Just make sure you won’t need to upgrade or scale your setup. Should you need more flexibility, consider a universal XLR mic for voice over work.

Step 2. Choose a microphone type: Condenser or Dynamic

Two common microphone types are dynamic and condenser. They both do the same job of transducing sound into electrical impulses, but they have different operating principles.

Dynamic vs condenser microphone

Dynamic

Most mics are dynamic. They can be as small as in your smartphone or as big as studio mics. This type is universal and can be used in many applications.

Pros:

  • Smoothens voice imperfections
  • Sturdy and durable
  • Doesn’t require phantom power (+48V on your audio)
  • Works in noisy rooms and isolates your voice

Cons:

  • Less sensitive
  • Narrower dynamic range (difference from quiet to loud sounds)
  • Proximity effect (low-frequency boost when speaking closely to the mic, well-known from radio broadcasts)

Best for: Long narrations and audiobooks (doesn’t require as much mouth click cleanup), home studios without acoustic treatment, outdoor recording, streams, broadcasts, interviews, live events.

Condenser

Condenser mics are specifically designed for studio use and better suited for VO recording. Bigger diaphragm and more sensitivity help to achieve a rich-sounding natural voice.

Pros:

  • Natural frequency response
  • Wider dynamic range
  • More sensitivity

Cons:

  • More meticulous acoustic treatment of your room
  • You’ll have to take extra care of background noises (fans, air conditioning, devices, neighbors, kids and dogs:)
  • Harder to use without practice
  • Indoor use only
  • Fragile, can be damaged by moisture and dust.

Best for: Professional soundproof studios or closets; voice overs, audiobooks, podcasts, etc.

Q: What is phantom power?
It’s a switch on your audio interface that provides 48V direct current through an XLR cable to power the capacitor of a condenser microphone. It’s not needed for dynamic microphones.

Q: How can I tell a dynamic from condenser mic visually?
There is a false opinion that condenser mics are always bigger, which is not true. Still, condenser mics can’t be very small (like in a cell phone).

Q: What’s the real difference between condenser and dynamic mics?
Consult the consumer selection guide above for the practical differences. From a technical standpoint, there is a different operational principle. Dynamic mics work with an induction coil, while the other type uses a capacitor to capture and transduce sound.

The best recommendation would be to have both condenser and dynamic microphones in your studio. Traditionally, condenser is a better choice for recording voice overs, but it’s sensitive to room and voice imperfections, which makes it an optimal choice for studio use only. If your scenario involves recording audiobook narrations in a home studio with non-ideal acoustic conditions, or you’re planning to carry it around with you a lot, then a dynamic mic is better.

Step 3. Choose a diaphragm size: small or large

Like a human ear, each mic has a diaphragm that captures sound waves. Traditionally, VO actors prefer mics with larger diaphragms because they produce a richer tone.

Small diaphragm

Captures low-mid to high frequencies and capable of withstanding higher sound pressure; this makes it a good choice for some circumstances. Picks up less room noise. Also used on narrowly directional shotgun mics.

Small diaphragm microphone

Pros:

  • Portability
  • Captures louder sounds (up to 120db)
  • Speak closer to the mic without distortion

Cons:

  • Less sensitivity
  • Less low frequencies

Best for: VO in untreated rooms, presentations, live events, interviews, etc.

Large diaphragm

Captures all audible sound frequencies almost equally. Produces a warm and deep voice even without post processing.

Large diaphragm microphone

Pros:

  • Captures all audible frequencies including low
  • Wider dynamic range (difference from soft to loud sounds)
  • Better sensitivity

Cons:

  • Larger microphone size
  • More fragile
  • Distorts louder sounds and if you speak closely

Best for: Studio use, voice overs, audiobooks, podcasts, etc.

Step 4. Select a microphone pattern

How do you read a pattern diagram? A mic pattern is a sensitivity map shown on a circular diagram. It’s a top-to-bottom view of a recording space with the center at the microphone facing 12 o’clock.

Cardioid

A regular one-directional microphone. The most suitable pattern for voice-overs.

Cardioid

Properties:

  • Records direct sounds
  • Records side sounds
  • Doesn’t record back sounds

Other patterns are used for specific cases.

Subcardioid

Picks up more environmental sounds and gives more room presence, including early echoes.

Subcardioid

Properties:

  • Records direct sounds
  • Records wider side sounds
  • Records reduced back sounds

Omnidirectional

Omnidirectional microphones record sounds evenly from all directions. Wherever the sound comes from, it’ll record equally.

Omnidirectional

Properties:

  • Records everything around equally

Hardly a good fit for voice overs.

Bi-directional

Great choice for chats and dialogues with people sitting on either side of the microphone (face to face)

Bi-directional

Properties:

  • Records direct sounds
  • Records back sounds equally
  • Doesn’t record side sounds

Shotgun

Mostly used in filmmaking to record dialogues from a distance. However, there are few shotgun mics that are loved by VO actors for their clarity and noise cancellation, especially when recorded in an untreated room with echo and external noises. The price is usually high.

Shotgun

Properties:

  • Records faraway direct sounds as well as close-up direct sounds
  • Records back sounds
  • Can’t record more than one person

Q: I have a cardioid condenser microphone but I’m not sure exactly where the front side is.
The front side is always where you see the logo. Also, it may have a small cardioid diagram on it.

Q: Are there multi-pattern mics?
Yes, there are a few microphones that have multiple recording capsules and filters, enabling you to switch between cardioid, bi-directional, and omnidirectional patterns.

Q: I have an untreated room, just a homemade VO box; what pattern is the best?
A shotgun pattern mic suits all untreated rooms.

Step 5. Understanding frequency response

A graph, usually put next to the polar pattern, shows the sensitivity across the frequency range that a human ear is capable of hearing (from 20 Hz to 20,000 Hz). In other words, a frequency is a pitch, and here is a short reference:

  • 20-100 Hz Bass, voice pop sounds, electric buzz, other noises
  • 100-5000 Hz Voice range
  • 5000-20,000 Hz S-sounds, whistling, high-pitched noises.

This quality determines and diversifies microphone models, so they’re all different from each other and have a unique ‘color’.

The flat horizontal line means that this microphone picks up every frequency genuinely as it is. It is a quality of special studio microphones.

Most microphones have a stronger low response, reduced middle and boosted end. It’s perfect for getting a rich sound that’ll make your voice stand out in the mix without post-processing and equalization.

frequency response graph

This graph doesn’t tell you much until you test out the microphone specifically with your voice. However, if you already have a microphone with a specific frequency response, you can look for a microphone with different characteristics.

Common scenarios of using a voice over microphone

Now that you know the characteristics of different types of microphone, you can decide which set of features and price range meets your requirements.

  • I am a newcomer and I’m going to try VO. Select a USB microphone for voice acting work; they’re easier to work with, and their price is about $50 to $200. No additional equipment like extra preamp or phantom power is required. USB mics are often pre-mounted on a tabletop stand, but you can also attach them to floor stands. It’s just a single payment and a great bang for the buck.
  • I’m going to record voice overs in my home studio, but my budget is limited. Need decent quality but not ready to shell out a few grand? Get a good condenser XLR microphone for voice over recording, audio interface, microphone stand, and pop filter, and you’re ready to go. Expect to pay around $300-400 for the mic itself plus the extras.
  • I record VO professionally and have worked with a few microphones. If you know your way around the industry and already have equipment, you can check out the mid-range. Make sure the recording gear is of equal quality. The price for a mic is around $400-700.
  • I do VO mainly for a living in a professional studio; money isn’t a problem. A high-end studio voice over microphone will set you back $1000+. Also keep in mind that pro mics are very specific and super sensitive, so they will pick up all vocal nuances.

Now, how should you read this article without getting lost?

The models are split into multiple segments based on budget and use scenarios.

First are my personal favorites in each category. I do not claim a monopoly on the truth, so go through the entire list to draw your own conclusions. Do you think I forgot some outstanding model? Give me a shout!

Happy reading 🙂

USB microphones under $200

Don’t worry, the market has an abundance of offers fitting all budgets. You may get away with a real gem for under $200, or you could fall into a trap and end up with a pricey, yet clumsy gadget that will make it hard for your audience to understand what you’re saying and even harder to create captions or a transcript with transcription software.

Affordable voice over mics come in handy for home and office use, voice overs, presentations, lectures and classes that don’t require perfect sound or noise reduction.

If you just need to step up your built-in laptop microphone and add a professional slant, that’s your best option. As always, be reasonable and do some research on your own before you buy.

Now, let’s get down to the guide to the best voice recording microphones in 2023!

1. Blue Yeti – My choice among USB microphones →

Blue Yeti USB Mic for Recording & Streaming on PC and Mac Blue Yeti USB Mic for Recording & Streaming on PC and Mac

What’s inside?

  • 4 different pattern modes
  • USB plug-and-play compatibility
  • Works with all major recording software
  • Zero-latency monitoring
  • Excellent audio quality
  • Affordable on nearly any budget
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USB, condenser, multiple pattern selection

My personal pick in the category, the Blue Yeti USB condenser mic delivers great sound quality and multiple pattern selection (cardioid, bidirectional, omnidirectional, and stereo).

This one is a real gem. For just slightly over a hundred bucks, you can get yourself a high-quality USB mic that’s a nice fit for a standard home setting. The Blue Microphones Yeti offers four recording modes and a surprisingly clear sound for this price range. Well-built, feature-packed, a nice choice for amateur audio lecturers who aren’t ready or willing to set up a professional studio.

The Blue Yeti is used by many famous content creators, including actor, podcaster,  and TV personality Naomi Kyle.

“Whether recording something big or small, Blue mics are the one sure bet in any application,” Kyle said.

Why I Picked It:

  • The Blue Yeti is affordable on virtually any budget, but it’s also made with quality components and backed by the Blue name.
  • This mic is versatile enough for podcasting as well as general audio recording and gives you the chance to switch between four polar patterns to dial in the right setting for your voice.
  • I found that the size of the Blue Yeti is perfect for travel. I can use this mic to record interviews outside of the studio with my mobile workstation or connect it to a tablet using an adapter for voice recording in almost any environment.

Who It’s For: the Blue Yeti is an excellent choice for podcasters and YouTubers as its plug-and-play capabilities make it a breeze to use for general recording. In fact, it was one of our top picks for the best microphones for YouTube. It’s the perfect voiceover make for creating how to videos and other YouTube content. This mic is also a good choice for voiceover artists who need to put together quick demos in-studio or in the field. The mic complements any desktop, so it is also a good choice for studio set designers, and you can easily adjust Blue Yeti sensitivity to your specifications.

Check out a video review of the Blue Yeti by Andy Slye. He covers the key features of the mic and does some audio tests. Learn why Andy thinks the Yeti is the best USB mic overall.

2. Blue Snowball iCE →

Blue Snowball iCE Blue Snowball iCE

What’s inside?

  • Custom condenser capsule
  • Frequency range of 40 – 18 kHz
  • USB 2.0 device that is easy to plug and play directly from your PC or Mac

Killer features: Provides crystal clear audio for Zoom, FaceTime, and Skype

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USB, condenser, cardioid

The Blue Snowball is a solid condenser mic that delivers clear sound in a variety of everyday life applications.

Whether you need clearer audio quality for your video calls or want to boost the sound quality of your podcasts and YouTube recordings, the Snowball sets a high standard that’s hard to beat.

It’s an easy-to-use USB mic you can set up in seconds.

Just plug the device directly into your Mac or Windows PC and start working. No software required.

This model also includes an adjustable stand for your convenience.

Why I Picked It:

  • The Snowball iCE provides three different polar patterns, giving it the ability to be used effectively for directional and omni-directional recording.
  • I find that this mic is one of the easiest to get set up. All I did was plug it into my computer and let it install its drivers. From there, I was all set to record into my studio software.
  • This mic provides efficiency when switching polar patterns on-the-fly using a thumb switch. I found this really useful when testing and monitoring in different recording environments.
  • I I also love the retro-future look of this mic. It really gives off a space-age feel that is both eye-catching and beautiful.

Who It’s For: the Blue Snowball iCE offers a little bit of everything for the budget-minded voiceover artist, making it a good choice for people getting started in the voiceover industry. Because of its unique style, this mic is also a good choice for on-camera display when recording YouTube videos. Although the Blue Snowball iCE is a bit limited in its capabilities, I would recommend it for home recording enthusiasts who need to record quick voice over demos.

3. Rode NT-USB →

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01/16/2024 03:57 pm GMT

USB, condenser, cardioid

A studio-quality USB microphone, the NT-USB is a highly versatile device for recording all sorts of vocals. This model features a zero-latency 3.5mm headphone jack for monitoring and a quality pop filter to eliminate plosives.

The Rode NT-USB is great for voice overs and instrumentals. It comes equipped with a tripod, ring mount, and storage pouch. Smart choice for beginners and budget-savvy audio professionals.

Why I Picked It:

  • I found the Rode NT-USB to pair perfectly with my Apple iPad, but it can be used in other mobile devices as well. This makes it a must-have for recording interviews and vocal work while out and about.
  • Monitoring is important when recording voiceover performances, and this mic provides a headphone jack in the unit itself for zero-latency monitoring. This gives me the ability to not only hear myself while recording, but also to ensure gain consistency.
  • The Rode NT-USB offers an impressive full-spectrum frequency response, so it captures the lowest lows and the highest highs with ease. It’s a great microphone for voice work of all styles. For voiceover work, this means that it can capture the perfect performance regardless of voice type.

Who It’s For: podcasters and YouTubers will benefit from this mic because of its ability to capture crisp, natural vocal tones, but sound designers and vocalists will also love using this mic in the studio. Because it’s USB, the Rode NT-USB is best suited for direct audio recording without an external pre-amp, so I would recommend this mic for quick home studio work and demo recording.

4. Audio-Technica AT2020USB+ →

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01/16/2024 09:47 am GMT

USB, condenser, cardioid

Next on my list comes the Audio-Technica AT2020USB+. There’s no need for a pre-amp, so you can just plug it into a USB port and start recording right from your computer.

The PLUS version of the mic comes with a highly appreciated self-monitoring feature.

You can plug your headphones right into the mic, and hear yourself while recording.

Why I Picked It:

  • During testing, I was able to monitor my voiceover performances with zero latency using this mic’s included headphone jack. I found this helped me to work faster and more efficiently without requiring multiple takes.
  • The Audio-Technica AT2020USB+ includes a built-in amplifier, so I was able to use it directly within my recording software without requiring too much post-production gain adjustment. This also allowed me to record a variety of dynamic vocal performances without losing quality or introducing signal noise.
  • I also like that this mic can be mounted for desktop use easily, making it a good choice for streaming on YouTube, Twitch or any other video platform. This also made it easy to field video calls using Skype and Discord.

Who It’s For: I like this mic for podcasting, but I would also recommend it for budding singers who want to practice along with instrumentals or other external audio sources. It’s a solid microphone for vocals. While it’s not a karaoke mic, the ability to mix in music and sing along while monitoring through headphones gives the Audio-Technica AT2020USB+ an edge with vocalists.

Low-cost XLR microphones for voice over

If you’re not paranoid about quality and you want to keep it functional and easy to use, then go with an economy model! Most low-priced mics are good enough for voice overs and podcasts. Need a quick start without breaking the bank? Read on for your options.

Without further ado, let’s see what the market offers in the affordable segment.

5. Harlan Hogan VO →

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01/15/2024 10:42 pm GMT

XLR, condenser, cardioid

The Harlan Hogan VO is a great choice for voice over actors and novice audio producers. The package also includes a hard case, shock mount, XLR cable and quick clip mount, as well as two replacement mount bands. The device supports both a USB-style and XLR connection.

You can plug it into your audio interface at home or the studio and use it as a standalone USB mic on the road. Very convenient.

Why I Picked It:

  • I trusted this mic from the start because it was designed by voiceover legend Harlan Hogan himself and manufactured by Marshall Electronics. The quality and attention to detail in the frequency response for the human voice is apparent no matter what type of vocal performance I threw at the Harlan Hogan VO.
  • I was able to get deep, rich bass from this mic without mud, even though I have a mid-range voice. The Harlan Hogan VO also delivered sparkling, silky high-end audio capture without a hint of harshness.
  • The addition of Class A circuitry in this mic not only gives it best-in-class performance, but it also ensures that I received consistency with each take. I didn’t hear any self-noise when monitoring or during post-production of my voiceover takes, and this means a lot when pairing the Harlan Hogan VO with a budget pre-amp.

Who It’s For: this mic was designed specifically for voiceover artists, and I think that no matter your experience level, if you want quality and consistency in an affordable voiceover mic, the Harlan Hogan VO is a must-have. I also think this mic would work well for solo podcasting in a studio environment, but I would avoid using it for recording instruments due to the frequency response tuning.

6. SE Electronics sE2200a →

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01/16/2024 09:52 am GMT

XLR, condenser, cardioid

Powered with excellent vocal isolation, the SE Electronics sE2200a is a superb choice as a large-diaphragm cardioid condenser mic. This model easily filters background noises. It also comes with a shock mount.

The device is recommended for its dynamic recording of versatile tones and voices, warm sound, and nice look and feel.

Why I Picked It:

  • The SE Electronics sE2200a utilizes two diaphragms for improved acoustic pickup, so it offers enhancement for untreated spaces as well as vocal recordings in an isolated setting. I really liked this feature as it expands on the dynamic range of this mic.
  • I found that the price point for this mic allows access for both professionals and those who are just getting started on their journey in the voiceover and recording industries.
  • The sE2200a covers the full frequency spectrum, and the latest model includes switchable polar patterns. These options allow for greater control over a recording based on environment, directional requirements, and group size.

Who It’s For: while I like the sE2200a for voiceover work, I think this mic really shines for sound design and instrumental recording. It’s a great choice for both home and professional studios and works flawlessly for picking up crisp detail in the high-end. I would also recommend this mic for use in recording solo vocals as it brings out a silky quality to the human voice that isn’t found in other microphones in the same price range.

Dynamic Microphones

In a dynamic mic, sound waves make a wire or coil resonate, and induce a current that is later converted back to sound. Dynamic models fit many applications and everyday audio tasks, deliver excellent sound, and come in handy for lengthy voice overs in places with poor noise reduction.

CloudlifterNote! If you choose a dynamic mic, consider getting a Cloudlifter. What it does is leverage phantom power to amplify dynamic mics by up to 25dB without channeling the power through the mic itself. Just locate the Cloudlifter at the front of your dynamic microphone and turn on the phantom power to make your basic device sound its very best.

7. Shure SM7B – My choice among dynamic mics →

Shure SM7B Vocal Microphone Shure SM7B Vocal Microphone
$399.00

What’s inside?

  • Bass roll-off and mid-range controls with graphic display
  • Internal air suspension shock isolation
  • Very effective pop filter

Killer feature: Wide-range frequency response that will produce clean and natural sound for speech and music

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01/16/2024 03:12 am GMT

XLR, dynamic, cardioid

The SM7B dynamic microphone offers a flat wide-range frequency response that works great for both music and speech recording.

That means it’s a good microphone for recording vocals, narration, voice acting, podcasting, and just about anything else you can think of.

The SM7B contains perfect shielding against the electromagnetic hum produced by neon lights, computer screens and other gadgets. The included pop filter makes any additional protection against plosive sounds superfluous, effectively eliminating most defects even for close-up narrations.

Also, it has a switchable frequency filter that’ll pep up consonants and pep up your speech in the mix. With the filter turned on, the frequency response is similar to the most recognizable on-stage microphone, the Shure SM58.

Two legendary voice over microphones in one! Great value for the money, and great sound quality!

No wonder the Shure SM7B is the preferred microphone of top podcasters like Joe Rogan, Marc Maron, Tim Ferriss, Russel Brand, and more.

joe rogan microphones
Joe Rogan is one of many top podcasters to use Shure mics.

Why I Picked It:

  • As a dynamic cardioid mic, the SM7B delivers amazing performance when paired with a mid-range pre-amp. I found that I was able to use this mic for both loud voiceover performance pieces while still retaining the character of a performance when recording at normal speaking volumes.
  • The directional field on this dynamic microphone is tight enough to block out unwanted background noise, but it’s not so tight that I had to be exactly dead center the entire time I was recording. This gives more freedom to move about for performances without taking away from the sound.
  • This mic is a classic in the broadcast industry, and I really like that it’s designed to work well with an articulating arm mount. Once again, this offers more flexibility in placement and performer positioning.

Who It’s For: the Shure SM7B is a wonderful option for voiceover artists and vocal performers who use dynamic microphones while still capturing a detailed sound. I would recommend this mic to anyone in the voiceover industry, including beginners, as it is a great all-around unit that offers a classic sound that can be heard across the world in professional broadcast environments. It’s also a great microphone for vocals in music too.

Watch this video review by Crosstalk to learn more about the Shure company and recommended additional equipment.

8. Rode Procaster →

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01/16/2024 01:22 pm GMT

XLR, dynamic, tight polar pattern

The Procaster is a perfect fit for YouTube videos, long narrations, and audiobook recordings.

This model offers a tight polar pattern and tailored frequency response. It’s a robust voice over mic with excellent noise reduction. The high-output dynamic capsule ensures its top qualities as a broadcast and voice over microphone.

It also comes with a built-in pop filter to minimize plosives.

Why I Picked It:

  • The frequency response on the Rode Procaster is tuned specifically to enhance the range of the human voice. During testing, I definitely noticed that Rode went to great lengths to find the right roll-off frequencies. The bottom end drops off after 75Hz, and the top end maxes out at 18kHz.
  • Although suited best for voiceover work, I tried this mic on some instrumental recordings and was satisfied with the results. It makes for an excellent room mic, but I was also able to get good results on guitar and bass cabinets.
  • This mic’s low-impedance output controls character and gives options for placement, making it an essential piece of recording gear for voiceover artists who need to record in different spaces during a project.

Who It’s For: voiceover artists who are looking for dynamic microphones specifically crafted to enhance the human voice will want to get their hands on the Procaster. I also think that podcasters could benefit from the Procaster because it can elevate voices and give them a professional sound without much post-production work needed. Audio engineers would also want to give this mic a try for recording in dynamic environments, including drum rooms.

9. Heil PR-40 →

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01/16/2024 05:57 am GMT

XLR, dynamic, cardioid

The Heil PR 40 is a dynamic studio recording mic designed for multiple pro applications, including live recording and commercial broadcasting.

This model boasts a really wide frequency range and beats most condenser microphones in this regard. It addresses huge amounts of SPL and also caters to natural voice articulation.

Why I Picked It:

  • Heil designed the PR-40 with a flat response, and this works really well for capturing an uncolored, natural sound. This is a benefit not only to audio engineers and sound designers, but also to voiceover artists who want to craft a specific sound in post.
  • This mic also rolls off muddy lows and harsh highs between 28Hz and 18kHz. I felt like this specific tuning worked perfectly with my voice during testing, and the lack of coloration gave me more freedom to focus on the performance instead of trying to balance out highs and lows.
  • I also fell in love with the looks of this mic. It features gold and chrome plating on some models that just oozes sophistication, craftsmanship and attention to detail.

Who It’s For: this mic is the perfect addition to the cabinet of any sound design professional due to the flat response and ability to shape the character of a recording in post. I would also recommend the Heil PR-40 for voiceover artists who work best when they are able to act naturally without thinking about changing a performance to suit a specific sound.

10. Electro Voice RE-20 →

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01/16/2024 12:37 pm GMT

XLR, dynamic, cardioid

The RE20 dynamic cardioid mic is considered an industry standard, employed by sound engineers and music producers across the globe.

It comes with a heavy-duty internal pop filter which does a great job for close-in voice recordings, as well as an internal shock mount for noise reduction.

Why I Picked It:

  • The low end response on this mic is fantastic. At 45Hz, bass tones really add depth, character and power to a vocal take, and the RE20 really capitalizes on this.
  • I love the addition of Electro-Voice’s Variable-D technology as it reduces proximity noise, giving me a cleaner recording without the need for a lot of post cleanup. I tested this mic in both studio spaces and in crowded environments, and I could hear the difference the Variable-D technology made in keeping the focus on my voice each time.
  • The RE20 includes a large diaphragm and bass roll-off control for superior sculpting of vocal characteristics. These two features made it easy to get professional results in my studio at home as well as in a professional vocal booth.

Who It’s For: voiceover artists who are looking for power and a real advantage in the low end will love this mic. The RE20 tackles the tough parts of keeping mud at bay, but at the same time, this mic delivers a clear and concise high end without frying vocal parts. I would also recommend this mic to podcasters and YouTubers who want to get a the sound of a professional broadcaster without shelling out big bucks for a high-end mic.

Mid-range condenser voice over microphones

The previous mics were moderately priced and quite suitable for most VO recording tasks. Now let’s get into something more posh and sophisticated.

Condenser mics have always been a perfect fit for studio recordings, and for good reason. Thanks to its lightweight diaphragm, a condenser microphone follows sound waves more precisely than its dynamic sibling. Of all types, condensers reveal the widest frequency range, clear transients and greater sensitivity.

That said, reasonably priced condensers may be well-suited for advanced home users, amateur musicians, and voice over talents that need to upgrade their existing devices. Pick a condenser for semi-pro or pro applications and studio use — you can’t go wrong.

Simply put, these are great microphones for recording vocals, voice over work, audio narration, and more.

Without further ado, let’s move on to the mid-range roundup.

11. Neumann TLM 102 MT – My choice among mid-range mics →

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01/16/2024 07:07 am GMT

XLR, condenser, cardioid

The TLM 102 is a smart condenser choice, compact, good looking, and a great value for the money. It features a new large-diaphragm cardioid capsule that allows for a maximum sound pressure level of 144 dB. This allows for very high-output recordings.

For acoustic instruments, the Neumann TLM102 offers a fast transient response, but the best applications for this mic are vocals and voice overs. It comes with a built-in pop screen to remove plosives and a stand mount for increased stability.

The reasonable price and flexibility make this device a great fit for home recording and project studios.

Why I Picked It:

  • Right away, I noticed that Neumann made it a point to accentuate top-end sounds when recording with the TLM 102 MT. My voice sounded natural and solid, but this mic brought out a rich, bright character that I don’t hear very often with voiceover mics.
  • I think that TLM 102 MT is sleek and sophisticated in design and appearance. I found myself really drawn to this mic’s classic look as it harkens back to the days of stand-up broadcasts and radio plays that relied heavily on the vocal performances of the artists.
  • The Neumann TLM 102 MT includes an integrated pop filter, and I found that this was a welcome addition not found on most mics. During testing, I was able to achieve a full sound without excessive plosives or sibilants as a result of Neumann’s innovation.

Who It’s For: I believe the Neumann TLM 102 MT does a great job at capturing clarity in vocal performances, but it really stands out when capturing higher frequencies. That’s why I would recommend this mic to voiceover artists who have voices that perform best at higher octaves or that don’t require additional bass. Studio engineers can also benefit from having a TLM 102 MT in the mic cabinet for recording piano and stringed instruments that need some extra sparkle.

Watch a Podcastage review and audio test of the Neumann TLM 102. The reviewer checks the mic’s various aspects and applications, and reveals why the TLM 102 may be your perfect choice for VO work.

12. Rode NTK →

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01/17/2024 08:52 am GMT

XLR, condenser, cardioid

A large diaphragm condenser with a great warm sound, the Rode NTK is a nice choice for those who prefer it real loud.

Devoted users also cite the broad dynamic range and durability of this mic. Similar to other tube microphones, you need to warm it up for a while so it performs its best.

Make sure you turn it on and keep it on standby for 20-30 minutes before recording an audio lecture.

Why I Picked It:

  • The Rode NTK features valve circuitry, adding warmth to vocals and instruments alike. During testing, I really liked how even in a vocal booth, my voice came across with an analog tape quality reminiscent of the classic mics of the 1960s.
  • When it came to testing for frequency response, I was pleasantly surprised to find that, although the Rode NTK focused on warm tones overall, it did deliver on the company’s promise of full-spectrum frequency response.
  • This mic includes the addition of a gold-plated 1” diaphragm, and this combines well with the Class A circuitry and graded 6922 twin-triode valve to improve performance in terms of sound reproduction.

Who It’s For: both voiceover performers and studio engineers can turn to the Rode NTK for recording when the job calls for added warmth. I wouldn’t really recommend this mic for broadcast professionals or podcasting because it may take attention away from vocal detail, but I think it would be suited well for recording engineers who need to capture ambient sounds or for mic placement to create reverb effects.

Professional Microphones

In this high-end category, I cover the outstanding mics used by artists, musicians, broadcasters, and other voice professionals. Quality voice recording encompasses a slew of characteristics, and pro mics match them all in one way or another: crystal-clear sound, responsiveness, broad-spectrum, dynamics, and more. If you are serious about your sound, welcome to the world of professional gear.

Now, let’s get go through a few top models.

13. Neumann TLM103 – My choice among professional microphones →

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01/15/2024 07:17 pm GMT

XLR, condenser, cardioid

A golden choice in the music industry, the TLM 103 is a large diaphragm microphone for pro and semi-pro use. This is the best voice over microphone I’ve ever used!

The TLM 103 utilizes the classic transformerless circuit employed in many Neumann models, and combines top-notch noise reduction with high sound pressure levels. It’s a universal large-diaphragm cardioid with straightforward handling and very low self-noise.

The TLM also works efficiently against plosives and pop noises.

These characteristics make the mic suitable for a wide range of applications, from home recording to professional broadcasting and studio recording.

Why I Picked It:

  • The capsule in the Neumann TLM 103 is derived straight from the classic Neumann U87, but at a greatly reduced cost. This gives the TLM 103 a classic sound that is well-known in the broadcast and voiceover industries without the need for a huge budget.
  • When I tested the TLM 103, I noticed that it really shined when I focused on the top end of the frequency spectrum. My voice sounded clean and clear, but there were no harsh overtones or buzzing.
  • I also loved the dynamic range of the Neumann TLM 103. I was able to achieve fantastic results using this mic to record everything from radio spots to narration at different volume levels without a bit of loss in character or detail.

Who It’s For: I would recommend the Neumann TLM 103 to professional voiceover artists who either don’t want to spend a lot for a Neumann U87 or who want the Neumann sound in a modern mic. This mic is also a good choice for home studio recording enthusiasts who are seeking a budget-friendly alternative to more expensive broadcast mics.

Here’s a interesting comparison of the Neumann TLM103 and the CAD e100 from Mike DelGaudio. See how these two popular models stack up against one another and make up your mind.

14. Sennheiser MKH416-P48U3 →

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01/16/2024 08:07 am GMT

XLR, condenser, shotgun

The Sennheiser Mic is used in professional studios and is dubbed as the “gold standard.” A great choice for road trips and outside recordings, the Sennheiser is a classic directional shotgun mic: rugged, lightweight, and user friendly.

Equipped with feedback suppression, it delivers superb sound quality and ease of use.

Why I Picked It:

  • The Sennheiser MKH416-P48U3 is excellent at capturing clear vocals on set while still recording natural ambiance. This makes it an essential piece of gear when you need to a mic for vocal work in a crowd.
  • During testing, I found that this mic rejects feedback for clear audio in monitoring environments. I didn’t run into any problems, even when I had monitors nearby, and I didn’t notice any feedback in post-production.
  • I also like that the Sennheiser MKH416-P48U3 features high directivity to capture the right audio source. All I had to do was re-position the mic when a scene changed an I was able to easily target the right vocal performer without sacrificing sound quality.

Who It’s For: the Sennheiser MKH416-P48U3 is really a specialty mic that is designed for film, television and live broadcast environments, so I would only recommend it for on-set audio specialists. Voiceover artists might use this mic while working, but it isn’t really something that you would want to use in a vocal studio setting. On the other hand, you may find some use for the MKH416-P48U3 in a studio if you need to capture overhead ambiance for specialty vocal recordings.

15. Neumann U87 →

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01/15/2024 10:12 pm GMT

XLR, condenser, multi-directional

Professionals are full of praise for the Neumann U87 model. This exceptionally pricey mic supports three directional patterns: all-directional, cardioid and figure-8.

Neumann fans have a more affordable choice though. A lower option, the Neumann TLM103, also delivers great quality recordings. It fits the expectations of broadcasters and home studio owners.

This mic is extremely sensitive; users maintain that it renders emotions and nuances with great efficiency.

Why I Picked It:

  • The Neumann U87 is a top-of-the line voiceover mic that has a long history in the world of broadcast and professional recording. I love the character of this mic, and it consistently delivers quality recordings with a tight frequency response tailored to the human voice.
  • The depth and power provided by the U87 helps lowers tones really reach their potential, but it also shines bright on the top end.
  • Using the Neumann U87, I have the ability to quickly choose between three classic polar patterns, including figure-eight, cardioid and omni. This provides options for solo, group and ambient recordings.
  • The U87 also has a switchable bass roll-off that has been dialed in with the human voice in mind. It reduces mud while emphasizing lower registers for added character, tone and punch.

Who It’s For: the Neumann U87 is the mic I recommend most to professional voiceover artists who are having a hard time finding the right fit. This mic provides everything needed to bring out the best in any vocal performance, and studio professionals can also get a big boost in quality and clarity when using the U87 as a room mic. The price of the U87 is on the higher end, but the performance this mic provides is worth it when you need the best.

That’s it for the voice over microphones for now. Let’s see what additional gear you may need to help your mic of choice shine like a star.

Other must-haves for voice over recording

Watch this video and learn which equipment Israel Hyman, a voice over expert, suggests for home studio recording.

Headphones →

Sony MDR7506A good set of headphones are essential for you to monitor audio tracks while recording voice overs.

It’s important to use headphones for monitoring, because you want to prevent your mic from picking up sound from the speakers. Otherwise, it’ll cause a bad-sounding feedback effect.

When recording voice overs, make sure you are in a quiet room and wear headphones.

If you need to pick one model, my recommendation here is the Sony MDR7506. Perfectly flat sound, clear mids and highs – you can’t go wrong with this one. For more details, check out my article on headphones.

Microphone stands →

To avoid shakiness and sound disruptions, use a mic stand that suits your facilities and preferred position. If you’ll be sitting when recording voice overs, it makes sense to pick a desk stand or a studio arm. A desk stand is a smaller, desktop alternative to a standard microphone stand. A studio arm can be attached to a table with a removable clamp or fixed holder.

If you prefer standing, your best option is a microphone floor stand, a longer model with boom arms. The latter will provide more flexibility in choosing the right angle and position for the mic.

Here are my recommendations in each category:

  • Arm stands: NEEWER. A durable and convenient model that you can easily fold and carry around if needed. It’s also very easy to set up. Smart pick!
  • Floor stands: Samson MK-10. A sturdy tripod boom stand that comes with a mic clip. Very lightweight, easy to transport. Make sure to check it out!
  • Desk stands: On Stage DS7200C. Solid solution for voice over talents and podcasters; comes with an adjustable height. Sturdy and ergonomic.

Pop filters →

Pop filterBasically, pop filters serve to improve your speech flow.

When using sensitive microphones, it’s essential to avoid the plosives and sibilant sounds that may be picked up by the mic. That’s exactly the job for a pop filter – a compact screen that connects to a microphone stand with a clamp.

You can position the filter right in front of the microphone capsule and it will help diffuse the air generated by the notorious P’s and T’s. Depending on the model, the screen can be metallic or made of a nylon fabric. I recommend using the Dragonpad USA Pop filter. Cheap and cheerful, it comes with a 360-degree flexible gooseneck. It’s easy to use and set up, and works great.

Another job of a pop filter, when used with a condenser microphone, is to protect the capsule from tiny particles of saliva that inevitably fly out when you speak. Longer contact with moisture will corrupt the sensitive capsule.

As for dynamic microphones, most of them already come in a protective capsule that has a foam pop-filter that goes in between the protective metallic grid and microphone capsule. Plus, the capsule on dynamic microphones is more tolerant to moisture. However, an extra layer of pop filter on a gooseneck may be helpful.

Shock mount →

Shock mountA shock mount is a suspension device that prevents a mic from picking up rumbling sounds from the desk or floor. It’s mounted on the end of a microphone stand and holds the mic.

Voice over talents may use a shock mount to suspend a mic with special bands, thus absorbing most unwanted noises. The type of shock mount totally depends on the particular microphone.

Sometimes shock mounts are bundled with the mic. If you need a standalone device, I recommend you check out Neewer. This shock mount isolates most condenser mics and offers smooth angle adjustment. With a durable metallic structure, it’s a great option for broadcasting and voice overs.

Microphone preamps →

Microphone preampAs a rule, your mic’s output is way too low to connect it directly to a recorder or audio interface. In order to amplify the sound, i.e. make it louder, I recommend you use a preamplifier.

Preamps come in all sorts and shapes: internal and external, single channel and dual channel, solid state and tube. The important thing is to get the most out of your gear and deliver better gain, less distortion, and hopefully the desired sound character.

With a preamp like the Focusrite ISA One, this is a simple task. This model is a classic one-channel pre with an independent D.I., switchable impedance, balanced input and output, VU meter, and more. Belonging in the mid-range category, the ISA One does its job just right, and produces a clear well-weighed sound with impressive headroom.

Long story short, you can’t go wrong with the Focusrite!

Want to learn more about preamps? Check out my dedicated article!

Audio interface →

Audio interfaceAudio interfaces are external equipment that connects to computers via USB or other ports (USB-C, FireWire). Need to plug an XLR microphone into a computer? An audio interface is the solution.

Many interfaces include various inputs such as XLR and instrument input jacks (usually combined) as well as outputs, such as headphones and speakers. All interfaces that have an XLR input have a phantom power switch and a built-in preamp (which is decent for most tasks). Also, most interfaces let you monitor the sound you record directly.

My recommendation for a USB interface is the Focusrite Scarlett Solo (2nd Gen) a great mic preamp that comes with embedded phantom power. Best-in-class conversion rates, universal compatibility.

XLR Cable →

Mogami GOLD STUDIO-25 XLR Microphone CableAn obvious means of connectivity for your audio recording environment. A standard cable should be compatible with all XLR microphones, recorders, mixers and any other XLR-enabled devices.

I suggest using 25-foot mic cables – long, thick, and durable. Naturally, you should choose a good length for your setup, but too long is always better than too short. A good choice in this field is the Mogami GOLD STUDIO-25 XLR Microphone Cable. It’s cheap, sturdy and built to last. This is the type of thing that you set and forget.

Isolation filter →

LyxPro VRI-10 isolation filterThis is, essentially, a curved baffle covering the microphone with acoustic absorption materials; it’s a smart way to decrease room ambience. An isolation filter surrounds the back part and sides of a mic and absorbs unwanted echo, but at the same time leaves the subtle ambient echo, which is not bad at all.

Most filters of this sort are not exactly lightweight, so you’ll probably need a robust microphone stand as well.

What’s my pick in this category? I recommend LyxPro VRI-30. This is a portable and adjustable foam microphone isolation shield for stand mount or desktop use. Comes with steady feet and a one-year warranty for your peace of mind. All in all, it’s a real deal!

Acoustic panels →

FoamEngineering Acoustic PanelsFoam panels are also specifically designed to cut down on room ambience. They are usually placed in focal points across the studio. Acoustic panels may vary in size and structure: some of them may include bass traps and adhesives.

They are good for studios, vocal booths, control rooms, and other recording environments. Actually, they’ll work great anywhere to help prevent echoes inside the room.

Product care may include occasional vacuum cleaning for better results. The item I have in mind here is Soundproofing Acoustic Studio Foam, 4 Pack. These panels are composed of two-inch wedge foam and provide moderate noise deadening where required. Good value for the money. Highly recommended!

Don’t overuse acoustic panels, otherwise your voice will sound very dry and unnatural.

Studio monitors →

Yamaha HS7 100-WattUnlike headphones, monitors reproduce a more natural sound for critical listening, because the sound source isn’t that close to your ears.

Studio monitors are an immense upgrade as opposed to common computer speakers or HiFi. Regular speakers and stereo systems tend to alter the sound to make it more appealing, whereas monitors give you a better idea of your recording quality. Monitors are capable of a flat frequency response so you can hear frequencies exactly as they’ve been recorded, and make tweaks accordingly.

My recommendation: Yamaha HS7 100-Watt. This is a two-way powered studio monitor with a 43Hz–30kHz frequency response, room control and high trim response, XLR and TRS phone jack inputs, and more great features. This mid-priced Yamaha model is a real bang for the buck!

For more choices, refer to my article on studio monitors.

Software →

Well, this is not exactly equipment, but you will surely need software to manage your recordings. There is an enormous selection of audio editors, so take your pick. Before you look into the pricey options, check out the open-source Audacity software. It’s a comprehensive multi-track audio editor and recorder that works on all major OSs: Windows, Mac OS X, and GNU/Linux.

Among the major professional offerings, take a look at Adobe Audition CC, a workstation for audio pros that helps you design sound effects and edit audio. It’s a Swiss army knife that includes a multitrack, waveform, and spectral display for recording, mixing, and editing audio.

Need more information?

Check out Mike DelGaudio’s YouTube channel, which covers voice overs, home studio recording, and equipment.

A Final Word About Voice Over Microphones

If you’re looking to purchase a microphone for voice overs or other recording tasks and can’t decide which one to get, hopefully this guide helped you out. Whether you’re a seasoned pro or a beginner taking online voice over classes, the mics in the guide above are just what you’re looking for.

If you ever get a chance, try renting a voice acting mic and test it in your actual recording environment for a couple of days to see if it’s what you need. After all, there’s no true substitute for testing out microphones and figuring out which one sounds best with your unique voice.

Your optimal mic is the one that makes your unique voice sound great – don’t forget about that and don’t get carried away with bells and whistles.

“Go with personal preference. Trust your ears,” Proctor said.

And you may even want to consider taking public speaking classes online to become a better speaker and get more from your setup.

Jot down a list of essential features to meet your specific tasks. Wipe out the unneeded extras, and there you go.

You can’t just be satisfied with the first voice over mic you encounter. Like any creative pro, you need the ability to tweak and tune, and possibly produce a couple of test lectures.

You may even wish to install some acoustic foam panels on the walls and/or ceiling in your recording space to further improve the quality and clarity of your recordings.

Be picky but don’t overplay it. After all, your voice is only as good as your content.

Have any questions about choosing a voice over mic? Leave us a comment and we’ll try to help you out.

The post 15 Best Voice Over Microphones for Narrating & Voice Acting in eLearning (2023 Guide) appeared first on MyeLearningWorld.

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The Best Prime Day Microphone Deals to Shop Now (October 2023 Guide) https://myelearningworld.com/best-prime-day-microphone-deals/ https://myelearningworld.com/best-prime-day-microphone-deals/#respond Tue, 10 Oct 2023 05:48:01 +0000 https://myelearningworld.com/?p=15033 With the best Prime Day microphone deals, you can boost your audio for music production, podcasting, gaming, and more while saving a bundle. If you’re looking for a quality microphone to improve your audio recordings, now is a great time to shop. As someone with a bit of an unhealthy obsession with gear for my ... Read more

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With the best Prime Day microphone deals, you can boost your audio for music production, podcasting, gaming, and more while saving a bundle.

If you’re looking for a quality microphone to improve your audio recordings, now is a great time to shop. As someone with a bit of an unhealthy obsession with gear for my studio where I record audio for my eLearning projects, now is a great time to score some deals on new mics to try out.

For Prime Day 2023, there are some excellent deals on microphones from top brands like Shure, Audio-Technica, and more.

Amazon Prime Big Deal Days is a two-day event (October 10-11 in 2023) when the retailer offers big discounts on everything from Amazon devices to 4K TVs.

The only catch is you have to be a member of their Amazon Prime program.

If you’re not already an Amazon Prime member, you can sign up for a free 30-day trial to take advantage of these deals and enjoy all of the other perks that come with membership.

Keep in mind, new deals are constantly being added, so while we’re doing our best to keep this guide updated, things are subject to change. You can see all the latest deals at this link.

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

 

Prime Day Microphone Deals

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Shop huge savings on products across all categories in this annual two-day event!

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Here are some of the best Prime Big Deal Day deals on microphones:

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01/16/2024 10:37 pm GMT

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How to Get the Best Prime Day Microphone Deals

Ready to shop these great Prime Day deals on microphones?

Here’s all you need to do to get started:

  • Sign up for a free 30-day trial of Amazon Prime.
  • Download the Amazon app on your phone or visit the website to explore the deals
  • Shop the Prime Day deals starting at 3 a.m. ET on October 10.
  • Check regularly throughout Prime Day for the latest deals and flash sales, as new deals are added throughout the event. If you see a deal you like, add it to your cart and check out quickly before it sells out!
  • Miss out on a deal? You can join a Waitlist and get notified if the item comes back in stock within a certain time frame.

What are some of the best Prime Day deals for microphones that you’ve seen? Share them with us by dropping a comment below.

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The Best Prime Day Speaker Deals to Shop Now (October 2023 Guide) https://myelearningworld.com/best-prime-day-speaker-deals/ https://myelearningworld.com/best-prime-day-speaker-deals/#respond Tue, 10 Oct 2023 05:38:59 +0000 https://myelearningworld.com/?p=15083 With the best Prime Day speaker deals, you can shop for top-rated audio products from the biggest brands at a fraction of the regular cost. Amazon Prime Big Deal Days is a two-day shopping event exclusively for Prime members. This year’s sale runs from October 10-11. Now is the perfect time to save on a ... Read more

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With the best Prime Day speaker deals, you can shop for top-rated audio products from the biggest brands at a fraction of the regular cost.

Amazon Prime Big Deal Days is a two-day shopping event exclusively for Prime members. This year’s sale runs from October 10-11.

Now is the perfect time to save on a new sound system for your  studio (or just to enjoy in your home). As someone who’s obsessed with gear for my studio where I record audio for my eLearning projects, this is a great time to snag some monitors and speakers.

Whether you’re looking for a speaker to use outdoors or a powerful subwoofer to enhance your movie-watching experience or a soundbar, there are plenty of great deals to be had.

In this guide, we’ll round up the best Prime Day speaker deals to help you save big.

Remember, though, you must be a Prime member to take advantage of these great offers.

Amazon offers a 30-day free trial to try Prime so you can shop the deals right now at no extra cost.

Keep in mind, new deals are constantly being added, so while we’re doing our best to keep this guide updated, things are subject to change. You can see all the latest deals at this link.

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

 

Prime Day Speaker Deals

Amazon.com | Prime Day 2023 Amazon.com | Prime Day 2023

Shop huge savings on products across all categories in this annual two-day event!

We earn a commission if you make a purchase, at no additional cost to you.

Here are some of our favorite Prime Big Deal Days deals on speakers for 2023…

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01/16/2024 06:12 pm GMT

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01/16/2024 06:52 pm GMT

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How to Get the Best Prime Day Speaker Deals

Ready to save big on these awesome Prime Big Deal Days deals on speakers?

Here’s how to get started:

  • Sign up for a free 30-day trial of Amazon Prime.
  • Download the Amazon app on your phone or visit the website to shop the latest deals
  • Shop the latest Prime Day deals now through October 11th
  • Check regularly throughout Prime Day for the latest deals and flash sales

Not an Amazon Prime member yet? Sign up for a free 30-day trial now to get these great deals!

What are some of the best Prime Day deals for speakers that you’ve come across? Share them with us by dropping a comment below.

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The Best Prime Day Audio Deals to Shop Now (October 2023 Guide) https://myelearningworld.com/best-prime-day-audio-deals/ https://myelearningworld.com/best-prime-day-audio-deals/#respond Tue, 10 Oct 2023 00:28:06 +0000 https://myelearningworld.com/?p=15052 With the best Prime Day audio deals, you can save big on headphones, sound bars, speakers, microphones, more. Amazon Prime Big Deal Days is a huge two-day event (October 10-11 in 2023) where shoppers can save big on everything from TVs to laptops to kitchen appliances. If you’re looking for great audio equipment at rock-bottom ... Read more

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With the best Prime Day audio deals, you can save big on headphones, sound bars, speakers, microphones, more.

Amazon Prime Big Deal Days is a huge two-day event (October 10-11 in 2023) where shoppers can save big on everything from TVs to laptops to kitchen appliances.

If you’re looking for great audio equipment at rock-bottom prices, Prime Day is the time to do it. Most major retailers participate in Prime Big Deal Days, and that includes some of the biggest names in audio. As an eLearning pro, for me this is a great time to snag some equipment for my home studio where I record audio my instructional programs.

So whether you’re looking for a new set of headphones, a sound bar for your TV, or a Bluetooth speaker for your next party, we’ve got you covered.

To take advantage of these deals, though, you need to be a Prime member.

Luckily, Amazon offers a 30-day free trial to try Prime so you can shop the deals right now at no extra cost.

Keep in mind, new deals are constantly being added, so while we’re doing our best to keep this guide updated, things are subject to change. You can see all the latest deals at this link.

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

Prime Day Audio Deals

Amazon.com | Prime Day 2023 Amazon.com | Prime Day 2023

Shop huge savings on products across all categories in this annual two-day event!

We earn a commission if you make a purchase, at no additional cost to you.

Here are some of the best Prime Big Deal Days deals on audio equipment:

Headphones:

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01/16/2024 06:07 pm GMT

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01/16/2024 05:57 pm GMT

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Soundbars:

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Speakers:

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01/16/2024 06:12 pm GMT

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01/16/2024 06:52 pm GMT

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Microphones:

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01/16/2024 10:37 pm GMT

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How to Get the Best Prime Day Audio Deals

Ready to shop these great Prime Day deals on audio equipment?

Here’s how to get in the game:

  • Sign up for a free 30-day trial of Amazon Prime.
  • Download the Amazon app on your phone or visit the website to shop the latest deals
  • Shop the Prime Day deals now through October 11th
  • Check regularly throughout Prime Day for the latest deals and flash sales — new deals are always being added
  • Miss out on a deal? You can join a Waitlist for the product on the Amazon website and get notified if it comes back in stock

Not an Amazon Prime member yet? Sign up for a free 30-day trial now so you can take advantage of these great deals!

What are some of the best Prime Big Deal Days deals for audio equipment that you’ve come across? Share them with us by dropping a comment below.

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8 Cheap Bass Traps to Improve the Sound in Your Recording Studio (2023 Guide) https://myelearningworld.com/cheap-bass-traps/ https://myelearningworld.com/cheap-bass-traps/#respond Fri, 04 Aug 2023 10:40:32 +0000 https://myelearningworld.com/?p=5765 With the best cheap bass traps, you can fine-tune the sound in your recording studio by managing the low frequencies for the best results. And the key word here is “cheap”. Contrary to popular belief, you don’t have to spend a lot of money to get quality bass traps for your studio. Bass traps are ... Read more

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With the best cheap bass traps, you can fine-tune the sound in your recording studio by managing the low frequencies for the best results.

And the key word here is “cheap”.

Contrary to popular belief, you don’t have to spend a lot of money to get quality bass traps for your studio.

Bass traps are essential acoustic treatment components that offer significant benefits in creating a well-balanced and controlled sound environment within a studio. These specialized absorbers primarily target low-frequency sound waves, which tend to be more challenging to manage due to their longer wavelengths.

Incorporating bass traps into a studio setup can yield several advantages that contribute to improved sound quality and a more accurate audio monitoring experience.

Most notably, bass traps offer the ability to mitigate excessive bass buildup and standing waves.

In untreated or poorly treated spaces, low-frequency sound waves can accumulate and resonate, leading to uneven bass response and muddiness in recordings and mixes. Bass traps strategically placed effectively absorb and diffuse these low-frequency sound waves, reducing problematic resonances and providing a more balanced bass reproduction.

This results in cleaner mixes and accurate bass perception, enabling engineers and producers to make informed decisions about their low-frequency content.

On top of my decades of experience in audio engineering, I’ve done a lot of research on the best products out there today. I read lots of forums about the solutions used by other audio engineers to deal with excessive bass sound in a recording environment.

I tried more than 30 affordable bass traps to test them for this review article. A few of the ones that I tested deserve to be mentioned, such as ATS Acoustic Tri-Corner Bass Trap, UA-acoustics Corner Bass trap, and Primacoustic Bass Trap but they did not make the cut of my choices for the best picks, mostly because they are too expensive.

Only the best cheap bass traps are included in my reviews so read on to learn the details of my choices that will help you decide what is good for your studio (and your wallet).

This guide has been fully updated for 2023 to include the best current options on the market right now, so you can be sure you’re getting the latest info to help you make a great buying decision.

Important Safety Tip: Bass traps capture low frequencies and trap them by turning the vibrational energy into heat by using friction. If you are going to make your own ones, be sure not to create a fire hazard accidentally by using highly flammable materials. Treat all flammable materials in your recording studio with a fire retardant.

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

 

A Quick Look at the Best Cheap Bass Traps

I’ll go more in depth on all of the top bass traps later in this article, but for those in a hurry, here’s a quick glance at my top picks:

Top Pick
TRUE NORTH Bass Traps w/Adhesive 8 Pack (12"x6"x6") TRUE NORTH Bass Traps w/Adhesive 8 Pack (12"x6"x6")
$34.99

What’s inside?

  • Made from non-toxic, fire-retardant material.
  • The density of the foam is 30 kg per square meter.
  • The high-density foam is 20% to 25% denser than standard foam.
  • Easy installation with included adhesive strips.
  • Full refund guarantee if not satisfied.

Killer feature: Very high-density foam.

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01/16/2024 06:07 am GMT

You will appreciate the TRUE NORTH bass traps because the denser foam makes them much more effective when compared to others that are made from less dense foam. You can easily hear an improvement when these picks are installed properly. The TRUE NORTH acoustic treatment products are professional grade.

Also Great
JBER 4 Pack Acoustic Foam Bass Trap Studio Foam 12" X 7" X 7" JBER 4 Pack Acoustic Foam Bass Trap Studio Foam 12" X 7" X 7"

What’s inside?

  • Effective sound deadener for standing waves and flutter echo.
  • Made from non-toxic polyurethane foam.
  • Unique shape for excellent acoustic absorption.
  • Improves room acoustics to provide warmer sound.
  • Budget-priced with a nice style.

Killer feature: The low price of this product is the main attraction.

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If you are on a tight budget, you can find a four-pack of these ones for about $20. The foam is not as dense as my top pick in these reviews but can work for most home recording studio setups to help improve the room sound.

For best results, you may also want to add acoustic panels (sold separately) running down the walls under these installed bass traps placed in the upper corners near the ceiling.

Also Great
DEKIRU 8 Pack Acoustic Foam Bass Traps Corner Block 12" X 7" X 7" DEKIRU 8 Pack Acoustic Foam Bass Traps Corner Block 12" X 7" X 7"
$26.99

What’s inside?

  • Made from eco-friendly and fire-proof materials.
  • Improves acoustical quality and helps decrease unwanted room noise.
  • Easy to install.
  • Excellent customer service.
  • 100% satisfaction guarantee.

Killer feature: Perfect for the sound treatment of small- to medium-sized rooms.

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01/16/2024 05:47 am GMT

The DEKIRU acoustic panels are also a good choice for those on a limited budget. You can get eight of them for less than $30. I appreciate that the manufacturer offers a 100% satisfaction guarantee.

With all of these bass traps that arrive in a compressed package, I recommend that you unpack them immediately. Soak them in water and let them dry out to make sure they expand to the proper shape and size before installing them.

 

Do Bass Traps Make a Difference?

Acoustic engineers demonstrate the difference in using bass traps in a room through a method called sound waveform analysis. By recording sound in the room and analyzing the waveform before and after applying them, it is easy to see the effect on the computer readout of the waveform analysis.

However, actually hearing the difference is more complicated. The reason for this is that human hearing goes down to about 20 Hz. A sub-base frequency is below this level is not heard by a person but can be felt by a person.

Audio Frequency Range
Image credit: cuidevices.com

The other consideration is that bass frequencies resonate with the surrounding environment. If the bass sound being emitted matches a resonate frequency of the materials in a room, the sound can build upon itself. For example, a low hum can turn into a resonating vibration that causes the building to vibrate.

In this video, produced by Tommy Callaway, he answers the question of whether using a few bass traps in his recording studio would make a difference that he could actually hear.

In the video, the narrator plays back some music using his computer, which is picked up and recorded by the mic of his video camera.

He recommends opening the box immediately that they come in. Remove the foam because it has been compressed for shipping. Be careful when opening the box with a razor cutter not to cut the foam by accident.

For Best Results, Let the Foam Expand for 24 to 48 Hours Before Trying to Mount It

He installs them on the wall opposite his monitors. He adds two bass traps to the corners of his home studio using t-pins to mount the foam to the wall. He prefers using t-pins over adhesive on sheetrock walls because this method does less damage, and the foam can easily be removed if necessary.

After comparing the playback with and without them in place, he concludes that the bass traps make an audible difference. He describes this result of using them as creating a richer sound for the bass, and he recommends using them.

 

FAQ and Buyer’s Guide: Choosing Cheap Bass Traps

Here I’ll answer the most common questions about these picks.

Q: What Do Bass Traps Do?

Bass traps absorb low-frequency sound to keep the sound from reflecting off hard surfaces. They also reduce the resonant frequency, lower the echo, and reduce vibration.

Q: Do Bass Traps Reduce Outside Noise?

The low-frequency sound coming from outside a room, such as the low rumble from passing traffic or a neighbor’s bass sound, can be reduced using a bass trap in your room.

Bass Traps Can Reduce Low-Frequency Sounds

Q: Are Bass Traps Worth the Expense?

Using them improves the sound of the music in a room. This improvement gives more bass sound with less need for bass amplification or EQ. The sound of the bass is more evenly spread throughout the room.

Q: Should Bass Traps Be Put in All Corners?

Yes, however, you can place them in two corners of the room to achieve nearly the same desired effect by treating the corners closest to the monitor speakers.

In this video, produced by GIK Acoustics, the narrator guides you on making the proper placement of bass traps and helps you understand how a bass trap works.

If you follow the techniques in this video, you will place the bass traps in the perfect positions to have the most benefit in your recording studio.

Q: Should Bass Traps Be Installed Floor to Ceiling?

The best places to install them are the upper wall to ceiling area and the wall to floor area. More acoustic pressure from low frequencies accumulates in these corners.

In this video, produced by Acoustics Insider, the narrator discusses the comparison between floor-to-ceiling and half-the-corner bass traps.

Floor-to-ceiling installations are ideal for absorption. You can eliminate covering the wall near the floor area if you need the floor space for other things and still benefit.

Q: Why Does Bass Build Up in Corners?

The ninety-degree angle of corners causes the bass sound to reflect on itself as an echo. A bass trap reduces these reflections.

Q: Can You Have Too Many Bass Traps?

No, because of the acoustic quality of the bass sound, it is not possible to have too many bass traps. If you put them in all corners, there will be very little bass reflection.

However, treating just two corners works almost as well if those corners are near the monitor speakers because you catch almost all the base coming from the source.

You Can Never Have Enough Bass Traps

There are three steps in choosing a cheap bass trap:

Step 1. Decide How Much Acoustic Foam You Need.

Measure the area of the corners to make sure you get an appropriate size and amount to cover the part of the wall you want to be covered.

Step 2. Features You Want

Here is a list of the things you want to consider:

  • Made from non-toxic materials.
  • Fire-resistant or use an additional fire-retardant treatment.
  • Foam thickness and density.
  • Shape of the design.
  • Color to make the treatment look nice.
  • Durability of the product and guarantee.

Step 3. Choose the Solution You Can Afford.

I intentionally selected the cheap bass traps. If you are on a very low budget, you can buy the acoustic foam in sheets and then cut it into pieces that you glue together to make the shape of a bass trap. You may also want to use acoustic blankets.

In this video, produced by Mixdown Music, you can view creating a DIY acoustic absorption bass trap as an interesting time-lapse build.

To get more ideas about other acoustic materials, you can read my reviews of the best acoustic foam panels. You may also be interested in substitutes that you can use as an acoustic foam alternative.

In this video, produced by Next Generation Acoustics, you will learn the differences between an acoustic panel and a bass trap.

The key differences are the purpose, placement, and design.

 

The 8 Best Cheap Bass Traps: In-Depth Look

Here is a list of the cheap models that I reviewed, followed by detailed information about each one.

I had a lot of fun reviewing and testing these bass traps because I had not analyzed my recording studio since I first built it. It turns out I had some problems that I was not aware of with the low frequencies. I was able to correct the problems using cheap bass traps.

The Best Cheap Bass Traps
TRUE NORTH

Best for a home recording studio on a tight budget.

My choice!
Amazon →
JBER

Best for recording studios, for video streaming, podcasts, and in-home cinemas.

Amazon →
DEKIRU

Best for places where the look of the foam is not important.

Amazon →
Bekith

Best for video bloggers and podcasters.

Amazon →
XIN&LOG

Best for home recording studios, vocal booths, and production rooms.

Amazon →
Ueemph

Best for piano practice rooms, recording studios, and dance studios.

Amazon →
SD SODOCT

Best for home theater center, recording studio, control room, podcast studio, or musical instrument studio.

Amazon →
BEIYIN Block Foam

Best for any drum room, piano room, home entertainment center, or meeting rooms.

Amazon →

With more than a dozen cheap bass traps to choose from, we need to drill down on the specifics to see the ones that work the best for different applications and which ones offer the best value, so read the detailed specifications in the reviews.

My Reviews on Best Cheap Bass Trap

The reviews start with my favorite choice to help you compare the specifications to the rest of the cheap bass traps.

1. TRUE NORTH

TRUE NORTH traps are an excellent value. They are sold in a two-pack for around $35 (when on-sale). True North makes many other products for studio and home acoustic control.

TRUE NORTH Bass Trap

Features

The TRUE NORTH traps are part of a full line of sound treatment products that can be used to fine-tune a recording studio. They improve studio sound clarity to create a cleaner recording environment with fewer echoes. The high-density polyurethane foam material provides strong absorption of low-end frequencies.

Pros

  • Made from non-toxic polyurethane that is treated with a fire retardant.
  • The density of the foam is 30 kg per square meter.
  • The high-density foam is 20% to 25% denser than standard foam.
  • Easy installation with included adhesive strips.
  • Full refund guarantee if not satisfied.

Cons

  • Size and cuts may vary with two pieces not exactly matching.
  • Requires 24 hours to expand after unpacking, before installation.

Best for: These bass traps are a good choice for a home recording studio on a tight budget.

Buying Options

2. JBER

The JBER Soundproof Padding system comes as a four-pack with all the pieces you will need to cover the corners near the ceiling and part of the walls.

JBER Soundproof Padding

Features

The JBER foam material absorbs low- and mid-frequency sound to improve room response with a flatter sound that is crystal clear, warmer, and no longer muddy sounding. These bass traps are perfect for eliminating reverb and low-frequency echoes. The design is for the corner walls and ceilings. They can also be horizontally wall-mounted

Pros

  • Effective sound deadener for standing waves and flutter echo.
  • Made from non-toxic polyurethane foam.
  • Unique shape for excellent acoustic absorption.
  • Improves room acoustics.
  • Budget priced.

Cons

  • Shipped as a tightly-compressed four-pack that needs time to expand when unpacked.
  • May not return to the appropriate shape and remain deformed from the compression.
  • Not as dense as other brands.

Best for: These bass trap panels are useful in recording studios, for video streaming, podcasts, and in-home cinemas.

Buying Options

3. DEKIRU

The DEKIRU Soundproofing bass traps come as an eight-pack.

DEKIRU Soundproofing

Features

They are made from eco-friendly and fire-retardant polyurethane foam. They are easy to install using spray adhesive, t-pins, or double-sided tape (sold separately). They are designed to be installed at the ceiling and floor level in each of the four corners of a studio.

Pros

  • Reduces sound waves, reverb, and flutter echoes in small- to medium-sized studios.
  • Improves acoustical quality and helps decrease unwanted room noise.
  • Easy to install.
  • Excellent customer service.
  • 100% satisfaction guarantee

Cons

  • Compressed for shipping.
  • May not expand to original size and remain oddly-shaped.
  • May need to wet them and then dry them, to help them expand.
  • Low-density foam.

Best for: Recording studios where the look of the foam is not important.

Buying Options

4. Bekith

The Bekith Soundproof Padding for bass traps comes as a 12-pack that can be used in a recording studio, home entertainment centers, and podcast/video streaming production rooms.

Bekith Soundproof Padding

Features

They are made from eco-friendly material that is treated with a fire retardant. The high-quality foam helps eliminate reverb and unwanted sound in any recording studio. They work well in small- to medium-sized rooms.

Pros

  • The dimensions of each piece are 12 inches by seven inches by seven inches.
  • They are designed for corner mounting at the top of the wall near the ceiling. They can also be horizontally wall-mounted.
  • Helps block sound and reduce echoes.
  • Absorbs low and mid-to-high frequencies.

Cons

  • May not expand to the correct shape.
  • May not be uniformly cut to size.
  • The angles can be off and not fit well in a corner.

Best for: These can be used by video bloggers, podcasters, and in a home recording studio.

Buying Options

5. XIN&LOG

This Acoustic Black Soundproofing from XIN & LOG comes as a 16-piece pack that includes eight corner pieces and eight wall pieces.

XIN&LOG Acoustic Soundproofing

Features

These XIN & LOG corner bass traps with wall pieces provide an excellent way to reduce echoes and manage low frequencies in a recording environment. They are easy to install. They can be used in any room to improve the sound quality for a crisp sound that is not muddied by excessive reverb.

Pros

  • Lower-priced than competitive products.
  • Has a good overall noise reduction coefficient.
  • Provides professional sound quality.
  • Cut to perfectly align with other pieces.
  • Will absorb bass, mid, and high frequencies.

Cons

  • A bit smaller than competing traps.
  • Works best when the entire corner area is covered.
  • May not expand to the proper shape without getting wet and letting dry.

Best for: Can be installed in home recording studios, vocal booths, and production rooms.

Buying Options

6. Ueemph

The Ueemph 12-pack bass traps are designed for placement in the corners and come with double-sided 3M tape strips to use to install them.

Ueemph Soundproofing Padding

Features

They absorb low-frequency standing waves to improve sound saturation and clarity. They are made from a safe polyurethane material that is treated with a fire retardant. This kit comes with a cleaning cloth to prepare the wall surface for installation using the included 3M tape.

Pros

  • Made from non-toxic material with no outgassing or unpleasant smell.
  • Quickly expands after being unpacked if placed in a well-ventilated area.
  • Self-extinguishing if catches fire due to the flame retardant treatment.
  • Can be used anywhere for room noise reduction.

Cons

  • Takes up to 48 hours to expand unless you use water and then let it dry.
  • This foam is not as dense as competing products.

Best for: Piano practice rooms, recording studios, dance studios, and podcast production rooms.

Buying Options

7. SD SODOCT

The SD SODOCT bass trap acoustic panels come in an eight-pack that is easy to install with the adhesive strips, which are included.

SD SODOCT Acoustic Panels

Features

They improve sound quality to create a better recording environment by strongly absorbing bass frequencies. They are larger than the others, with the dimensions of 12 inches by eight inches by eight inches. They improve the low-frequency response of any small- to medium-sized room.

Pros

  • Eliminates the standing waves, making the sound cleaner.
  • Treated with fire retardant for safety.
  • Easy to install with included adhesive strips.
  • Larger surface area absorbs more sound.
  • Eco-friendly, high-density foam.

Cons

  • Takes up more space than smaller picks.
  • May not expand to a uniform shape.

Best for: Home theater center, recording studio, control room, podcast studio, or musical instrument studio.

Buying Options

8. BEIYIN Block Foam

The BEIYIN Block Foam comes as a four-pack with the dimensions of 12 inches (30 cm) on each side of each cube (12″ x 12″ x 12″ equal to 30 cm x 30 cm x 30 cm).

BEIYIN Block Foam

Features

These block-shaped foam cubes can be used in the upper four corners near the ceiling and acoustic panels installed below them (sold separately). You will want to buy some spray adhesive or double-sided adhesive strips (sold separately) to install them.

Pros

  • The large size gives them more sound absorption.
  • Easy to install.
  • Versatile to use in any room that needs reduced bass echo.

Cons

  • Ships compressed and needs up to 48 hours to expand to normal size, unless you get them wet and let them dry afterward.
  • May not be cut in uniform shapes with 5 mm to 15 mm possible errors in size.
  • Pricey, when compared to other products in this category.

Best for: These cubes can be used to improve the sound in any studio, drum room, piano room, home entertainment center, or meeting rooms.

Buying Options

 

Other Must-Haves with Your Bass Traps

Here are some other items to consider along with cheap bass traps:

Focusound Acoustic Panels

Focusound Acoustic PanelsThe Focusound Acoustic Panels are white in color and come in a 12-pack with the dimensions of 12 inches by 12 inches by 1 inches thick.

Also included is the double-sided tape to be used for the installation.

Buying Options

BUBOS Acoustic Soundproofing

BUBOS Acoustic SoundproofingThe BUBOS Acoustic Soundproofing acoustic panels come in a six-pack.

They are nice for decorative purposes as well as bass echo reduction.

 

Buying Options

Audimute Sound Absorption Sheet

Audimute Sound Absorption SheetThe Audimute Sound Absorption Sheet is a sound dampening blanket with the dimensions of eight by four and one-half feet.

It comes in five attractive colors and includes hanging hardware.

Buying Options

 

Useful Resources

 

Final Thoughts

Now that you know my best choices for the cheap bass traps I reviewed, you can choose ones you like. These will help you fine-tune your recording or production room so that the sound is clear and unwanted reverb is eliminated.

The more coverage of the walls and corners you can do, and the denser the foam you use, the better your sound absorption. I hope you enjoy the process of fine-tuning your room with the help of traps.

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11 Best Soundproof Curtains for Studios, Home Theaters, & More (2023) https://myelearningworld.com/soundproof-curtains-for-studio/ https://myelearningworld.com/soundproof-curtains-for-studio/#respond Tue, 01 Aug 2023 07:52:09 +0000 https://myelearningworld.com/?p=5451 With the best soundproof curtains, you can better control the sound in your home recording studio, home theater, practice room, or any other space where you need acoustic treatment. I’ve worked in pro audio for years, recording in some top studios using some of the best gear on the planet. What I’ve discovered is that, ... Read more

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With the best soundproof curtains, you can better control the sound in your home recording studio, home theater, practice room, or any other space where you need acoustic treatment.

I’ve worked in pro audio for years, recording in some top studios using some of the best gear on the planet. What I’ve discovered is that, even with access to incredible hardware and advanced software, none of it matters if the studio acoustics aren’t right.

Yes, you can spend a fortune to have a studio outfitted with custom acoustic treatments, but I’ve found a secret weapon that works wonders: soundproof curtains or draperies (also sometimes called “acoustic curtains”).

Using soundproof curtains for studio audio control is a fast, easy, and affordable way to isolate sounds and make better use of any recording space. They are a practical and effective way to improve the recording environment and enhance the overall audio quality of recordings.

Soundproof curtains, also known as acoustic curtains or noise-reducing curtains, are specially designed to absorb and block sound waves, helping to reduce unwanted external noise and minimize sound reflections within the room.

As recording engineer and producer Adam Sliger at Sunray Recording Studio told us, “Soundproofing curtains can definitely be effective. If you are hearing sound reflect off of a window, soundproofing curtains can take away that smooth surface and prevent reflections from bouncing around the room.”

But the studio isn’t the only place where soundproof curtains are useful.

A lot of homeowners use noise-reducing curtains in their home theaters as well to help cut back on noise and sound waves leaking out from the space.

I know it can be difficult searching for the right soundproof curtains for acoustic control since there are so many choices out there.

To help you out, I reviewed 40 different products, but in the end, only 11 made the cut when it came to being among the very best soundproof curtains worth trying. I rated the acoustic courtains based on several factors, like materials used, effectiveness at sound absorption, customer reviews, cost, and more.

Although I’m only including my reviews of the best soundproof curtains for studio audio below, other options exist. For example, the Yakamok Blackout Curtains is a good choice on a budget, but I didn’t include them in my reviews because they simply weren’t what I would consider truly great acoustic curtains for use in a studio environment.

This guide has been fully updated for 2023 to include the best options currently on the market, so you can be sure you’re getting relevant recommendations.

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

 

What You’ll Learn in This Article

  • Why to use soundproof curtains
  • How to select the right soundproof curtains
  • The features of each soundproof studio curtain I reviewed
  • The pros and cons of using each curtain in my list
  • Other must-have accessories you’ll need to enhance your recording experience

 

Why Use Soundproof Curtains?

There are many ways to soundproof your studio, home theater, or other space.

During my time in the studio, I’ve discovered that soundproof curtains can be used in many different ways to shape and control sound.

In some cases, I use them to divide a room into sections for different musicians.

In others, I layer curtains against hard surfaces to reduce acoustic reflections. Of course, I also use them if I’m recording in a studio that has windows facing outdoors to control environmental sounds as well.

All in all, soundproof curtains offer a host of benefits, including:

  • Blocking sound from entering or exiting a room
  • Reducing noise levels in a studio, home theater, office, or other space
  • Improving the acoustics of a room
  • Improving the quality of your recordings

With the different uses of soundproof curtains in mind, I considered a sound reduction, thermal insulation, fabric type and appearance during the course of my testing. I had the opportunity to try out some really great products, but only one stood out above the rest.

 

How to Choose the Best Soundproof Curtains for Your Space

How can you choose the right soundproof curtains for your studio?

Oblivious Buyer

While you might think that all soundproof curtains can work in all studio environments, the truth is that there are a number of factors to consider before making a purchase.

No one wants to go through the purchase process and installation only to find out that the sound deadening curtains they bought aren’t the right ones for the job.

To help you find the right options, I’ve included some easy steps below for choosing the right soundproof curtains for your studio.

Step 1: Analyze Your Budget

Budget Allocation

I almost always start planning any recording purchase by analyzing my budget.

Why?

Well, we all have a bottom line to think about, but I also want to make sure I’m not spending too much on one piece of gear when I could put that money into more important studio hardware in the future.

The good news is that sound absorbing curtains are relatively inexpensive compared to other types of acoustic control solutions. Even the best soundproof curtains are fairly affordable for most people.

Many options I outline in my reviews below are available to meet almost any budget.

Step 2: Consider the Size of the Sound Absorbing Curtains You Need

Measuring the Size of the Window

In keeping with the budget planning, I also recommend you take a long, hard look at your space and its needs. Bust out the tape measure and note down the size of the room, and include a breakdown of each individual area that will require sound control.

This will help in planning your budget, but it will also give you an idea of where you can position certain audio sources relative to your soundproof curtains to maximize the space you have.

Remember that you may need to add extra layers to block or reduce sound in some areas with hard surfaces, so consider picking up a few extra sound deadening curtains to give yourself options.

Step 3: Choose the Right Materials for Your Soundproof Curtains

After you’ve figured out how much space you’ll need to cover and how much the basic setup will cost, the next step is to consider the type of materials you’ll want your sound deadening curtains to be made out of.

I like to think of these factors as upgrades after I know how much I have to spend and how much my base price is going to be.

“If you’re looking to buy soundproofing curtains, you should look for thick, heavy curtains that will cover the whole window,” Sliger said. “Thin, lightweight curtains won’t be as effective in stopping sound waves from reflecting off of your windows. If they’re thin and see-through, you aren’t getting the most optimal acoustic situation.”

In other words, regular window curtains won’t cut it here. You need curtains specifically designed to absorb noise and offer effective acoustic treatment.

Here are some common configurations of studio curtains:

Multi-Layer

Multi-Layered Curtains

Multi-layer soundproof curtains are sometimes made of different materials that have been sewn together. This is usually done to improve the blocking power of the curtain, but it may also improve the aesthetics.

I like multi-layer products, but I sometimes prefer using single-layer products that I can layer myself. This gives me more control of the setup of my sound absorbing curtains.

Insulated

Insulated Curtains

Insulated designs can be beneficial when an audio source needs to be isolated from changes in temperature. This can help a vocalist who needs to feel warmer or cooler, but it can also isolate equipment from heat sources.

Blackout

Blackout Curtains

Soundproof curtains that utilize blackout materials can provide a lot of sound control, but they will also make it harder to see if they are used to cover windows and doorways. Most studios are kept dim anyway, so a blackout design may make spaces even darker.

If you’re using soundproof curtains for a home theater space, blackout curtains can definitely be a good choice.

Step 4: Think About the Installation

Considering the Weight

Lastly, it’s important to consider the installation process when choosing the best soundproof curtains for noise control. Products that utilize multiple layers, and especially products that include thermal blocking, can tend to be heavy.

If you’re hanging heavy soundproof curtains to be used as a divider in a studio space, you’ll need enough support to manage the extra weight.

If, however, you’re using sound dampening curtains that are made from linens, cottons, nylons and other fabrics, hanging draperies from a standard rod may be just fine.

When using sound control fabrics on windows or to cover doors, make sure you have the appropriate height clearance to attach mounting hardware. I like to leave a few inches of clearance in case adjustments need to be made later.

When used properly, studio draperies can make a big difference in recording clarity and quality. I want to put my years of experience to work for you because I share your passion for audio and sound.

 

What are the Best Soundproof Curtains?

Take a look at the list below to see which sound absorbing curtains I tested, but keep reading to see my in-depth review of each product as well as a list of the features I really liked, the pros and cons of each product I tested and insightful YouTube videos to help you find the right solution for your recording needs.

My List of the 11 Best Soundproof Curtains for Studio
DWCN

Best soundproof curtain for home studio production and voice-over artists.

Amazon →
NICETOWN

Best soundproof curtain for dividing vocal groups in the main room and console rooms.

Amazon →
Rutterllow

Best soundproof curtain for studio spaces that need thermal control and vocal booth audio.

Amazon →
Deconovo

Best soundproof curtain for studios that use mounting hardware and vocalist isolation.

Also Great!
Amazon →
RYB Home

Best soundproof curtain for controlling reflections in a console room and in vocal recording areas.

Amazon →
H. VERSAILTEX

Best soundproof curtain for controlling reflections and temperature in vocal spaces and mixing rooms.

Amazon →
Cherry Home

Best soundproof curtain for attenuating acoustics in main rooms and separating vocalists.

Amazon →
Flamingo

Best soundproof curtain for studio spaces outfitted with ceiling brackets and studios needing thermal control.

Amazon →
Rose Home Fashion

Best soundproof curtain for controlling acoustic reflections in vocal booths and from exterior sources.

Amazon →
MIUCO

Best soundproof curtain for vocal booth sound shaping and acoustic control in console rooms.

Amazon →
BGment

Best soundproof curtain for keeping recording spaces dark and cool while reducing early and late reflections.

Also Great!
Amazon →

When looking for products to test, I tried to think about my own experiences over the years. If you have a professional studio that was designed with acoustic principles in mind, you likely don’t have outward-facing windows in recording spaces.

If, on the other hand, you have a home studio, you may have windows and doors all over that can benefit from soundproofing fabrics and noise reduction products.

In either case, I tried to find noise reduction solutions that would be a great fit for either type of recording situation.

1. DWCN

DWCN

I tried the DWCN blackout curtains in a number of areas of my home studio and my professional studio. Right off the bat, I was really impressed by the professional construction and soft feel of the product.

In terms of controlling sound waves, I got the best results in my home studio when trying to control ambient noise. Although I already have plenty of soundproofing in my home studio, ambient noise from exterior sources can still be an issue.

These soundproof curtains don’t come with grommets, so I used a simple curtain rod and layered them around my doors and windows. Even with my neighbor mowing his yard down the street, my sensitize condenser mic didn’t pick up much of the outside noise.

Features

  • Made from 100% polyester
  • Reduces glare from studio lighting and outdoor sources
  • Triple-weaved fabric
  • Can filter up to 70% of ambient noise

Pros

  • Machine-washable
  • Available in a variety of colors
  • Different sizes available to fit your needs
  • Thermal insulation controls temperatures
  • Effective noise reduction curtains for most studio environments

Cons

  • Grommets not pre-installed
  • May require layering to block sound

Best For: Home studio owners who need budget-friendly sound control

Killer Feature: Triple-weave fabric construction improves durability

Buying Options:

2. NICETOWN

NICETOWN
“Sew in black liner backing makes the drapes thick enough to completely keep out the sunlight and uv ray.” — nicetown.com

The NICETOWN 100% blackout curtains are one of my top picks, and they performed exceptionally well during my testing. I tried these sound dampening curtains over my studio windows to block out street noise, but I also tested them for dividing sections of vocalists in my main room.

The large size of the 52” x 108” model was more than enough to cover my windows, and it also gave me plenty of room to work with when setting up my divider.

Using these products, I was able to isolate the room noise and sounds I wanted, reduce reflections dramatically in my mixing room and keep unwanted noise and sound energy from getting into my recording.

Features

  • Thermal insulation
  • Excellent sound absorption
  • Available in a variety of colors
  • Polyester fabric feels soft and looks professional
  • Black liner reduces light and glare
  • Machine-washable

Pros

  • Great sound absorption with one layer
  • Includes grommets
  • Can divide recording spaces for isolation
  • Able to be used in vocal booths
  • Performs better than most noise reduction curtains
  • Big enough to cover huge windows in many cases

Cons

  • May require additional hardware to mount
  • A little heavier than other options

NICETOWN
Credits: nicetown.com

Best For: Mixing rooms and larger studio recording spaces

Killer Feature: Multi-layer design reduces the need to purchase a lot of extra fabric

In this video, Soundproof Guide tests draperies from NICETOWN to see how they hold up in a real-world recording environment. Using meters and more, this video demonstrates the capabilities of NICETOWN products when it comes to reducing reflections and controlling ambient noise.

Buying Options:

3. Rutterllow

Rutterllow

Although the Rutterllow blackout sound blocking curtains aren’t available in sizes as large as some of the other options I tested, I still found this product to be more than sufficient for blocking ambient noise from my studio windows. I also tested these draperies in my vocal booth by layering them against a few hard surfaces.

In both instances, I noticed a reduction in reflections, and I hardly noticed any ambient noise from outside at all. In fact, using my digital audio workstation software, I was able to eliminate it entirely.

The best part is that these soundproof curtains are more than affordable for pretty much any recording budget. This alone makes them a worthwhile investment to have around for various sound control needs.

Features

  • Temperature control through thermal-blocking fabric
  • Can be used to for sound absorption and reduction all around the studio
  • Grommets already installed
  • Blackout fabric eliminates glare from studio lights

Pros

  • Reduces unwanted noise with just a few layers
  • Affordable budget soundproof curtains
  • Available in a variety of colors
  • Size choices fit most standard windows

Cons

  • May require layers to deliver results
  • Hardware required for ceiling mounting

Best For: Vocal booth sound dampening and ambient noise filtering on windows

Killer Feature: Thermal fabric works well to reduce temperatures in mixing rooms

When using any type of acoustic treatment, there is such a thing as too much. Deadening a room completely can suck the life out of a performance, so it’s important to strike a balance between acoustic control and natural reverberation.

Buying Options:

4. Deconovo

Deconovo
“The extra noise buffering means you don’t have to worry about the neighbors.” — deconovo.com

The Deconovo blackout curtains excel at more than just darkening a room. I tried these products out in my mixing room and was able to hear a difference before I even got started recording.

Once mounted, they were able to reduce ambient outside noise from the other room. I also noticed a difference in speech clarity when talking to others during breaks in my mixing session.

Natural tones were allowed to flourish, but there was less of a sense of space in the room. This was also repeated when I installed the Deconovo draperies on the windows around my recording space.

Features

  • Soundproofing curtains available in 29 colors
  • Comes in sizes up to 42” x 120”
  • Grommets come pre-installed
  • Polyester fabric weave
  • Available as single panels

Pros

  • Thermal insulation keeps talent and equipment cool
  • Blocks glare from outdoor light
  • Affordable option for sound control
  • Able to be cleaned in a standard washing machine

Cons

  • May need to be layered for desired sound control
  • Can require extra mounting hardware in some situations

Deconovo
Credits: deconovo.com

Best For: Controlling acoustics in console rooms with windows

Killer Feature: Includes grommets for easy hanging and mounting

Using soundproof fabric products, you can make use of more areas in your recording space.

I like to cordon off different sections in my main recording room for different types of vocalists when recording groups of singers. This allows me to get everyone in the same room during a take instead of having each vocalist in a separate booth or recording to a dub track.

I find that this works well when recording voice-over work as well. In fact, I use this technique when recording YouTube videos featuring multiple voice actors. You can learn more about some of the best microphones for YouTube in this article.

Buying Options:

5. RYB Home

RYB HOME

As the name suggests, the RYB Home room divider sound dampening curtains work great for dividing up a recording spaces into different sections. This is a great way to isolate sound from one another when recording different sounds at the same time in the same space.

During my testing, I recorded a number of different vocalists in my main room using the RYB Home divider curtains as my only means of sectioning things off. I found a lot of success by hanging these products from a ceiling bracket and allowing everyone to perform naturally.

I also tried these in my console room during a mixing session. I found that they provided a great deal of sound dampening, especially in the top end.

Features

  • Soundproof curtains come in sizes up to 20’ x 9’
  • 100% polyester fabric
  • Includes metal grommets already installed
  • Triple-woven fabric
  • Dampens reflections in console rooms with ease

Pros

  • Can be used to cover bay windows and other large openings
  • Able to be used to divide large recording spaces
  • Good level of sound absorption
  • Works well in blocking temperature shifts
  • Durable and machine-washable

Cons

  • Large size may be difficult to manage in small spaces
  • Special mounting hardware may be required to handle size

Best For: Cordoning off main rooms for different recording talent

Killer Feature: Available in extra large sizes to cover open recording spaces

In this video from Acoustic Fields, take a deep dive into how soundproof curtains work, learn the definition of soundproofing as it applies to reducing sound in the studio and find out how to get better acoustics for your recordings.

Buying Options:

6. H. VERSAILTEX

H. VERSAILTEX
“This elegant window panel reduces the noise and gives you 100% privacy.” — hversailtex.com

The H. Versailtex blackout curtain provides a lot of coverage as the model I tested measured in at 108” long. This gave me plenty of fabric to work with, and I was even able to double up the curtain to create a separate layer.

In terms of sound control, these products did a fairly good job at controlling reverb. When used on windows, they blocked ambient noise from outdoors well enough that I didn’t have to spend a lot of time in post cleaning things up.

I like the look of the design, and the fact that grommets already came pre-installed made it easy and fast to hang the fabric around the studio. The linen fabric didn’t hold up in terms of blocking sound as much as some of the thicker and heavier products I tested, but for general noise reduction, I was more than satisfied.

Features

  • Available in 12 colors
  • Comes in unique plaid patterns
  • Thermal insulation protects against heat shifts
  • Anti-glare blackout fabric darkens outdoor light
  • Quality warranty covers eight years

Pros

  • Improves energy efficiency when used on studio windows
  • Reduces ambient and unwanted sound
  • Stylish in virtually any studio setting or indoor space
  • Can be used to dampen reflections in a vocal booth

Cons

  • May need to use layers for desired effect
  • Requires a 1/2” rod for hanging

H. VERSAILTEX
Credits: hversailtex.com

Best For: Sound reduction in mixing rooms

Killer Feature: Includes eight-year quality warranty for peace of mind

When using a sound blocking curtain that has thermal insulation, remember that small, enclosed spaces can get hot fast. This means that you need to be careful when using a thermal curtain in a vocal booth as the thermal layer could cause a vocalist to become too hot.

Buying Options:

7. Cherry Home

Cherry Home

Blocking sound using fabric typically requires a product with thickness and weight behind it. I found the Cherry Home blackout curtains to provide both during my testing, and these products did a great job.

During recording, these sound absorbing curtains were draped over windows and doors in my main room as these are hard surfaces that are not acoustically treated like my walls. I noticed a difference during playback when my vocalist belted out some notes in the direction of the draperies.

The reflections I sometimes hear were gone, and the final recording didn’t require nearly as much post-processing to clean up unwanted noise. These products also worked wonders to add extra dampening inside of my vocal booth since it includes a small window.

Features

  • Unique polyester & velvet weave adds extra weight
  • Available in sizes up to 52” x 120”
  • Grommets come pre-installed
  • UV protection from outdoor light

Pros

  • Available in 17 colors
  • Blocks light and sound from outdoors
  • Offers thermal protection without a dedicated thermal layer
  • Easy to hand-clean

Cons

  • More expensive than other options
  • May be too heavy for standard mounting hardware

Best For: Use in main rooms to isolate vocalists

Killer Feature: Heavyweight design reduces sound across a range of frequencies

Although soundproof curtains can reduce sounds from outside, this doesn’t mean that they will stop all sounds from getting outside. As a result, people outside of a window that is covered by a sound proof curtain may still be able to hear loud sounds inside your studio.

Buying Options:

8. Flamingo

Flamingo

Flamingo makes some beautiful window coverings for the home, and the blackout curtains I tested looked great. I was impressed by the fabric as well as the eco-friendly manufacturing process that uses no chemical treatment.

Regarding sound blocking, these guys did a great job reducing outdoor noise when tested on my studio windows. I didn’t hear much noise from passing vehicles in my final recording.

When using these products to cordon off sections in my main room, I was impressed by the difference I noticed in reverb. These did a better job handling mid and high frequencies while still allowing bass to come through naturally.

Features

  • Available in sizes up to 52” x 108”
  • Unique construction blocks out 100% of light
  • Construction is eco-friendly
  • Includes thermal insulation barrier
  • Functions well in open recording spaces as well as windows

Pros

  • Grommets are already installed
  • Machine-washable
  • Can be hung using most 1 1/4” rods
  • No chemical coating

Cons

  • Not two-sided
  • Only seven colors available

Best For: Large studio windows and open studio spaces in need of isolation

Killer Feature: Can block out 100% of all light to reduce glare

When using an omnidirectional condenser microphone around fabric dividers, take note of the mic’s placement. Because condenser mics tend to be very sensitive, an omnidirectional polar pattern could cause some sounds to be out of phase due to fabric blocking reflections from one angle but not another.

You can learn more about some of the best omnidirectional microphones in this article.

Buying Options:

9. Rose Home Fashion

Rose Home Fashion

The vocal booth is one of the few places in a studio that requires total acoustic control. There are plenty of ways to achieve this, but some can reduce natural tones so much that they destroy a performance.

When I tested the Rose Home Fashion blackout option, I was very happy with the results. They added just enough dampening in the vocal booth without completely draining the life out of the sound.

I also installed these soundproof curtains over some windows in my studio and measured the sound coming from outside. During my testing, I didn’t hear much in the way of ambient noise, and only a little bit showed up on my final recording.

Features

  • Unique burlap fabric weave adds thickness
  • Sewn-in liner blocks light and sound
  • Sizes available up to 50” x 108”
  • Eight silver grommets pre-installed
  • Reduces glare from outdoor and studio light

Pros

  • Works well to block out ambient sound
  • Tames reflections in vocal booths
  • Has a vintage look
  • Machine-washable

Cons

  • Only available in six colors
  • Liner may weigh fabric down

Best For: Vocal booth sound control and exterior sound reduction

Killer Feature: Internal liner blocks sound without taking away from the design

If you’re going to divide a recording space with fabrics to isolate different musicians, it’s best to provide each musician with a set of headphones. You can communicate with recording talent from the console room, and talent can talk back through the mic they are recording with.

Buying Options:

10. MIUCO

MIUCO

The MIUCO thermal insulated soundproof curtains boast about balancing energy-efficiency through thermal control. I found this to be the case as they kept my studio at an even temperature despite the weather outside.

Because of this quality, I tried using these in my vocal booth to see how well they would do to keep my vocalist comfortable. She said that during the entire session, she didn’t experience any shifts in temperature and she remained comfortable the entire time.

Regarding the sound control factor, these sound blocking curtains did a good job at reducing early and late reflections. I hung one set on the large window of my console room and draped another set in the back of the room. This keep things neutral during mixing, and I feel I came out with a better final mix because of these as a result.

Features

  • Thermal design balances indoor temperatures
  • Blocks nearly 60% of outdoor ambient noise
  • Reduces outdoor light from windows by 98%
  • Includes tie-backs

Pros

  • Available in 18 colors
  • Includes grommets
  • Wide side and bottom hems for durability
  • Machine-washable

Cons

  • Only available in three sizes
  • May wrinkle easily with cleaning

Best For: Vocal booth acoustic treatment and sound control in console rooms

Killer Feature: Energy-efficient design works well to balance temperatures in recording spaces

In this video, Kennis Russell talks about how soundproof fabrics can be used in-studio and in home theater environments to not only control sound, but also to control light. You’ll learn some interesting acoustic principles as well as how to effectively use soundproof draperies to shape your audio environment.

Buying Options:

11. BGment

BGment

I tested a lot of different sound reducing curtains for this article, but I really liked the BGment blackout product. They did a fantastic job at keeping my recording space balanced in terms of temperature, and they also blocked a lot of unwanted external noise from outside of the studio.

When testing them in my studio, I placed them as a divider between two vocalists to reduce sound bleed. This worked well as I was able to capture both vocalists at once without both voices seeping into each other’s tracks in the mixer.

I also hung these products up in my mixing room and was impressed by their ability to balance reflections with the natural tone of the room. The best part was I didn’t have to spend an arm and a leg on expensive acoustic treatments to get this result.

Features

  • Thermal insulation keeps recording spaces balanced
  • Reduces unwanted noise from outside sources
  • Can be used to isolate vocalists and musicians
  • Easy to layer
  • Affordable price point

Pros

  • Available in 23 colors
  • Great for sound deadening in any space
  • Grommets are pre-installed
  • Machine-washable
  • Blocks out up to 99% of light to reduce glare

Cons

  • Could stand to be thicker to absorb sound even better
  • Grommets may slide too easily on metal rods

Best For: Console rooms with windows and recording spaces that need to stay cool

Killer Feature: Pre-installed grommets offer multiple mounting options

If you’re using grommets that slide on a hanging rod, consider affixing the edges of the draperies to a secure surface. The sound of sliding metal or plastic could come through if a curtain gets moved during a recording session.

Buying Options:

 

Other Must-Haves

During my testing, I found that there are a number of ways to improve the efficiency of soundproof draperies by having some accessories available.

Below, I’m outlining some must-have items that can enhance your recording experience when using sound dampening curtains:

Curtain Rods

Kenney Curtain Rods

Once you have your acoustic soundproofing, you’re likely going to want to mount it. This is the case whether you’re using draperies to divide a recording space or you’re using them to reduce reflections off of hard surfaces.

Curtain rods are ideal for mounting this type of soundproofing because you can extend and collapse many rods to the right size. You also achieve greater stability by mounting on a rod since the weight distribution of heavy draperies can be controlled.

Buying Options:

Ceiling Mount Brackets

Amazon Basics Ceiling Mount Brackets

Ceiling mounting brackets are another must-have item for working with sound-control fabrics in a studio setting. Mounting brackets that are installed into a studio ceiling can serve as a permanent fixture that allows you to change out various soundproofing draperies based on your needs for that particular project.

When installing brackets in a ceiling, try to be forward-thinking. This is to say that you should think about the placement and size in order to accommodate changing needs in the future as well as curtain rods of differing sizes and products of differing weights.

Buying Options:

Holdbacks

Decopolitan Holdbacks

Although holdbacks are typically used to keep window coverings open to allow light in, they can also be used to keep your soundproof draperies out of the way in the studio. This is important around expensive and fragile recording equipment since a snag or pull on a piece of curtain fabric could lead to a nasty spill, damage and injuries.

I often install holdbacks for my studio draperies when I know I’ll need to make adjustments to them throughout the recording process. This also helps keep my recording space tidy when I’m not in the middle of a session that requires soundproof draperies.

Buying Options:

Useful Resources

Conclusion

Experimentation can yield better results for your sound deadening needs.

Finally, I want to leave you with encouragement to experiment with different setups and placements for your sound deadening curtains.

You may be surprised to find out just how much of a difference it can make to add an extra layer or move a piece of fabric when working with soundproof curtains for studio audio control.

Acoustics can be tricky to tame, especially when using sensitive condenser mics. This is why you should take the time to find the options that work best for your needs.

You can learn more about condenser mics and how to select the best for your project in this article.

Have any questions about choosing the best soundproof curtains for your space? Leave a comment and we’ll help you out.

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The 10 Best Acoustic Blankets for Sound Control (2023 Rankings) https://myelearningworld.com/acoustic-blankets/ https://myelearningworld.com/acoustic-blankets/#respond Tue, 01 Aug 2023 07:02:20 +0000 https://myelearningworld.com/?p=5150 With the best acoustic blankets, you can control the sound of your recording environment in an affordable and easy way. Using acoustic blankets in a studio for sound control is a practical and versatile solution to improve the acoustic environment and achieve better audio quality. Acoustic blankets, sometimes called sound blankets or soundproof blankets, are ... Read more

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With the best acoustic blankets, you can control the sound of your recording environment in an affordable and easy way.

Using acoustic blankets in a studio for sound control is a practical and versatile solution to improve the acoustic environment and achieve better audio quality.

Acoustic blankets, sometimes called sound blankets or soundproof blankets, are specially designed to absorb and dampen sound waves, making them an effective tool for reducing echoes, reflections, and unwanted noise in recording spaces.

The best sound control blankets are made from special noise-absorbing materials that can significantly reduce the reverberation of sound waves in your recording space to help you capture the best sound possible.

And when placed over windows or doors, they can help block external noises and prevent sound leakage in or out of the studio. This added soundproofing capability is especially beneficial in urban or noisy environments where external disturbances could compromise the recording process.

Choosing the right acoustic blankets, however, can be difficult if you’re new to recording because there are dozens of choices out there.

There are some options that might work in a pinch, but some products are a bit too thin to really be used for serious sound control.

This is why I took the time to thoroughly test and review 25 products and chose the best of the bunch to pass along to you. Below, I’ve included my review of 10 great sound control blankets in a range of prices and thickness levels.

What You’ll Learn in This Article:

  • The pros and cons of each product reviewed
  • The features of each blanket to help you find what you’re looking for
  • How you can enhance your recording experience using other must-have items

I also provide you with guidance as to what each blanket is best suited for so that you can make an informed purchase with your recording budget. After checking out my guide below, I’m confident you’ll find the right acoustic treatments to tackle your next recording project.

This guide has been fully updated for 2023 to include the best current options on the market so you can make an informed buying decision for your studio.

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

 

Quick Picks for the Best Acoustic Blankets

Blankets for acoustic sound control can be used in a number of different ways. Whether you choose to use single or multiple blankets in layers, you have the ability to reduce reverb and delay as much or as little as you want.

During the course of my testing, I had the opportunity to review a lot of quality products, but a few stood out above the rest.

If you don’t feel like reading this full guide, check out a few of my favorite options for acoustic treatment blankets that offer amazing performance and durability:

My Top PickSure-Max 12 Heavy-Duty Moving Blankets

Sure-Max Heavy-Duty Moving  Blankets

What’s inside?

  • Virgin cotton batting
  • Zig-zag stitching for extended use
  • 80” x 72”, weighs less than six lbs

Best for: Beginners on a budget who need a portable dampening solution

Check price on Amazon →

Check price on Walmart →

Sound dampening using blankets requires products that are large enough to cover open spaces but small enough to not get in the way of your audio equipment. I also took this into consideration during my testing in order to find products that provide enough coverage without becoming a burden.

 

Also GreatUS Cargo Control Large Sound Blanket

US Cargo Control Large Sound Blanket

What’s inside?

  • Woven cotton/polyester shell
  • Includes nine grommets installed
  • 96” x 80”, weighs 12 pounds

Best for: Amateur audio enthusiasts with some recording experience

Check price on Amazon →

Check price on US Cargo Control →

Check price on Walmart →

Pro Tip: Acoustic treatment in a studio environment usually requires attention to detail. Leaving small bits of a hard surface exposed can lead to unwanted audio reflections that can muddle a recording.

To alleviate this, you need to use sound dampening blankets that offer coverage while still offering flexibility. Below is an option that I also found fit the bill during my testing:

Also GreatAudimute Sound Absorption Sheet

Audimute Sound Absorption Sheet

What’s inside?

  • Woven cotton/polyester shell
  • Includes nine grommets installed
  • 96” x 80”, weighs 12 pounds

Best for: Amateur audio enthusiasts with some recording experience

Check price on Amazon →

Check price on Audimute →

Pro Tip: When using blankets as acoustic treatments in large rooms, I recommend the addition of bass traps. These can be used in corners to reduce mud while allowing top-end sounds to cut through clearly.

There is no need to add blankets to the traps since most dedicated bass traps are designed to eliminate specific frequencies. In fact, adding them on top of traps could reduce the traps’ absorption power and make a recording sound worse.

How to Choose Acoustic Blankets for Your Recording Project

Before making a purchase, I recommend taking a moment to consider some factors that will play into how you choose the right sound treatment blankets. I believe that research is an incredibly powerful tool when purchasing audio equipment and studio supplies, so here are some steps you can take to figure out what you need:

Step 1: Analyze Your Budget

At First – Studio Equipment, Then – Sound Treatment

The first step in choosing the right product is to analyze your budget. This involves more than just thinking about how much you have to spend.

Acoustic treatments in a recording space are nice, but you may need to spend money on better microphones and pre-amps first. Sometimes, you can solve acoustics issues through the use of software as well.

When analyzing your budget, work out all of the essentials first. You should also consider your deadline since some acoustic treatments may not be available for immediate purchase in your local area.

Step 2: Decide How Many Items You Need

Measure Your Recording Environment

Once you have a budget in mind, you need to think about how many blankets you’ll need. You might think that this is as easy as simply measuring your recording space and purchasing enough, but there’s more to it.

Some areas may require layers of blankets in order to get the right sound dampening. Other areas in your recording space may cause them to bend and fold, potentially resulting in the need for extra blankets to fill in the gaps.

My advice is to only double up on layers when you have a solid, hard surface to cover. I also encourage you to have a few spare blankets around in the event that your main inventory doesn’t cover every surface that needs coverage.

Step 3: Moving or Sound Blankets?

Moving or Sound Blankets?

Finally, you need to choose between moving blankets and dedicated sound absorbing blankets. Both have pros and cons, and both are designed for specific functions.

Moving blankets can usually be purchased locally from a moving supply company or storage facility. Sound blankets will likely only be available from a music store or an acoustic treatment manufacturer.

Although moving blankets may be more readily available, they may not provide the right kind of frequency control to reduce harsh high-end sounds and rumble from low-end sounds.

Sound blankets are often designed with acoustic principles in mind and are crafted to reduce specific frequencies known to cause audio troubles. Keep in mind though, that you’re looking for sound absorbing blankets, not soundproof blankets (true “soundproof blankets” don’t really exist, they just reduce noise and control the sound).

Moving blankets may be less expensive and available in bulk compared to sound ones. This could save you money if you’re looking for a fast solution to reduce reverb in a recording space.

Bonus Tip!

Try to Cover Every Surface of Your Recording Room or Booth

You should also consider the positioning of your blankets when considering your recording space. Simply hanging them on a wall isn’t necessarily going to give you the dampening you need.

I try to position sound blankets opposite my audio source, but you can also place them behind an audio source. The first option reduces immediate reflections, but the latter will reduce late reflections.

In some cases, like when using sound blankets in a vocal booth, it may make sense to cover every surface with it for total coverage. In this article, you can learn more about some great vocal booth options for both home and professional studio spaces.

You can experiment with different positioning to get the sound you want. In the end, however, positioning can affect the number of items you’ll need as well as the type and your total cost.

 

My List of the 10 Best Acoustic Blankets

I separated the list of products I reviewed into two separate categories. These include:

  • Moving Blankets
  • Sound Blankets

After checking out the list, keep reading to see a detailed breakdown of each product’s features, pros and cons as well as some videos that demonstrate how acoustic control blankets can be used.

 

Moving Blankets
UBoxes Moving Blankets

Lightweight choice for quick sound dampening, great for beginners needing fast dampening.

Amazon →
Sure-Max 12 Heavy-Duty Moving Blankets

A perfect sound control solution for home studios and beginners on a budget.

My Top Pick!
Amazon →

Walmart →

US Cargo Control Supreme Mover

Large, washable solution for in-studio and portable recording needs.

Amazon →

US Cargo Control →

Forearm Forklift Moving Blanket

A durable dampening solution that works for home studios and professional recording spaces.

Amazon →
Sound Blankets
Big Boxer Grommeted Industrial Blanket

Efficient sound dampening that can be easily hung. Great for intermediate audio engineers.

Boxer Tool →
Filmcraft Studio Blanket

Excels at light dampening to reduce noise, perfect for general recording needs in a home studio.

Amazon →

Adorama →

VocalBoothToGo Producer's Choice Sound Blanket

Grommeted solution that’s perfect for vocal booths and main room recording.

VocalBoothToGo →
US Cargo Control Large Sound Blanket

Absorbs sound waves without blocking it entirely, great choice for home studio recording.

Also Great!
Amazon →

US Cargo Control →

Walmart →

Audimute Sound Absorption Sheet

Designed to absorb sound waves for superior dampening, excellent for amateurs and professionals.

Amazon →

Audimute →

Audimute isolé Sound Barrier Sheet

Blocks unwanted sounds for overall isolation in home studios and professional spaces

Amazon →

Audimute →

Sound Control Blankets, Tested and Reviewed

As discussed above, moving and sound blankets are usually manufactured differently and have different purposes. Choosing the right item may come down to your budget, but don’t let that be the only factor you consider.

Moving Blankets

They can be used to dampen sound because most are crafted using thick padding and strong stitching. Some advantages that moving blankets have over dedicated sound ones is that they are often less expensive and easy to find at any moving supply retailer or storage facility.

1. UBoxes

Textile moving blankets from Uboxes are available in 6 packs and other configurations, and I really liked that I was able to purchase these in bulk. I’ve already mentioned that I believe it’s helpful to have extra acoustic treatment items available when recording, so this option gave me peace of mind knowing that I wouldn’t be caught empty handed.

UBoxes Textile Blankets Specifications

They are also made from recycled materials, so I felt good knowing that I was helping to reduce waste. These blankets themselves did a good job at dampening sound, and I would recommend them for general use reflection reduction.

I also like the fact that they can double as muffling for other uses around the studio. I tried using one of them inside of a kick drum and got great results when tracking a jazz quartet.

Best for: General use in a home studio

Killer Feature: Bulk packs save money

Features

  • Inexpensive and general purpose
  • Bulk availability offers more coverage area
  • Measures 54” x 72”
  • Different bulk packs available

Blanket for Recording in a Home Studio

Pros

  • Made from recycled materials
  • Flexible for easy form fitting
  • Easy to layer for additional dampening
  • Can be used inside kick drums for added muffling

Cons

  • May not be suitable for professional recording
  • Doesn’t come with grommets or hooks
  • May require additional hardware to install

Pro Tip: If a sound control blanket is made from recycled materials or colored fabrics, read the manufacturer’s cleaning instructions. Using them on some surfaces may cause colors to rub off and transfer to nearby objects.

Buying Options

Check price on Amazon →

2. Sure-Max – Heavy-Duty

The Sure-Max Heavy Duty Moving Blankets I tested did an amazing job at handling loud volumes in my studio. I was able to dampen my drum room, vocal booth, and mixing room with ease simply by clamping a few of them to some portable stands.

Sure-Max Heavy-Duty Blankets Specifications

The blankets themselves feel incredibly sturdy and thick. I really feel like these are the types of sound control products that will last for many years.

In terms of size, they provided plenty of coverage. They were a little difficult to maneuver into place in some areas because of their weight, but once in place, they stayed exactly where I needed them.

Best for: Professional studio use and drum rooms

Killer Feature: Premium construction offers extended life

Features

  • Virgin cotton with polyester binding
  • Zig-zag stitching offers extended use
  • Double-sided construction offers sound dampening from both sides
  • Measures 80” x 72”

Sure-Max in a Studio

Pros

  • Premium construction
  • Available in packs
  • Made to handle tough conditions
  • Breathable fabric keeps studio air fresh

Cons

  • Large size could be an issue in tight spaces
  • May require layering due to thickness

To learn more about using moving blankets for acoustic treatment while recording, check out this video from House of Hacks. The video features a demonstration of how they can be an effective and affordable solution to control acoustics in tight spaces with hard surfaces.

Buying Options

Check price on Amazon →

Check price on Walmart →

3. US Cargo Control – Supreme Mover

US Cargo Control Supreme Mover blankets turned out to be an overall solution for general sound dampening during my testing. They arrived in a four-pack, and I was able to set them up quickly around my studio.

US Cargo Control Supreme Mover Blankets Specifications

They did a good job at reducing reverb, but I didn’t find them as effective in my drum room. They really excelled at removing reflections in my vocal booth, however.

I ended up installing some grommets in these blankets and tried hanging them from stands. This solution added more sound control to my mixing room where volume levels can range from quiet to very loud.

Best for: General home studio sound control and vocal booths

Killer Feature: Lightweight construction delivers flexibility in positing around the studio

Features

  • Blended cotton and polyester construction
  • Available in packs of four
  • Each weighs 7.5 lbs
  • Measures 80” x 72”

Blankets with a Good Effect in Reducing the Sound Reflecs

Pros

  • Lightweight solution for general sound control
  • Blankets can double as dampening for instruments
  • Made from recycled materials
  • Machine washable

Cons

  • Will need to install grommets and hooks
  • May not be suitable in professional recording
  • Might require layering to get top-quality sound dampening

 

Buying Options

Check price on Amazon →

Check price on US Cargo Control →

4. Forearm Forklift

Although the Forearm Forklift Moving Blankets are designed for protection of items while in transit, I found that they excelled at controlling sound and blocking noise in my vocal booth. They held up against a wide range of vocalists while allowing the natural tone to shine through.

Forearm Forklift Moving Blanket Specifications

I also tried mounting them to stands in front of and behind my mixing console. They really helped control early and late reflections without diminishing the overall balance of the mix.

Another thing that I noticed about these blankets is that they were very good at dampening sound reflecting off of my studio’s ceiling. I even tried mounting a few to ceiling strips to add some additional control and got great results.

Best for: Vocal booth dampening and general studio sound control

Killer Feature: Stitched construction around edges adds extended durability

Features

  • Quilted, double-stitched construction
  • Made from both woven and non-woven polyester
  • Each weighs seven lbs, other weights available
  • Measures 72” x 80”

Good Option for Vocal Booths

Pros

  • Easily fits into tight spaces
  • Convenient size provides coverage without a lot of layering
  • Can be used in a variety of recording spaces
  • Can stand up to a lot of use adding to extended life

Cons

  • May not dampen enough in large, open recording environments
  • Provides sound reduction but doesn’t block sounds entirely
  • Layering can get expensive over time

Pro Tip: When purchasing moving blankets to be used for sound control, consider only using the blankets for this purpose. Using them for other purposes when not recording could reduce the life you get out of them by introducing unnecessary wear and tear.

Buying Options

Check price on Amazon →

 

Sound Blankets

They are usually designed with specific acoustic principles in mind. These blankets are meant to be used to eliminate early and late reflections, reduce rumble and flatten sharp sounds that can cause harsh top-end in a recording.

5. Big Boxer

I tried the Big Boxer Grommeted Industrial blanket in a number of spaces in my studio. It held up surprisingly well to dampen louder sounds, even in my mixing room.

One thing I really like about this product is that it includes metal grommets pre-installed. This made it easy to hang from stands, rods, walls and other surfaces.

Boxer Tool Grommeted Blanket Specifications

I’m a bit cautious about using a product like this near instruments because the metal grommets could potentially cause scratches or damage. This is especially true when trying to control sound inside of a kick drum or when muffling a brass instrument.

I did like, however, that I was able to hang a few of them across my main room to divide it. This was helpful when recording to groups of vocalists at once for sound bleed control.

Best for: General sound dampening in mixing rooms and vocal booths

Killer Feature: Pre-installed grommets offer easy hanging and positioning

Features

  • Grommeted construction makes hanging fast and easy
  • Also dampens vibration to reduce mechanical noise
  • Lightweight at only eight lbs per blanket
  • Measures 78” x 72”

Budget Option for Sound Dampening Your Studio

Pros

  • Comes with grommets already installed
  • Can be used to divide main rooms during live recording
  • Zig-zag construction offers durability
  • Black materials make it easy to blend with existing studio space

Cons

  • Not designed for complete sound blocking
  • Polyester construction could cause odors

Pro Tip: When using a sound control blanket to dampen a kick drum, don’t allow the blanket to touch the insides of the drum heads. Instead, fold the blanket so that is lies flat on the bottom of the shell to achieve better dampening without affecting the tone.

Buying Options

Check price on Amazon →

Check price on Boxer Tool →

6. Filmcraft

The Filmcraft Studio Blanket is designed specifically to reduce reverb and dampen sounds in main rooms and mixing rooms. I found that this product really helped when filming YouTube video content as it helped to focus vocal takes without the need for a lot of post-processing.

Good Option for Dampening Sound and Blocking Out Unwanted Light

Best for: Video content production

Killer Feature: Lightweight, non-woven construction adds portability and flexibility

Features

  • Weight in at only 5.5 lbs
  • Includes 90-day warranty
  • Black color blends seamlessly into most studio settings
  • Can also block unwanted light when used in film production

Sound Dampening Blanket for Creating Video Content

Pros

  • Designed specifically for film and video audio
  • Includes grommets for convenient positioning
  • Versatile enough to handle voice talent and ambient noise
  • Can double as a moving blanket

Cons

  • A bit expensive compared to moving blanket solutions
  • Includes grommets, but more may be needed
  • May not be suitable for loud music recording

You can see (and hear) sound blankets in action in this video presented by DSLR Video Shooter. The presenter uses them to demonstrate effective sound recording techniques for video and show how you can use accessories like clamps. This video is particularly important if you’re planning on using sound blankets for recording YouTube content or other video-focused audio.

Buying Options

Check price on Amazon →

Check price on Adorama →

Check price on B&H →

7. VocalBoothToGo – Producer’s Choice

Vocal Booth to Go is known for its array of vocal booth solutions, and I found that the Producer’s Choice Sound Blankets were no exception to my experience with the company. Quality and sound control are everything when recording vocals, and they helped in both areas.

VB70-G Sound Blanket Producers Choice

These products did a phenomenal job at absorbing and dampening sound in my vocal booth. I was able to get natural tones with virtually no reverb at all, making it easy to mix the track.

I also like that they are designed specifically to address troublesome audio frequencies. They were able to tame harsh highs and rumbling lows without a problem.

Best for: Vocal booths, general recording, and mixing rooms

Killer Feature: Rated to absorb up to 95% of sound when installed in pleated fashion

Features

  • Superior sound absorption
  • Can be used in a variety of recording spaces
  • Becomes nearly invisible in dark environments
  • Measures 80” x 80”

Mobile Option. No Wall Damage.

Pros

  • Offers 80% sound absorption
  • NRC rating 0.8 (G-75 mount)
  • Not a soundproof blanket, but absorbs sound
  • Designed specifically to handle troublesome audio frequencies

Cons

  • A bit more expensive than other options
  • Not designed for looks, may include some imperfections

Sound dampening is often the go-to acoustic treatment for recording vocals, but in this video, drummer Marcus Thomas shows that sound blankets can also be effective when recording live instruments. Percussive sounds are some of the biggest offenders when it comes to early and late reflections, so having the ability to dampen them can make a big difference in the quality of a recording.

Buying Options

Check price on VocalBoothToGo →

8. US Cargo Control – Large

US Cargo Control’s Large Sound Blanket gave me the chance to cover a large area in my mixing room with ease. I was able to quickly spread out the product and clamp it to a stand without a problem.

Sound Absorption Blankets for Your Recording Studio

Regarding sound control, this blanket did a great job when used for vocals and some low-volume instruments. If used in a drum room, I would recommend layering at least once for the best results.

I want to point out that, like other blankets reviewed here, it is meant to absorb sound. This means it isn’t a soundproof blanket.

Because of this, I highly recommend layering these blankets if you really want to get the best sound control. Each layer you add makes this product more potent in controlling loud volumes.

Best for: Main rooms, drum rooms, big mixing rooms, and other large spaces

Killer Feature: Large size provides extended coverage in open recording spaces

Features

  • Cotton and polyester construction
  • Moderately lightweight at 12 lbs per blanket
  • Made from recycled materials
  • Measures 96” x 80”

These Sound Absorption Blankets Do a Perfect Job

Pros

  • Other sizes available
  • Can reduce sound in-studio, but can also be used for blocking noise from outside
  • Includes grommets for easy hanging
  • 85g weight fabric
  • Great for large spaces

Cons

  • Can be cumbersome when setting up alone
  • May require additional hardware to hang

US Cargo Control has created an informative video demonstrating the qualities of its large sound blanket option. This video not only covers the features of the model, but it also demonstrates some positioning options and features.

Buying Options

Check price on Amazon →

Check price on US Sound Control →

Check price on Walmart →

9. Audimute – Sound Absorption Sheet

Audimute designs sound products for the audio industry, so the brand’s sound absorption sheets are made to handle common problems faced by audio enthusiasts. I found these products to be very easy to work with, and I loved the results.

Exceptional Sound Absorption

I tried Audimute’s sound absorption sheets in my vocal booth, my main room, and in my drum room. They performed well in all cases, removed reverb while leaving natural tones in place and left me plenty of audio space for post-processing.

Best for: Vocal booths, recording rooms, and mixing rooms

Killer Feature: Designed specifically to tackle troublesome audio frequencies

Features

  • Large size provides a huge area of coverage
  • Useful in a variety of recording spaces
  • Weighs in at 10 lbs
  • Measures 95” x 54”

High Performance Sound Absorption Product

Pros

  • Designed for the audio industry
  • The same or better results compared to similar tiles and foams
  • Can be used in practice rooms as well as studio spaces
  • Deadens exterior noises for quiet focus in control rooms

Cons

  • On the expensive side compared to similar products
  • Large size offers coverage, but can be cumbersome to set up alone

Recording in a drum room can be a major hassle, but as this video from Audimute shows, you can easily control percussive sounds using sound blankets. This video utilizes acoustic measuring devices to show the precise difference they can make in reducing reverb and minimizing delay in recording.

Buying Options

Check price on Amazon →

Check price on Audimute →

10. Audimute – isolé Sound Barrier Sheet

As with Audimute’s Sound Sheets, I also found the company’s Isolé line to perform exceptionally well. This product is unique in that it is meant to act as a partition in audio spaces.

Great Solution for Soundproofing and Easy to Install

As such, I found that this sound barrier worked wonders when used for group recording in a large space. I was able to have vocalists on two sides of my main room record clearly with minimal bleed simply by using this sheet as a partition.

Best for: Large, open recording spaces that require a partition

Killer Feature: Included grommets make these sheets a breeze to set up

Features

  • Utilizes Audimute’s PeaceKeeper Sound Barrier technology
  • Designed to function an as audio partition
  • Weighs 20 lbs
  • Measures in at 34.5” x 82”

Ideal for Absorbing and Blocking Sound

Pros

  • Large length provides plenty of room to close off open spaces
  • Unique design benefits partitioned recording spaces
  • Can be used to separate work spaces in studios
  • Excels when used at first point of reflection

Cons

  • May not be suitable for general sound control
  • May require additional hardware for mounting

To learn more about Audimute’s sound sheets, take a look at this video. Presenter Rick offers an in-depth look at some of the features found in Audimute’s sound sheet line. He also presents some important audio principles that can help you determine the right positioning and use for acoustic treatments in a studio environment.

Buying Options

Check price on Amazon →

Check price on Audimute →

 

Other Must-Haves

One of the main benefits to using acoustic blankets for sound control is that they can be positioned to meet a wide variety of needs. In order to do this effectively and with the least amount of hassle, you’re going to need some accessories.

I tested a number of different must-have products to go along with acoustic control blankets, and here are my recommendations:

Grommet Kit and Grommet Packs →

A Kit with 12 Grommets and a Set with 24 Grommets

Grommets make it easy to hang acoustic blankets on walls, from ceilings, and in other areas that require controlled sound. Many blankets come with grommets pre-installed, but you can also purchase a grommet kit and grommet packs to customize your sound blankets.

Most kits have simple instructions for installation, but always consider the length between any grommets you install. Everything needs to be spaced out evenly to ensure that a sound blanket’s weight will be evenly distributed.

Hooks →

14-Hook Pack

To go along with grommets for easy hanging, you’re probably going to want to also have some dedicated acoustic blanket hooks on hand. Hooks come in a variety of sizes and strengths, so be sure to check your blanket manufacturer’s guidelines to know which is right for you.

Keep in mind that if a blanket is too heavy or its weight is not distributed properly, hooks can bend and break. At the same time, you don’t need to use heavy duty hooks for a lightweight blanket.

Clamps →

16-Clamp Pack

Clamps come in very handy around the recording studio for a number of reasons, but they’re especially helpful when affixing sound control blankets to surfaces. I usually find that I need to clamp them to and around irregular surfaces like tables, chairs, and stands that may reflect sound in a vocal booth or a main room.

Clamps can also be used to hang sound control blankets from objects like shelves for better positioning. Once again, just make sure you pay attention to the weight of each blanket and the distribution of weight to avoid damage to it or other objects.

 

Useful Links

 

Final Thoughts on the Best Sound Absorbing Blankets for Noise Control

In the end, the acoustic blankets you use really come down to the needs of your project. Don’t purchase sound treatments just because some big studio has them.

In fact, many recording engineers have ditched the big studios to work from home studios using things like acoustic foam panels and bass traps for sound control. You can learn more about the best acoustic foam panels where I provide you with research and products to get the most out of your recordings spaces.

Also, don’t forget that it’s always better to have more than you need, so don’t be afraid to have a couple of extra acoustic blankets around in case a recording project calls for them.

Have any questions about acoustic blankets and sound absorbing blankets? What have you tried for noise reduction? Share your questions and comments below.

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The 7 Best Budget Studio Monitors Under $200 (2023 Buyer’s Guide) https://myelearningworld.com/best-budget-studio-monitors/ https://myelearningworld.com/best-budget-studio-monitors/#respond Tue, 01 Aug 2023 05:39:04 +0000 https://myelearningworld.com/?p=19086 Are you looking for a pair of budget studio monitors for your home studio that perform great without breaking the budget? Would you believe us if we told you you could get some great studio monitors for under $200? Monitors are an essential part of any home studio. They are the speakers that help you ... Read more

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Are you looking for a pair of budget studio monitors for your home studio that perform great without breaking the budget? Would you believe us if we told you you could get some great studio monitors for under $200?

Monitors are an essential part of any home studio. They are the speakers that help you accurately hear what is being recorded and mixed.

And before you ask, yes, monitors are different from regular speakers. Studio monitors produce natural, flat, and accurate sound reproduction. While regular speakers are designed to enhance certain frequencies and make music sound better, monitors have a flat frequency response that allows producers to get the most accurate representation of their mixes.

While we’ve already put together a comprehensive guide to the best home studio monitors, many of our picks were quite expensive. Some of the best studio monitors can set you back several hundred dollars or more.

But we also realize that not everyone has that kind of money to shell out on their studio.

For those on a budget, it may seem challenging to find studio monitors that deliver excellent performance without breaking the bank. The good news is there are some quality budget studio monitors out there that do a solid job with their performance without costing an arm and a leg, providing impressive sound reproduction for aspiring musicians, content creators, and home studio owners.

We’ve been testing and reviewing dozens of studio monitors for the last 3 years, and during that time, we’ve come across some excellent cheap studio monitors that offer great sound, satisfactory build quality, and a good value for their price.

For our purposes, we defined “cheap studio monitors” as anything under $200 for a pair as that’s the price point we feel is most reasonable for beginners and hobbyists.

So which monitors should you look for if you’re on a budget? Read on for our top picks for the best studio monitors under $200.

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

 

How We Chose the Best Budget Studio Monitors

Before we dive into our picks, let’s quickly go over some of the criteria we considered when selecting which affordable studio monitors to include in this list.

First, sound quality and performance were paramount. No matter how cheap a monitor was, if it didn’t perform well or accurately represent what we heard from our mix sources, it didn’t make the cut.

Second, build quality was important to us. We wanted monitors that were well-built, looked nice, and seemed durable enough to last a while in the studio.

Third, we also looked at the extra features and controls each monitor offered, as well as its overall design.

And of course, there’s the actual price. We did a lot of debating over what exactly qualified as “cheap studio monitors” and settled on $200 as the maximum price point to be considered for this list. We considered the value for money — we wanted to make sure you weren’t sacrificing too much quality for your budget.

Now that you know what criteria we used to pick these monitors, let’s take a look at our top picks.

 

The Best Studio Monitors Under $200

Here are our picks for the best budget studio monitors you can get in 2023…

1. PreSonus Eris E3.5

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01/15/2024 06:57 pm GMT

As we noted in our PreSonus Eris E3.5 review, their overall quality makes them some of the best studio monitors out there at any price point.

These near-field studio monitors reproduce sound with a neutral, flat, and unenhanced frequency response to give you the most accurate representation of your recorded audio without any artificial boosts.

For the best results, we recommend listening to these monitors at a low-to-medium volume level while being physically close to them.

One of the cool features of the PreSonus Eris E3.5 is that they include a high-end and low-end tuning knob on the back of the left-side unit that lets you adjust and fine-tune the monitors based on your studio environment so you can get accurate, balanced sound.

These monitors also have multiple connections for different audio sources, including 1/4″ TRS and RCA inputs on the back and 1/8″ one-eighth inch stereo, unbalanced line inputs on the front to use for mobile devices.

Click here to shop these monitors on Amazon.

 

2. Mackie CR3-X

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01/16/2024 02:18 am GMT

The CR3-X monitors deliver studio-quality sound on a budget, and they look great too.

A few of the things we really liked about these monitors include:

  • Sleek, stylish design with brushed metal panel and clean outline
  • Convenient headphone output and volume control on the front panel
  • Flexible rear panel inputs that include a balanced 1/4″ TRS, 1/8” Stereo, and RCA
  • Comes with several cables included for easy setup — 1/8″ to stereo RCA cable, 1/8″ to 1/8″ cable, and speaker wire
  • Waveform OEM DAW Essentials Collection also included

Click here to shop these monitors on Amazon.

 

3. Alesis Elevate 5 MKII

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01/15/2024 10:32 pm GMT

The Alesis Elevate 5 MKII is a great budget studio monitor set that produces clear sounds, competently handling low end, mid-range, and high-end frequencies.

It has a powered 5-inch dome and 1-inch tweeter to produce studio-quality sound.

The build quality on these monitors is also worth pointing out. It’s made from high-density wood so that the cabinet reduces vibrations and interference.

The Elevate 5 MKII also has flexible inputs and outputs for easy connectivity.

Click here to shop these monitors on Amazon.

 

4. Hercules DJSpeaker 32 SMART

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Compact and robust, the DJ Speaker 32 Smart Speakers offer a quality audio experience at a great price.

Delivering 30 watts of RMS output power each with optimized acoustic waveguide, these speakers take your mixing sessions to a new level.

With Bluetooth multi-pairing tech (including simultaneous connection to two devices) as well as cable hookup options available in the box, you can work wherever you like without sacrificing sound quality or performance.

Click here to shop these monitors on Amazon.

 

5. M-Audio BX3

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01/15/2024 09:12 pm GMT

The M-Audio BX3 is a pair of compact desktop studio monitors that are great for everything from gaming to podcasting to home recording.

While these monitors are very affordably priced, they use high-end, premium components that produce a deep, clear, and full sound.

In the BX3, the speaker cones are placed behind a grill, meaning the monitors don’t get hot to the touch like some of the other models out there.

They’re not super loud, but they’re still a perfect fit for a small home studio.

Click here to shop these monitors on Amazon.

 

6. KRK Studio Monitor

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01/16/2024 02:17 am GMT

With over three decades of expertise from one of the world’s foremost studio monitor makers, KRK Classic 5 Powered Studio Monitors provide an unbeatable blend between classic sound and modern-day innovation.

Featuring a flat frequency solution for more precise mixing as well as an optional +2dB Bass Boost to maintain renowned sonic fidelity, these budget-friendly monitors deliver everything you need to ensure each mix is up your exacting standards.

Packed with features such as Class A/B amplifiers complete with built-in automatic limiter technology and quality components like 1” soft dome tweeters plus 5″ glass aramid composite woofers in addition to waveguides designed for imaging accuracy, these monitors deliver performance that helps push music production boundaries further than ever before.

Click here to shop these monitors on Amazon.

 

7. Edifier M4

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01/16/2024 02:22 am GMT

Based on the acclaimed Edifier bookshelf speakers, these studio monitors offer a clean, flat responsive curve for optimum sound quality for any recording application.

The 1″ silk dome tweeters combined with 4″ composite woofers provide a clear, smooth audio – all enclosed in a MDF wood frame that reduces resonance for true clarity of sound.

These budget monitors offer flexible connections, including a 1/4″ balanced TRS input, an unbalanced RCA input, an unbalanced AUX input, and a front headphone output, so you’re guaranteed total device compatibility whatever is needed.

Plus there are dual modes available: monitor mode outputting ‘true’ audio perfect for creation and production, as well as music mode for casual, everyday listening.

Click here to shop these monitors on Amazon.

 

A Final Word on the Best Budget Studio Monitors

When you’re setting up a home studio, it’s important to stretch your dollar as far as possible without sacrificing quality.

Hopefully, this guide has showed you that it’s possible to get some excellent cheap studio monitors under $200 that can still provide you with great sound quality and performance.

Do your research, read reviews, and test out products yourself to see what works best for your particular situation.

And remember, even the most expensive monitors won’t make up for poor recording and mixing techniques — it’s always important to practice and hone your skills first.

Have any questions about our guide to the best budget studio monitors? Let us know by commenting below.

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6 Best Acoustic Foam Panels for Your Home Recording Studio (2023 Guide) https://myelearningworld.com/best-acoustic-foam-panels/ https://myelearningworld.com/best-acoustic-foam-panels/#comments Mon, 31 Jul 2023 12:42:45 +0000 https://myelearningworld.com/?p=2723 Designing your home recording studio to get the sound you like so you can enjoy rich sound recordings doesn’t have to be complicated. With the best acoustic foam panels, you can reduce echo and reverb while significantly improving sound quality during your recording sessions. But buyer beware — not all acoustic foam tiles are created ... Read more

The post 6 Best Acoustic Foam Panels for Your Home Recording Studio (2023 Guide) appeared first on MyeLearningWorld.

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Designing your home recording studio to get the sound you like so you can enjoy rich sound recordings doesn’t have to be complicated. With the best acoustic foam panels, you can reduce echo and reverb while significantly improving sound quality during your recording sessions.

But buyer beware — not all acoustic foam tiles are created equal. And finding the best sound treatment panels when there are thousands of options to choose from can be overwhelming.

There are many different factors you have to consider when choosing foam tiles, including their thickness/density, their size, the quality of the foam they’re made from, and even their aesthetic.

In this post, I’ve reviewed and ranked the best sound treatment materials you can use to make your home studio a wonderful audio recording environment.

These picks are based on years of personal experience as well as closely analyzing user reviews and feedback from other industry experts.

I’ve also included tons of details about what to look for when choosing acoustical foam panels and studio wall foam, how to use them properly for effective sound absorbing and acoustic treatment of your space, and other valuable tips to help you get your studio set up just the way you want for superior sound quality.

This guide has been fully updated for 2023 to include the latest products currently on the market, so you can find the best acoustic foam panels for your needs.

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

 

What are the Best Acoustic Foam Panels?

Here are my picks for the 6 best acoustic foam tiles for your studio in 2023:

    1. Pro Studio Acoustics Wedge Foam →
    2. SoundAssured Acoustic Studio Foam →
    3. IZO Acoustic Egg-Crate Tiles →
    4. JBER Pyramid Acoustic Foam Panels →
    5. Mybecca Hexagon Acoustic Panels →
    6. TroyStudio Acoustic Studio Absorption Panels →

1. Pro Studio Acoustics Wedge Foam →

Top Pick
Pro Studio Acoustics - Blue/Charcoal - 12"x12"x2" Acoustic Wedge Foam Absorption Soundproofing Tiles - 12 Pack Pro Studio Acoustics - Blue/Charcoal - 12"x12"x2" Acoustic Wedge Foam Absorption Soundproofing Tiles - 12 Pack
$69.99

Top Features:

  • 12 inches square
  • 2 inches thick
  • 2 colors of blue and charcoal
  • 12-pack with six of each color
  • Attractive checkerboard pattern with strong sound absorption
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01/16/2024 01:37 pm GMT

The Pro Studios Acoustics Wedge Foam is My Top Pick because it comes in a 12-pack with six panels in blue and six panels in black that you can mix and match in your studio.

At two-inches thick, these acoustic foam tiles provide the strong soundproofing that most studios need. Thanks to the low price, you can easily get as many as you need for spot treating sound all around your studio space.

The recommended design of these sound absorption tiles is to use them in an alternating pattern of color and alignment. This creates an attractive checkerboard pattern with strong sound absorption.

It’s worth noting these tiles don’t have adhesive on the back of them. The company says, “For permanent installations, we recommend using spray adhesive. If you are concerned about being able to remove the tiles at a later date without causing damage to the walls, we recommend using either t-pins or 3M Command strips for installation.”

Characteristics

  • Two colors: blue and charcoal
  • The tiles are 12 inches square and two inches thick.
  • They come in a 12-pack with six of each color.

What’s special about these acoustic foam tiles?

  • These soundproof panels reduce standing sound waves and flutter echoes in home studios.
  • This product is “Made in the USA.” It comes uncompressed in a box, so there is no warping or waiting days for expansion from compressed vacuum packaging.
  • Thanks to the thick design, the foam distorts all types of noises and does a great job with sound absorbing.

Best for: covering a full wall or they can be useful for spot acoustic treatments in the audio environment.

Click here to shop this product on Amazon.

2. SoundAssured Acoustic Studio Foam →

Soundproofing Acoustic Studio Foam - Wedge Style Acoustic Foam Panels 12"x12"x2" Tiles - 4 Pack - DIY Soundproofing Acoustic Studio Foam - Wedge Style Acoustic Foam Panels 12"x12"x2" Tiles - 4 Pack - DIY
$24.95

Top Features:

  • Available in multiple colors
  • Easy to install
  • Comes in a package of four (4) 1' squares of 2" thick professional acoustic foam
  • Discounts available for ordering multiple bundles
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01/15/2024 08:42 pm GMT

These acoustical foam panels have a wedge style to create more surface area for sound absorption. The result is less echo and reverberations in your studio for improved recording and playback quality.

Characteristics

  • This studio foam comes in a four-pack, with over a dozen attractive colors to choose from.
  • The dimensions are 12 inches by 12 inches square by two inches thick.
  • Fire-retardant with a rating of ASTM E 84.

What’s special about this studio wall foam?

  • It is easy to calculate how many packages you need to cover your home recording studio walls. Just measure the square footage of the wall space and then divide by four, since each package covers four square feet.
  • This studio wall foam is very easy to install. You can trim them as needed with regular scissors. Installation can be permanent by using adhesive tape or spray (sold separately) or you can use push pins or Velcro to hang them temporarily.
  • This product does a great job with sound absorbing for mid to high frequencies.

Best for: moderating sound deadening and it is useful to control or remove echoes.

In this video, Josh the MusicTechHelpGuy discusses the installation of these acoustic foam tiles in his home studio. They also come in one-inch, two-inch, three-inch, and four-inch-thick versions for different applications. The thinner tiles absorb high frequencies better. The thicker tiles absorb low-end frequencies better.

The takeaway from this video is how to use these tiles to get rid of room echo and reverb. A good tip is to make sure to cover the corners in the room because those wall angles are a source of undesirable flutter echo.

Click here to shop this product on Amazon.

3. IZO Acoustic Egg-Crate Tiles →

6 Pack Egg Crate Foam Cushion 2" Thick Acoustic Panels Sound Proof Foam Padding 6 Pack Egg Crate Foam Cushion 2" Thick Acoustic Panels Sound Proof Foam Padding
$15.99

Top Features:

  • 12" x 12" size
  • 2" thick for improved sound absorption
  • Great for acoustically treating walls and ceilings for a variety of purposes
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01/16/2024 12:32 am GMT

These sound treatment tiles have an egg crate design that absorbs sounds to prevent noises from leaving the studio. Use them on your studio walls or ceilings to improve sound clarity.

Characteristics

  • Two inches thick, when measured from the peak of the tip of the foam to the base.
  • Variety of sizes of 12 inches to 36 inches.
  • One color of charcoal gray.

What’s special about them?

  • The egg-crate design is very efficient for sound absorption.
  • You can easily attach the foam tiles to your walls or ceiling
  • The two-inch thickness reduces reverb and reflections, especially in the mid- to high-frequency range.

Best for: covering the ceiling, especially if it is not parallel to the floor because of the angular reflection of sound that will be bouncing back from the ceiling to walls. The lightweight nature of soundproofing foam makes it easy to apply acoustic tiles to the ceiling or any other surface.

This video is by Caleb from DSLR Video Shooter focuses on improving a home recording studio to improve the sound quality for video recording. There is an explanation of the difference between soundproofing and sound treatment, sound deadening tips, how sound travels/sound energy insights, and how sound is picked up by a microphone.

The takeaway from this video is that for the typical home studio, 100% soundproofing is not usually feasible due to the complexities and the cost. However, sound treatment is easy to accomplish and not very expensive, especially with quality, affordable acoustic foam panels like these. Sound treatment does not result in much soundproofing; however, it can significantly improve the quality of the recorded sound.

Click here to shop this product on Amazon.

 

4. JBER Pyramid Acoustic Foam Panels →

JBER Acoustic Sound Foam Panels, 24 Pack 2" X 12" X 12" Charcoal Soundproofing Treatment Studio Wall Padding Sound Absorbing Fireproof Pyramid JBER Acoustic Sound Foam Panels, 24 Pack 2" X 12" X 12" Charcoal Soundproofing Treatment Studio Wall Padding Sound Absorbing Fireproof Pyramid
$39.99

Top Features:

  • Comes in a 24 pack to save money and increase coverage of your space
  • Great for spot treating studios, rehearsal spaces, and other areas
  • Each package covers 24 sq. ft.
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01/17/2024 02:42 am GMT

You can hear the difference when using this pyramid foam properly as a sound treatment. You will be amazed by how much sound improvement is possible with just a few of these acoustic sound panels strategically placed in your studio. They can do a great job to eliminated unwanted noise.

Characteristics

  • These foam panels are two-inches thick and have a pyramid-cone shape.
  • They come in a 24-pack in three colors of charcoal, blue, and red.
  • They are 12 inches square.
  • They add modest soundproofing to reduce outside noises.
  • They ship compressed.

What’s special about this studio wall foam?

  • You can choose between six-pack and 24-pack options based on the size of your studio.
  • They reduce both echos and background noises.
  • You can cut and shape the sound dampening panels without affecting their noise reduction.
  • Great for acoustic treatment in a home studio.

Best for: home studios to help reduce reverb, flutter echo, and unwanted reflections.  Use them to cover a wall or for spot sound treatment of special areas.

This video by EXOcontrato shows how to use acoustic sound panels with the technique of spot treatment. Spot treatment is using the acoustic panel to block reflection and modify the sound patterns in a room. To use this technique he uses a mirror to determine where the wall will reflect sound toward where the listener will be sitting.

The takeaway from this video is, you can use acoustic sound panels to fine-tune a recording studio or home entertainment room without fully covering all the walls.

Click here to shop this product on Amazon.

 

5. Mybecca Hexagon Acoustic Panels →

Mybecca 6 Pack Hexagon Acoustic Foam Panels Mybecca 6 Pack Hexagon Acoustic Foam Panels
$29.69

Top Features:

  • Unique hexagonal design - 12" x 12" x 2"
  • Affordable choice for soundproofing rooms of all sizes
  • Great for studios, vocal booths, and control rooms
  • Reduces noise, reverbn and flutter echoes
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01/15/2024 08:37 pm GMT

These acoustic panels are a hexagon-style that can be used to dampen sound and improve clarity in your studio environment.

Characteristics

  • They are 12″ x 12″ x 2″.
  • They are very affordable and cost-efficient.
  • Unique hexagonal design makes them stylish as well as effective.

What’s special about them?

  • Like all quality acoustic panels, they eliminate standing waves, reduce undesired sound reflection, and help reduce outside noise and other unwanted noise.
  • Examine all the hard surfaces in a room. Those will reflect sound. The echoes will cause recordings, especially of voice-overs, to sound strange and somewhat hollow. Covering reflective surfaces with these panels will reduce or eliminate these problems.
  • The panels reduce between 80 and 90% of typical background noises and sounds.
  • They are compliant with all flammability standards.
  • You can use the panels in small and large spaces.

Best for control rooms, recording studios, and vocal booths.

The product manufacturer, Mybecca, produced this video to show how easy it is to install their acoustic tiles using spray glue. While this video is for their wedge panels, the same applies to their hexagon studio wall foam panels. Be aware that if you do not own the home, you may have to return the place to its original condition when moving out. For a rented home, consider mounting these acoustic tiles on cardboard and then hang the cardboard on the wall, in such a way that it does not cause any damage.

The takeaway from this video. Gluing panels on a wall is a more permanent solution. Be sure you place them properly, where you want them. Depending on the type of adhesive used, it can damage a wall or leave some residue of glue or bits of foam on the wall, when you pull the tiles off.

Click here to shop this product on Amazon.

 

6. TroyStudio Acoustic Studio Absorption Panels →

TroyStudio Acoustic Studio Absorption Foam Panel - Broadband Sound Absorber TroyStudio Acoustic Studio Absorption Foam Panel - Broadband Sound Absorber
$12.99

Top Features:

  • 12" x 12" 2" size
  • Unique groove structure design offers better sound absorption than many other panels
  • Easy to cut and install
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01/15/2024 10:07 pm GMT

Enjoy the soundproofing and elimination of background noises that you need with these innovative acoustical foam panels featuring a groove structure for maximum sound absorption.

Characteristics

  • They measure 12 inches by 12 inches by two inches thick.
  • They come in a six-pack with the choice of black, blue, and purple colors.
  • Special 18-pack also available for those needing more coverage.
  • Excellent sound absorption qualities.

What’s special about them?

  • The panels meet flammability standards and are environmentally friendly.
  • They are very easy to cut and get set up in your space.
  • These panels have a high NRC rating, which makes them a superb choice to cover a portion of a wall that causes unwanted sound reflections.

The NRC rating is the noise reduction coefficient. It is a single number that ranges from zero to 10. At zero NRC, there is no noise reduction and the surface is very reflective. At an NRC of 10, all sound is absorbed. At an NRC of eight, the material absorbs about 80% of the mid-frequency sound. Any NRC around eight is excellent.

Best for: spot treating areas where you need a little more soundproofing and acoustic treatment.

Click here to shop this product on Amazon.

 

The Benefits of Using Acoustic Panels in Your Studio

Foam acoustic panels offer a myriad of benefits that make them an indispensable addition to any home recording studio.

One of the most significant advantages is their ability to improve sound quality by effectively absorbing and dampening unwanted echoes, reverberations, and reflections within the room. When recording audio, these acoustic issues can negatively impact the final product, introducing unwanted noise and muddiness. By strategically placing foam acoustic panels on walls, ceilings, and even doors, the studio’s acoustics can be optimized, resulting in a cleaner, more professional sound.

Moreover, acoustic panels are relatively easy to install and can be customized to fit the specific needs of the recording space. They come in various sizes, shapes, and thicknesses, allowing users to tailor their placement to target problem areas and create a well-balanced acoustic environment. This flexibility also means that studios with limited space can still benefit from their sound-enhancing properties without significant alterations to the room’s layout.

Another advantage of using acoustic panels is their cost-effectiveness. Compared to other soundproofing materials, acoustic foam is generally more affordable and readily available, making it a practical choice for those on a budget or looking for a quick and straightforward solution. Additionally, their lightweight nature means they can be easily removed and relocated if necessary, making them ideal for those who may move or change their studio setup in the future.

On top of all that, the improved sound quality achieved with foam acoustic panels reduces the need for extensive post-production editing and noise reduction, saving both time and effort during the recording process. Artists and content creators can focus more on their creative endeavors and less on dealing with audio imperfections, leading to a more enjoyable and efficient recording experience.

 

Guide to Choosing & Using Acoustic Foam Panels

Here is a guide about important topics to understand and consider for the sound treatment and sound dampening of your home recording studio with studio wall foam.

 

Sound Treatment is Not Soundproofing

Sound treatment is different from soundproofing.

The goal of soundproofing is to block sound transmission from one place to another one.

“Sound isolation is about isolating the sound between inside and outside. You may want a quiet place, without the sound of outside cars. Or you may want to have a room with loud music but without interfering with your neighbors,” explained Nuno Fonseca, CEO of audio software company Sound Particles.

I giggle at the silliness when I read complaints that people try to block sound of a neighbor’s dog barking by putting these acoustic panels to hang in front of their windows. That will not work at all.

Soundproofing and blocking sound is a reconstruction project because soundproof foam does not exist.

Soundproofing is a completely different endeavor. It is much more expensive and requires substantial changes in the room design including renovation and major construction. You need very thick, heavily insulated, concrete walls to achieve 100% soundproofing. There is no comparison with hanging a few foam acoustic panels on the walls.

“[Sound] isolation is like a chain that breaks but its weakest link. I can place a fantastic isolation material everywhere, but if I have a door or a window that doesn’t isolate much, all the remaining isolation will not do much,” Fonseca told us.

If your goal is complete soundproofing and completely stopping a sound wave from leaving a room, this guide is not going to help you.

Sound Treatment vs Soundroofing

You need to learn more about blocking sound compared to absorbing sound. Soundproofing is blocking sound and that means completely stopping vibrations, not changing the quality of the sound by absorbing a part of it.

Acoustic panels are for the sound treatment of a room to stop sound from bouncing around the room in ways that reduce the quality (not the volume) of the sound.

Think of these as fine-tuning the room to keep reflected sound from bouncing off hard surfaces and coming to your ears more than once in distorted ways that make it sound bad.

Sound treatment is the fine-tuning of your home studio to make the room sound cleaner and clearer, and it’s not something you can ignore.

“Acoustic treatment is focused on making sure that the sound that is produced inside the room is listened to in the best perfect way (also inside the room),” Fonseca said. “For instance, if the room is too reflective, it will have too much reverb. If the room is a material that is too reflective on some frequency ranges, the equalization of the arriving sound will be off. If the room has some flutter echos, the sound will be terrible.”

In an interview with Reverb.com, famed producer John Cuniberti explained that a huge mistake people make when setting up their studio is “they don’t spend enough time, energy, and money on the acoustics, and they spend too much money on the bright, shiny things…One of the problems is once you start building a studio, it’s tough to undo it, and you are usually stuck with the results. I would suggest going slow. Hang some acoustic panels in the obvious places and then do some recording and mixing

As the voice actor Michael Schwalbe said, “The most important element is an acoustically-treated space to record in. Ideally, this is something like a walk-in closet with lots of clothes or pillows to absorb sound, but you can use acoustic foam or comforters too.”

 

How to Choose Acoustic Foam Panels

How to Choose

The considerations for the acoustic foam tiles include a choice of sound absorption, thickness, size, and design.

To get better quality acoustic panels, look for a high number (in the range of one to 10) for the noise reduction coefficient (NRC) for better sound absorption. The recommended NRC for a home studio is around eight.

Be aware that the NRC is only a measurement of the absorption of the mid-range sound. If you are having trouble with the bass sound in your home recording studio this NRC number is meaningless for bass frequencies because it does not measure them.

Bass Traps

The recommended thickness is two inches. Denser foam weighs more.

You can tell if the product is of better quality, with denser foam, by comparing the product’s weight (not including the shipping packaging weight) with another product that covers the same amount of square feet.

The design style of the foam is a matter of personal choice. If they are the same quality, there is not much of a difference between panels that are wedge style, pyramid style, or egg crate style.

The only difference in style that makes a significant difference is a panel designed for capturing low frequencies. Accomplish this by using another product designed specifically to absorb bass frequencies. These specialized “bass traps” install in the corners of the room and the ceiling corners, where bass sound tends to collect. They are thicker, have more angles, and fit in a corner well.

 

How many acoustic panels do you need?

Acoustic Panels

Use this handy acoustic panel room calculator to enter the length, width, and height (in feet) of your home recording studio to get the number of recommended panels.

Please note that in most home recording studios you do not want 100% coverage. You will get better sounding results with a sound treatment that provides 60 to 80% coverage.

The results given by the calculator include a light treatment recommendation for living rooms, conference rooms, or workout rooms. It gives a recommended treatment for most sound rooms, which is good for home studios. It also gives a recommendation for heavy sound treatment for professional recording studios. This calculator tells you the number of panels needed for three sizes of panels that are two-feet square, two by three feet, and two by four feet.

 

How to Choose Correct Panels Positioning

Positioning

There are two ways to choose the positioning of acoustic panels for a home studio.

The basic way is to use a mirror to imagine the direction of the sound reflections. Doing this mirror technique with the help of a friend makes it easier.

The other way is to use a professional audio testing system that shoots sharp sounds out of a handheld transmitting device while recording the sound as it bounces from the room surfaces. Then, the software makes some calculations and presents a wave pattern of the sound, used by a professional audio technician to make room adjustments.


You can see this audio testing equipment used in the tutorial video above – How to Set Up, Test and Improve Your Home Music Production Studio Room. In this video, the instructor converts a regular bedroom in a house into a home recording studio from scratch. The same applies to creating a studio for your podcast (more info on creating a podcast at home in this guide by Porch.com).

For the vast majority of home recording studios, the mirror technique is the most appropriate. Invite a friend to help you.

Sit in your desk chair in front of your sound mixing table.

Make sure to center the table and check if it is equidistant from both walls.

Make sure your monitor speakers are at the proper height, which is at eye-level from the center point between the tweeters (high-end speakers) and the bigger mid-range speakers below them. Both speakers are together in the speaker monitor cabinets placed on your studio desk or stands.Mirror Technique

Once you have the correct position for yourself, ask your friend to carry a mirror around the room to hold up to the walls. Have your friend stop frequently for you to look for the reflection of the monitor speakers in the mirror. When you see the reflection of your monitors, have your friend mark those spots on the walls. That is where sound will reflect from the sound coming out of your monitors.

If you use acoustic panels to cover a large portion of these reflective areas, you will deaden the reflections and improve the sound in the room. These are the “first reflections” of the sound. You do not have to cover the walls from floor to ceiling for effective sound dampening. Just cover a wide area of the wall about two feet up from the floor to about two feet above the height of your head when you are sitting down at your mixing desk.


Here is a video showing how to use the mirror technique for the placement of acoustic panels.

 

Sound Treatment of Corners and Ceilings

If you want the best sound, any corners in the room are going to need sound treatment.

Sound waves move quickly — at 1,086.9 feet per second to be precise.

And when those fast-moving sound waves hit a corner or ceiling in your recording space, they’ll bounce and forth at breakneck speeds, causing flutter echoes.

Consider using bass traps in the corners because bass collects in that part of the room and causes distortions in what you hear in the low-frequency range. Sound Treatment

Sit at your sound mixing desk and look up.

If you see a reflective surface, then, that part of the ceiling needs covering with acoustic tiles. Cover from where the ceiling meets the wall in front of you to about six feet behind you. This will keep all the sound that heads upward from being reflecting down to your ears.

It sounds bad when reflected sound is out of sync with the sound you hear from the monitors.

 

How to Cut Acoustic Foam Sound Absorbing Panels

Cutting acoustic panels is easy and fun. It is like an art and crafts project.

For acoustic panels that are two-inches thick, you can cut them with a nice pair of scissors. The kind of scissors used to cut fabric.

If you want to cut thicker panels and make clean lines, consider using an electric carving knife like the kind you use to carve a turkey.

Mark the cut to make on the back of a panel and use the electric knife like you might use an electric circular saw. This is easier and makes neater cuts than trying to cut the foam panel with a utility knife.

 

How to Hang Acoustic Foam Panels

Here are some options to use for ways to hang the acoustic foam sound dampening panels:

3M General Purpose 45 Spray Adhesive

3M General Purpose 45 Spray Adhesive →

This is a popular spray adhesive that can either be sprayed on the tile, the wall, or the ceiling, and then place the tile in position. It gives a secure bond in 30 seconds and dries completely within 15 minutes. It can also be sprayed on cardboard to attach tiles to a cardboard backing, and then attach the cardboard to the surface in an easily removable way.

Loctite 2235316 General Performance 100 →

Loctite 2235316 General Performance 100

This is a translucent spray that creates a strong enough adhesive hold that tiles will permanently stay in place. The tiles will still be removable, without causing damage, even if the installation is temporary or if the acoustic tiles need to be re-positioned.

 

 

 

Command Large Strips

Command Large Strips →

These strips are 0.75 inches wide by 3.65 inches long. They are strong enough to hold acoustic tiles in place and easily remove without causing any damage. They work on most surfaces.

 

 

 

Tips for Getting the Most from Studio Wall Foam

Tips and Tricks

Here are some tips that will help you with the sound treatment of your home recording studio.

Thickness

Thicker panels are better; however, two-inch-thick panels are is the best choice for a home recording studio. This is the most popular standard.

Size

Large panels are harder to mount and to replace with new ones. Smaller tiles are easier to mount, especially if you are working alone. The most flexible choice is to buy the 12-inch square or 24-inch square sizes of acoustic tiles.

Wall Surfaces

Wall

Here are the best things to use for different wall surfaces and textures:

  • Drywall and Smooth Surfaces: Use spray adhesive, double-sided tape, adhesive squares, Gorilla® mounting tape, 3M Command Strips®, or two-inch T-shaped pushpins.
  • Concrete, Brick, and Rough Surfaces: Use a construction adhesive like Liquid Nails®
  • Wallpaper or Textured Surfaces: It is not recommended to install acoustic tiles on these delicate surfaces using spray adhesive. They will not adhere well and you will cause significant damage when removing the tiles.
  • Uneven surfaces: Mount the acoustic foam tiles on cardboard to give them a sturdy flat surface to adhere to and then hang the cardboard on the uneven wall using any of the materials described above, depending on the type of wall surface.


This video tutorial shows the easy installation of acoustic panels using 3M Command Strips®. The panels are easy to place and to remove without damaging the walls.

The Sandwich Acoustic Panel

Making a “sandwich” of materials may help with the installation of acoustic panels, depending on the surface you are working with. The technique also makes the acoustic panels more portable if you need to remove them frequently, take them to another location, or have to be careful not to damage walls of rented spaces.Sandwich Acoustic Panel

The basic sandwich is an acoustic panel mounted on cardboard using permanent spray adhesive. The advanced sandwich technique has more layers, which are, in order, these options:

  1. Acoustic Tile
  2. Permanent Spray Adhesive or Glue
  3. Cardboard, Corrugated Plastic Board, or Plywood
  4. Wall Surface

Make the acoustic tile sandwich, let it completely dry, and then attach the sandwich to the wall using push pins, small nails, tacks, or a non-permanent, easy-to-remove adhesive, such as 3M Command Strips®. If you prefer, use adhesive squares. Use at least three adhesive squares (two in corners at the top and one in the center at the bottom) for a one-square-foot acoustic panel or four adhesive squares (one in each corner), if the acoustic-panel thickness is more than two inches.

Here is a video tutorial about this technique:

 

FAQ

Q: Do foam panels really work?

A: For sound treatment in a studio, acoustic panels are a great, budget-friendly choice. They can help improve the overall sound quality in your space by stopping echoes and reverberations for better recordings.

Q: What is the difference between soundproofing vs. sound treatment?
A: Soundproofing is much more difficult. It blocks sound by stopping vibrations from one place to another. Sound treatment changes the sound, using acoustic panels to improve quality, but does not lower the volume.

Q: What are the common shapes (types) of sound dampening panels?
A: Acoustic panels come in three popular styles, which are wedges, pyramids, and egg crate. There are subtle differences between them; however, they all work in the same way to absorb sound and re-direct the sound waves.

Q: What is Noise Reduction Coefficient (NRC) rating?
A: The Noise Reduction Coefficient (NRC) tells how good the acoustic foam material is at absorbing mid-range frequencies. An NRC of 10 is the maximum with 100% maximum sound absorption of certain mid-range frequencies. An NRC of zero is a reflective surface that absorbs no sound. A decent NRC rating for a home recording studio is around eight. A higher NRC is better. An NRC rating is only a measurement of the mid-range frequencies. It will not help problems with bass sound frequencies.

Noise Reduction

Q: What about ceiling sound treatment?
A: The sound that hits the ceiling will bounce back down to the walls and the floor. The floor’s sound absorption improves with thick carpet and gets worse if it’s a bare wood floor. Cover the ceiling area directly above the mixing station to get a better sound.

Q: What are other ways to improve sound treatment?
A: Bass traps go along well with acoustic tiles. Lower frequencies come out of the woofers and subwoofers and move in an omnidirectional (spherical pattern) way. The bass sound collects in the corners of a room and builds up until it causes a distortion problem. This means you will not be able to hear the low-end of your sound mix correctly. The solution is a bass trap like the Acoustic Foam Bass Trap Corner Wall or the Mybecca acoustic foam bass trap. For the best results, place these bass traps in all corners of the room where the walls meet and in the spots where the wall corners meet the ceiling.

Q: Can you have too much sound treatment?

A: Yes, it is possible to have too much sound treatment in your recording space, causing the room to sound weird and unnatural and making your recordings sound off. As audio engineer Daniel Milne at TheSeasonedPodcaster.com explained, “Using too much can lead to a room not sounding ‘lively’ enough and sounding unnatural. This will mean you’ll likely be spending time adding artificial reverberation to sounds that you record in your studio.” In other words, more panels and foam pieces isn’t always better.

 

A Final Word on Using Acoustic Tiles

You will be amazed at the richness of the sound that is achievable for a modest investment in time and money to use acoustic tiles for the sound treatment of your home recording studio.

Combine this effort with the recommendations for voice-over equipment, microphones, and the best home studio monitors. This will make your home studio a magnificent space for voice-over recordings.

And if you’re looking to further improve the sound in your studio, consider these cheap soundproofing materials that work great side-by-side with acoustical foam times.

Have any questions about using acoustic panels in your studio or rehearsal space? Comment below and we’ll help.

The post 6 Best Acoustic Foam Panels for Your Home Recording Studio (2023 Guide) appeared first on MyeLearningWorld.

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13 Best Microphones for Zoom Calls and Online Meetings in 2023 https://myelearningworld.com/microphone-for-zoom/ https://myelearningworld.com/microphone-for-zoom/#respond Tue, 25 Jul 2023 13:06:27 +0000 https://myelearningworld.com/?p=3848 With the best microphone for Zoom meetings and calls, you can feel confident that your voice will come across clearly, helping you communicate more effectively in your most important moments. With technology continuously evolving and being used more and more to complete tasks in everyday life, a microphone for Zoom calls is an essential tool ... Read more

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With the best microphone for Zoom meetings and calls, you can feel confident that your voice will come across clearly, helping you communicate more effectively in your most important moments.

With technology continuously evolving and being used more and more to complete tasks in everyday life, a microphone for Zoom calls is an essential tool to attend your important meetings, classes, interviews, and more.

After all, Zoom has become one of the most popular virtual conference platforms, used by millions.

While Zoom has helped us stay connected from anywhere in the world, the quality of sound on calls is also important.

Let’s talk about why picking the right microphone for your Zoom meetings is so important.

You know those moments when you’re on a call, and the audio sounds all garbled and fuzzy? Yeah, that’s exactly why a good microphone matters. When you’ve got the right one, it ensures crystal-clear audio quality, no background noises causing distractions, and that everyone can hear each other loud and clear.

Trust me, it makes a world of difference in how smoothly your meetings go.

Imagine this: you’re in a virtual meeting, trying to get your point across, but your voice is coming out all muffled and distorted. Not good, right?

A good Zoom microphone helps with speech intelligibility, so everyone can easily understand what’s being said. No more “Sorry, can you repeat that?” or awkward moments of silence. It keeps the conversation flowing and everyone on the same page.

Plus, having a solid Zoom mic gives you a more professional vibe. Whether you’re having a business meeting, doing an online interview, or presenting to a group, good audio quality shows that you’re on top of your game. It adds that extra touch of credibility and shows you mean business.

And let’s not forget the time and frustration you’ll save. With a reliable microphone for Zoom calls, you won’t have to deal with those pesky technical issues. No more adjusting settings, dealing with echoes, or asking, “Can you hear me now?” You can just dive into the meeting without a hitch and get things done more efficiently.

And that’s why I’ve rounded up the best Zoom microphones so you can dial into your next meeting with confidence.

In this article, I will give my insights on 2023’s best mics for Zoom calls and meetings, including USB Zoom mics, XLR mics, and smartphone mics.

Our team has reviewed and ranked the best microphones for Zoom meetings based on a range of key factors, including price, audio quality, durability, ease of use, and other reviews from real customers.

Don’t feel like reading the whole guide? Here are a few microphones we loved the most:

Blue Snowball iCE Blue Snowball iCE

What’s inside?

  • Custom condenser capsule
  • Frequency range of 40 – 18 kHz
  • USB 2.0 device that is easy to plug and play directly from your PC or Mac

Killer features: Provides crystal clear audio for Zoom, FaceTime, and Skype

We earn a commission if you make a purchase, at no additional cost to you.

The Blue Snowball iCE is my top pick because it is a fantastic Zoom microphone that provides users with professional, crystal clear high quality audio even after constant use over time. This USB microphone is affordable and easy to plug directly into your computer to begin using immediately for your online meetings.

 

Also Great
Elgato Wave: 3 – USB Condenser Microphone Elgato Wave: 3 – USB Condenser Microphone

What’s inside?

  • Condenser capsule with a tight cardioid polar pattern
  • Accessibility to the Wave Length App to control the device
  • Frequency range of 24-bit / 96 kHz

Killer feature: Voice is captured with precision and audio signal transmission is perfect

We earn a commission if you make a purchase, at no additional cost to you.

The Elgato Wave:3 is another wonderful USB microphone for Zoom meetings that I like because it possesses the ability to record speech perfectly and accurately. This model also offers users control through an app called Wave Link, which is a terrific feature for those looking for a model with a variety of audio sources.

 

Also Great
Audio-Technica AT2020 Cardioid Condenser Studio XLR Microphone Audio-Technica AT2020 Cardioid Condenser Studio XLR Microphone

What’s inside?

  • High SPL handling and wide dynamic range
  • Custom designed low mass diaphragm that offers great frequency and transient responses
  • Noise level of 20 dB SPL

Killer feature: Reduces any background noise and sounds, which improves voice and desired sound

We earn a commission if you make a purchase, at no additional cost to you.

The Audio-Technica AT2020 is another one of my favorite microphones for Zoom meetings because it works great for home studios, eliminating background noise, and concentrates on the main source. This device is decently priced, professional, and offers excellent versatility and high-quality audio to all individuals looking for studio microphones. You will be surprised by the sound reproduction on this one.

 

Choosing the Best Microphone for Zoom Meeting Calls

There are certain things that you should be aware of and pay close attention to when searching for the perfect Zoom microphone for video conferencing and online meetings.

Buyer's Guide

The following are some of these important aspects to consider when choosing your mic for a Zoom call:

USB or XLR Zoom Microphone?

One of the main differences between USB mics and XLR audio devices are the connections. An XLR device has 3 prongs and will connect to most audio interfaces, while a USB device connects directly to the computer with no audio interface needed.

USB vs XLR

XLR models require additional equipment (like an audio interface) and tend to be more expensive, but they offer exceptional sound. A USB mic is very affordable and easy to plug into any laptop or desktop computer that possesses a USB port.

XLR devices are popular among musical artists who enjoy performing live, and USB mic models are favored by podcasters who need a cost-effective device quickly.

What Polar Pattern is The Best for Zoom Meetings?

Polar Patterns

A mic’s polar pattern is the three-dimensional space around the capsule, where it usually is most sensitive to sound. A few of the most common polar patterns found on an audio device are the cardioid, figure-8, and omnidirectional. Below, I will briefly give a description of these three popular polar patterns.

  • Cardioid: The Cardioid pattern is great with any recording applications as it is able to reduce any background noises in a room such as a fan blowing and electrical noises from appliances.
  • Figure-8: The Figure-8 pattern works well with individuals who speak directly into the microphone. This pattern is perfect for live recording. Even though it is the most effective at rejecting any side sounds, it is still very sensitive to wind and handling noises.
  • Omnidirectional: The Omnidirectional pattern offers perfect bass response, the flattest frequency responses, and is not sensitive to any handling or wind sounds. However, if you are in a noisy room, an omnidirectional model will not work well for you. This is because it picks up a lot of background noise.

Your goal should be to improve your voice quality, eliminate background noise, and eliminate any echoes during your online Zoom meetings.

Therefore, I would recommend that you find a high-quality, professional microphone with a cardioid polar pattern.

This will ensure that your voice is captured crisply and correctly with high quality audio as well as all background noise is reduced from the room that you are recording in.

When to Choose a Mic for a Smartphone?

It is Time for Smartphone Mic

If you travel or are on-the-go often, I would encourage you to choose a microphone for a smartphone. If you are nowhere near a computer and a Zoom meeting is scheduled, a smartphone mic will help make it convenient for you to still be able to attend your online meetings on time with great audio quality. You will no longer have to rush or worry. The only thing that you will be required to do is simply plug the audio device into your smartphone and begin using.

Below, I will provide a list of several options for you to take a look at and determine which microphone for Zoom meetings and calls fits your needs the most.

Best Microphones for Zoom Meetings
Blue Yeti

Nice device for amateur microphone users, as it offers a variety of pattern selections. Our top pick for the best microphone for Zoom.

Category: USB microphone
Check Price→
Elgato Wave:3

This is an easy-to-use microphone for Zoom made for entry-level users.

Category: USB microphone
Amazon →
Fifine K669B

For individuals interested in doing voice-overs or simply attending a Zoom meeting

Category: USB microphone
Amazon →
Samson Meteorite

Good choice to communicate with their family, or coworkers online.

Category: USB microphone
Amazon →
Blue Snowball ice

It can be used in a home office or while traveling as a microphone for Zoom calls.

Category: USB microphone
Check Price→
CAD Audio U37

Tunes out all background noises for speaking, singing, or playing an instrument.

Category: USB microphone
Amazon →
Audio-Technica AT2020

Reduces the background sounds. Perfect pick for those needing to use Zoom a lot.

Category: XLR
Amazon →
MXL 990

Option for individuals who have prior experience with microphones.

Category: XLR
Amazon →
Heil Sound PR 40

Stunning addition to any home office.

Category: XLR
Amazon →
Shure MV88

Small model that can be carried on the go and used by teachers and business professionals.

Category: for Smartphone
Amazon →
Zoom iQ6

Adjustable device to attend small or large meetings or conduct interviews while traveling.

Category: for Smartphone
Amazon →
Rode VideoMic Me

Portable model to use while connected to your Apple devices or other smartphones.

Category: for Smartphone
Amazon →
Saramonic SmartMic

Lightweight model that is easy to carry around with your Apple or Android device.

Category: for Smartphone
Amazon →

Keep in mind that these are my recommended picks for a microphone for Zoom meetings. Depending on what you are looking for, different models may work better for you.

Best Microphones for Zoom Calls

To help you choose a perfect device that will be beneficial to you and your needs, I have created reviews below for my list.

Best USB Microphones for Zoom

A USB model is an audio device that directly connects to your computer through the USB output. Once it is plugged into your computer or laptop, you can begin recording and speaking with it. The output of a USB mic is digital, and it typically possesses a built-in analog-to-digital converter.

1. Blue Yeti

Blue Yeti
“Tri-capsule array—three condenser capsules can record almost any situation.” – bluemic.com

The Blue Yeti microphone is a professional USB model that produces a high-quality, clear sound when used. It is perfect for a home office and features four different recording modes. This device is affordable, well-built, and is a great choice for individuals looking for a device that is easy to set up and use when needed.

All in all, it’s the best USB microphone for Zoom meetings.

Features

  • Three Condenser Capsules
  • Four Different Pickup Patterns
  • Adjustable, flexible stand included

Pros

  • Affordable mic for Zoom and other applications made with high-quality components
  • A versatile model that can be used for a variety of different audio recordings
  • The size is perfect to carry along with you and record anywhere
  • Exception audio clarity and quality

Cons

  • May be difficult to use if it is your first device
  • May be considered fragile, as it can easily be damaged or broken
  • Works better indoors

Blue Yeti
Credits: bluemic.com

Best for: The Blue Yeti is best for individuals needing to attend Zoom meetings, or create other voice content online. This USB Zoom microphone is easy to set up and use with any computer.

For a more detailed look at the Blue Yeti, check out Andy Slye’s YouTube video. He goes over the Yeti’s key features, gives his own video review, and does an audio test that is worth watching.

Buying Options

2. Elgato Wave:3

Elgato Wave:3
“Elegant architecture. Impeccable audio. Robust, tactile control. Wave:3 looks and sounds the part without stealing the show.” – elgato.com

The Elgato Wave:3 condenser microphone plugs directly into your computer and ensures exceptional sound quality. At an affordable price, you can get this high-quality USB Zoom mic model that will look great in your home office and deliver good audio quality on every video call. It is a nice choice for those often needing a microphone but do not want anything too complicated.

Features

  • Condenser capsule with a tight cardioid polar pattern
  • A frequency range of 24-bit / 96 kHz
  • Accessibility to the Wave Length App to control the device

Pros

  • Captures speech perfectly with its great frequency range
  • Audio signal transmission is high-ranking
  • Natural sound diffusion
  • Great capsule protection
  • Excellent audio quality

Cons

  • You will have to be careful with background noises, as this device can still easily pick them up
  • Works best indoors
  • Recommends third-party software to help with reducing background noise

Elgato Wave:3
Credits: elgato.com

Best for: The Elgato Wave:3 is best for individuals who are on the go and have a traveling office, as it is a breeze to plug into a computer and simply begin using. It is also a good choice for those who have a permanent office and need to amplify their voice while attending Zoom meetings.

To get an up-close look at the Elgato Wave:3, check out CNET’s YouTube video. They do a great job covering the amazing features of this product as well as give the mic a test for those interested in purchasing the device.

Buying Options

3. Fifine K669B

Fifine K669B
“A USB microphone priced at an entry-level should serve starters well: you do not have to possess the knowledge and skills of an experienced audio engineer. All you need to do is plugging, all you need to know is if it is work.” – fifinemicrophone.com

The Fifine K669B offers its users wonderful quality and flexibility at a very affordable price. Once you plug it in and begin using it, you will be surprised by its clear sound for a Zoom mic that is this cheap.

Features

  • Metal cardioid condenser and strong, well-built design
  • Sturdy tripod included
  • Volume knob to give users a louder voice output

Pros

  • Very affordable
  • Gives a louder output when needed
  • Sensitive to where your voice will be easily heard
  • Produces crystal clear sound with no static

Cons

  • May be too sensitive to sounds which means it can easily pick up noise and interference
  • Indoor use is preferred
  • May be considered fragile, as it can easily break or become damaged

Fifine K669B
Credits: fifinemicrophone.com

Best for: The Fifine K669B is best for individuals interested in doing voice overs or who simply need a microphone for Zoom meetings. All you have to do is plug it into your computer, and it will be ready to deliver high-quality recordings by you.

To find out more information on the Fifine K669B, take a look at Tom Buck’s YouTube video. He talks about his experience buying this model, shows you how to set it up, and gives you a sound test.

Buying Options

4. Samson Meteorite

Samson Meteorite
“With its USB mic capabilities and ultra-portable design, the Meteorite is the perfect mic accessory for any desktop or mobile recording situation.” – samsontech.com

The Samson Meteorite will provide top-level voice recordings directly from your computer. It is the solution to all your office needs, whether you are looking for a better way to communicate with coworkers on Zoom, record videos for YouTube, or video calls with family.

Features

  • Portable device able to be easily taken anywhere
  • Magnetic base to help with the positioning of the device
  • Cardioid pattern that focuses on the main sound and reduces background noise
  • Frequency response of 20 Hz – 20 kHz

Pros

  • Portable and can be carried on the go anywhere
  • Provides a wide range of motion and flexibility
  • No installing required
  • Focuses on main sound instead of background noises

Cons

  • May be difficult for beginners to use
  • The cord is long and may get in the way
  • You may have to remove anything that causes extra noise before you begin recording

Samson Meteorite
Credits: samsontech.com

Best for: The Samson Meteorite is best for individuals looking for a quick and efficient option to communicate with their family, friends, or coworkers online. Its mission is to improve your audio sound quality and make virtual communication easier.

To see what the Samson Meteorite entails, watch Podcastage’s YouTube video. He gives an in-depth video review on the device, shows what is included when you purchase it, and tests it out to show you how it works.

Buying Options

5. Blue Snowball

Blue Snowball ice
“Whether you’re conducting a virtual interview via online meetings, chatting on a conference call, or nurturing a relationship across the globe, you’ll be heard loud and clear with the Snowball iCE computer microphone.” – bluemic.com

The Blue Snowball is an outstanding USB Zoom microphone that will deliver natural, clear sound on your conference calls and online meetings. It works great at improving sound quality for a variety of applications and tasks. All you have to do is plug it into your computer, and it is ready to use. An adjustable stand is also included, which is a great perk.

Features

  • Custom condenser capsule
  • USB 2.0 device that is easy to plug and play directly from your PC or Mac
  • Frequency range of 40 – 18 khz

Pros

  • Very easy to set up and begin using
  • Provides efficiency
  • Ability to test and evaluate the performance of this model using the thumb switch
  • Good quality microphone that’s easy to set up and use for Zoom conference calls and other applications

Cons

  • May be difficult to troubleshoot
  • Large size
  • Can be very sensitive which results in picking up thuds and vibrations

Blue Snowball ice
Credits: bluemic.com

Best for: The Blue Snowball ice is best for individuals looking for an affordable, all-in-one model that will record their voice perfectly. It can be used in a home office or while traveling.

If you are interested in learning more about the Blue Snowball ice, take a look at Jason’s YouTube video. He gives advice on how to set up it for the perfect sound.

Buying Options

6. CAD Audio U37

CAD Audio U37
“Cardioid pick-up pattern minimizes background noise and isolates the main sound source.” – cadaudio.com

The CAD Audio U37 is a large device that minimizes background noise and captures voice sounds fantastically, making it a good choice for video meetings.

It offers an extended frequency response which is great for speaking, singing, or playing an instrument.

Features

  • Large condenser microphone model
  • Cardioid pick-up pattern that reduces any background noise and focuses on the main voice
  • Extended frequency response
  • 10dB overload-protection switch that eliminates background noise
  • Bass-reduction switch that minimizes noise

Pros

  • Extended frequency response which improves singing, speeches, and instrument playing
  • With its overload protection switch, loud distortions are reduced
  • Bass-reduction switch eliminates background noise
  • Diverse range for everything from recording music to making simple Zoom calls

Cons

  • Large size
  • May need to get rid of anything that could cause interference while recording
  • May need to speak closely while in use

CAD Audio U37
Credits: cadaudio.com

Best for: The CAD Audio U37 is best for music performers, broadcast professionals, or individuals looking for a device to attend their online meetings. This product is the solution to your virtual communication needs.

For a closer look at the CAD Audio U37, watch Michael Dontigney’s YouTube video. He gives a wonderful explanation of what he thinks of it.

Buying Options

XLR Microphones

An XLR model is an analog device that connects through a three-prong connector. These types of microphones can perform in non-digital settings, which means you are not stuck in front of a computer if you do not wish to be. Instead, you can connect to any device that has an XLR connection.

7. Audio-Technica AT2020

Audio-Technica AT2020
“Audio-Technica’s stringent quality and consistency standards set the AT2020 apart from other mics in its class.” – audio-technica.com

The Audio-Technica AT2020 is a nicely designed model that provides users with great quality and consistency. It is very easy to use and impressive on how accurate it can record voice sound.

Features

  • High SPL handling and wide dynamic range
  • Noise level of 20 dB SPL
  • Custom designed low mass diaphragm that offers great frequency and transient responses
  • Cardioid polar pattern that helps minimize background noise

Pros

  • The price and performance of this product are excellent
  • Wider dynamic range
  • Reduces pickup of background sounds while focusing on the main sound

Cons

  • Preferred indoor usage
  • You will need to buy an XLR cable
  • May be more difficult to use if you are a beginner

Audio-Technica AT2020
Credits: audio-technica.com

Best for: The Audio-Technica AT2020 is the perfect video conferencing mic for those needing to use Zoom a lot. I would recommend it for anyone interested in purchasing a device that captures voice accurately and precisely.

To see a test and review of the Audio-Technica AT2020, check out Podcastage’s YouTube video. He gives a thorough look at the device, which will help you decide if it is worth buying.

Buying Options

8. MXL 990

MXL 990
“Includes custom shockmount, mic stand adapter & carrying case.” – mxlmics.com

The MXL 990 is a top-grade, professional device that offers an amazingly balanced sound and sleek golden look to its users. Users will find that this model is well-made and will produce high-quality sound and recordings.

Features

  • Golden diaphragms
  • Sturdy hard mount mic stand adapter
  • top-notch carrying case included
  • Frequency range of 30 Hz – 20 kHz

Pros

  • Beautiful design
  • Produces high quality sound
  • Awesome power on a low budget

Cons

  • May seem complicated to beginners
  • Super sensitive which means they will pick up on a lot of noise
  • May be hard to troubleshoot

MXL 990
Credits: mxlmics.com

Best for: The MXL 990 is a perfect option for individuals who have prior experience with microphones. This high-end model will improve the sound of your speaking, and so much more.

For an in-depth observation of the MXL 990, take a look at Podcastage’s YouTube video. As a person with microphone expertise, he gives his opinion of the MXL 990 and tests it for viewers.

Buying Options

9. Heil Sound PR 40

Heil Sound PR 40
“It ships with a mic clip and a leatherette carry bag. A windscreen is available to purchase separately.” – heilsound.com

The Heil Sound PR 40 is a nicely designed device that provides wide frequency range when speaking into it. This Zoom meeting microphone is one of the pricier options on this list, but it will get the job done exceptionally well.

Features

  • Flexible, steel device that absorbs vibrations
  • Carrying case and mic stand clip included
  • Cardioid pickup pattern that reduces background noise

Pros

  • Captures natural sound really well
  • The look of this product is stunning
  • It offers high performance and a flexible support system

Cons

  • May need to get rid of anything that could cause background noise
  • May need to purchase a preamp to amplify your voice
  • Easy to break or damage, as it is very fragile

Heil Sound PR 40
Credits: heilsound.com

Best for: I would recommend the Heil Sound PR 40 for individuals interested in spending more for a microphone that will work really well for them. This model will be a stunning addition to any home office and will offer great performance while speaking into it.

If you are interested in seeing the Heil Sound PR 40 being tested, Podcastage has a beneficial video that you can watch. He gives a thorough explanation as to why he thinks this is one of the best devices on the market.

Buying Options

Mics for Smartphones

Mics for smartphones are small, portable, and easy to carry along with you anywhere you may go. After you have determined if the device you would like to purchase is compatible with the type of smartphone that you have, you can take it and use it on-the-go while traveling. No matter where you may be, these models are easy to take out of your luggage or pocket, plug into your cellular device, and start recording.

10. Shure MV88

Shure MV88
“DSP Modes (Presets): Speech/Singing/Acoustic/Loud/Flat.” – shure.com

The Shure MV88 is the perfect on-the-go mic with its top-grade stereo audio and ability to capture surprisingly clear sound. Once it is plugged into your smartphone, it does a wonderful job eliminating any background noise while allowing the user the flexibility to move around.

Features

  • Digital condenser microphone model with iOS lightning connection
  • Compatible with Apple devices
  • Small device that can fit in a pocket and capture audio recordings
  • Accessibility to two free applications (ShurePlus MOTIV & ShurePlus MOTIV Video) to customize and set up the device to fit your specific needs
  • Black foam windscreen included to minimize any wind noise
  • Carry case also included

Pros

  • Offers professional-quality audio sound
  • Can easily be stored and taken anywhere
  • Sturdy structure and design

Cons

  • Will only work with the app
  • May have to wait for the app to update when a new Apple device is released
  • May be difficult to set up for beginners

Shure MV88
Credits: shure.com

Best for: The Shure MV88 is a good choice for teachers and business professionals needing a model that can travel with them. I would recommend this device to anyone interested in using a mic to create content or attend a meeting or class while on the road.

To get a glimpse of the Shure MV88 in action, view Podcastage’s YouTube video. He gives an informative look at the model, shows everything that is included, and tests its performance.

Buying Options

11. Zoom iQ6

Zoom iQ6
“Capture the sound of interviews, meetings, and lectures with precision and full fidelity, then share your creations with the world.” – zoomcorp.com

The iQ6 is an impressive portable device that has the ability to capture sounds perfectly. It can precisely capture recordings of interviews, meetings, lectures, and more. This model is also small enough to be placed in a pocket to be easily transported with you.

Features

  • Adjustable, flexible model that can move from 90 to 120 degrees
  • Compatible with almost all Apple devices
  • 44.1 kHz / 16-bit audio quality
  • Offers wide audio coverage
  • Extended lightning connector included

Pros

  • Adjustable device which provides great flexibility
  • Can use with phones that have cases or without
  • Can easily take it anywhere with you

Cons

  • Interference created by the iPhone may occur
  • It is difficult to attach to an iPhone
  • The software sometimes experiences issues

Zoom iQ6
Credits: zoomcorp.com

Best for: The iQ6 is best for individuals needing access to a microphone to record interviews, or attend meetings on the go. It is small enough to travel along with you and provide excellent sound quality when you need it the most.

If you would like to see a detailed review of the Zoom iQ6, check out Alexander Thickstun’s YouTube video. He compares this device to other devices to help you decide if purchasing it is a good idea.

Buying Options

12. Rode VideoMic Me

Rode VideoMic Me
“The VideoMic Me includes a deluxe furry windshield for shooting outdoors or in adverse weather.” – rode.com

The Rode VideoMic Me is another device that is easy to take on the go and capture your voice in a clear-cut way. This model is meant to be used with smartphones and plugs directly into the headphone port for easy use.

Features

  • A neatly compact cardioid model
  • Compatible with most iOS and smartphone devices
  • A frequency range of 100 Hz – 20 kHz
  • 3.5 mm headphone output
  • Furry windshield included to reduce sound outdoors

Pros

  • Small, compact device than can be taken anywhere with you
  • Improves audio sound quality on smartphone devices
  • Reduces wind noise

Cons

  • May have some distortion or inference if you do not go into Airplane mode
  • May be difficult to connect to the device
  • Works better with Apple products than Samsung

Rode VideoMic Me
Credits: rode.com

Best for: The Rode VideoMic Me is best for those looking for a quick fix in their sound quality. This Zoom mic is the perfect addition to individuals who need to attend a meeting, lecture, or chat with family online from their smartphones.

To determine if the Rode VideoMic Me is a good mode for you, check out Podcastage’s YouTube video. He gives a rigorous review on this product while also giving his own expert opinion of it.

Buying Options

13. Saramonic SmartMic Mini

Saramonic SmartMic
“The SmartMic is battery free, plugs directly into your Apple products, and is small and light enough to fit in your pocket.” – saramonic.com

The Saramonic SmartMic Mini is a light and compact condenser microphone that will deliver superb sound instantly. This small device truly does big things. It will drastically improve the sound quality of your online meetings, video shoots, and audio recordings.

Features

  • Small condenser model that is easy to carry around
  • Compatible with Apple and Android smartphone devices
  • Adjustable head that allows users flexible recording
  • Windscreen included to minimize background noise
  • Superb anti-interference functions

Pros

  • Increases sound levels significantly
  • Cuts out background noise and makes voice crisp sounding
  • Small size and easy to use

Cons

  • May be difficult to set up
  • Works better indoors
  • Considered to be very fragile which means it could break or become damaged easily

Saramonic SmartMic
Credits: saramonic.com

Best for: The Saramonic SmartMic Mini is best for individuals who travel frequently and find it beneficial to use a mic while virtually attending a meeting. I would recommend this device to anyone who needs to speak into a microphone and has a smartphone to plug it into.

To see an unboxing review of the Saramonic SmartMic Mini, watch Atomic Shrimp’s YouTube video. They provide an excellent review on unboxing and using this model.

Buying Options

Other Must-Haves

After you have decided on a microphone to buy, you should consider purchasing accessories to go with it. The following are a few must-haves that will help your new model reach its full potential:

Jack Adapter →

Apple Jack Adapter (Lightning to 3.5 mm)The Apple jack adapter will enable you to connect microphones to your apple devices. It will work with any device that has a lightning connector and supports iOS 10 or later, which includes iPads, iPhones, and iPods.

Windscreen →

Shure MV88 Furry Cover WindscreenThe furry cover windscreen will help you reduce any occurring noise when attending or recording a Zoom meeting outside or in a windy, noisy environment. With its artificial fur, this muff ensures that the user of a mic can be heard clearly and the background noise is reduced significantly.

Pop Filter →

Auphonix Pop Filter (Compatible with Blue Yeti)The Auphonix Pop Filter is perfect for producing excellent sound quality. It minimizes any noises that may occur, such as thuds, pops, hisses, etc. It also reduces air pressure and any wind-related noise that could potentially be surrounding a microphone.

Foam Windscreen →

Foam Cover Windscreen for Blue Yeti (and Yeti Pro)The Foam Windscreen that I chose was made for the Blue Yeti and Yeti Pro. This model cover piece is made of high-quality foam, which will help improve your voice quality and minimize any background or wind noises.

It will also help protect your Blue Yeti from any particles and scratches. If you decide to purchase a Blue Yeti, I would recommend purchasing the mic cover foam as well.

 

Useful Resources

 

A Final Word on the Best Mic for Zoom Calls

Hopefully, our guide to the best microphones for Zoom calls has been helpful in helping you determine the best device for your needs.

Whether it’s a Blue Yeti or another option from our list, make sure that whatever mic you choose is high-quality and reliable so you sound great on your video call.

Each of the Zoom microphones from the list above has exceptional qualities that will provide you with optimal voice sound (making it easier for your audience and transcription software programs to decipher what you’re saying), and you will never have to worry about the person on the other end hearing you clearly again when using this popular screen sharing app.

Although this article mentioned a few models that can be used for YouTube, you can check out my ultimate list of best microphones for YouTube. I will provide details about the models that I believe will work best for recording videos for your YouTube channel.

Have any questions about our guide to the best microphones for Zoom calls and meetings? Have experience with any of these devices? Share your questions and thoughts by leaving a comment below.

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6 Best Cheap Studio Desks for a Home Recording Studio Under $200 (2023) https://myelearningworld.com/best-cheap-desks-for-a-home-recording-studio/ https://myelearningworld.com/best-cheap-desks-for-a-home-recording-studio/#respond Tue, 25 Jul 2023 06:17:03 +0000 https://myelearningworld.com/?p=2632 Looking for the a cheap desk for your home recording studio where you create eLearning content? Check out this guide.

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As a longtime instructional designer, I’ve learned that the space where we create can be as crucial as the content itself. Over my nearly two decades in the industry, I’ve seen the shift from traditional office spaces to more personalized home studios. And as many of us venture into setting up our own recording corners at home, one fundamental piece often takes center stage: the desk.

Creating a functional and comfortable workspace doesn’t have to break the bank. You can get a great recording desk at a reasonable price. Just make sure you factor in more than price in your search — dimensions (making sure you have room for your studio monitors, computer, interface, etc.), durability, and functionality are just a few things you’ll need to factor in when trying to find the right studio desk.

I’ve reviewed a number of cheap studio desks based on a variety of factors, and put together a guide to the top recording desks for every budget, studio size, and purpose from music production to voiceover work and more (click here to learn about our entire Editorial Process & Methodology for product reviews). I’ve also shared my recommendations for additional accessories you’ll find helpful to add onto your desk.

What are the Best Cheap Studio Desks for Home Recording?

Here are my top picks for the best studio desk under $200 to use in your home in 2023:

  1. Mobile & Compact Workstation Desk
  2. L-Shaped Desk with Rounded Corner
  3. Large L-Shaped Desk
  4. Desk with Extra Surface
  5. Cyrus Workstation
  6. Corner Desk

1. Mobile & Compact Workstation Desk →

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01/16/2024 09:37 pm GMT

Quick Take: This desk is designed to be space-saving, making it great for home recording studios where space might be limited. Despite being pretty compact, it features a main shelf for a computer or recording equipment, a pull-out keyboard tray, and an additional bottom shelf for storage which is more than enough for most simple recording setups.

Brand: Techni Mobili

Dimensions: The outside dimensions of the entire studio desk with shelves installed are 19.75 inches of depth by 28.25 inches of width by 35.25 inches in height.

The lower shelf has 13.75 inches of depth by 21.5 inches of width by 7.5 inches in height from the floor. The computer keyboard tray has 19.5 inches of depth by 11.75 inches of width by 26 inches in height from the floor.

The desktop surface has 18.75 inches of depth by 27.5 inches of width by 31.25 in height from the floor (3.5 inches above the keyboard tray). The monitor shelf has 9.75 inches of depth by 15.75 inches of width by 35.25 inches in height from the floor (3.75 inches above the desktop).

Mobile & Compact Workstation DeskWhat’s included: This studio desk is made of medium-density fiberboard (MDF) panels that are covered by a moisture-resistant PVC laminated veneer with a graphite-colored finish. The frame is made of steel that is finished with a scratch-resistant powder coating. This recording desk comes with casters that have durable, non-marking, nylon wheels.

It ships in one box that includes all the pieces for the desk frame, desktop, lower shelf, monitor shelf, keyboard tray, CD rack space, and casters. This desk weighs 31 lbs.

Top Features: The monitor shelf can be mounted on the right side, the left side, or in the center to allow the placement of the monitor in the area that works the best. The pullout keyboard tray has a safety stop. The casters can lock in place.

The width of this studio desk reduces by six inches if you do not install the CD rack on the left side. It is possible to drill new holes in the inner part of the leg on the right side and install the CD rack space underneath the keyboard tray to be able to use it while reducing the overall width of the desk by six inches to 21.25 inches wide.

Best for: home studios or sound booths with limited space and recording equipment that is not too heavy.

2. L-Shaped Desk with Rounded Corner →

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01/16/2024 04:02 pm GMT

Quick Take: This desk snugly fits into corners, optimizing space in the home studio. Its robust steel frame handles heavy equipment effortlessly, and I particularly appreciate the waterproof MDF desktop and the handy iron hook for storing your studio headphones and cables. It’s a blend of practicality and style.

Brand: Coleshome

Dimensions: 66″L x 47″W x 28.5″H

What’s included: This studio desk is made of medium-density fiberboard (MDF). It comes with the framing, the larger-side desktop, the corner piece, the shorter-side desktop, and a monitor shelf. The steel frame comes with extra metal brackets and cables to ensure stability. The monitor shelf installs on the shorter side. An instruction manual for the assembly and a screwdriver is included. There are no other tools needed for the assembly of this desk.

Top Features: The desktop surface is waterproof and scratch-resistant. It is 0.98 inches thick. The shorter side placement is changeable to either the right or the left. The legs have adjustable pads used to level the desk on uneven flooring. The steel crosspiece supports, placed between the legs, add stability. This studio desk is strong enough to have multiple all-in-one computers or computer monitors on it.

Best for: a home recording studio with a contemporary style and plenty of room.

3. Large L-Shaped Desk →

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01/17/2024 08:42 am GMT

Quick Take: This desk’s expansive dimensions offer ample space, ensuring your recording equipment fits comfortably. The desk’s solid design is resistant to scratches and friction, making it durable for long-term use. Its L-shape isn’t just a space-saver but also provides an organized setup for multitasking. The added PC stand is a thoughtful touch, protecting your computer from potential moisture. This desk is a blend of functionality and modern aesthetics, making it a top choice for any home recording studio or office.

Brand: Soges

Dimensions: This desk measures 59 inches by 59 inches wide. The depth of the desktop is 21.7 inches. The desktop surface is 30 inches in height above the floor.

Large L-Shaped DeskWhat’s included: This desktop is made from E1-grade particleboard that has a high resistance to scratches. It has an oak wood pattern finish. It comes with the frame, the diagonal brace supports, a metal leveling bracket, the two side desktop pieces, and the corner piece. The included parts list has a link to the downloadable instruction manual.

Top Features: The metal framing is 0.047 inches (1.2 mm) thick, which is one and one-half times thicker than ordinary ones made from lower-gauge steel (8 mm). The diagonal braces for each side provide more stability. The metal leveling bracket that installs under the desktop, toward the end of the assembly process, makes sure all the parts stay in place and that the work areas of the desktops are level with each other.

Best for: a home studio with plenty of room. This is a very strong recording desk and can support multiple all-in-one computers or large monitors.

4. Desk with Extra Surface →

Quick Take: This desk, with its rustic brown finish, not only adds a touch of elegance to a workspace but also offers practicality with its storage shelves and an ample keyboard tray. The monitor stand is a game-changer, elevating your screen to the ideal height, reducing neck strain during those long work hours. The side bookshelf keeps everything within arm’s reach, and the center shelf, which I can remove if needed, is perfect for storing other items.

Brand: Topsky

Dimensions: The size of this studio desk is 46.5 inches in width by 19 inches of depth by 34.2 inches in height from the floor to the top of the monitor shelf. The height from the floor to the desktop is 30 inches. The height from the floor to the keyboard tray is 26.3 inches.

The keyboard tray dimensions are 23.2 inches in width by 11.8 inches of depth. The monitor shelf is 46.5 inches in width by 7.8 inches of depth. The two bookcase shelves are 9 inches in width and 19 inches of depth. There are 12.8 inches in clearance above the lower shelf and 13.5 inches clearance above the upper shelf. The desktop computer shelf is 9 inches wide and has 19 inches of depth, with 27 inches of clearance above it. This desk weighs 54 lbs.

Desk with Extra SurfaceWhat’s included: Included are the frame, four shelves, a keyboard tray, and the desktop. This desk is made of CARB P2-class particleboard with a dark oak pattern finish. The metal frame has a powder-coat finish. All the hardware and tools needed for assembly are included.

Top Features: This studio desk can support up to 200 lbs. Metal crosspieces in the back attach to the frame to give it more stability. The keyboard tray slides out and holds a full-size keyboard 2.8 inches below the desktop for comfortable typing. The bookcase shelves on the left side can hold equipment or be a place used to store things.

The large multi-purpose shelf is a good place to put a desktop computer to keep it off the floor. The computer monitor shelf is wide and goes across the entire back of the desk, allowing room for two monitors.

Best for: smaller rooms with limited space.

5. Cyrus Workstation →

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Quick Take: This contemporary desk seamlessly blends into any home office setting. The clear tempered safety glass not only adds a touch of elegance but also ensures durability. What I particularly appreciate is the spacious desktop workspace, perfect for storing various devices and materials, and the pull-out keyboard tray, which generously accommodates both a keyboard and a mouse. The added castors for mobility make rearranging your workspace a breeze. It’s a blend of style and functionality that truly resonates with the needs of an instructional designer.

Brand: Z-Line Designs

Dimensions: The overall dimensions of this studio desk are a depth of 26 inches, a width of 35 inches, and a height of 48 inches from the floor to the top of the monitor shelf.

Cyrus WorkstationWhat’s included: This is a contemporary style desk in a cherry finish and it has black accents. The desktop is clear, tempered glass with a black edge for safety. The cylinder supports for the frame are chrome-treated metal. They are very strong and weigh over 73 lbs. This desk comes with a pullout keyboard tray that is big enough for a large keyboard and a mouse. Castors are included with this studio furniture.

Top Features: This recording desk is very attractive. It is a nice size with plenty of working area, without being too large. The castors allow the desk to move around easily. There are strategically-placed cable pass-through openings in the back panel at each shelf height to make it easy to connect equipment and keep the cables neatly organized. The cables can all run down the back panel, which keeps them cleverly hidden and out of sight.

One caution, if you are thinking about this studio desk, is the glass desktop is a very sound-reflective surface. It will dramatically change the sound quality when placing a microphone on the glass in a south booth for recording. Perhaps, you want to have this brighter sound when recording. However, if you want a more regular sound for your voice-overs, then you will have to cover the glass with a thick pad that absorbs the sound to stop the reflections from happening.

Best for: those who want a very attractive look and who are not bothered by the effect of a glass-top desk on sound recordings. It works well for an editing desk but not so well as a recording desk, with a microphone placed on it.

6. Corner Desk →

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Quick Take: This desk has a small footprint, but I like that it’s very strudy and has a little bit of storage with its top and bottom shelves. It’s a great choice for a very simple recording setup.

Brand: Calico Designs

Dimensions: The desktop area has 23.5 inches of depth by 46 inches of width. The top monitor shelf has 15.5 inches of depth and 46 inches of width. The bottom shelf has 23.5 inches of depth and 43 inches of width. The height from the floor to the top shelf is 42.2 inches. This desk weighs 52 lbs.

Corner DeskWhat’s included: It comes with the frame, the desktop, the two shelves, the back metal mesh pieces, and four floor-leveling attachments to use on the legs for leveling the desk on uneven surfaces.

Top Features: This recording desk has an attractive design with a sleek look and clean lines. There is plenty of room on the bottom shelf for desktop computers and other equipment. The desk has a nice large work area. The monitor shelf could hold one large computer monitor or two smaller ones up to 20 inches each.

This studio desk comes in many colors of blue, pink, purple, silver/black, and silver/maple. The brighter colors look like something for a kid’s room and may work for you if you plan to do children’s audiobooks or animation. The silver/black combination looks very professional and I think makes the nicest choice for a home recording studio to do voice-overs.

Best for: areas where space is limited and there is no need for extra bookshelves to store or hold things.

Things to Consider When Choosing a Budget Studio Desk

When setting up a home studio on a budget, choosing the right studio desk is crucial for optimizing your workspace and enhancing productivity.

Here are some essential factors to consider when selecting a cheap and budget-friendly studio desk:

  • Size and Space: Assess the available space in your home studio and choose a desk that fits comfortably without overwhelming the area. Consider the dimensions of the desk, including height, width, and depth, to ensure it accommodates your equipment, such as a computer, monitors, MIDI controllers, speakers, and other studio gear, while leaving enough room for you to work comfortably.
  • Ergonomics: Pay attention to the desk’s ergonomics to maintain a healthy and comfortable working posture. Look for a desk that allows you to position your monitor(s) at eye level, keeps your arms at a 90-degree angle while working, and provides adequate legroom.
  • Build Quality and Materials: While seeking a budget-friendly option, don’t compromise on build quality. Look for desks made from sturdy materials like MDF (Medium-Density Fiberboard) or solid wood. Check customer reviews and ratings to ensure the desk is durable and can withstand the weight of your studio equipment.
  • Cable Management: An organized and tidy workspace contributes to a more efficient workflow. Choose a desk that offers cable management solutions to keep your cables and wires neatly organized and prevent tangling.
  • Storage and Shelving: Consider your storage needs for items like headphones, microphones, cables, and other accessories. Some budget-friendly studio desks come with built-in shelves or racks, which can help keep your essentials within reach. A slide out keyboard shelf is another nice feature that can help you save space in your studio.
  • Aesthetics: While not directly related to functionality, the aesthetic appeal of the desk can impact your motivation and creativity. Choose a design that resonates with your style and enhances the ambiance of your home studio.
  • Assembly: Check whether the desk comes with clear assembly instructions and all the necessary hardware. A straightforward assembly process can save you time and frustration.
  • Weight Capacity: Verify the weight capacity of the desk to ensure it can handle the combined weight of your equipment without sagging or causing structural issues.

Accessories for Your Studio Desk

Here are a few other options and useful accessories to consider when getting a desk for your home recording studio:

Stand Up Keyboard Tray →

Stand Up Keyboard Tray

This is a terrific accessory if you have a regular table edge and space underneath and you want to place a keyboard there.

The depth of this adjustable keyboard tray is 12.25 inches and the width of the smaller size is 27.5 inches. A larger size that is 33 inches wide, which is big enough to accommodate a keyboard and a mouse is also available.

There are three hanging height settings of 2.69 inches, 3.44 inches, and 4.19 inches below the desktop.

This is a brilliant way to increase the work area of your studio desk and have the keyboard held underneath at a more comfortable height for typing.

There is a non-skid surface and stop guard that securely holds a keyboard in place. With its thumbscrew clamps, it attaches easily to any desktop that is up to 1.5 inches thick.

There are no tools required to attach it and this sliding keyboard tray comes off easily to use elsewhere.

Flexpro Standing Desk →

Flexpro Standing Desk

Sit or stand at this desk with easy height adjustment that is nicely powered by a hydraulic pump to change the desk height in seconds. The height is adjustable up to 20.5 inches.

It can sit on top of your existing studio desk or worktable (not included). It comes fully assembled right out of the box. Just set it in place and lift it by the two built-in handles to adjust it to your eye level.

The durable metal base is strong enough to support up to 35 lbs of weight on its shelves. The feet each have a level adjustment to remove wobble caused by uneven surfaces.

The lower shelf/desktop is 37 inches wide with plenty of room for a keyboard and mouse. The monitor shelf is the same width and that allows plenty of room for two large monitors.

OHill Wires Organizer →

OHill Wires Organizer

Proper cable management is essential for optimizing studio desks and workstations.

This is a kit of 16 differently-sized wire holders with self-sticking adhesive backing. The backing will stick to almost any surface that is clean and dry. These are useful to hold cables in place (such as cables from your studio monitors) and keep everything organized around your recording desk. They can hold anything small that fits in them.

Besides cables, they work for toothbrushes, as a penholder, or to hold tools such as screwdrivers.

Joto Cable Management Sleeve →

Joto Cable Management Sleeve

This is a four-pack of cable sleeves used to hold many cables together in a stretchable neoprene fabric sleeve that wraps around them and then zips up. The outside dimensions are 1.2 inches after a sleeve is zipped with the cables held inside. The length of each sleeve is 19 to 20 inches. Each one can hold eight to 10 cables, depending on the cable thickness. These sleeves are easy to remove and reuse and are great for organizing studio desks.

Pasow Wires Rope Holder →

Pasow Wires Rope Holder

This is 50-pack of reusable cable ties that are Velcro. They wrap around any cables and hold them together in a neatly organized fashion. They come in many colors, which can be helpful for using as identification by the color coordination of the audio pathways. The colors are black, blue, bright yellow-green, orange, purple, and red. They help keep cables neatly untangled when the cables are not in use.

Want to Build a DIY Studio Desk?

What does it take to build studio desks yourself?

Here is a link to a YouTube video for a DIY studio desk for those who prefer to build their own. This is more about having a custom solution for your recording desk than about saving money.

The video producer Richard diZerga chose to make his custom desk instead of buying a platform desk from Output for $800. Richard estimated that the cost of materials for his custom studio desk was about $250. It took him three days of his labor to create the desk from birch plywood that he used.

He used the design of the Output desk for his inspiration but ended up making his platform desk from his custom measurements and made some improvements in the design for his needs.

He finished the wood by giving it three coats of shellac and sanding with fine-grain sandpaper between each coat. Then he polished the finished desk using beeswax furniture polish to give it a nice glossy look.

FAQ

How do you choose the right studio desk? 

With so many studio desks out there, it’s important to be sure you’re choosing the one that’s right for your space.

Some factors to consider are the size of your space, the layout of your studio setup/creative space, the type of recording you’ll be doing (e.g. voiceover work, music production, podcasting, etc.), what equipment you need the desk to hold (e.g. computer monitor, studio monitors, interface, etc.), and your budget.

There is no single “best studio desk” for everyone. Your creative space is unique. It all depends on finding the right desk for your unique needs and your home studio setup.

What makes a good studio desk?

When looking for a good recording desk for your home studio setup, there are a few things to keep in mind.

The desk should be large enough to accommodate all of your equipment, and it should be made from a sturdy material that can handle the weight of your gear. You want to make sure the desk is made from quality, durable materials that will withstand daily wear and tear.

It’s also important to choose a desk that has a lot of storage space, so you can keep all of your cables and accessories organized.

How much is a studio desk?

Studio desks come in a wide range of prices — from under $100 to several hundred dollars. However, there’s no need to spend a lot of money on a recording desk. You can easily get a high-quality, cheap studio desk for $200 or less.

How big is a studio desk?

Studio desks come in all different sizes — from smaller desks to fit in cramped home recording spaces to large desks to fit in a big professional workspace. A typical recording desk for a home studio might be around 30″ tall, 47″ wide, and 25-30″ deep.

How deep should a studio desk be?

The ideal recording desk depth depends on how much equipment you have (e.g. studio monitors, computer monitor, interface, music production equipment, etc.), but in general, you want to make sure your desk is 20-30″ deep.

Where should a home studio desk be placed?

While many people are limited by the size of their room in a home studio, ideally you don’t want your recording desk to be too close to the wall as sound from the studio monitors can reflect off the walls and cause issues.

How do you put together a recording desk?

When setting up studio desks, there are a few things to consider. First, locate the manual from the manufacturer, and make sure you have all the tools you need. If the desk is going into a small space, you may want to bring the individual pieces into that room and assemble it inside your studio so you don’t have to worry about squeezing the desk through a small doorway or other tight spaces once it’s fully assembled.

How do you organize studio desks?

Keeping your studio desks organized is essential to being productive and effective at recording. There are many things professionals do when organizing their studio desks, including proper cable management to keep cords from getting tangled, cable labeling, removing clutter/unused items, using shelves and drawers on desks, using hooks to hang items like headphones, and cleaning up regularly. Take the time to make sure your studio setup is just right.

Can you build your own recording desk?

Building your own studio desk can be a great way to save money, and it allows you to customize the desk to fit your specific needs.

However, there are some downsides to building your own desk.

It can be difficult to find the right materials, and it can be time-consuming to put the desk together. If you’re not experienced in carpentry, it’s likely that you’ll run into some problems while building the desk.

Overall, building your own studio desk can be a great way to save money and get exactly what you need. Just make sure you’re aware of the potential challenges involved in the process beforehand.

A Final Word on Studio Desks

The prices for these manufactured studio desks were all under $200. Many were under $100.

For those low prices, it is not worth the effort to make a recording desk from scratch unless you have very specific customized needs. It’s totally doable to find a great desk with enough room for ample workspace at a reasonable price.

Be careful if you plan to use a desk in a sound booth for voice-over recording because if the studio desk surfaces are too reflective, this can distort your sound in ways you may not like. You may have to cover the desktop surface with something like thick padding, carpet tiles, or other sound-deadening materials if you want to put your microphone on it to make a nice sounding voice-over recording.

Be sure to read the information about other voice-over equipment that you may need and the reviews of the best voice-over microphones for a home studio.

Remember, measure everything carefully, if space is tight. You want to make sure the desk actually fits in your workspace and has room for all of your equipment, like your computer, studio monitors, interface, voiceover and music production equipment, etc.

If you are building a studio desk outside of a small sound booth and then want to place the desk inside, be sure to understand any challenges for getting an assembled desk through a narrow door.

If you anticipate that this is a problem, consider assembling your recording desk in place, inside the booth instead.

Have a question about choosing the best cheap studio desk for your home setup? Leave a comment below.

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The 17 Best Budget Microphones Under $100 (2023 Buyer’s Guide) https://myelearningworld.com/best-budget-microphone/ https://myelearningworld.com/best-budget-microphone/#respond Mon, 24 Jul 2023 07:41:23 +0000 https://myelearningworld.com/?p=3437 With the best budget microphones, you can achieve amazing sound quality at an affordable price.

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Whether you’re recording voiceover work for an online course, audio for a video, or even music instruments, a budget microphone could be all that you need to get a professional-quality finished product. These days, there are some great microphones under $100 that can be used for everything from studio recordings to live performances.

Of course, not all cheap microphones are up to par, so it’s important to do your homework before making a purchase. To help you out, I’ve compiled a list of the best budget-friendly microphones I’ve tried over the years in my home studio as an eLearning creator. I’ve tested and reviewed dozens of affordable budget microphones since originally putting together this guide back in 2021 (and all throughout my nearly 20 years in the industry), and now, I’ve fully updated it for 2023 to include a curated list of the top cheap microphones on the market today.

I made my picks based on a range of factors, including audio quality, durability, ease of use, and of course, cost (click here to learn about our entire Editorial Process & Methodology for product reviews).

Quick Pick for the Best Budget Microphones Under $100

Don’t feel like reading the full rundown of budget microphones? Here are my quick picks for the very best budget mic under $100:

My Top PickBlue Snowball Gloss Black

Blue Snowball

What’s inside?

  • Choice of omnidirectional or cardioid polar patterns
  • 40 Hz to 18 kHz frequency response
  • 44.2 kHz/16-bit sample rate
  • Gloss black spherical design 325 mm circumference
  • USB connector

Killer features: Low price, excellent style, and performance

Check price on Amazon →

Check price on Blue →

The Blue Snowball is my top pick for a condenser mic under $100. This budget microphone has a beautiful, classy, retro look. The polar pattern can be changed to allow omnidirectional pickup of sound coming toward the device from every direction or a more-focused cardioid pattern that does not pickup sound from behind the microphone.

Also GreatShure SM58-LC

Shure SM58

What’s inside?

  • Unidirectional polar pattern
  • Has an on-off switch
  • 50 Hz to 15 kHz frequency range
  • Classic black color
  • XLR connector

Killer feature: Very durable

Check price on Amazon →

Check price on Sweetwater →

Check price on Guitar Center →

The Shure SM58 is my choice of a cardioid dynamic microphone under $100. The pickup pattern is able to capture sounds from in front of the device and not those sounds coming from behind it. Roadies love this budget microphone because it is so durable. You can drop it, swing it around your head on its cable and it will probably still work. Shure products have been the music industry standard for decades.

Also GreatMXL R144

MXL R144

What’s inside?

  • Figure-8 bidirectional polar pattern
  • Compact size
  • Captures a smooth rich midrange sound
  • High sound pressure level (SPL) capability
  • Comes with a shock mount

Killer feature: Small size fits almost anywhere

Check price on Amazon →

The MXL R144 is my choice of ribbon mic that is also great. This budget microphone costs right at $100, and among the ribbon models, its price is much cheaper.  The bidirectional polar pattern picks up both the instruments being recorded and the room sound. The high SPL makes it a good choice for a microphone used to record loud instruments like brass or amplified electric guitars. The shock mount helps prevent damage to the product.

The Full List of My Favorite Budget Microphones Under $100

I separated my budget microphone reviews into four categories:

  1. Large-Diaphragm Condenser;
  2. Small-Diaphragm Condenser;
  3. Dynamic;
  4. Ribbon.

I also indicate the type of connectors that the microphones have, which can be XLR, USB, and XLR plus USB.

Each category of mic is designed to use for a specific purpose. If you need a refresher about the differences between these four categories, watch this video:

Best Budget Microphones
Audio-Technica AT2020

Professionals will appreciate this model.

Category: large-diaphragm condenser [XLR]
Amazon →SweetWater →
 MXL V67G

For those who want to record warm sounding vocals and to speak directly into the mic.

Category: large-diaphragm condenser [XLR]
Amazon →MXL →
 AKG P120

Suitable for professional recording studios and home studios.

Category: large-diaphragm condenser [XLR]
Amazon →AKG →
Blue Snowball Gloss Black

For podcaster or someone who make voice-overs using software.

Category: large-diaphragm condenser [USB]
My choice among microphones under $100
Amazon →Blue →
Samson Meteor

Good budget microphone for those who need a compact portable device.

Category: large-diaphragm condenser [USB]
Amazon →SweetWater →
Razer Seiren X

Perfect for gamers and live streamers.

Category: large-diaphragm condenser [USB]
Amazon →Razer →
AKG P170

For studio recording of instruments.

Category: small-diaphragm condenser [XLR]
AKG →
MXL 770

Good budget microphone that can be used for voice-overs, vocals, and recording instruments

Category: small-diaphragm condenser [XLR]
Amazon →Guitar Center →
 Samson Go

An improvement over the built-in mics found in laptops and still is small enough to be portable.

Category: small-diaphragm condenser [USB]
Amazon →SweetWater →
Rode NT-USB-Mini

This budget mic is terrific for podcasting.

Category: small-diaphragm condenser [USB]
Amazon →SweetWater →
 Blue Yeti Nano

An attractive model for doing podcasts.

Category: small-diaphragm condenser [USB]
Logitech→
Shure SM58-LC

Good for almost every live music performance and live recording use.

Category: dynamic [XLR]
My choice among dynamic microphones under $100
Amazon →SweetWater →
 Sennheiser E835

Made for vocalists giving live performances.

Category: dynamic [XLR]
Amazon →Sennheiser →
Sasmson Q2U

Best budget microphone recommended for Garageband users.

Category: dynamic [USB + XLR]
Amazon →SweetWater →
Audio-Technica AT2005USB

Good starter choice for voice-overs and podcasts

Category: dynamic [USB + XLR]
Amazon →SweetWater →
Audio-Technica ATR2100x-USB

Good choice for those with devices that have a USB-C input.

Category: dynamic [USB + XLR]
Amazon →SweetWater →
MXL R144

This device helps broaden the tonal palette of instrument recordings.

Category: ribbon
My choice among cheap ribbon mics!
Amazon →

Best Low-Cost Condenser Mics Under $100

Dynamic microphones are popular for live performers to use during shows because of their rugged construction; however, for recording in a studio, especially for vocals, a condenser one is preferred. Large-diaphragm condenser models are a good choice for recording vocals because they capture every nuance with sonic details.

Large-Diaphragm Condenser Microphones under $100 with XLR

These microphones are used with an audio interface or mic preamps so they are suitable for both beginners and professionals.

1. Audio-Technica AT2020

Audio-Technica has always made excellent condenser microphones. Condenser mics need an external power source (“phantom” power) to operate, which comes from the mixing board or preamp through the XLR connector cable.

Audio-Technica AT2020 Specifications
“With its studio-quality articulation and intelligibility, the AT2020 is ideal for musicians, streamers, podcasters, and other content creators.” – audio-technica.com

Features

This cardioid condenser microphone, priced at a modest $99, is a gem for those on a budget. It offers studio-grade clarity, ensuring every nuance of your voice is captured, whether it’s for an eLearning module or a voiceover gig.

The cardioid pattern is a lifesaver, focusing on sounds directly in front and minimizing those pesky background noises.

And trust me, its performance rivals many of its pricier counterparts. For those setting up a home studio without splurging, the AT2020 is a reliable and value-packed choice.

Killer feature: Captures the full frequency range of human hearing.

Pros

  • Has a very wide frequency range of 20 Hz to 20 kHz.
  • Noise level 20 dB.
  • Front of mic is marked.
  • Cardioid polar pattern focuses sound pickup to the front of the model.
  • Comes with a mount and a 5/8 to 3/8 inch stand adapter

Cons

  • Needs phantom power to work.
  • Will not work with an XLR to USB cable connector.
  • Will not work with a USB sound card.
  • Needs to have a USB audio interface device (sold separately) to work with a computer.
  • Does not come with a cable.

Audio-Technica AT2020
Credits: audio-technica.com

Best for: Professionals who are willing to invest in XLR microphones are the ones that will appreciate this model. It is not suitable for hobbyists due to the need to also buy an XLR cable and an audio interface device. There are lower cost solutions for those you simply want to record voice-over to make YouTube video.

This video, produced by Podcastage, reviews the Audio-Technica AT2020.

The reviewer likes the build quality and says it is all metal, which feels substantial. The mount and adaptor are metal as well. The cardioid pickup pattern focuses on sound coming at the mic from the front and picks up less from other directions. The reviewer tests how the model captures voice at different distances and how it handles different volume levels of music.

Buying Options

2. MXL V67G

Having worked with numerous microphones over the years, the MXL V67G stands out, especially for its price range. Its sensitivity ensures that every detail of a voiceover is captured, which is crucial when creating eLearning content where clarity is paramount. The vintage design is a nice touch, but it’s the performance that truly impresses. For those in the eLearning industry or voiceover artists working from a home studio, this microphone offers a fantastic balance of quality and affordability. It’s a tool that can elevate the quality of your recordings without breaking the bank.

MLX V67G Specifications
“Old school tube mellow” is the phrase most often used to describe the sound of the V67G from MXL.” – mxlmics.com

Features

This condenser mic is designed for recording vocals. It is a solid-state model made with Class A FET circuitry and a transformer that captures a clear, warm sound. It has a very attractive look with a distinctive vintage-style body and a gold-plated round grill.

Killer feature: The sound is described as “old-school” tube microphone mellow.

Pros

  • Frequency range of 30 Hz to 20kHz.
  • A good value for the price.
  • The vintage style is very attractive.
  • Comes with a leather carrying pouch.
  • Comes with a clip and a stand adaptor.

Cons

  • Requires phantom power to operate.
  • It is very easy to put dents in the grill.
  • This device performs badly in humid environments.
  • Somewhat fragile.
  • Lousy customer service from the manufacturer in China.

MLX V67G
Credits: mxlmics.com

Best for: This condenser microphone is suitable for those who want to record warm sounding vocals and is best when used for singing of speaking directly into the mic.

This review, produced by Podcastage, is for those who do not mind listening to an annoying audio nerd who is bleeped out for swearing every few seconds.

The reviewer tests it to demonstrate the cardioid polar pattern and show how little background noise it picks up. He shows how audio changes when moving its capsule around and how it sounds when speaking right into the mic and from four feet away. He records some awful singing and bad guitar playing 🙂

Buying Options

3. AKG P120

Priced at a reasonable $99, this budget-friendly microphone offers a blend of quality and affordability that’s hard to find. Its frequency response ranges from 20 Hz to 20 kHz, ensuring a broad spectrum of sound capture. The maximum SPL of 150 dB and a sensitivity of 24 mV/Pa highlight its capability to handle varied recording scenarios. What truly stands out for me is its low-mass diaphragm, which delivers a clear sound with precise sonic details. This is crucial when you’re recording voiceovers where every nuance matters.

Whether it’s for vocals, speech, or instruments, the AKG P120 provides a clarity that’s essential for professional recordings, especially in home studios. For those in the eLearning industry or anyone venturing into voiceover work, this microphone is a solid investment that won’t disappoint.

AKG P120 Specifications
“The AKG P120 is a great choice for musicians interested in home recording… it offers great versatality in its sensitivity.” – akg.com

Features

AKG P120 has a unidirectional cardioid polar pattern. It picks up the full range of sounds that humans can hear. It can be used to record a very loud sound source of up to 150 dB without adding any distortion, such as a loud amplified electric guitar. It has a rugged all-metal body and is built well to record music.

Killer feature: It has a built-in bass-cut filter and a switchable attenuation pad.

Pros

  • Very high maximum SPL of 150 dB.
  • Frequency range 20 Hz to 20 kHz.
  • Noise Level 19 dB.
  • Comes with a bass-cut filter and a switchable attenuation pad.
  • Comes with a clip.

Cons

  • Requires phantom power.
  • Work best when used with a shock mount (not included).
  • Like all condenser microphones, it is bit fragile.
  • Does not come with a carrying pouch.
  • Need to buy an XLR cable separately.

AKG P120
Credits: akg.com

Best for: This cheap microphone is suitable for professional recording studios and home studios. Works to record voice-overs, vocals, and instruments.

This video, produced by Archie Beatz, shows how he tests the AKG P120 in his tricked-out home studio. He has many microphones, and he knows what he is talking about.

The reviewer shows how the cardioid polar pattern works, which is a heart-shaped pickup pattern. The model captures more sound when speaking into it than when speaking on the side and even less when he speaks at the back. This microphone is his favorite budget choice. He likes it more than his other mics, some of which cost up to $3,600. For a professional that could use anything he wants, that is an excellent recommendation for one of the best cheap microphones out there.

Buying Options

Large-Diaphragm Condenser Microphones under $100 with USB

This category is represented by wide variety of devices to choose from. There are models for recording vocals and musical instruments, and there are microphones for streamers and podcasters. I have chosen three of them.

4. Blue Snowball

The Logitech Blue Snowball USB Microphone is a game-changer when it comes to sound quality. Its 2-capsule design ensures that your voice has that exceptional presence and detail, making professional-level recording attainable even from a home studio. The microphone offers multiple pickup patterns, including cardioid for focused recording and an omnidirectional setting that’s perfect for immersive conference calls. Its stylish retro design is not only aesthetically pleasing but also functional.

I also love its plug ‘n play feature, allowing for quick and hassle-free setup on both Mac and PC. And for those moments when you’re dealing with louder audio sources, the -10 dB Pad ensures clarity without distortion.

Whether you’re diving into podcasting, streaming, or just need a reliable microphone for recording course content, the Blue Snowball is a budget-friendly yet high-quality choice.

Blue SnowBall Specifications
“Unique two-condenser-capsule design for capturing vocals, music, podcasts, gaming and more.” – bluemic.com

Features

Blue Snowball has two capsules. This allows it to have different pickup patterns. It is very easy to use for those recording using a Mac or a PC. All you have to do is take it out of the box, assemble the included desk stand and shock mount and plug it into your computer using the included USB cable.

Killer feature: The ability to switch between an omnidirectional and cardioid polar pattern.

Pros

  • Plug and play for both Mac and PC with no software driver download required.
  • USB 1.0 or 2.0 compatible with connector cable included.
  • Gets its power from the six-foot USB connector cable.
  • Stand and shock mount included.
  • Handles vocals and music recording well and suitable for podcasting.

Cons

  • The body is plastic.
  • It is difficult to avoid recording noise transferred by desk vibrations.
  • The omnidirectional setting adds tinny EQ to the sound.

Blue SnowBall
Credits: bluemic.com

Best for: Podcaster or someone who make voice-overs using computer software for recording and editing.

If you’re looking for the best cheap microphone for creating YouTube content check out this article.

This video is a review by Podcastage that tests the sound quality of the model for voice, vocals, acoustic guitar, and electric guitar.

The reviewer changes the settings to show the difference between using this mic on the cardioid pickup pattern setting and the omnidirectional setting. He shows what the sound is like speaking directly into the microphone and from one, two, and three feet away. The reviewer says the cardioid pattern sounds natural and full. He thinks the omnidirectional pattern sounds tinny and adds too much noise. He does not think the omnidirectional setting is usable at all.

Buying Options

5. Samson Meteor Mic

I really like the design of the Samson Meteor Mic. It is very compact and yet powerful at the same time. This device is perfect for any audio recording situation. Just extend the legs, put it on a table, adjust the angle, connect the USB cable to your device, and you are good to go. It is a terrific choice for podcasting from any place that you conduct an interview.

Samson Meteor Mic Specifications
“Meteor Mic is designed to allow you to sound your best wherever your projects take you.” – samsontech.com

Features

The Samson Meteor Mic has a cardioid pickup pattern. It has on-microphone control to adjust playback volume and a handy mute button to cut off the mic recording easily. It comes with a USB connector cable that offers plug-and-play compatibility with no software drivers to download. It works with any computer equipment or audio interface devices that recognize USB audio inputs. It works with computers, laptops, tablets, and some smartphones.

Killer feature: Compact foldable legs to use for a stand.

Pros

  • Frequency response 20 Hz to 20 kHz
  • Large 25 mm diaphragm condenser
  • 16-bit, 44.1/48 kHz resolution
  • Built-in headphone jack on the device for zero-latency monitoring.
  • Comes in black, chrome, and black/red colors

Cons

  • Loose USB cable connections may cause a clicking sound when recording.
  • Some customers complain that it breaks after about three months that is not covered by a warranty.
  • If you need tech support from the manufacture it is very difficult to get help.

Samson Meteor Mic
Credits: samsontech.com

Best for: This model is a good choice for those who need a compact portable device that is easy to carry, setup, and use.

This is a product overview video produced by Samson Technologies, which is the manufacturer of the Meteor.

The presenter points out that this device is die-cast metal with an all-in-one design that includes the product and its stand as built-in fold-back legs. It is about hand-sized when the stand legs are closed and opens up to be about twice that size with the legs extended. The legs allow the microphone to be adjusted at any level on a desk. This model also can connect to a stand. It has a very large 25mm capsule, one of the largest available for a USB mic.

Buying Options

6. Razer Seiren X

Razer Seiren X is designed to use for live streaming podcasts and comes with a desk stand.

Razer Seiren X Specifications
“Most professional microphones sound great, but tend to be obstructive and too bulky for desks with limited space. Thanks to its compact and sleek form factor, the Razer Seirēn X delivers a superior audio broadcasting experience while remaining as subtle as possible.” – razer.com

Features

This model has a built-in shock mount to reduce the sound of any vibrations or bumps from being recorded. It also has built-in noise reduction and a supercardioid pickup pattern. This eliminates most of the background noise, which is perfect for live-streaming audio. It offers zero-latency monitoring without any annoying delay or echoes.

Killer feature: The supercardioid pattern only picks up sound directly in front of it.

Pros

  • Made from durable, yet lightweight, anodized aluminum.
  • Recommended by Twitch streamers and gamers.
  • The compact form factor makes it easier to take it along.
  • Has a mute switch and volume controls on the device.

Cons

  • There are no markings for the volume level so that take guessing where it is set.
  • The Seiren picks up the keyboard clicking when set next to a keyboard on a desk.
  • The supercardioid pickup pattern requires being very close to the mic.

Razer Seiren X
Credits: razer.com

Best for: This product is designed for gamers and live streamers.

This review video is produced by DetroitFury, who is often reviewing Razer gaming products.

It is made to be a direct competitor to another budget microphone, Blue Yeti. It works for gamers with minimal setup, just plug and play. The one problem is that when placed near the keyboard on a desk, it will easily pick up the keyboard clicking. It comes with an adjustable stand and a USB cable. The reviewer compares the Seiren to Blue Yeti. It does not have any markings for the mic volume settings, so that is not easy to work with. The reviewer likes Razer Seiren X for its lower price and compact size.

Buying Options

Small-Diaphragm Condenser Microphones under $100 with XLR

Small-diaphragm XLR mics are better for recording instruments in your studio.

7. AKG PERCEPTION 170

AKG PERCEPTION 170 is designed to be used to record instruments such as drums, acoustic guitar, and strings.

AKG Perception 170 Specifications
“The P170 utilizes the experience of sound engineers from around the world and is considered an affordable alternative to the legendary AKG C451 B.” – akg.com

Features

The AKG Perception 170 is built to withstand heavy-duty use in a recording studio. It has a switchable attenuation pad for help in high SPL situations and can handle volumes up to 155 dB. Many audio engineers like to use these microphones to record drums, snares, high-hats, and cymbals. Its thin body makes it easy to mount on an arm stand and place it exactly where you want to record the sound.

Killer feature: Professional quality mic that is good for overheads.

Pros

  • The P170 is lightweight with a compact design.
  • It has a rugged metal body.
  • Cardioid pickup pattern reduces background noise.
  • Not sensitive to feedback sound.
  • Compares to the legendary AKG C451 B.

Cons

  • Best used for recording instruments.
  • Requires a phantom power source.
  • Requires an XLR cable (sold separately)
  • Lousy customer service from the manufacture in China.

AKG Perception 170
Credits: akg.com

Best for: This model is for studio recording of instruments.

This video produced by CaneMajor reviews the AKG Perception 170 with its 12.5 mm diaphragm and thin body. This style is commonly called a “pencil” microphone.

The reviewer says the use of this device is to directly record the sound of an instrument that is not run through an amplifier. Every instrument has a location where it produces the best sound. The compact narrow-body style allows it to be placed on a stand and positioned in a place where it can capture the best sound emanating from different instruments. He shows how it is used to record different types of flutes.

Buying Options

8. MXL 770

MXL 770 is professional-grade mic at a budget price.

MXL 770 Specifications
“The MXL 770 is a perfect combination of quality, flexibility, and value for both professional and home recording studios.” – mxlmics.com

Features

This condenser mic has a 20 mm gold-sputtered (six microns) diaphragm, which helps it capture a smooth high-end and solid bass with a frequency range of 30 Hz to 20 kHz. It has a nice cardioid pickup pattern. The sound can be adjusted with a –10dB attenuator switch and a high-pass filter.

Killer feature: The price makes this product worth considering for its performance.

Pros

  • Build quality is solid.
  • Comes with a durable plastic case with fitted foam.
  • Shock mount with extra elastics included.
  • A stand adaptor and XLR cable is included.
  • Has a bass roll-off switch and a -10dB pad switch.

Cons

  • Requires phantom power.
  • Shock mount is wobbly.
  • Picks up some background noise.

MXL 770
Credits: mxlmics.com

Best for: This is an all-purpose condenser microphone that can be used for voice-overs, vocals, and recording instruments.

This video is another review from the Audio Hotline where you can hear the opinion of an audio nerd about the MXL 770.

The reviewer gives many audio tests using his voice if you can stand listening to him ramble on about penises, singing off-key, and other nonsense. He shows how it sounds like if you use some EQ and sound compression. He plays guitar terribly. I keep watching his reviews because the information is good, while I wonder why he has over 11,000 subscribers on YouTube. There must be audio nerds out there who like his stupid jokes.

Buying Options

Small-Diaphragm Condenser Microphones under $100 with USB

For the most part, these mics are compact and easy to be portable.

9. Samson Go Mic

The Samson Go Mic is the ultimate portable model. It is tiny and comes with all the accessories you might need.

Samson Go Specifications
“Perfect for recording podcasts, audio for video or laying down some vocal tracks, the Go Mic’s range of functionality extends beyond typical USB microphones.” – samsontech.com

Features

This microphone is small enough to fit in your hand. It has three choices of polar patterns to use for recording. A green light shows on the front of the model when the recording level is decent, and a red light shows when the sound is being clipped. It is plug-and-play compatible with a Mac and a PC with no software driver installation required.

Killer feature: The choice of pickup patterns are cardioid, cardioid at -10 dB, and omnidirectional.

Pros

  • Decent quality with a mixture of strong plastic parts and metal.
  • Comes with a foldable clip that also serves as a stand.
  • Very compact.
  • A zippered case is included.
  • Shows a red light as a warning when audio clipping is occurring.

Cons

  • The weight of the device causes it to move when using the clip as a stand on a table.
  • Comes with a mini-USB connector instead of the more modern micro-USB connector.
  • Works better with a pop filter.
  • The omnidirectional setting picks up lots of background noise and echo.
  • Low end response misses some of the bass frequencies.

Samson Go Mic
Credits: samsontech.com

Best for: This product is an improvement over the built-in mics found in laptops and still is small enough to be portable.

The video is produced by Pert von Panda, and he gives a very simple overview of Samson Go.

The review is quite funny because Peter says “carrotoid” instead of cardioid, so I guess this device has a setting to record orange vegetables?:) He also does not know that this model has three pickup pattern settings, which are cardioid, cardioid at -10 dB, and omnidirectional. At least you can be inspired if someone as good as Peter can use this model to make nice-sounding podcasts, you can too.

Buying Options

10. Rode NT-USB-Mini

Rode NT-USB-MINI is a small adorable device that looks like the baby of other Rode products.

Rode NT-USB-Mini Specifications
“The NT-USB Mini brings the pristine sound quality of RØDE’s world-class studio mics to a compact, easy-to-use desktop USB microphone.” – rode.com

Features

This device is designed to record directly to a computer or a tablet. It is easy to use by placing it on a desk and plugging it into a USB port on your laptop. Works with a MAC, PC, and tablets.

Killer feature: This model is good for podcasting, gaming, and even vocals.

Pros

  • No special external power is needed, simply connect it with the included USB cable.
  • It is plug-and-play with no software to download or install.
  • Comes with a magnetic desk stand that is detachable
  • Has a built-in pop filter.
  • Has a built-in studio-grade monitor amp for headphones with zero latency and volume control.

Cons

  • No shock mount option.
  • Included stand is very short.
  • Easier to use if mounted on a boom arm (sold separately).
  • The mic gain setting needs to be set in the audio recording software.

Rode NT-USB-Mini
Credits: rode.com

Best for: The NT-USB Mini is terrific for podcasting.

This review video produced by Sanjay C compares Rode NT-USB-Mini to a cheaper choice costing around $37 and to a much more expensive one that costs over $1,500 to see if the recording of the vocals is noticeably different.

The reviewer compares Rode NT-USB-Mini to the cheaper FIFine and the super expensive Peluso P12. He uses a song from Bruce Springsteen that he plays back with effects on the vocals and with a dry sound. The sound of the Rode NT-USB-Mini was quite good. It was better than the cheaper one and stood up well against the more expensive pick, although you can tell the difference. You get what you pay for.

Buying Options

11. Blue Yeti Nano

The Blue Yeti Nano is a USB plug-and-play Mac and PC compatible microphone.

Blue Yeti Nano Specifications
“Yeti Nano includes everything you need to stream your message with crystal clarity.” – bluemic.com

Features

It comes with a desk stand. It has a no latency headphone output jack on the mic, a headphone volume control, and a button to mute it. The mute button shows a red light when the device is muted and a green light when it is active.

Killer feature: This model is perfect for desktop use and only weighs 1.4 pounds.

Pros

  • Offers both cardioid and omnidirectional pickup patterns.
  • Compatible with a shock mount or boom arm.
  • Comes in five colors.
  • Comes with a desk stand
  • Has a one-year limited warranty

Cons

  • The tilt knobs on the stand do not tighten down well.
  • The Yeti Nano can be dented by transporting it on the stand if swivels and it hits the stand.
  • Mic gain is only controllable by the audio recording software.
  • Does not have micro USB connector just mini USB.

Blue Yeti Nano
Credits: bluemic.com

Best for: This product is very popular for doing podcasts where the model is shown because it is an attractive model.

This video produced by MrMobile compares the older version of Blue Yeti and the newer Blue Yeti Nano.

He likes it and tells how he used it at a trade show to record podcasts in poor quality audio environments. He says the model has very good recording quality for the price. He likes the Blue Yeti Nano because it is smaller than the older Blue Yeti and yet performs just as well and is very simple to use.

Buying Options

Best Cheap Dynamic Microphones Under $100

Dynamic mics can handle intense sound levels, such as recorded a live rock concert. They are rugged and built to withstand lots of abuse. A musician can yell into them, drop them, swing them around their head on a cable, and they will usually still work.

Dynamic Microphones under 100 with XLR

XLR dynamic microphones are widely used by musicians and live performers.

12. Shure SM58-LC

The Shure SM58 is a music industry favorite for live performances.

Shure SM58 Specifications
“If you’ve ever heard someone sing or speak into a live microphone, there’s an excellent chance it was an SM58.” – shure.com

Features

This model can take extreme abuse and continue to work. There are videos online of using one as a hammer and one being run over by a bus, and still, it works afterward.

Killer feature: Every out-of-control rock star in the world has abused this microphone. It can take it.

Pros

  • Has an all metal body and all metal grill.
  • Comes with a clip and a 5/8 to 3/8 inch stand adapter.
  • A zippered carrying case is included.
  • Cardioid polar pattern.
  • Great value for the price.

Cons

  • Not good for delicate high-end sound due to frequency response upper limit of 15 kHz.
  • Has a low sensitivity.
  • Best sound comes from being right on top of it.

Shure SM58
Credits: shure.com

Best for: This all-purpose product is good for almost every live music performance and live recording use.

This video review by the Podcastage says that Shure SM58 is the favorite mic he uses.

The reviewer likes Shure SM58 because it sounds great when recording guitar and vocals and has background noise rejection. He likes this device so much that he owns four of them. He recommends that every recording studio have at least one. He demonstrates vocals, acoustic guitar, and electric guitar.

Buying Options

13. Sennheiser E835

Sennheiser E835 is another very rugged dynamic mic that is a direct competitor to Shure SM58 and AKG D5.

Sennheiser E835 Specifications
“Gentle presence boost to even tonal response ensures clarity and projection.” – sennheiser.com

Features

A helpful feature of this model is its uniform frequency pickup pattern that maintains signal quality when a singer moves on and off-axis during a performance. It has a low proximity effect that allows the E835 to create clear bass and vocals when a singer is close to or further away from the microphone.

Killer feature: This product has an outstanding 10-year warranty covering all parts and labor.

Pros

  • Cardioid pickup pattern.
  • Produces a consistent sound quality.
  • Can handle high sound levels.
  • Optional on/off switch.
  • Superb feedback rejection.

Cons

  • Slighty heavier and larger than Shure SM58.
  • Not the best choice for ballad singers or those with softer voices.

Sennheiser E835
Credits: sennheiser.com

Best for: This model is made for vocalists giving live performances.

This review video from SonicSenseProAudio makes the comparison between the most popular dynamic microphones that cost around $100 each.

The reviewer compares Shure SM58, Sennheiser e835, AKG D5, and AUDIX OM2 to see how they stack up against each other. You can hear a female vocalist using all four mics for a side-by-side comparison with no EQ or other treatment of the recorded sound.

Buying Options

Dynamic Microphones under $100 with XLR+USB

XLR+USB microphones let you choose to use them with an audio interface or plug it directly to your computer.

14. Samson Q2U

The Samson Q2U, with both XLR and USB outputs, allows both digital and analog sound capture in a single device.

Samson Q2U Specifications
“Q2U combines the convenience of digital and analog audio capture into one dynamic microphone.” – samsontech.com

Features

This is a popular low-cost model that can be used for live analog recording and digital recording. The USB connector is plug-and-play compatible with a Mac and PC. The XLR connector works with an audio interface or a mic preamp.

Killer feature: This model is the best USB mic recommended for Garageband users.

Pros

  • Connects directly to a computer using USB or to an audio interface that accepts XLR connectors.
  • Come with a clip, windscreen, and a desk stand with an extension.
  • An XLR and USB cable is included.
  • Both signal outputs can be used for a live performance and making a digital recording at the same time.
  • The Q2U has a 1/8 inch (3.5 mm) headphone output with volume control to directly monitor the sound.

Cons

  • Using a USB mic allows only one device at a time to be used for digital recording.
  • To record more than one mic output at the same time requires using an audio interface (sold separately).
  • There are latency problems when using USB and Bluetooth connected speakers.
  • Using the on/off switch causes a clicking sound.

Samson Q2U
Credits: samsontech.com

Best for: This product is an excellent choice for those that need to sometimes record digitally and other times record by using an analog signal.

The video review by EposVox describes the Q2U as his most favorite model.

The reviewer opens the box and shows the accessories. It has a built-in noise gate that reduces background noise to almost zero. He demonstrates how the air-conditioning sound in the background is not picked up when he is doing voice-overs.

Buying Options

15. Audio-Technica AT2005USB

The Audio-Technica AT2005USB is a decent dynamic mic that is not as rugged as some others in this category that cost a bit more.

Audio-Technica AT2005USB Specifications
“The microphone plugs right into your computer’s USB port, and functions seamlessly with your favorite recording software.” – audio-technica.com

Features

This model is a good choice for voice-overs, podcasts, and screencasts because it is easy to use right out of the box.

Killer feature: The AT2005 can be used as a digital USB mic or analog XLR one.

Pros

  • Offers a plug-and-play digital USB connection to a computer.
  • A simple tripod desk stand is included.
  • Comes with a USB and an XLR cable.
  • The product has a built-in headphone jack with headphone volume control.
  • Comes with a fake leather carrying pouch.

Cons

  • This choice is not good if you want to hide the microphone and not show it in a video of the speaker.
  • The stand is not height adjustable.
  • The stand has plastic threads and you must be careful you don’t strip them.
  • Has a proximity effect, which adds bass to the vocals when getting too close.
  • Best to use with a pop filter to remove plosives from the sound.

Audio-Technica AT2005USB
Credits: audio-technica.com

Best for: This is a good starter mic for voice-overs and podcasts.

This review video produced by Curtis Judd demonstrates how the AT2005USB sounds when used in a room with terrible acoustics.

The reviewer shows how to use it and how you need to get close to the device. He shows a test with a voiceover that is recorded using the USB connection when compared to the XLR connector with an audio interface.

Buying Options

16. Audio-Technica ATR2100x-USB

Audio-Technica ATR2100x-USB is a newer model of the ATR2100.

Audio-Technica ATR2100x-USB Specifications
“This handheld dynamic microphone with smooth, extended frequency range is perfect for streaming, podcasting, conferencing, and other computer audio applications.” – audio-technica.com

Features

The major upgrade is that this new model works with USB-C, but that is pretty much the only change of significance from the older model.

Killer feature: This product has both a USB-C digital output and XLR analog output.

Pros

  • Durable and strong construction.
  • On/off switch on the device.
  • Built-in headphone jack and headphone volume control on the nicrophone.
  • A sturdy, folding legs, tripod, desk stand is included.
  • Comes with three cables” USB-C to USB-A, USB-C to USB-C, and XLRF to XLRM.

Cons

  • A little heavy for a handheld device, weighing 1.6 pounds.
  • The stand it comes with is made from cheap plastic.
  • Needs a windscreen or pop filter to record voice-overs properly.

Audio-Technica ATR2100x-USB
Credits: audio-technica.com

Best for: This is a good choice for those with devices that have a USB-C input.

This video review is produced by Pat Flynn. He compares an older model from this series that is now discontinued replaced with this newer model.

He tries to use the cheap stand, and he hates it. He twists it and breaks it easily. Then, he breaks it again. He does not want to use the stand anyway, so he does not care about it. He then records a test voice-over with it using Garageband software. He is not that impressed with this choice.

Buying Options

Best Cheap Ribbon Mics

Many ribbon microphones are very expensive, but there are models that can fit your budget.

17. MXL R144

MXL R144 adds a warm jazz-like sound to vocals and recorded acoustic guitar.

MXL R144 Specifications
“Ribbon microphones are known for their rich, warm sound and have been used to capture some of the most legendary recordings in history.” – mxlmics.com

Features

This is a specialty model, best used for creating vintage-like recordings. It is good for capturing special darker tones and blending the sound with other models.

Killer feature: This is a cheap entry-level ribbon mic, so if you break it, you won’t go bankrupt.

Pros

  • All metal body and metal mesh.
  • Comes with a shock mount.
  • Add warm tones to vocals.

Cons

  • Ribbon microphones are very fragile and easy to break.
  • A plosive can break it.
  • Dropping it can break it
  • Using phantom power can break it.
  • Picks up background noise from vibrations.

MXL R144
Credits: mxlmics.com

Best for: This type of microphone is only useful for those who can take extremely good care of a mic.

This video review is produced by Podcastage.

He demonstrates how the R144 sounds in a treated sound room and an untreated room. He records guitar and vocals. He recommends blending a ribbon mic with a recording made by another dynamic microphone.

Buying Options

Must-Have Accessories for Your Budget Mic

Here are some other must-haves for your cheap microphone to be able to use it properly.

Mic stands

A stand is necessary to hold the microphone in the proper position to capture the sound.

Cheap Mic Stands

Here are three choices of mic-stand styles:

  • Arm Stand: the Neewer arm stand is a suspension-boom scissor-arm stand.
  • Floor Stand: the Samson MK-10 floor stand is a classic tripod style that is collapsible.
  • Desk Stand: the On-Stage DS7200B desk stand is compact, adjustable and sturdy.

Other Items

  • Shock Mounts: the Neewer shock mounts are used to reduce unwanted noise from vibrations.
  • Pop Filter: the Neewer pop filter helps reduce the unwanted sound of plosives.
  • Audio Interface: the Focusrite Scarlett audio interface can be used for analog recordings.

Other Budget Items for Your Mic

Useful Resources

A Final Word on the Best Budget Microphones

Hopefully, you’ve learned that you don’t necessarily have to pay an arm and a leg for a decent microphone. There are some great budget microphones out there in just about every category and for basically every application imaginable.

It’s quite common to have at least one device in each of the four general categories so that you always have an adequate mic on hand if you plan to record different types of things.

Have any more questions about our guide to the best budget microphones under $100? Let us know by commenting below.

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15 Best Microphones for YouTube Content Creators of All Levels https://myelearningworld.com/best-microphones-for-youtube/ https://myelearningworld.com/best-microphones-for-youtube/#respond Tue, 30 May 2023 09:19:01 +0000 https://myelearningworld.com/?p=3458 The best microphones for YouTube make it easier for content creators to deliver high-quality videos with crystal-clear sound quality.

The post 15 Best Microphones for YouTube Content Creators of All Levels appeared first on MyeLearningWorld.

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While YouTube is often thought of as a platform for pure entertainment, it has emerged as a powerhouse platform for sharing course modules, tutorials, and educational content. In fact, it’s now the most popular platform in the world for watching instructional videos according to data from TechSmith. As I’ve ventured deeper into created and shared my own learning modules on YouTube, one thing has become abundantly clear — your voice is your most potent tool, and the microphone you use can make or break the effectiveness of your content.

Thankfully, there are a number of amazing mics available right now for YouTubers to match virtually any need and budget. I’ve taken the time to thoroughly test and explore all of the features and functions of today’s top microphones for YouTube videos, and you can check out my reviews below. I’ve compared each mic on a number of criteria such as audio quality, build quality, ease-of-use, portability, price, and more (click here to learn about our entire Editorial Process & Methodology for product reviews).

This guide has been completely updated for 2023 to include the best current options available right now so you can the top microphones YouTube creators are using.

The Best Microphones for YouTube Creators in 2023: Quick Picks

Don’t feel like reading this full guide? While I do recommend checking out the full guide below, I understand you might not have the time to do that.

With that in mind, I’ve provided a couple of my picks for the best microphones for YouTube available in 2023 so you can get what you’re looking for:

Blue Yeti USB Mic for Recording & Streaming on PC and Mac Blue Yeti USB Mic for Recording & Streaming on PC and Mac

What’s inside?

  • 4 different pattern modes
  • USB plug-and-play compatibility
  • Works with all major recording software
  • Zero-latency monitoring
  • Excellent audio quality
  • Affordable on nearly any budget
We earn a commission if you make a purchase, at no additional cost to you.

While the Blue Yeti shines for a number of different reasons, it isn’t the only mic I want to highlight. Below is another pick that I also fell in love with:

Professional Grade Lavalier Lapel Microphone Omnidirectional Mic with Easy Clip On System Professional Grade Lavalier Lapel Microphone Omnidirectional Mic with Easy Clip On System
$33.33

What’s inside?

  • High-sensitivity capsule for detailed recording
  • Reduces wind and background noise
  • Compatible with smartphone recording apps and more
  • Ultra-portable
  • Easy to hide during on-camera recording

Killer feature: Portability for studio and remote recording

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01/16/2024 11:12 am GMT

Just wear it and start recording without thinking about where the device is because it is always on you delivering great sound quality.

The Best Microphones for YouTube
Rotde NT-USB

This zero-latency USB microphone is compatible with iOS and Android devices for podcasting and general speech recording

Category: Condenser
Amazon →
Blue Yeti

An affordable and stylish device for YouTube content creators of all experience levels from a trusted brand

Category: Condenser
My choice among Condenser microphones
Logitech→
HyperX QuadCast

HyperX packs plenty of features into this eye-catching model for streamers and voice-over content producers

Category: Condenser
Amazon →
Shure SM7B

Easily control sound with customized roll-off controls for your professional voice recording

Category: Dynamic
Amazon →B&H →

SweetWater →

Samson Technologies Q2U

Maximize your choices by selecting either XLR or USB for podcasting and live broadcasting in noisy environments

Category: Dynamic
Amazon →SweetWater →
Behringer XM8500

It offers durability and reliability backed by the Behringer name. Record live or in-studio at high volume levels with ease

Category: Dynamic
SweetWater →
PowerDeWise Professional

Perfect for mobile recording and YouTube videos featuring studio presentations. Features a full frequency response for great sound

Category: Lavalier
My choice among Lavalier models
Amazon →
RODE smartLav+

Experience a new level of freedom in mobile recording with iOS and Android devices in a studio environment

Category: Lavalier
Amazon →SweetWater →
BOYA BY-M1

Lightweight and portable, it utilizes omnidirectional sound capture to pick up more of what you want with added clarity for studio presentation recording

Category: Lavalier
B&H →
Zoom H4N Pro

Features 24-bit/96kHz recording capabilities and can utilize XLR and 1/4” cabling for more options and recording podcasts and interviews

Category: Portable Digital Recorders
B&H →SweetWater →
Zoom H5

Multi-track recording audio for YouTube videos on the go to be edited later

Category: Portable Digital Recorders
Amazon →B&H →

SweetWater →

Shure VP83

Mitigates off-axis noise with ease, affordable on nearly any budget, and provides a full frequency response for amazing sound in your YouTube videos

Category: Shotgun
Amazon →B&H →

SweetWater →

RODE VideoMic GO

Easily connects to a variety of cameras and stands through this mic’s integrated cold-shoe mount for on-the-go YouTube video recording

Category: Shotgun
Amazon →B&H→

SweetWater →

RODE Wireless GO

Suitable for content creators who need a versatile in-studio and remote recording solution

Category: WMS
Amazon →
Sennheiser EW 112P G4-A

Best for studio recording in large areas and for independent filmmakers

Category: WMS
Amazon →B&H →

SweetWater →

Condenser Microphones

Condenser models are the go-to choice for capturing detail and crisp vocal takes. If you’re recording YouTube videos in a studio environment, a condenser microphone is going to be your best bet.

They are designed to pick up subtle audio and even ambient noise. As a result, they should only be used in environments where you have total control over your audio sources. You may also want to ensure that you have good software available for post-production and processing so that you can shape your recording later.

1. RODE NT-USB+

Rode NT-USB+ USB Condenser Microphone Rode NT-USB+ USB Condenser Microphone
$169.00
  • USB zero-latency monitoring
  • High-resolution 24-bit/48kHz analog to digital converter.
  • Direct mix control within the device itself 
  • Compatible with iOS smart devices

 

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01/16/2024 06:02 pm GMT

RODE is known in the recording industry as a pioneer in its design. The company produces top-quality devices for use in voice-over work, podcasting, studio use and more.

The RODE NT-USB+ is the latest upgrade on their popular NT-USB model. It has a few new features compared to its predecessor, including internal digital signal processing powered by APHEX with a compressor, noise gate, and Aural Exciter and Big Bottom effects and the low-noise, high-gain Revolution Preamp.

Achieving professional studio-quality sound from the comfort of your home is super easy with the NT-USB+ microphone. This versatile and user-friendly device delivers crystal-clear audio through RODE’s state-of-the-art Revolution Preamp and high-resolution analog-digital conversion.

Ideal for musicians, streamers, podcasters, gamers, YouTubers, and remote professionals, the NT-USB+ is incredibly easy to use and compatible with portable devices like smartphones and tablets.

Plus, it comes with essential accessories like a high-quality pop filter and desktop stand to ensure your recordings are clean and crisp.

All in all, it’s perfect for podcasters and YouTube content creators who want to add voice-over tracks to streaming clips.

Features

  • USB zero-latency monitoring
  • High-resolution 24-bit/48kHz analog to digital converter.
  • Direct mix control within the device itself to control headphone volume and monitoring
  • Compatible with iOS smart devices

Pros

  • Incredibly versatile
  • Dedicated volume and mix controls let you monitor your audio clearly
  • Wide frequency response range
  • A/D converter for 24-bit/48kHz audio quality

Cons

  • No XLR support
  • May not be suitable for loud environments
  • Plain design may come across as bland

RODE NT-USB
Credits: rode.com

Best For

  • YouTube streaming and voice-overs
  • Podcasting and general speech recording

Pro tip: Remember that condenser microphones often have a low-threshold for noise, so be careful when using a condenser to record high-volume sounds.

Buying Options

2. Blue Yeti

Blue is one of the biggest names in microphones and has created some of the most unique and eye-catching designs in the industry. Although many of Blue’s studio-quality models can be quite pricey, the company offers an affordable alternative in its Yeti line, and it’s one of the best microphones for YouTube you can buy.

Blue Yeti
“Trusted by millions of creators and streamers, Blue Yeti is the #1 best-selling USB microphone for YouTube, Twitch, podcasting and more.” — bluemic.com

The Blue Yeti looks sleek, features multiple different polar patterns from which to choose and it delivers uncompromising performance and efficiency through USB connectivity. Zero-latency monitoring means you’ll always get an accurate read on your levels, and the Yeti can also be mounted in different ways to personalize your experience.

Features

  • Variable capsule for omnidirectional, bidirectional, stereo and cardioid recording
  • Eye-catching design stands out from the crowd
  • Zero-latency monitoring for accuracy

Pros

  • Can be used with a variety of mounts and other accessories
  • Blue Yeti Pro model features XLR support
  • Frequency response ranges from 20Hz to 20kHz
  • Great for recording YouTube videos

Cons

  • USB-only for standard model
  • Blue Yeti and Yeti Studio models limit recording to 16-bit
  • On-board gain control may confuse those new to recording

Blue Yeti
Credits: bluemic.com

Best For

  • Voice-over work for YouTube videos
  • General speech and conversation recording
  • Low-volume instrument recording in a studio environment

Want to know more about why the Blue Yeti is my top pick? Check out the video detailing more about the amazing Blue Yeti.

Pro tip: When using the Blue Yeti, angle the unit so that your subject is speaking toward the bold face of the device instead of at the tip. This will pick up more detail and clarity.

Buying Options

3. HyperX QuadCast

HyperX gives you the chance to truly stand out from the crowd with the QuadCast microphone. One of the things that makes the QuadCast the perfect microphone for YouTube videos is that it looks out of this world with built-in lighting effects, and this can give your videos a bit more style.

HyperX QuadCast
“With four selectable polar patterns, this mic’s prepared for nearly any recording situation and also features a conveniently-located gain control dial to quickly adjust your mic input sensitivity.” — hyperxgaming.com

The HyperX QuadCast offers four different polar patterns to choose from, so it can be used in a variety of recording situations. It’s also supported by Android and iOS, making it a great choice for YouTubers who want to record using their smart devices.

Features

  • Customizable lighting effects
  • 4 Different polar patterns for multi-directional recording
  • Internal pop filter

Pros

  • Supported by most iOS and Android devices
  • Onboard gain control for easy monitoring options
  • Includes mount adapter

Cons

  • Design may be a bit distracting when used in low-light environments
  • Tap-to-mute feature could be triggered inadvertently
  • Gain control is placed in an awkward position under the unit

HyperX QuadCast
Credits: hyperxgaming.com

Best For

  • YouTube presenters who want to get noticed
  • Streamers and voice-over content producers

Watch this video to find out more about the HyperX QuadCast and all of its incredible features. I think it’s a great model, and after watching this video, I think you’ll agree.

Pro tip: While lighting effects on a device can be neat, you don’t want to distract your viewer. When using a microphone with built-in lights, try to film in a properly lit area to reduce the attention given to the device.

Buying Options

Dynamic Microphones

Dynamic YouTube microphones are best for recording in environments where detail isn’t important, but you still demand clarity.

A dynamic model is good for recording vocal takes in semi-noisy environments where you don’t want to pick up a lot of low-volume sounds.

Many YouTube video creators utilize them when conducting man-on-the-street interviews or when recording in a crowd where there’s a fair amount of background noise.

They are often unidirectional, meaning they pick up more sound from a single direction as opposed to all around. As a result, you’ll want to focus your audio source toward the device at all times for the best results.

4. Shure SM7B

When you want quality in a microphone, you want a Shure SM7B. Shure devices are known far and wide as some of the top products in pro audio gear, and the SM7B is no exception. This model delivers clear, warm sound in a variety of recording environments, and it also allows you to control low-end frequencies through the device itself.

Shure SM7B
“You can sing or speak at a comfortable angle and it captures the sound, just as you want it, with minimum coloration.” — shure.com

You can also count on the Shure SM7B to capture loud sounds with ease due to its ability to handle high decibel levels. This makes it perfect for situations where you need to broadcast a live stream for your YouTube channel at a large event like a concert or other public gathering.

Features

  • Flat and low-cut settings for more control
  • Can capture up to 180dB of sound without distorting
  • Cardioid polar pattern for rejection of off-axis audio

Pros

  • Frequency response shines in mid- and top-end vocal clarity
  • Electromagnetic shielding greatly reduces hum and RF interference
  • Dynamic capsule can handle both voice and instrument recording

Cons

  • Price point may be a bit much for beginners and hobbyists
  • Plain appearance
  • XLR output requires an audio interface or dedicated recording hardware

Shure SM7B
Credits: shure.com

Best For

  • YouTubers who demand professional voice recording
  • Live voice-over work for video narration and live event audio capture

Watch the video explaining more about the features included with the Shure SM7B. It’s a solid product from a trusted brand known for delivering quality in pro audio.

Pro tip: Because a dynamic model is not going to be as sensitive as a condenser microphone, your audio source may need to be adjusted. Having a monitoring system in place with gain controls will allow you to gain stage your audio as it is fed into your recording source for proper amplification.

Buying Options

5. Samson Technologies Q2U

One of the toughest choices to make when it comes to selecting the best microphones for YouTube videos is deciding between USB and XLR. Both connections have their pros and cons, but picking one over the other usually constrains you to that choice.

Samson Technologies Q2U
“The Q2U is a great mic for home recording. Its dynamic capsule is great for miking vocals, instruments and amplifiers. Onboard, high-quality analog-to-digital converters provide excellent audio reproduction.” — samsontech.com

Thankfully, the Samson Technologies Q2U solves this problem by offering a dynamic model that includes the ability to use both USB and XLR. On top of that, you can record audio to your favorite mobile devices, and the mic also comes with a headphone jack onboard to easily monitor levels during recording.

Features

  • Utilizes both USB and XLR support
  • Onboard headphone jack
  • Compatible with iOS and Android devices

Pros

  • Includes XLR cable, USB cable, windscreen and more
  • Built-in A/D converter
  • Rugged construction for tough environments

Cons

  • Only available with unidirectional polar pattern
  • Dynamic capsule may not pick up as much vocal detail
  • Frequency response range only reaches 50Hz on the low end

Samson Technologies Q2U
Credits: samsontech.com

Best For

  • Podcasting and live broadcasting in noisy environments
  • Instrument recording at louder volumes

Check this video link to learn more, and find out why users love the Samson Technologies Q2U.

Pro tip: You can use a dynamic model in a studio setting if the mic needs to be handheld. This is as opposed to a condenser microphone that should remain in a fixed position without being bumped around.

Buying Options

6. Behringer Ultravoice XM8500

Behringer is known across the music industry for designing affordable gear that can challenge the most expensive brands.

Behringer Ultravoice XM8500
“With an integrated shock mount system and spherical wind and pop noise filter, and coming packaged with a mic stand adapter and an impact-resistant carrying case, the XM8500 just may be the only microphones you will ever need.” — behringer.com

The Behringer XM8500 is no different, and it provides clean, crisp recording along with a durable finish for use both on stage and off. Whether you’re recording a YouTube video in your home studio or you’re streaming live, the Behringer XM8500 can handle tough jobs while still delivering quality audio and a simple recording process.

Features

  • Two-stage pop filter helps to reduce noise and unwanted sound
  • Easily handles louder sound sources in all environments
  • Moisture-resistant for extended durability

Pros

  • Affordable choice for recording YouTube videos on nearly any budget
  • Cardioid characteristic reduces feedback
  • Sturdy construction for use in live recording environments

Cons

  • Frequency response ranges from 50Hz to 15kHz
  • Only available with an XLR connection
  • Can only utilize unidirectional polar pattern

Behringer Ultravoice XM8500
Credits: behringer.com

Best For

  • Remote YouTube streaming
  • Recording voice lines and interviews in live environments

See more amazing features included with this device by clicking on this video that explores the Behringer XM8500.

Pro tip: Dynamic models are good for recording in louder environments, so if your video subject will be providing audio on a stage or outdoors, a dynamic model is usually best. They also work well for louder sounds, so your subject won’t have to worry as much about volume shifts.

Buying Options

Lavalier Microphones

Using a lavalier model, you have more freedom to move around and use your hands. They attach to your shirt and are small and discreet for easy placement on on-camera talent. You may want to use it when recording talent that needs to turn away from the camera, but also when your audio source is not stationary and you can’t move a standard device with the subject.

Lavalier models are often used with wireless transmitters, allowing for an extended range of movement. This can be a big benefit in large indoor and outdoor areas when shooting a big scene.

7. Power DeWise

The Power DeWise gives you the ability to free up your hands and move around on camera. This is a huge benefit for content creators who broadcast live, but it also gives more creative freedom rather than being constrained to a desk or mic stand.

Power DeWise Professional
“No more quiet, echo voice. With PowerDeWise lapel microphone sound in your video will be high quality” — powerdewise.com

It also delivers a full frequency response for rich sound, and you can also use this device for mobile recording on your favorite smart devices.

Features

  • 3.5mm jack for use with portable recording devices
  • Frequency response as low as 20Hz and as high as 20kHz
  • Attractive price point for new YouTubers

Pros

  • Discreet size and design allows the device to blend in easily
  • Omnidirectional recording reduces muffled vocal recording
  • Adjustable to fit most clothing choices

Cons

  • No built-in monitoring capabilities
  • Extension cords may become tangled easily
  • Windscreens could be difficult to replace

Power DeWise Professional
Credits: powerdewise.com

Best For

  • YouTubers who need to use their hands on-camera
  • Videos that require non-stationary vocal recording

Click on the video to see a review detailing more about the Power DeWise Professional on YouTube.

Pro tip: When using a lavalier model, the person wearing it should speak naturally and avoid angling to talk into the device. This will not only look better on camera, but it will also deliver better audio with less potential for distortion or large swings in volume.

Buying Options

8. RODE SmartLav+

One of the biggest problems when it comes to using a lavalier model is tangled cords that end up damaged. RODE, a leader in the pro audio industry, solves this by reinforcing its cabling on the RODE SmartLav+ with Kevlar. This is the same material used to make bulletproof vests, so you know the company takes durability seriously.

RODE SmartLav+
“With the smartLav+ the user simply mounts the microphone on the talent, connects it to a smartphone or tablet headset jack and records via the RØDE Reporter App for iOS, or any other audio app of their choice.” — rode.com

You can also depend on the RODE SmartLav+ for mobile recording as it easily integrates with smart devices for on-the-go recording. This model is one of the best mic models with an omnidirectional polar pattern. If you want to find more omnidirectional microphones check my reviews here.

Features

  • Kevlar-reinforced cable for added durability
  • Utilizes TRRS jack
  • Works with both iOS and Android recording devices

Pros

  • 4.5mm size makes this model easy to hide while on camera
  • Included mounting clip securely attaches to most articles of clothing
  • Condenser polarization picks up more vocal detail and clarity

Cons

  • May not be suitable in noisy environments
  • 4 ft. cable may be too short for some applications

RODE SmartLav+
Credits: rode.com

Best For

  • Recording presentations in a studio environment
  • YouTube videos requiring on-camera talent to have free use of their hands

Want to know more about why this model may be the perfect fit for you? Check the following video to see a review detailing the features of the RODE smartLav+.

Pro tip: Lavalier model cords should be run up sleeves or up through shirts to best hide them when on-camera. Make sure to include enough slack to avoid any cords becoming damaged or unplugged.

Buying Options

9. BOYA BY-M1

Although you may want directional recording for some situations, omnidirectional often works best when a mobile mic solution is employed during video creation. Thankfully, the BOYA BYM1 provides omnidirectional recording capabilities to capture on-screen talent with ease.

BOYA BYM1
“The lavalier microphone features an Omni pickup pattern, for full, 360-degree coverage.” — boya-mic.com

You can use the BOYA BY-M1 with most smart devices that utilize a 3.5mm jack, and the its low handling noise provides a clear signal without worry about artifacts coming through.

Features

  • Omnidirectional sound capture provides clear sound
  • 3.5mm and 1/4” adapters work with most recording devices
  • Inline on/off switch for easy control

Pros

  • Lightweight and portable
  • Easy plug-and-play design
  • Low handling noise

Cons

  • Requires replaceable batteries
  • Frequency response only ranges from 65Hz to 18kHz
  • Cabling can become a tangle issue

BOYA BYM1
Credits: boya-mic.com

Best For

  • Studio presentation recording
  • On-camera audio recording from a single presenter

Check this video detailing more about the BOYA BY-M1. It’s dependable, affordable and this video explains all about its features.

Pro tip: If you record audio to an SD card or other portable media, make sure you format the card properly before use. Failing to have the right file format can lead to confusion between your recording device, the SD card and any device you attempt to transfer data onto.

Buying Options

Portable Digital Audio Recorders

Even if you record YouTube videos in a studio, there may be times when you need to record on-the-go. When faced with a remote recording situation, portable digital recorders allow you to easily and professionally capture audio, both on-camera and off.

Although many smartphones and similar devices these days include audio recorders, having a dedicated portable audio recorder makes more sense when you want to ensure quality and consistency. On top of that, you won’t have to worry about a text message or phone call coming in and interrupting a shoot or ruining a take.

10. Zoom H4N Pro

There are plenty of choices for recording on the go these days. Smartphones, tablets and more, all have built-in microphones and recording software, but if you really want to get high-quality sound capture, you need a portable digital recorder like the Zoom H4N.

Zoom H4N Pro
“Stereo Mode can be used with the built-in X/Y microphones or external mics, and is convenient for recording live performances, acoustic instruments, and more.” — zoomcorp.com

Lightweight and portable, the Zoom H4N records at 24-bit quality with a sample rate of up to 96kHz, meaning you can get sound quality as good or better than many professional studios.

Features

  • Includes two XLR/1/4” combo jacks
  • Lightweight design only weighs 10.6 oz
  • Four-channel recording capabilities

Pros

  • Records at 24-bit/96kHz
  • Compatible with OSX and Windows
  • Pre-record and auto-record functions built in

Cons

  • Battery powered
  • Monaural speaker
  • May be a bit expensive for beginner and hobbyist use

Zoom H4N Pro
Credits: zoomcorp.com

Best For

  • Podcasting and interviews
  • Remote instrument recording

Click to learn more about the Zoom H4N Pro, and see a video explaining all of it incredible features in the studio and for live recording.

Pro tip: When using a handheld portable audio recorder for voice recording, hold the device about 6 inches away from the subject who is speaking. Being too close can lead to distortion, but moving too far away can cause your microphone to pick up reverb and echo.

Buying Options

11. Zoom H5

Recording remotely can be done with ease using any old digital recorder, but what happens if you need to record various sources in a multi-track setup? If you’ve ever found yourself in this situation, you’ll be happy to know that a solution is available in the Zoom H5.

Zoom H5
“Four tracks of simultaneous recording and interchangeable mic capsules make the H5 flexible and powerful enough to meet the evolving needs of today’s creators.” — zoomcorp.com

The Zoom H5 offers four-track recording capabilities using one device, and it also includes the ability to use XLR and TRRS for easy connectivity.

Features

  • Four-track audio recording
  • Includes two XLR/TRRS inputs
  • USB output for easy file transfer

Pros

  • Can capture audio at up to 140dB
  • Rubberized housing makes this device highly shock resistant
  • Low-noise pre-amps built right in

Cons

  • May not fit beginner and hobbyist budgets
  • Battery powered
  • Advanced menus may seem complicated

Zoom H5
Credits: zoomcorp.com

Best For

  • Recording audio for YouTube videos to be edited later
  • Remote interviews and live music recording

Check out the following video to see the multi-track recording capabilities of the Zoom H5 in action.

Pro tip: Keep spare batteries available any time you use a portable recording solution. These should ideally be replaced each time you leave for a shoot, and battery levels need to be monitored throughout the day to avoid any unwanted surprises.

Buying Options

Shotgun Microphones

Shotgun models are an efficient way to better utilize your video recording gear. They attach to professional video cameras to capture audio from the source that’s on-camera in real-time.

You can also mount many of them to stands for separate placement and control.

Shotgun mic models are highly directional, so they are usually only utilized in situations where a subject is stationary or the device can move with the subject.

If a subject will be moving around or facing away from the camera, you may consider using a lavalier mic with a wireless transmitter and receiver instead of a shotgun mic.

12. Shure VP-83

Shotgun models are often designed to only work with high-end handhelds, but the Shure VP-83 can fit both traditional camcorder-style handhelds as well as DSLR cameras. Additionally, this microphone has built-in RF immunity to reduce and eliminate unwanted signal interruption from nearby electronics. This alone can be a huge advantage when shooting in today’s ever-crowded digital world.

Shure VP-83
“Superior RF immunity avoids unwanted audio artifacts from cellular and RF devices.” — shure.com

You’ll also love the fact that the Shure VP-83 utilizes a condenser capsule so that you can pick up crisp details in your recordings that other es might leave out.

Features

  • Unidirectional design rejects off-axis noise
  • RF immunity reduces potential for artifacting
  • Full frequency response for clarity in vocal and music recording

Pros

  • Condenser capsule picks up added vocal clarity
  • Compact design fits a range of camera sizes
  • Integrated shock mounting system isolates mic from camera noise

Cons

  • May price out some budgets, especially for flash-enabled model
  • Battery-powered
  • Dual mono inputs

Shure VP-83
Credits: shure.com

Best For

  • Recording YouTube videos in a studio environment
  • YouTube videos shot on location in quiet environments

Click to see a video about the Shure VP-83, and find out more reasons why it is a must-have for shooting video on the go and in-studio.

Pro tip: Although unidirectional devices can offset surrounding noise, you should still try to keep things quiet at your shooting location. Ideally, the only audio you want to be hearing is the audio coming from in front of your shotgun model.

Buying Options

13. RODE VideoMic GO

The RODE VideoMic GO is uncompromising in its durability and portability. Built using ABS construction, the RODE VideoMic GO only weighs in at a surprisingly light 73g. This makes it a must-have for YouTube content creators who are frequently on the move and need an adaptable shotgun model to fit a variety of cameras.

RODE VideoMic GO
“The VideoMic GO has no complicated switches or settings and is powered by your camera’s external microphone input, requiring no batteries to operate, ensuring you never miss a great shot.” — rode.com

The RODE VideoMic GO doesn’t need batteries, and it integrates a cold-shoe mount in the design for less hassle when mounting and unmounting to different cameras and stands.

Features

  • Lightweight at only 73g
  • Includes windshield to reduce unwanted noise
  • Integrated 3/8” cold-shoe mount

Pros

  • 3.5mm jack for easy adaption
  • Built-in shock mount system
  • Solid ABS construction

Cons

  • Can not be used with a variety of popular Nikon and Canon cameras
  • May have to play with audio settings to avoid low-level noise
  • Frequency response only ranges between 100Hz and 16kHz

RODE VideoMic GO
Credits: rode.com

Best For

  • On-the-go YouTube video recording
  • Interviews without multiple subjects

Click to see a video detailing all of the awesome features packed into theRODE VideoMic GO. Users love working with RODE products, and this video demonstrates why the VideoMic GO proudly represents the RODE brand.

Pro tip: Be sure to check your device mountings throughout the day. Loose mountings can cause unwanted noise that you may not notice until you begin working on your audio in post.

Buying Options

Wireless Microphone Systems (WMS)

For the ultimate in freedom when recording audio for YouTube videos, WMS can’t be beaten.

Most of these systems utilize a base unit that can receive audio from a single or multiple mics in range, and you can use this to your advantage when moving around on a set or when recording remotely.

Keep in mind that many wireless systems will only allow for one device to be connected to one transmitter, so you’ll want to ensure you find the right solution for your needs before making a purchase.

You don’t want to find out too late that you don’t have enough transmitters and too many microphones on the day of shooting.

14. RODE Wireless GO

Using WMS can offer a lot of freedom when filming YouTube videos, but these systems can also be a hassle. Cords can get tangled from mics to transmitters, batteries need to be replaced in the middle of shooting and some systems offer such a short range to operate within that it’s easy to miss out on a take.

RODE Wireless GO
“The transmitter features an in-built omnidirectional condenser capsule and can be used as a clip-on mic or with a RØDE lavalier, sending crystal-clear, broadcast-grade audio via 2.4GHz digital transmission to the on-camera receiver.” — rode.com

With the RODE Wireless GO system, you don’t have to worry about any of that because RODE has taken all of the worry out of wireless recording, making this one of the best microphones for YouTube videos in the wireless category. The RODE Wireless GO system features rechargeable batteries, a 70m range and the transmitters can also double as microphones.

This leads to less stress for you and a more efficient experience for your on-camera talent when you record YouTube videos for your channel.

Features

  • Transmitter functions as both a clip-on mic and as a belt pack for a lavalier mic
  • 2.4GHz transmission works well in dense wifi areas
  • Transmitter and receiver pair almost instantly

Pros

  • Built-in rechargeable battery
  • Output padding settings help control sound
  • Up to 70m of range between receiver and transmitter

Cons

  • Unable to use 5GHz transmission
  • May need additional adapters or connector cables for some mics

RODE Wireless GO
Credits: rode.com

Best For

  • YouTube content creators who need broadcast-grade audio quality
  • Content creators who need a versatile in-studio and remote recording solution

Want to learn more? Click on the video to see how the RODE Wireless GO can be a huge asset when recording wirelessly.

Pro tip: While 2.4GHz is optimal for long ranges, certain RF signals and wifi can interfere with transmission. Even if you’re using 2.4GHz to send audio, try to minimize the amount of other devices nearby transmitting signals. This includes smartphones, tablets, wireless routers and similar devices.

Buying Options

15. Sennheiser EW 112P G4-A

Sennheiser stands as one of the world’s most sought after brands in pro audio, and the Sennheiser EW 112P G4-A certainly lives up to the company’s reputation as being among the best.

Sennheiser EW 112P G4 A
“With up to 100 meters of range and a battery life of 8 hours, it’s easy to see how the durably constructed ewG4 transmitters and receivers will perform when you need them to.” — sennheiser.com

The Sennheiser EW 112P G4-A offers customizable channels that allow you to create your own network of wireless models, all while delivering broadcast-quality sound capture. You’ll love the eight hours of service time, and with up to 100m of range, you won’t have to worry about missing a beat because a device moved too far away.

Features

  • Delivers broadcast-quality sound
  • Utilizes standard 3.5mm jacks
  • 12 programmable channels

Pros

  • Easily attaches to cameras for portability
  • Can reach distances up to 100m
  • Offers eight hours of continuous use

Cons

  • May be out of reach for some budgets
  • Battery door has given some users trouble

Sennheiser EW 112P G4 A
Credits: sennheiser.com

Best For

  • Remote YouTube video shoots
  • Studio recording in large areas
  • Independent filmmakers

Click on the video to learn why the Sennheiser EW 112P G4-A is the go-to solution for mobile recording and content creation when freedom and flexibility are imperative to success.

Pro tip: If your WMS utilizes replaceable batteries, check them often throughout a shoot. You don’t want a device to die in the middle of a shoot because you forgot to put in fresh batteries.

Buying Options

Must-Have Accessories for Your Microphone

Even after you’ve found the best microphone for YouTube recording, there are still other essentials you’ll want to have on hand to maximize your recording experience.

Remember, the best YouTube mics will only perform when you have them set up alongside accessories meant to maximize your efforts.

Below are some must-have items I always have at the ready to ensure I get the best audio for each YouTube video I create:

1. ChromLives Microphone Windscreen →

Getting clean, clear vocal recordings is only half the job when making YouTube videos as you also have to factor in background noise and wind noise. Small amounts of wind outdoors or a fan running in the background indoors can ruin a recording, but through the use of a windscreen, like the ChromLives microphone windscreen, you can reduce these unwanted sounds without a lot of post-production.

ChromLives Microphone Windscreen

Windscreens are not a total solution, however, and recording in a windy environment may still generate unwanted noise if the airflow is too high.

2. InnoGear Microphone Stand →

Mic stands are essential when you need to free up your hands and still maintain dynamic range. InnoGear stand options give you flexibility in mic positioning while providing adjustable height options to match your needs. The best part is that you can use InnoGear stands with most traditional models, meaning you can swap out gear as needed.

InnoGear Microphone Stand

When selecting a microphone stand, consider your needs in terms of placement. Some stands include the ability to tilt and move a boom arm, but others are straight and only allow for the mic angle to be adjusted.

3. AUPHONIX PRO Black Shock Mount for Blue Yeti →

I’ve already mentioned that Blue Yeti is my top pick when it comes to YouTube microphones, but this model is even better when combined with a shock mount like the AUPHONIX PRO black shock mount. Using a shock mount, your Blue Yeti will be securely suspended to avoid unwanted noises from bumps and knocks.

AUPHONIX PRO Black Shock Mount for Blue Yeti

This also adds an extra layer of protection to keep your device from getting damaged through accidental touching. Shock mounts can also offer better sound and isolation from mechanical noise if your device is near other equipment. Keep in mind that even low-level humming and buzzing from nearby equipment can sometimes be picked up by sensitive models that are catching vibrations.

4. Aokeo Professional Microphone Pop Filter →

Pop filters, like the Aokeo, help to control sibilants and plosives. These are the bursts of air that are created when making the sound of certain consonants and vowels during normal audio recording. Using a pop filter, you can reduce the impact of these harsh sounds and prevent breathing sounds on your audio recordings, and your recordings will sound more natural and require less post-production.

Aokeo Professional Microphone Pop Filter

When using a pop filter, try to position it a few inches in front of your device to avoid the filter touching the mic. Remember that the filter may move slightly due to air pressure from a sound source, so try to account for this movement in your placement.

5. Gearlux XLR Microphone Cable →

While USB devices are fantastic options for YouTube video recording, you may also want to use a traditional device that utilizes an XLR connection. These connections require an XLR cable, like the Gearlux one, to transfer audio to an audio interface or recording device. The cable lineup is made from solid materials for durability, and these cables connect to any model with a conventional XLR output connection.

Gearlux XLR Microphone Cable

When using XLR cables or any other audio cables, don’t allow them to be stepped on, and when you’re finished for the day, wind them back up properly and store them securely to avoid kinks, twists and damage.

Useful Resources

Final Thoughts

Although all of these are good YouTube microphones, you may need a few different types of mics to handle different recording needs and achieve the best audio quality for each specific situation.

I find that a condenser mic is invaluable for voice-overs and personal storytelling on camera, but having a lavalier mic and a dynamic mic in conjunction with a portable recording device gives me more options to record whenever, wherever.

Also, remember that the best microphones for YouTube videos aren’t always the most expensive ones. There are plenty of budget microphones out there that can provide amazing results when used properly, especially when paired with a proper studio setup where acoustic foam tiles and other equipment is used to ensure premium audio quality.

While many of the most expensive models cost a lot for a reason and are often the best mics for YouTube streaming, this doesn’t mean that they are the only option. Budget microphones can be a great way for beginners to learn about the basics of recording, but they can also be useful in the hands of a skilled professional.

Want to become an even better YouTube personality? Consider taking an online public speaking class to become a more confident host on your channel.

Have any questions about finding the best microphones for YouTube videos? Comment below and we’ll help you out. 

The post 15 Best Microphones for YouTube Content Creators of All Levels appeared first on MyeLearningWorld.

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How to Connect Multiple Microphones to a Computer for eLearning, Podcasts, & More https://myelearningworld.com/how-to-connect-multiple-microphones-to-a-computer/ https://myelearningworld.com/how-to-connect-multiple-microphones-to-a-computer/#respond Mon, 15 May 2023 08:19:38 +0000 https://myelearningworld.com/?p=4795 Discover simple options to connect multiple microphones to a computer so you can record your podcast, band, educational content, or other project.

The post How to Connect Multiple Microphones to a Computer for eLearning, Podcasts, & More appeared first on MyeLearningWorld.

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Whether you’re recording content for an online course with a co-instructor, doing a podcast with multiple participants, hosting a live stream, or something else, there are all kinds of situations where you might want to record two or more mics at the same time. The good news is connecting multiple microphones is a whole lot easier than you might think with solutions ranging from using an audio interface with multiple inputs (like the Focusrite Scarlett 2i2 audio device) or using a splitter.

In this guide, I’ll outline the different tactics I’ve used as an instructional designer to connect multiple microphones to a computer. I’ll also talk about how to optimize your audio recording experience for the best possible results.

Key Points on Hooking Up Multiple Mics to a Computer

If you don’t have time to read through this entire guide, just click on the question you are interested in.

3 Ways to Connect Multiple Mics

Before you can connect multiple microphones to a computer, you first need to consider the type of connections you’re using.

While XLR connections have been the standard for studio-quality recording units for decades, recent innovations in audio technology now allow USB connections to capture and transmit high-quality audio at a fraction of the price.

Also, lavalier models that utilize a 3.5mm connection can also be used to record onto portable audio devices, including smartphones and tablets.

1. How to Connect 2 or More 3.5mm Jack Mics

Breakout Cable for Two 3.5mm Mics3.5mm jacks are the standard mini-headphone jacks that are used to connect to devices like smartphones. These devices can often output sound to several sets of headphones by incorporating a Y-shaped splitter that divides the connection into two 3.5mm outputs.

Unfortunately, connecting multiple mics to a 3.5mm jack isn’t the simplest thing. The reason things get more complicated is that the device will want to split the stereo left and right channels.

As a result, connecting two or more 3.5mm recording devices means you’ll be recording each in mono.

Splitters are available to do this, and you might actually benefit from this since you may want audio tracks in mono for mixing. If you do need to convert to stereo later, you can do this in your digital audio workstation (DAW) software.

Mono to Stereo

Another potential solution is to use a wireless transmitter system.

Most belt packs for such systems incorporate a 3.5mm jack to connect things like lavalier and handheld recording units. The audio is then sent from the transmitter belt pack to the base receiver which can be connected to your computer through a single USB port or 3.5mm connection.

These systems can often allow for several connections from numerous transmitters at once, leaving only a single connection to your computer or preferred recording device.

2. How to Connect Multiple USB Microphones

If you need to connect multiple USB microphones, you should know it’s not as easy as just plugging them into your computer’s ports and pushing the record button.

Universal serial bus (USB) technology is used for easy, consistent connectivity across many different types of electronic devices. A USB microphone usually requires no software installation in order to use, making these types of devices a great choice when you want a simple plug-and-play audio recording solution.

Connecting multiple USB mics to the same computer is a fairly simple process as long as you have enough USB ports available to support the number of units.

Recording at the same time, however, gets a little bit more complicated.

In most cases, Windows and other operating systems will only recognize one connection at a time. Even if you have 2 USB mics plugged into the computer, you can only select one from your system’s audio settings.

Software for Connecting Multiple USB Mics

To overcome this, you can take a look at the settings in your DAW.

Most modern DAW software utilizes multichannel recording, and each channel can be assigned a specific input.

In order to know the exact procedure for your specific software, you’ll need to review your software’s manual, but in most cases, you can assign a specific USB audio input through the channel strip controls of each channel in your software’s virtual audi mixer.

Some physical mixing consoles and audio interfaces also feature the ability to connect multiple USB mics.

The limitation to doing this is really only restricted by the number of available USB ports on the audio mixer or interface, but once connected, your multiple USB microphones should all lead to a single output that can then be connected to your computer for recording.

3. How to Connect 2 or More XLR Microphones

Be Sure What Type of Mics You UseWhen recording using an XLR cable, you’ll likely want to connect each mic to either an audio interface (like the Focusrite Scarlett 2i2) or an audio mixer.

Computers don’t often incorporate any type of XLR input by default, although some dedicated sound cards have this feature. Essentially, the interface or audio mixer acts as a terminal that takes all of its incoming connections and brings them together into one output.

Many such devices come with dedicated software for controlling various aspects of the user experience, so you may have additional options for splitting connections inside of this software.

You might also need to install provided drivers for these devices in order for them to work with your computer’s DAW software.

From there, you can use your preferred DAW to record in real time and edit.

The advantage to using this method is that you can gain stage your audio using the mixer and create a rough mix prior to recording. Gain staging is the act of adjusting volume levels upward during each stage of the recording chain to avoid overloading a piece of equipment or introducing distortion.

Software and Equipment for Connecting Multiple XLR Mics

At the heart of the issue is that once something is recorded at a certain volume, you can’t take away volume from it. You can turn down the level of the recorded audio, but you can’t subtract actual amplitude from the sound waves themselves.

By running various inputs into an audio interface or mixer and then gain staging, you should have a better opportunity to keep volume levels reasonable before you get to the final mixing stage.

4 Tips for Recording with Multiple Microphones

When you connect multiple microphones for recording into a single computer, there are some things you can do to improve the experience and get better audio, including:

1. Choose the Right Polar Pattern

I touched on this above, but I want to reiterate that it’s incredibly important to choose the right polar pattern when recording with several devices.

The polar pattern is what determines the direction used to capture sound.

A cardioid pattern is the pattern to use when speaking directly toward the capsule of a recording device, but an omnidirectional pattern is what you want to use when recording sounds from all around.

Polar Patterns

When recording using many input devices, you typically want to use cardioid since it will help to isolate each sound to the capsule that is targeting it.

If you use an omnidirectional or bidirectional pattern for each device in the same room, you’re likely to get a muddy mess of audio that can’t be easily cleaned up in post.

2. Use Your Meters

Whether you’re recording through a dedicated audio interface, a mixing console, or straight into your computer, it’s a good idea to use your meters to check your levels.

While you certainly need to use your ears to monitor your volume, your meters will provide an uncolored, objective measure of the volume level of each mic input independent of the overall main volume of the mix.

Check Your Levels

By checking your meters, you can also see if one channel is peaking or if an audio source is too low compared to the others.

This may require you to use a preamp to lift levels.

Metering can make a huge difference in your final mix since a level that is too low will need to be bumped up after it has been recorded and take up valuable headroom, but audio that has been recorded too hot can’t be undone since the sound waves have already been captured at the initial level.

3. Use a Noise Gate

A noise gate cuts off sound when the volume level drops below a threshold that you define. This can be very useful when you connect multiple microphones for recording.

Some audio interfaces and mixers incorporate noise gates into the console itself, but you’ll likely end up using a noise gate through your DAW software. When set properly, a noise gate can mitigate things like microphone bleed from other sounds in the room and deliver a cleaner sound from each channel individually.

While I would recommend using a noise gate when checking your levels before recording, I would caution you to be careful when using a noise gate during the actual recording process.

If the gate kicks in while recording, you may lose important parts of your audio that can’t be replaced without re-recording.

Instead, I would recommend previewing each mic using a noise gate and noting your settings.

Then, record without the gate.

Afterward, you can incorporate the noise gate in your editing using the same settings.

This way, if the gate causes a piece of audio to be cut off, you can make adjustments to the gate’s parameters as you go, meaning you won’t lose any of your original recording.

4. Don’t Be Afraid to Experiment and Get Creative

While there are many ways to connect multiple microphones to a computer, you should never be afraid to experiment and get creative with your solution.

The goal is to get the best audio possible from each take, so whatever way you find best to do this is the answer for your specific situation.

In fact, some of the most used modern reverb effects were originally created using creative various micing techniques. David Bowie’s 1977 “Heroes” album is famous for its use of multiple microphones as an effect.

The singer was placed in a room with one mic in front of him, and then another was placed 20 feet away in a different room. When the separate tracks from both channels were blended in the mixing process, the slight delay introduced by the secondary recording provided a fullness to Bowie’s voice that is often imitated in studios today.

Is It Possible to Record with 2 or More Mics?

Yes, you can record with two or more mics, and it’s actually pretty simple.

Microphones have allowed people the world over to share everything from songs to podcasts, and modern recording devices are more accessible and affordable than ever.

In most cases, you’ll probably only be recording using a single input device, but what about situations that call for recording several sounds at once?

How easy is it to connect several microphones and record to the same computer at the same time?

What’s the process for how to connect multiple microphones to a computer?

Possible or not?

The good news is that you can, in fact, connect multiple microphones and audio inputs to record on the same computer at the same time, but there are some things to be aware of first.

The solution isn’t as simple as plugging in multiple microphones and pressing record, and recording from more than one device at once takes some time and preparation to get the best sound possible.

4 Potential Problems Using Multiple Microphones

Before diving into the question of how to record with numerous inputs at the same time, I first want to mention a few potential pitfalls to avoid.

Recording using multiple microphones connected to the same computer is convenient, but you’ll want to take note of the following:

1. Delay and Echo

When using two or more input connections to record at the same time, mic placement is key to avoid delay and echo so you don’t ruin your sound quality. These issues can arise from a variety of factors, including the physical distance between all the microphones, different types of equipment used in the recording process, and even slight differences in microphone placement.

Delay or Echo

Essentially, the input device that is physically closer to the sound source will pick up sound first followed by the second. This can cause an unwanted delay if you don’t sync your recordings later in post production.

One effective way to avoid delay when connecting multiple mics is to use a direct box or mixer. These devices allow you to combine feed signals from various sources into a single channel that can be sent directly into the computer. By minimizing the number of connections between your microphones and your recording setup, you will be able to reduce the risk of delay or echo becoming an issue in your recordings.

Another important consideration is the type and quality of mic cables that are used. High-quality cables with good shielding will help to minimize interference due to electrical noise, while low-jitter digital cables can help ensure clean audio signals as they travel between devices. And keeping microphone cables short will also help prevent problems with delay or echo as they are transported across longer distances.

In addition, using appropriate microphone placement techniques is key for getting great audio recordings without delay and echo issues.

2. Sound Bleed

Sound bleed occurs when sound is unintentionally captured by another recording device in the same area. This can happen when using numerous mics to record things like a drum set.

Use the Microphones with Cardioid Polar Pattern

In some cases, sound bleed can be advantageous when you’re trying to capture a large number of sounds to form a cohesive recording. An example of this might be when you’re trying to record two or more sounds in the same area.

Often, however, this can become a sound quality problem when podcasting without using a cardioid polar pattern for each mic.

To combat bleed when recording mics, consider isolating each device into its own recording space.

3. Crosstalk and Ground Noise

External sounds aren’t the only potential issue you may face when recording using multiple microphones connected to one computer.

Crosstalk, or sound artifacts generated by two electronic components too close together, can also be an issue when you have more than one device recording at once.

In most cases, crosstalk is the result of electromagnetic interference in the capacitance of a microphone, and it is potentially caused by another unit on the same circuit or by wireless transmission bleeding into your signal path.

Crosstalk

Ground noise is also a concern when you have many wires running near one another.

It usually presents itself as a low hum, but it may also sound like distorted static or general electronic sounds.

This noise is introduced into a signal path when there is a problem with a grounding wire in an electronic circuit. When too many wires are present in an area and physical contact takes place, even shielded wiring can potentially generate ground noise as well as crosstalk.

To solve these issues, ensure that you’re only using approved power sources for your recording equipment.

Also, take a look at the power requirements to see if you have the right amount of current leading to each piece of equipment.

Finally, keep your recording space tidy and separate cabling as much as possible. You can also do yourself and your gear a favor by not leaving wires and cabling on the floor where it can be stepped on, tripped over, and potentially damaged.

4. Compatibility Issues Between Multiple Microphones

You may also run into compatibility issues when using different recording devices in a single recording session.

Part of this has to do with the actual output jacks of the mics themselves being different, but you could also end up facing difficulty if you’re using a condenser model and a dynamic model at once.

Microphones Compatibility

When using different types of audio input devices, even in the same recording environment, the unique sound characteristics of each might not blend well. You can fix some of this with processing in post, but certain recording units are tuned by the manufacturer to have a specific sound.

As a result, one may pick up deep, rich bass tones while another may some across with a lot of top end.

To remedy this, consider using the same type of microphone for each sound source. You don’t necessarily have to use the same exact make and model for each, but matching the type (e.g. condenser, dynamic, etc.) will at least help to even out the tone across your recording.

Conclusion

In the end, the answer to how to connect multiple microphones to a computer really comes down to what equipment you have on hand and your ability to isolate each device from surrounding sound sources.

Whether you’re recording a podcast with several presenters or an eLearning course with a few instructors, using multiple microphones and audio input devices will be your best bet for getting clear, crisp audio from each source for a stunning final product.

Have any questions about how to connect multiple microphones to a computer? Comment below and we’ll help you out.

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The 13 Best Omnidirectional Microphones for All Budgets (2023 Rankings) https://myelearningworld.com/best-omnidirectional-microphones/ https://myelearningworld.com/best-omnidirectional-microphones/#respond Mon, 20 Mar 2023 15:30:54 +0000 https://myelearningworld.com/?p=4163 The best omnidirectional microphones can be used in a variety of applications to help you capture great sound.  Recording audio is not a one-size-fits-all job. Depending on your needs, you’ll likely want to have a number of different types of microphones available to ensure you get the clearest audio possible in-studio and in the field. ... Read more

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The best omnidirectional microphones can be used in a variety of applications to help you capture great sound. 

Recording audio is not a one-size-fits-all job. Depending on your needs, you’ll likely want to have a number of different types of microphones available to ensure you get the clearest audio possible in-studio and in the field.

While condenser and dynamic devices can produce great results, it’s also a good idea to have omnidirectional model options available as well.

Omnidirectional microphones are a popular choice among recording professionals because they are very versatile and provide high-quality audio recordings. They pick up sound from all directions at the same time which means that you can capture audio from any angle.

The type of mic you select should also be partially based on the content you create.

For example, if you’re recording YouTube content or a podcast, you might need a desktop USB condenser model, but if you’re recording a live presentation on stage, a dynamic model might work better.

Of course, you also need to factor in your budget (do you need to buy multiple microphones?), your recording environment and more in order to get the right choice for your specific needs.

I’ve reviewed and ranked the best omnidirectional microphones available in 2023, having spent years testing dozens of different models. The guide below includes picks for all budgets, so you’re sure to find one that’s just right for your needs.

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

 

Quick Picks for the Best Omnidirectional Mics

Don’t feel like reading our full guide? Here are some quick picks for the omnidirectional microphones I feel are the very best of the best.

Blue Yeti USB Mic for Recording & Streaming on PC and Mac Blue Yeti USB Mic for Recording & Streaming on PC and Mac

What’s inside?

  • 4 different pattern modes
  • USB plug-and-play compatibility
  • Works with all major recording software
  • Zero-latency monitoring
  • Excellent audio quality
  • Affordable on nearly any budget
We earn a commission if you make a purchase, at no additional cost to you.

The Blue Yeti also came in at the top of my list because it can be used in almost any setting and still look good. Whether you’re recording YouTube videos, showing off your home studio to friends or you’re broadcasting live and you want to look your best, the Blue Yeti comes across as sleek and modern with a hint of old-world charm. I find that it sticks out from the crowd without drawing too much attention to itself, and this can give you the chance to focus on your set design without having to worry about your microphone stealing the show.

Professional Grade Lavalier Lapel Microphone Omnidirectional Mic with Easy Clip On System Professional Grade Lavalier Lapel Microphone Omnidirectional Mic with Easy Clip On System
$33.33

What’s inside?

  • High-sensitivity capsule for detailed recording
  • Reduces wind and background noise
  • Compatible with smartphone recording apps and more
  • Ultra-portable
  • Easy to hide during on-camera recording

Killer feature: Portability for studio and remote recording

We earn a commission if you make a purchase, at no additional cost to you.
01/16/2024 11:12 am GMT

Another reason why I found the PowerDeWise lavalier microphone model to be a fantastic choice is because it offers plenty of room to move around. Many lavalier models have short cables that force you to use a wireless system. This might not be a problem, but it can limit your options, especially if your budget is tight. PowerDeWise provides not only six-and-a-half feet of cabling attached to the device itself, but you can also use the included extension cable for six-and-a-half feet more. This gives you 13’ of freedom to move without having to spend more money on extra equipment.

 

How to Choose the Right Omnidirectional Microphone

It can be easy to feel overwhelmed by microphone choices, especially if you’re just starting out in the world of recording. There are a lot of new terms to learn, and there are also a lot of picks to choose from that all claim to be the perfect fit for your needs. Thankfully, there are only a few things to think about when it comes to your recording needs in order to find the right choice.

I’ve broken down some things to consider below:

What Kind of Content Will You Be Recording?

Group Recording

When considering the right choice for your needs, you’ll first want to think about the type of content you’ll be creating. Not all models are best for all situations, and just because one mic shines in one situation does not mean it will work well in others.

When recording the human voice, condenser models are often best. This is the case when you’re recording YouTube videos and podcasts that feature discussion or a presentation by one person or perhaps two. Condenser models are also good for capturing fine details in environmental noise and ambient sounds, but you have to be careful as a high level of detail can lead to unwanted artifacts in your recording.

For recording live sound or loud instruments, dynamic models often work best. Dynamic models are less sensitive and can handle louder sounds much easier than condenser ones. You would also want to choose a dynamic device if you’re recording audio in a live environment with a lot of noise. These devices tend to be the most viable option when you need to hold a mic while recording or when it needs to be passed around during recording.

For group recording, omnidirectional models work best. In some cases, omnidirectional polar patterns are selectable on condenser ones with the flip of a switch, but other microphones are designed as dedicated omnidirectional devices.

Omnidirectional models can be found in both dynamic and condenser form, but most will utilize condenser capsules since these types of microphones are usually configured as lavalier clip-on ones. A lavalier omnidirectional models can offer a greater degree of freedom and movement when recording a single presenter, but omnidirectional models can also be table-top for sound capture in a round-table environment.

What’s Your Budget?

Price Doesn’t Always Equate to Quality

Budget is a major deciding factor in choosing the right device no matter what your experience level. Everyone wants to save money, so it only makes sense to look for the least expensive choice to get the job done right. While some expensive models have a high price tag for a reason, price doesn’t always equate to quality. There are plenty of budget devices available that can deliver clear audio without breaking the bank.

What Type of Microphone is Best?

Thinking about Type of Mic

You also need to think about what type of device you’re looking for based on the content you’re creating and your budget. Below are some of the most common types of devices and their uses:

Condenser Mics

As stated, condenser models have a high degree of sensitivity, and this makes them useful for capturing natural sounds like the human voice. A condenser model is best suited for studio work due to the aforementioned sensitivity, and these models may produce distortion when recording in very loud environments. When positioning a condenser device, you’ll usually want to either mount the mic or use it along with a dedicated mic stand. Due to the sensitivity of a condenser model, holding it in your hand while recording could lead to vibrations and unwanted noise in your final recording.

Dynamic Mics

Dynamic devices are less sensitive and will not create a distorted signal nearly as easily. This is especially true when you utilize them alongside an audio interface with input gain control. Dynamic devices are often handheld by design since they do not pick up as much handling noise when compared to condenser devices, so they work well on-stage.

Omnidirectional Mics

Omnidirectional devices capture audio from all around instead of from a singular direction. These types of microphones are beneficial when used in a group setting where a device needs to capture multiple sounds from different directions at once. Additionally, omnidirectional models are the go-to option when using a lavalier lapel devices setup so that that person wearing the mic can move around freely. An added benefit is that you don’t have to focus as much on positioning an omnidirectional device since it will capture sounds evenly from different directions.

Where Will You Be Recording?

Recording Environment

Your recording environment is just as important as the content you’re recording because the recording environment will determine the type of mic you need, and therefore, it can also affect your budget. When recording in a studio environment, consider investing in acoustic treatment for walls, floors and ceilings to reduce reflections. If you’re recording in a live environment, you’ll want to account for environmental noise as well as the weather. Even a slight breeze outdoors can cause a lot of noise when you listen back through a recording later.

I also want to add special note about omnidirectional microphones and environment. Omnidirectional models are designed to pick up sound from all directions. This can be an advantage when you can control your recording, environment, but it can cause a lot of trouble when you’re recording in an uncontrolled acoustic space. Keep in mind that omnidirectional models can also introduce reverb due to reflections that bounce off of various surfaces, so you need to control for these variables as well.

Best Conditions for Omnidirectional Mics

  • Indoor studio spaces with acoustic treatment
  • Outdoor spaces where crowds are kept far from the device
  • Indoor or outdoor spaces while using a wind screen

Worst Conditions for Omnidirectional Mics

Windy outdoor spaces or outdoor spaces where environmental noise is louder than your talent

  • Indoor spaces where device placement is far from your audio source
  • Indoor or outdoor spaces where an unsecured omnidirectional lavalier model causes handling noise

I put together the best omnidirectional models in this list. You can choose the models you need according to the most suitable category.

 

What are the Best Omnidirectional Microphones?

Here are my picks for the best omnidirectional mics in 2023…

13 Great Omnidirectional Microphones
TONOR G11

Best for video chat and conference calls, including services like Zoom and Skype.

Category: Under $50
Amazon →Tonor →
Jlab Audio Talk Go

Best for YouTube content creators, podcasters, voiceover artists and studio musicians

Category: Under $50
Amazon →Jlab →
Movo HM-M2

Best for interviews and on-the-scene reporting.

Category: Under $50
Amazon → Movophoto →
PowerDeWise

Best for podcasting and interviewing.

Category: Under $50
My choice among budget microphones!
Amazon →
PoP voice PV550+

Best for interviews and environment capture.

Category: Under $50
Amazon →
Blue Yeti Nano

Best for Podcasters and YouTubers.

Category: Under $100
Logitech→
Blue Snowball

Best for YouTubers who want to make a statement on camera while still getting clear, crisp audio from a recording.

Category: Under $100
Amazon →Blue →
Blue Yeti

Best for podcasting and recording vocals.

Category: Under $300
My choice among condenser microphones!
Logitech→
HyperX QuadCast

Best for gamers, streamers, YouTubers and more.

Category: Under $300
Amazon →HyperX →
CAD Equitek E70

Best for high-end sound recording of instruments like cymbals, piano and woodwinds.

Category: Under $300
Amazon →Reverb →
RODE Reporter

Best for interviews and presentations.

Category: Under $300
Amazon →SweetWater →
Sennheiser ME 2-II

Best for YouTube content creators, live presenters, indie film makers and more.

Category: Under $300
Amazon →Sennheiser →
Sony ECM-44

Best for YouTube presenters and live podcasters who need to record in a group.

Category: Under $300
Amazon →Reverb →

Because I get asked often about which are the best omnidirectional models, I decided to thoroughly test a number of products that have been recommended recently. My testing included a run through of all features, audio testing with comparisons and testing for reliability and durability. I also factored price into my reviews and broke down my results into several price points to help you make a smarter decision for your money.

Omnidirectional Microphones Under $50

Check out the cheapest models of my list!

1. TONOR G11

TONOR G11
“It is small, convenient, and does not require much space when in use.” — tonormic.com

Although omnidirectional devices are often used to capture audio from a single source, these models are also excellent for use in conference calls or group recording sessions that have sound coming from various directions at once. TONOR’s Conference USB microphone provides a solution for these needs by offering clear audio capture from up to 11’ in any direction. The TONOR G11 mic also provides fast and efficient connectivity with any recording device that utilizes USB input, and this makes it easy to transport, set up and use in multiple locations for on-the-go audio professionals.

Features:

  • Optimized for audio and video conferencing using tools like Zoom, Skype, Hangouts and other popular virtual conference platforms
  • Include onboard mute button with indicator light for better control over audio
  • Utilizes USB with no additional drivers required for quick set up and portability

Pros:

  • 360 degrees of sound capture for clear recording in a group setting
  • Stylish, discreet design works with most modern office and studio decor
  • Shielded cable reduces signal noise interference

Cons:

  • Does not include a built-in speaker or monitor jack
  • Can only position on flat surfaces
  • May need extension cable depending on recording environment

TONOR G11 Conference USB Microphone
Credits: tonormic.com

Best For:

  • Video and audio conference recording and voice transmission
  • YouTube content creators and podcasters who need omnidirectional recording in a group setting

Check out GoTechGeek’s review on YouTube to see and hear the TONOR G11 in action.

Buying Options:

2. JLab Audio Talk GO

JLab Audio Talk GO
“Talk GO features a Quick-Mute button for easy access, and a 3.5mm AUX input for real-time listening with zero latency.” — jlab.com

There are plenty of omnidirectional models out there that can get the job done, but if you really want to capture broadcast-quality audio, you need the JLab Audio Talk GO. This model features a compact design for easy travel, but it also records at a stunning 96k/24-bit for some of the highest audio quality in the recording industry. I found that the JLab Audio Talk GO performed great in studio for podcasting, but it can also be used for tabletop recording of YouTube content.

Features:

  • Frequency response ranges between 20Hz and 20kHz to capture low bass tones and crisp high-end sounds
  • Includes the ability to capture sound at a sample rate of 96k for added detail and clarity
  • USB-C output provides connectivity with modern recording devices

Pros:

  • 24-bit recording can deliver studio-quality audio for easy editing in post
  • Includes built-in mute and gain control functions that are accessible on the device itself
  • Allows for easy switching between cardioid and omnidirectional polar patterns for use in a variety of recording situations

Cons:

  • Cable only measures 5’ which may be too short for some recording environments
  • No additional support for bidirectional recording, limiting use for interview tasks
  • Higher bit depth and sampling rates only available on more expensive models

JLab Audio Talk GO
Credits: jlab.com

Best For:

  • YouTube content creators, podcasters and voiceover artists
  • Studio musicians who need to record low-volume natural tones

Watch as Ben from JLab Audio provides some easy how-to steps for setting up and using the JLab Audio GO.

Buying Options:

3. Movo HM-M2

Movo HM-M2
“The microphone has an XLR jack and requires no need for an extra battery or phantom power.” — movophoto.com

The Movo HM-M2 is a dynamic omnidirectional model. This means that it can handle louder sounds due to decreased sensitivity. I found that this one not only captured clear audio when conducting interviews on the street, but it also held its own when I used it to create YouTube content with a presenter. One of the best parts about the Movo HM-M2 is that it uses a standard XLR cable connection, allowing it to be connected with traditional audio interfaces to take full advantage of their audio processing power.

Features:

  • Handheld design makes positioning easy when passed between talent
  • Dynamic capsule reduces sensitivity, allowing the Movo HM-M2 to be used on the street when conducting interviews and while reporting
  • Lightweight balancing makes it easy to hold for long periods of time as the device only clocks in at 6.7 ounces

Pros:

  • Versatility in sound capture allows for use in podcasting, studio recording, live interviews and YouTube content creation
  • Contains an internal pop filter to reduce unwanted handling noise
  • Design displays professionalism for aspiring reporters and citizen journalists

Cons:

  • Frequency response is limited to 70Hz-15kHz
  • May need an adapter to use with a DSLR camera
  • Can not connect to a computer, laptop, or other device for recording through USB

Movo HM-M2
Credits: movophoto.com

Best For:

  • Conducting interviews in the field or between subjects in a studio environment
  • Livestreaming reports and citizen journalists

Check out this YouTube video to see Podcastage test the Movo HM-M2 in a variety of different recording situations.

Buying Options:

4. PowerDeWise

PowerDeWise
“No more quiet, echo voice. With PowerDeWise lapel microphone sound in your video will be high quality” — powerdewise.com

The PowerDeWise lavalier model offers amazing clarity at an affordable price. This model easily connects with a variety of recording devices, including smartphones, and it can be used for podcasting, live broadcasting, YouTube content creation and much more. The device itself clips onto virtually any lapel or collar, and it can be hidden fairly easily with almost any wardrobe choice. Another nice thing about this pick is that it provides a full frequency response for rich bass and crisp highs. If you are recording a variety of speakers, this feature alone makes the PowerDeWise a must-have.

Features:

  • Rotating soft-touch clip gives added flexibility in positioning options
  • Easily interfaces with smartphones and similar recording devices
  • 4-to-3 pin adapter allows this device to be used with DSLR cameras

Pros:

  • Full frequency response ranges from 20Hz to 20kHz
  • Plug-and-play connectivity when used with many computers and portable recording devices
  • Affordable alternative to pricey options that may include unnecessary features

Cons:

  • May need an additional Lightning connector to interface with some iPhone models
  • 6.5’ cord may be a bit long for some users
  • May need official windscreens to replace missing or damaged windscreens included with the device

PowerDeWise Professional
Credits: powerdewise.com

Best For:

  • YouTubers and podcasters who need a recording solution that offers more flexibility in positioning
  • Voiceover artists who want to be able to move around while recording

Check out this YouTube video to see HighTechCheck put the PowerDeWise to the test using some common mobile recording devices.

Buying Options:

5. PoP voice PV550+

PoP voice PV550+
“Designed to offer crystal clear sound as it is made from the highest quality materials to ensure a better recording experience.” — popvoice-us.com

Omnidirectional recording typically works through the polar pattern design of a singular mic. This type of design opens the capsule to receive sounds from all around; however, what if you had two devices that connected to a single cord to capture omnidirectional sound? The answer to that question lies in the PoP voice PV550+ omnidirectional models. Featuring two separate device heads, this product allows for a much great range of freedom in positioning and can result in some creative recordings.

Features:

  • 3.5mm jack offers common connectivity with a range of devices
  • Affordable price point makes this model accessible on nearly any budget
  • Utilizes two microphones to record from multiple sources at once through a single connection

Pros:

  • Long cord provides ample room for on-camera talent to move and position
  • Dual-head design offers opportunities for creative recording and sound design
  • Condenser capsules pick up nuance and detail when recording a more natural sound

Cons:

  • May not be compatible with some Android and non-Apple devices
  • Possible interference in some recording situations if the device is left plugged in during playback
  • Will require a pre-amp to adjust gain

PoP Voice PV550+
Credits: popvoice-us.com

Best For:

  • Situations requiring group recording
  • YouTube videos and podcasts featuring dialogue

Watch Tobias Holenstein demonstrate the features of the PoP voice PV550+ and test it using some smart devices.

Buying Options:

Omnidirectional Microphones Under $100

These models are not the cheapest ones but better quality has a cost.

6. Blue Yeti Nano

Blue Yeti Nano
“Every aspect of Yeti Nano is designed to help you record and stream easily. The compact footprint and all-new aesthetic fits perfectly on any desktop and looks great on camera.” — bluemic.com

I already love the Blue Yeti and recommend it as my top pick for omnidirectional microphones, but I was really blown away by the Blue Yeti Nano. This compact choice packs a punch by delivering 24-bit recording capabilities as well as the ability to record in both cardioid and omnidirectional modes. The price is also very affordable, and I love that Blue Microphones include a companion app and some processing effects to help newcomers get powerful sound right out of the box.

Features:

  • Includes Blue VO!CE vocal effects for enhanced recording and sound output with minimal post-processing
  • Small size makes the Blue Yeti Nano easy to use in tight recording spaces
  • Includes both cardioid and omnidirectional polar patterns that can be switched on the fly

Pros:

  • Perfect for recording content to be uploaded to popular streaming sites, including YouTube, Twitch and Discord
  • The device is accessible through the Blue Sherpa app for additional control and processing
  • Utilizes zero-latency headphone monitoring for accurate sound

Cons:

  • Does not include bidirectional or stereo recording polar patterns
  • Sampling rate only available up to 48kHz
  • Does not include support for XLR output

Blue Yeti Nano
Credits: bluemic.com

Best For:

  • Podcasters and YouTubers who want a powerful, affordable recording solution
  • Voiceover artists who are looking for an easy plug-and-play omnidirectional model

Check out this Podcastage video to learn more about the Blue Yeti Nano, and see a full rundown of its features and settings.

Buying Options:

7. Blue Snowball

Blue Snowball
“Every Snowball computer microphone delivers precisely what you need to get the most out of your projects.” — bluemic.com

The Blue Snowball was one of the first major USB condenser models to hit the consumer market. Today, this pick still remains one of the best options for fast and easy omnidirectional recording on a budget.

The Snowball design is certainly eye-catching, and it offers easy plug-and-play compatibility with virtually any recording software.

Blue Microphones’ budget-friendly approach to recording is made clear with the Snowball as it’s one of the best values for your money available today. In fact, this one comes in at a price point that is low enough to meet the needs of nearly any budget.

Features:

  • Both cardioid and omnidirectional polar patterns available at the flip of a switch
  • Easy USB connectivity interfaces with computers, laptops and many digital audio workstations
  • Includes a desktop tripod for convenient setup and use out of the box

Pros:

  • Affordable option for YouTubers and podcasters who need a simple omnidirectional model
  • Polar patterns can be switched on the fly through the device itself
  • Can be shock-mounted in-studio or attached to a mic stand through a threaded adapter
  • One of the best USB microphones

Cons:

  • Form factor may be distracting when used on-camera
  • Frequency response range is limited to 40Hz-18kHz
  • May need to add gain which can lead to increased signal noise

Blue Snowball
Credits: bluemic.com

Best For:

  • Podcasters who want a simple and affordable recording solution
  • YouTubers who want to make a statement on camera while still getting clear, crisp audio from a recording

See the Blue Snowball in action as Bandrew Scott demonstrates some of its features and recording capabilities.

Buying Options:

Omnidirectional Microphones Under $300

The most expensive models of my list out there! Pay attention to Blue Yeti. It’s my choice among condenser devices!

8. Blue Yeti

Blue Yeti
“Trusted by millions of creators and streamers, Blue Yeti is the #1 best-selling USB microphone for YouTube, Twitch, podcasting and more.” — bluemic.com

Blue Microphones kickstarted the USB condenser mic revolution with the Blue Snowball, and the company continues to innovate in the pro audio space with the Blue Yeti. The Yeti comes in several different models that meet different needs across the spectrum of users. The base Blue Yeti features plug-and-play USB connectivity that offers recording at 16-bit depth and a 48kHz sample rate. You can also select from four different polar patterns from the Yeti by using the onboard control to change between cardioid, bidirectional, omnidirectional and stereo.

Features:

  • Three 14mm condenser capsules
  • Onboard headphone amplifier for zero-latency monitoring
  • Full frequency response across the 20Hz-20kHz spectrum

Pros:

  • Built-in gain controls for easy adjusting on the fly
  • Compatible with the Blue Sherpa app
  • USB connectivity works with a wide variety of input devices

Cons:

  • Mute button may get triggered inadvertently through mishandling
  • Loud sounds may cause clipping and distortion
  • No XLR support

Blue Yeti
Credits: bluemic.com

Best For:

  • YouTubers and podcasters who want to look great and get professional, powerful sound from their recordings
  • Recording vocal takes and live instruments to get a more natural sound

Hear the Blue Yeti for yourself in this YouTube video. Andy Slye demonstrates some of its features and also provides audio examples.

Buying Options:

9. HyperX QuadCast

HyperX QuadCast
“With four selectable polar patterns, this mic’s prepared for nearly any recording situation and also features a conveniently-located gain control dial to quickly adjust your mic input sensitivity.” — hyperxgaming.com

If you’re looking for an omnidirectional model that looks as good as it sounds, then you’re looking for the HyperX QuadCast. The QuadCast features a stunning design that incorporates a number of LED lighting options for added attention on camera. When it comes to sound, the QuadCast boasts recording quality that reaches up to 16-bit and a sampling rate that clocks in at 48kHz. You can also place the device in a shock mount for added insulation from unwanted noise resulting in sharper audio and less need for post-processing.

Features:

  • Unique lighting effects that can be programmed and personalized through HyperX’s NGENUITY software
  • Onboard gain control offers the ability to make adjustments as needed
  • Built-in headphone jack for convenient monitoring while recording

Pros:

  • Includes an internal pop filter to reduce unwanted pops, clicks, and hisses
  • Provides the ability to switch between four different polar patterns, including cardioid, bidirectional, omnidirectional, and stereo
  • Studio-grade sound quality at an affordable price

Cons:

  • Lighting effects may be distracting on camera
  • Tap-to-mute function may get triggered by accident during normal use
  • LED lights may be difficult to replace if damaged or malfunctioning

HyperX QuadCast
Credits: hyperxgaming.com

Best For:

  • Gamers who stream content in a group setting
  • YouTube content creators who want to make a bold statement while getting excellent audio capture

Hear audio examples and get a full breakdown of the HyperX QuadCast in this YouTube brought to you by RandomFrankP.

Buying Options:

10. CAD Audio Equitek E70

CAD Equitek E70
“The 3 position hi-pass filter and 3 position pad provide the versatility required in demanding live sound and studio applications.” — cadaudio.com

If you want options in an omnidirectional model, CAD Audio provides them with the CAD Audio Equitek E70. CAD Equitek features the ability to change out your preferred capsule with a choice of three separate options. This means that you aren’t stuck with a single built-in pattern, making the E70 versatile and agile for recording different sounds in different environments. Additionally, the E70 can capture audio that ranges from 20Hz up to 20kHz, and it also incorporates a three-position hi-pass filter for taming top-end sounds.

Features:

  • Interchangeable capsules that deliver more choice in recording
  • Selectable filter and padding options for more control over volume and tone
  • Gold-sputtered diaphragm adds to high-end sound control and reduces harshness

Pros:

  • Custom tuning lends itself to accuracy in high-end sound reproduction
  • Transformerless design can reduce low-end distortion at high volume levels
  • Uses XLR connection and can access phantom power

Cons:

  • Features may be a bit much for someone who needs a device for YouTube content creation
  • Price may be out of reach for beginners and hobbyists
  • Lack of low-end response could wash out bass tones

CAD Equitek E70
Credits: cadaudio.com

Best For:

  • High-end sound recording of instruments like cymbals, piano and woodwinds
  • Vocal recording in a studio environment or group setting

Booth Junkie shows off the features and capabilities of the CAD Audio Equitek E70 alongside other models so you can hear the difference for yourself in this YouTube video.

Buying Options:

11. RODE Reporter

RODE Reporter
“An innovative multi-layer mesh basket protects the microphone from environmental noise without the need for a bulky and distracting foam wind shield.” — rode.com

If you need to interview subjects or capture the environment when presenting in front of a camera, you want the RODE Reporter. Designed to look and function just like a traditional reporter’s choice, the Reporter even includes a detachable mic flag to add to your professional image. This device has been specifically tuned to accentuate vocal tones, but it also incorporates the time-tested basket design using woven mesh to reduce wind and other unwanted noise. This can help you capture more of the audio you want without having to spend a lot of time in post correcting audio problems.

Features:

  • Frequency response is tailored to the human voice at 70Hz-15kHz
  • Utilizes XLR connection for use with a wide range of professional recording gear and interfaces
  • Dynamic omnidirectional capsule stands up to loud sounds while still capturing clear audio from 360 degrees

Pros:

  • Basket is constructed of layered mesh for reduced wind noise
  • Includes detachable mic flag and case
  • Offers professional appearance and lends to credibility

Cons:

  • Lack of low-end response can cause bass tones to be muted
  • No USB connection available
  • Does not include onboard monitoring option

RODE Reporter
Credits: rode.com

Best For:

  • Journalists and citizen reporters
  • Interviews featuring multiple subjects

In this YouTube video, Podcastage demonstrates the RODE Reporter and records audio samples so you can hear its features in action.

Buying Options:

12. Sennheiser ME 2-II

Sennheiser ME 2-II
“With a speech-focused frequency response from 50 Hz to 18 kHz, the ME 2-II filters out muddying lows and extreme highs to provide clear, intelligible results for instructors, journalists, and presenters in need of a solid workhorse lavalier they can depend on.” — sennheiser.com

The Sennheiser ME 2-II has been specifically designed to be used with battery packs, transmitters and portable digital audio recorders. It connects through a mini jack and can capture audio from 50Hz up to 18kHz, making it perfect for capturing vocal performances. Sennheiser is known in the audio industry for making some of the most respected products, and the ME 2-II delivers on the Sennheiser promise of quality by utilizing a permanent polarized condenser capsule. This allows ME 2-II to perform flawlessly time after time at a consistent level.

Features:

  • Includes a mini jack for use with battery packs and transmitters
  • Small form factor makes it easy to position discreetly
  • This one has been tuned to optimize human voice intelligibility

Pros:

  • Frequency response cuts off at 18kHz to reduce harsh top-end sounds
  • Includes 5’ cable, metal wind screen and lapel clip
  • Small form factor allows the device to be placed on chest discreetly

Cons:

  • Will need accessories to fully utilize the device to its potential
  • Lack of bass response could cause low-end sounds to be lessened
  • Does not connect via USB or XLR directly from the device

Sennheiser ME 2-II
Credits: sennheiser.com

Best For:

  • On-camera presenters and YouTube content creators
  • Live presentations where freedom of movement is key

Check out this YouTube in which Kevin Muldoon demonstrates the audio capture capabilities of the Sennheiser ME 2-II using a Zoom portable digital recorder.

Buying Options:

13. Sony ECM-44

Sony ECM-44
“Either ‘in front of camera’ or at a business presentation the ECM-44 creates a professional and tidy image.” — pro.sony

Sony is known for creating some of the world’s best electronics, and the brand’s ECM-44 is no exception to the Sony name. This model features an omnidirectional capsule lavalier microphone design that is perfect for discreet placement. Sone ECM-44 has been specially tuned to accentuate the human voice, making it ideal for presentations and general conversation on camera. Sony also includes a protective case for added security and a wind screen for reducing unwanted noise with the ECM-44.

Features:

  • Omnidirectional capsule has been tuned to emphasize the human voice
  • XLR connection for use with many pro-audio interfaces
  • Available in four different models with additional connection types

Pros:

  • Can be powered using a single AA battery for 6,000 hours of use
  • Professional appearance for use on camera
  • Includes 9.8’ cable for more freedom of movement

Cons:

  • No option for USB connectivity
  • Frequency response only ranges between 40Hz and 15kHz, so deep bass tones may be washed out
  • No phantom power option available

Sony ECM-44
Credits: pro.sony

Best For:

  • YouTube presenters and live podcasters who need to record in a group
  • On-stage sound capture

Want to see the Sony ECM-44 in action? Watch this YouTube video to see Andrew from T is for Tech demonstrate some of its features, and listen as he shows off its audio recording capabilities.

Buying Options:

 

Useful Resources

 

A Final Word on the Best Omnidirectional Mics

No matter what omnidirectional microphone you choose, it’s clear that omnidirectional devices are a necessity for anyone who is serious about having the right recording tools for the right recording task.

I also want to reiterate that you don’t need to focus as much on price when choosing the right device.

While it’s true that more expensive models can provide quality results, there are plenty of budget microphones out there that can deliver top-quality results at a greatly reduced price. These models are even easier to use in some cases since they are designed to be simple.

At the end of the day, it’s all about finding the right microphone for your specific application. With so many great omnidirectional microphones out there, you are sure to find a model that will fit your needs and budget perfectly.

Have any questions about our guide to the best omnidirectional microphones? Let us know by leaving a comment below.

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The 16 Best Lavalier Microphones for All Budgets (2023 Guide) https://myelearningworld.com/best-lavalier-microphones/ https://myelearningworld.com/best-lavalier-microphones/#respond Mon, 20 Mar 2023 13:14:44 +0000 https://myelearningworld.com/?p=3998 With the best lavalier microphones, you can easily capture the sound of your lectures, presentations, interviews, and more. If you’re in a situation that calls for a small, inconspicuous microphone, then the lavalier mic (also called a lapel mic) is the ideal solution. Lavalier microphones are lightweight and clip onto any part of your garment. ... Read more

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With the best lavalier microphones, you can easily capture the sound of your lectures, presentations, interviews, and more.

If you’re in a situation that calls for a small, inconspicuous microphone, then the lavalier mic (also called a lapel mic) is the ideal solution.

Lavalier microphones are lightweight and clip onto any part of your garment. They come in wired, wireless, and DSLR versions.

One of the advantages of lavalier mics is that they provide freedom of movement and hands-free operation.

They have numerous applications, including interviews, public speaking, film making, classroom lectures, and vlogs, and they’re definitely the best microphones for YouTube.

A slew of lapels are out there, but whether you’re a newbie or a seasoned pro, it can be challenging to find the one that’s right for you.

That’s why I’ve put together this guide to the best lavalier mics on the market today based on quality, price, and features.

Ready to get started? Let’s go…

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

 

What are the Best Lav Mics?

Don’t feel like reading the full guide? Here are a couple of quick picks for lav mics that I feel are a cut above the rest.

Professional Grade Lavalier Lapel Microphone Omnidirectional Mic with Easy Clip On System Professional Grade Lavalier Lapel Microphone Omnidirectional Mic with Easy Clip On System
$33.33

What’s inside?

  • High-sensitivity capsule for detailed recording
  • Reduces wind and background noise
  • Compatible with smartphone recording apps and more
  • Ultra-portable
  • Easy to hide during on-camera recording

Killer feature: Portability for studio and remote recording

We earn a commission if you make a purchase, at no additional cost to you.
01/16/2024 11:12 am GMT

The PowerDeWise Professional is my top pick, because it has excellent sound quality even if cars, children, dogs and other intrusive sounds are nearby. It has an ample extension cord that’s great if you need to move farther from the camera.

It also has a very durable clip, so it doesn’t unexpectedly pop off and interrupt the flow of whatever you may be doing.

Lavalier Microphone, MAONO AU-100 Hands Free Clip-on Lapel Mic with Omnidirectional Condenser for Podcasting, Recording, DSLR, Camera, Smartphone, PC, Laptop (236in) Lavalier Microphone, MAONO AU-100 Hands Free Clip-on Lapel Mic with Omnidirectional Condenser for Podcasting, Recording, DSLR, Camera, Smartphone, PC, Laptop (236in)

What’s inside?

  • 20-foot long cable
  • Clear, consistent audio
  • Comes with removable wind buffers
  • Has passive and active modes

Killer feature: Flatter frequency for a purer sound.

We earn a commission if you make a purchase, at no additional cost to you.

MAONO AU-100 Hands Free Clip-On is a high-quality, low-budget mic that’s super-simple to set up and use. It’s got an extra-long cord if you need ample mobility when you’re using it. This microphone also has excellent noise reduction capabilities that filter out extraneous sounds.

 

Buyer’s Guide: How to Choose a Lavalier Microphone

Purchasing a microphone is exciting, and you may get swept away by emotion (don’t we all!) when buying a lavalier.

But before jumping in, consider these three important questions to find the right lavalier microphone for your needs:

Should It be Waterproof?

Ideally, yes, the lapel should be waterproof and invulnerable to excess humidity. Some lav mics can endure being briefly submerged in water or even used at extreme sporting events, such as surfing or soaring waterboards. These picks are also waterproof-rated for sweat, bad weather, and makeup.

However, waterproof lav mics typically cost hundreds of dollars, so if you’re on a budget, their price would be prohibitively high.

Should It be Waterproof?
You also need to be mindful of the transmitter. If it’s engulfed, it will cut out completely.

Wired or Wireless?

Lapel mics are small, discreet devices that are some of the best microphones for YouTube videos, interviews and other formats where an unobtrusive mic is a must. They come in wired and wireless designs, and each has its pros and cons.

Wired Microphones:

  • One of the great things about wired lapels is that they’re often more budget-friendly than wireless versions. Since wireless lavs don’t depend on batteries, you won’t have to be mindful of having extra batteries on hand, or remembering to insert the batteries in the first place.
  • Wired lavs aren’t susceptible to dropouts or radio frequency interference. Another plus is that they have fewer parts that could go bad. The wired lavaliers typically have a cleaner sound than wireless ones because they have a direct signal path.
  • The biggest drawback , is their cord. While it can provide a more authentic sound, it also presents a tripping hazard and tethers you to your camera. It might even come unplugged at inopportune times, resulting in costly and time-consuming damage control.

Wired or Wireless?

Wireless Microphones:

  • On the other hand, wireless lavalier mics offer plenty of freedom of movement. They also provide a tidy, professional look because they’re not encumbered by wires. If you do a lot of remote recording, you won’t have to deal with assembling and breaking down a microphone setup every time you go to a new location.
  • However, wireless lavalier mics are susceptible to dropouts and interference. On top of that, you must be vigilant about having extra batteries with you in case one set dies while you’re in the middle of production. These picks also tend to run on the pricy side.

Does It Pick Up Handling Noise?

When shopping for lapel microphones, it’s a good idea to see how sensitive it is to picking up noise when it’s bumped, jostled or handled in any way that could create unwanted sound. Does it make a rustling or crunchy sound when it brushes against your skin or clothing?

Does it need to be situated “just so” from your mouth because any other placement will cause unpleasant sounds? All lav mics are different, so be sure to test for noise sensitivity before you buy one.

 

What are the Best Lavalier Microphones?

Find the best lavalier mic for your needs in our guide below.

Best Lavalier Microphones
PowerDeWise

For newbies dipping their toe in YouTube recording. Professionals and more experienced users will also benefit from its user-friendliness.

Category: Wired
My choice among Wired Lavalier Microphones
Amazon →
YelloWay Dual

This is ideal if you’re looking for convenience and great sound quality while doing things such as YouTube videos or vlogs.

Category: Wired
Amazon →
MAONO AU-UL10

For people who tend to speak quietly.

Category: Wired
Amazon →
BOYA by-M1 Pro

For those who are on the go (light weight makes them easy to work with).

Category: Wired
Amazon →Boya →
VoJoPi Clip-On

For those who need an extra microphone to do interviews or for co-hosting podcasts, vlogs or YouTube videos.

Category: Wired
Amazon →Walmart →
Slint Professional Interview Set

With virtually no setup required, this mic is excellent when you’re on the go doing YouTube videos, vlogs, interviews or anything where you need to get up and running quickly and accurately.

Category: Wired
Amazon →
Rode SmartLav+

If you’re in a recording scenario where you want your appearance to be sleek and streamlined, the tiny GO belt pack will give you a clean, professional look.

Category: Wired
Amazon →Rode →
Sony ECM-44

For sit-down interviews where you need a bright sound.

Category: Wired
Amazon →Sony →
Movo WMX-1 2.4GHz

For both indoor and outdoor conditions.

Category: Wireless
Amazon →Movo →
Samson Go Wireless System for Mobile Video

For anyone who doesn’t want to be bogged down with a lot of equipment.

Category: Wireless
Amazon →SweetWater →
KIMAFUN 2.4 GHz

A good choice if you’ll be a substantial distance from your recording equipment.

Category: Wireless
Amazon →YoyBuy →
NASUM Wireless Headset

Ideal for you if you prefer devices that can be used in multiple ways.

Category: Wireless
YoyBuy →
Movo WMX-20-DUO

For those who tend to shoot their videos outdoors and in crowded spaces.

Category: Wireless
Amazon →Movo →
MAONO AU-100

Ideal if you want to record quality audio with only your phone.

Category: For DSLR
My choice among Lavalier Microphones for DSLR
Amazon →Maono →
Mcoplus LVD600

For Zoom, GoToMeeting and other types of videoconferencing.

Category: For DSLR
Amazon →
Purple Panda

For those who do motovlogs. It produces rich audio, even through a helmet.

Category: For DSLR
Amazon →Purple Panda →

There are three different kinds of lavalier mics: wired, wireless and for DSLR. I’ll start with the wired ones:

Wired Lavalier Microphones

As the name suggests, wired models have a permanently attached cord that connects to a power source. Check out these :

1. PowerDeWise

The PowerDeWise Lapel is a device with a frequency response of 20.2 Hz and a frequency range of 50 to 16,000 Hz. It’s compatible with iPhone, Android, GoPro, laptops, computers, tablets and DSLR cameras.

PowerDeWise
The PowerDeWise Lapel has a simple plug and play configuration, so no drivers are needed. It has a four-pin to three-pin adaptor to connect to your specific device. Credits: powedewise.com

Pros

  • Does good job filtering ambient noise.
  • Simple plug and play operation.
  • Clear, clean sound

Cons

  • Extension cord makes a hissing sound when used.
  • Loses some higher vocal tones.
  • The pick is permanently set on max volume.

PowerDeWise
Credits: powerdewise.com

Best For: PowerDeWise Lapel Professional is an excellent, simple, entry-level model for newbies dipping their toe in YouTube recording. It’s not just reserved for newbies, though. Professionals and more experienced users will also benefit from its user-friendliness.

Check out this video by Tony of HighTechCheck, where he compares the sound quality of the PowerDeWise Lapel Professional on Android, Apple, an older Android and an older camcorder. He demonstrates the recording process used by each and determines which has superior sound when used with this lapel device.

Buying Options

2. YelloWay Dual

The YelloWay Dual is a two-for-the-price-of-one set. This is an omnidirectional microphone compatible with tablets, Smartphones, DSLR cameras and laptops. Its frequency range is 50 Hz to 16 kHz, and its frequency response is 20.2 Hz.

YelloWay Dual
The combo makes it easier to get more natural, back-and-forth conversational flow in interview situations. The model can also be used individually. Credits: yelloway.top

Pros

  • No hum or white noise
  • High quality design keeps connectors from unexpectedly disconnecting
  • Ideal for anyone’s tech level

Cons

  • Cord is too short
  • Splitter inconsistently works.
  • Lightning/USB Type C adaptor isn’t included.

YelloWay Dual
Credits: yelloway.top

Best For: The YelloWay dual is ideal for doing interviews. It’s sold in a pair, so one can be used by the interviewer and one by the interviewee. This is ideal if you’re looking for convenience and high-quality sound while doing things such as YouTube videos or vlogs.

Buying Options

3. MAONO AU-UL10

MAONO’s AU-UL10 USB is an easy-to-use plug-and-play pick suitable for PC, Mac, laptops and other devices that have a standard USB type A connector. The AU-UL10 is omnidirectional, and its frequency response is 30 Hz to 18 kHz.

MAONO AU-UL10
It comes with a flexible, resilient 78-foot cable. If that’s not long enough, a 236-foot cable is also available. Credits: maono.com

Pros

  • Cancels out background noise
  • High gain
  • Plug and play. You don’t need to download anything

Cons

  • Handle on the clamp is too short
  • Works poorly on desktop
  • Sometimes it shows a connection but no sound

MAONO AU-UL10
Credits: maono.com

Best For: The AU-UL10 is a good choice if you or your subjects tend to speak quietly. Instead of continually reminding yourself or them to talk louder, the mic does a good job of picking up softer voices and transforming them into useable audio.

Buying Options

4. BOYA by-M1 Pro

BOYA’s by-M1 Pro is a device that can be paired with PCs, smartphones, DSLR, Mac, Windows and more. It has a frequency range of 65 Hz to 18 kHz, and it’s powered by an included LR44 battery.

BOYA by-M1 Pro
The M1 Pro has a flat frequency response to offer the most clarity to your audio. Credits: boya-mic.com

Pros

  • Gets the job done at a low price
  • Solid construction
  • 700-hour battery life

Cons

  • Cord is too thin and is susceptible to wear and tear.
  • iPhone users will need to download an app that allows you to manually tweak the input gain.
  • Wind muffs don’t stay put.

BOYA by-M1 Pro
Credits: boya-mic.com

Best For: The BOYA by-M1is a good choice if you don’t want to be encumbered by heavy gear. It’s compatible with smartphones, whose light weight makes them easy to work with if you’re on the go.

Check out this video of Bandrew of Podcastage sound-testing and reviewing the BOYA by-M1 Pro. He demonstrates the performance in numerous configurations with other devices. (It’s likely that yours is in there too.) His review is “tell it like it is,” while still being objective and informative.

Buying Options

5. SoLID Interview Set

The SoLID Interview Set gets you two mics for the price of one. These omnidirectionals will be right at home with PCs, laptops, camcorders, Smartphones and cameras.

SoLID Interview Set
In case the enclosed 59-foot cable isn’t long enough for you, they’ve also included a 79-foot extension cord.

Pros

  • Both parties record with equal clarity.
  • Includes adaptors and splitters.
  • Allows recording with adequate social distancing.

Cons

  • Fragile plastic clip.
  • Useful for short range, but if you need cables, they produce a buzzing sound.
  • Not compatible with iPhone. (Requires an adaptor, which is not included.)

SoLID Interview Set
Everything is included in the packaging, so you can get up and running without taking time out to order parts or accessories.

Best For: The SoLID Interview Set is great if you need an extra microphone to do interviews or for co-hosting podcasts, vlogs or YouTube videos.

If you want to hear how the SoLID’s sound stacks up against other picks, check out Jason Liv’s video. He pits it against others, including the Sony FS5/Sony ECM-XM1. Listen and decide which one you like best.

Buying Options

6. Slint Professional Interview Set

The Slint Professional Interview Set is all-inclusive. No need to shop around for all the parts you need. It comes complete with connectors, extension cords, dual mics and more. Slint even includes a free ($30 value) video course called “Vlogger Club.”

Slint Professional Interview Set
This lav is compatible with iPhone, Android, GoPro and DSLR. It has even been featured on ABC, CBS News and NBC.

Pros

  • Kit contains everything you need to set up it, plus an online video course.
  • Picks up sound if you’re wearing a COVID mask.
  • Clip is very strong and sturdy.

Cons

  • Hisses when idle.
  • Customer support can only be reached via email (no chat or phone access).
  • Sometimes Windows detects it but doesn’t capture any sound.

Slint Professional Interview Set

Best For: With virtually no setup required, this pick is excellent when you’re on the go doing YouTube videos, vlogs, interviews or anything where you need to get up and running quickly and accurately. Especially if you’re on a budget!

You can take a first-hand listen to the Slint Professional in this video by Chalks Gaming. He unboxes and explains all of the model’s components and then puts it through its paces connected to an iPhone 10.

Buying Options

7. Rode GO Professional-Grade

The Rode GO is designed to be used in tandem with the Wireless GO. It can also pair with any device that has a 3.5 mm TRS input.

Rode GO Professional-Grade
It comes in white, for the fashion-conscious wearer. Credits: rode.com

Pros

  • High-quality build.
  • Easy installation.
  • Filters white noise.

Cons

  • Pricey
  • Pops out of clip.
  • Cable is too thin.

Rode GO Professional-Grade
Credits: rode.com

Best For: If you’re in a recording scenario where you want your appearance to be sleek and streamlined, the tiny GO belt pack will give you a clean, professional look. Less clutter will help your audience focus on you and what you’re saying, rather than on your equipment.

Watch the video to learn more about this model.

Buying Options

8. Sony ECM-44

Sony’s omnidirectional ECM-44 is a microphone that works with either batteries or phantom power. It comes with a small preamp and has standard XLR output. XLR type is one of the most popular output types. To see the variety of the best XLR microphones click here.

Sony ECM-44
The ECM-44 has a frequency response of 40 Hz to 15 kHz. Credits: sony.com

Pros

  • Unobtrusive brightness.
  • Resilient.
  • 10-foot cord.

Cons

  • Wire isn’t detachable from preamp.
  • High self-noise.
  • Wire is stiff and difficult to roll.

Sony ECM-44
Credits: sony.com

Best For: Although the ECM-44 can be used in many set-ups, it’s ideal for sit-down interviews where you need a bright sound. However, it won’t fare well in a noisy environment, so it’s best to use it in quieter surroundings.

If you’re interested in learning more about the Sony ECM44, then check out this video. Andrew from T Is For Tech unboxes it, tests its sound and even offers what he refers to as “standard test phrases” that you can use to assess the sound. These include oddities such as, “The small pup pawed a hole in the sock” and my personal favorite, “Her purse was filled with useless trash.”

Buying Options

Wireless Microphones

9. Movo WMX-1 2.4GHz

The WMX-1 by Movo is a universal wireless system that broadcasts on the 2.4 GHz frequency spectrum, so it can be used interference-free and free of regulations. It accommodates smartphones, tablets, DSLR and camcorders.

Movo WMX-1 2.4GHz
It performs well whether it’s in the wild or in city environments. Credits: movophoto.com

Pros

  • LED indicators for power, low battery and synch.
  • Wireless transmission up to 200 feet.
  • Excellent wind noise reduction.

Cons

  • Instead of having a rechargeable unit, it requires disposable batteries.
  • It doesn’t save the volume setting when it’s turned off.
  • Flimsy construction.

Movo WMX-1 2.4GHz
Credits: movophoto.com

Best For: Movo’s WMX-1 can contend with the challenges of both indoor and outdoor conditions. If your recording environment often shifts, the WMX-1 is a good choice for these varying scenarios.

Check out this review of the Movo WMX-1 2 by Trey Lowell of Lowell Productions. With YouTubers in mind, he shows how the equipment would look from a user’s point of view. He also demonstrates what the Movo would sound like outdoors and conducts a distance test.

Buying Options

10. Samson Go Wireless System for Mobile Video

Samson touts its battery-powered Go as the first professional wireless system for smartphones. This omnidirectional mic lets you capture, edit and share videos directly from your smartphone.

Samson Go Wireless System for Mobile Video
The Go device also has a nice, long battery life of 13 hours, so you won’t suddenly be stranded without power in the middle of a project. Credits: samsontech.com

Pros

  • Four cables are included: Lightning cable for iPhone and iOS, USB micro-B or USB-C cables for Android and one-eighth inch audio cable for analog.
  • Many different uses.
  • Solid build.

Cons

  • The handheld sounds better than the lavalier.
  • Random audio dropouts.
  • Poor customer support.

Samson Go Wireless System for Mobile Video
Credits: samsontech.com

Best For: Samson’s Go is a solution for anyone who doesn’t want to be bogged down with a lot of equipment. It enables you to make professionals-sounding videos straight from your phone, while freeing you from bulky equipment.

If you want to know more about the Samson Go, Major Hardware has presented a video that reviews all of the components, what they do and how to use them. The video is very professionally shot, which will help you see and understand the components with crystal clarity. He also touches on wifi connectivity.

Buying Options

11. KIMAFUN 2.4 GHz

KIMAFUN’S 2.4 GHz has a 50-foot line of sight range, as well as perpetual frequency matching for optimal sound quality. It pairs well with devices such as laptops, cameras and smartphones, and the receiver and transmitter can be charged at the same time.

KIMAFUN 2.4 GHz
Credits: kimafun.com

Pros

  • Has a 3.5mm jack that’s compatible with most equipment.
  • Backlit LCD screen.
  • Transmitter and receiver can be charged at the same time.

Cons

  • Long charging time of three to four hours.
  • Sometimes doesn’t hold a charge.
  • Clunky

KIMAFUN 2.4 GHz
Credits: kimafun.com

Best For: The KIMAFUN 2.4 GHz is a good choice if you’ll be a substantial distance from your recording equipment.

Check out this video by Tobias Holenstein, as he describes the components of the KIMAFUN 2.4G and takes you on a walk with him to see how far he can go before itc cuts out. He also goes into great detail about how the footage he took sounds through studio monitors, a laptop and studio headphones.

Buying Options

12. NASUM Wireless Headset

NASUM’s wireless headset system is a plug and play device that operates in the ultra-high 902MHz-914.4MHz frequency range where there is no interference. It’s compatible with PCs, tablets, cameras, smartphones and laptops.

NASUM Wireless Headset
It comes with both a lapel mic and a headset, so you can choose the one that best fits each of your recording sessions. The distances that it can broadcast is called range, and the next pick has an impressive 330-foot range.

Pros

  • Multiple uses.
  • Transmits more than 100 feet.
  • Can be up and running for about two hours with only one hour of charging.

Cons

  • Doesn’t work with iPhone without a lightning to 3.5mm adapter and a 3.5mm 4 pole male to 3.5mm 3 pole female adapter, and they are not included.
  • Flimsy plastic clip.
  • Can’t adjust gain.

NASUM Wireless Headset

Best For: The NASUM device is ideal for you if you prefer devices that can be used in multiple ways. With a lavalier and a headset mic, you can use either for numerous applications, from studio work to outdoor recording to home recording, and more.

Head over to YouTube to learn all about this model from Max Smith of the Awesome YouTuber. He describes each component and what it does, as well as demonstrating the its sound. Very helpfully, he also demonstrates how to turn the system on and how to hook everything up together.

Buying Options

13. Movo WMX-20-DUO

The Movo WMX-20 is a user-friendly system that operates on a wide frequency spectrum of 35 Hz to 18 kHz. It’s omnidirectional and has a whopping 330 foot range. Powered by batteries, it lasts about six hours on a single charge.

Movo WMX-20-DUO
Credits: movophoto.com

Pros

  • Operates in 96 channels on the UHF spectrum.
  • No feedback from the wireless transmitters.
  • Receiver and transmitter synch instantly.

Cons

  • Low-quality plastic housing.
  • Goes through batteries quickly.
  • Difficult to change settings.

Movo WMX-20-DUO
Credits: movophoto.com

Best For: It is a great solution for those who tend to shoot their videos outdoors and in crowded spaces.

If you’d like to find out details about some of the technical aspects of the Movo, check out this video by Your Review Channel. The narrator describes what transmitters and receivers do and goes into detail about how to work with two transmitters. He’s also very knowledgeable about how to set gain and does an indoors-outdoors comparison of mic sound.

Buying Options

Microphones for DSLR

Lavalier microphones are also compatible with DSLR cameras. DSLR stands for digital single-lens reflex cameras, which are professional-grade cameras.

DSLR cameras reproduce the exact images you want to capture. This is because, unlike point-and-shoot cameras, they have no lag time or dim-light interference.

Here are my reviews of this type:

14. MAONO AU-100

MAONO says their AU-100 comes in a “beautiful and sexy gift box,” so maybe the model inside is beautiful and sexy too? In any case, this pick has a flat frequency for a cleaner sound and a rechargeable battery that lasts an impressive 40 to 50 hours.

MAONO AU-100
It can accommodate a wide range of devices, including cameras, laptops, PCs and smartphones. Credits: maono.com

Pros

  • Built-in rechargeable battery.
  • Great DSLR sound.
  • Consistent audio quality.

Cons

  • No battery indicator light.
  • Clip easily breaks.
  • No volume control option.

MAONO AU-100
Credits: maono.com

Best For: The MAONO AU-100 is ideal if you want to record quality audio with only your phone. It’s a good option if you don’t want to lug a bunch of heavy, cumbersome equipment around.

Check out this YouTube video by Dave from Geek Street, as he unboxes the MAONO AU-100. You’ll see all of the components and learn how they work together, helped by some nice closeup shots.

Dave also lets you decide what sound you think is best, including a smartphone recording and outdoor recording.

Buying Options

15. Mcoplus LVD600

Mcoplus’ LVD600 picks up 360 degrees of audio using a standard 3.5 mm plug. It comes with an extra 6.5mm adaptor and works with a wide range of devices, including iPad, iPhone, Android, cameras, laptop computers, desktop computers and more.

Mcoplus LVD600
This device is also great for distance learning.

Pros

  • Flat frequency response.
  • 19-foot cable.
  • Sturdy.

Cons

  • Slightly low volume.
  • No deep bass.
  • Doesn’t do well with singing.

Mcoplus LVD600

Best For: This little pick comes in handy for Zoom, GoToMeeting and other types of videoconferencing. It helps make these type of broadcasts much more understandable, effective and accessible.

In this video, Andy “CD” Green does an unboxing and setup of the Mcoplus LVD600. He does this in clear, step-by-step instructions that you’ll find easy to understand and follow.

Buying Options

16. Purple Panda

Purple Panda says that their kit is simple enough for children to use. This might very well be true, because it doesn’t require any complicated configurations, batteries or app downloads. If it’s that easy, you can use it too!

Purple Panda
Credits: purplepandastore.com

Pros

  • Comes with fuzzy windscreen, along with standard foam cover.
  • No battery needed.
  • Free ebook, “Film Directing for Newbies.”

Cons

  • Has difficulty picking up low voices.
  • Gator clips break easily.
  • Cable is very delicate near its connection.

Purple Panda
Credits: purplepandastore.com

Best For: Do you do motovlogs? Then the Purple Panda will take them from good to great. It produces rich audio, even through a helmet. It’s also robust enough to endure the bumpy roads, as well as the smooth.

If you want to learn about how the Purple Panda works in a variety of situations, check out this in-depth review by Davy Wybiral. Using raw audio recordings, he does multiple side-by-side comparisons such as the sound quality of a laptop with and without the Purple Panda.

Buying Options

There are add-ons and accessories that are also important part of your setup. I review four of them below.

 

Other Must-Have Accessories for Lavalier Mics

You can never have too many windscreens, lavalier microphones clips, or wire clips because they’re all too easily lost or broken.

Metal Tie Clips →

ALEKOR 6 Pieces Lavalier Mic Metal Tie ClipsIf there’s one thing you can count on, it’s that foam windscreens will tear, get crushed or blow away, and alligator clips will irreparably fall apart. That’s why it’s good to have some break-glass-in-case-of-emergency extras, and this is where ALEKOR steps in.

They’ve provided a set of six foam windscreen covers, six lavalier mic clips, and six wire clips. The covers are constructed of high-density foam, the alligator clips are fashioned from strong metal and the wire clips swivel 360 degrees and are made of resilient plastic. These items could really save the day and help cut wind noise when you’re recording.

Cable →

Cable Matters Microphone CableCable Matters offers a two-for-one set of six-foot-long XLR cables that are an exceptional value for the price. Not only do the cables have thick, copper-braided insulation, but the braiding is topped off with a layer of foil for maximum noise cancellation.

This premium type of copper-foil layering is often found in much pricier cables. The male and female sleeves are also constructed of quality metal.

These cables produce no discernible hissing. All the components are housed in casing that’s heavy-duty, yet pliable so that they can be used in ordinary or extreme conditions.

Thanks to Cable Matters for cables with a clean sound and great workmanship!

USB Audio Interface →

Focusrite Scarlett 2i2 (3rd Gen) USB Audio InterfaceFirst, an audio interface is hardware that permits you to have greater control over your recording gear. The Focusrite Scarlett 2i2 connects to your computer or laptop port through a USB, giving you the freedom to record with two devices. It’s handy for recording with a co-host, getting higher-quality audio, and giving your audio a more polished sound.

The Scarlett 2i2 has two organic-sounding preamps and very low latency. It’s small, portable, and extremely easy to hook up. Simply plug it into the USB port on your computer, plug two instruments or microphones in and it will produce clear, studio-quality sound.

Another advantage of the Scarlett 2i2 is that no drivers are required. Simply plug and play. It automatically senses whether something is plugged in, so you don’t have to fiddle with any controls. It’s equally good at recording voices and instruments.

The Scarlett 2i2 comes with some great, high-grade extras, including ProTools, Focusrite Creative Pack, and Ableton Live Lite.

Travel Case Fit for Focusrite Scarlett 2i2 →

Aproca Hard Carry Travel Case Fit for Focusrite Scarlett 2i2If you buy the somewhat pricy Focusrite Scarlett 2i2, you’ll want to protect your investment. The hard carry travel case by Aproca is specifically made for it.

The company is environmentally friendly, constructing the protective hard case with eco-friendly EVA (ethylene vinyl acetate). The Scarlett snuggles perfectly into the case, and the zipper smoothly closes around it.

On top of that, the case also contains a handy mesh pocket for keeping odds and ends organized.

I felt confident that the case would protect my Scarlett. My only complaint is that I’d have preferred it to be a neutral color rather than Barbie pink.

 

 

Useful Resources

 

A Final Word on the Best Lavalier Microphones

Lavalier microphones have many uses, but I believe they’re the best ones for YouTube videos.

Although some lavaliers are expensive, you can find perfectly acceptable budget mics that will get the job done just as professionally.

Some of these are dynamic mics, which means that they turn sound waves into electrical voltage.

Whatever you choose, a lavalier is a great option for creating YouTube videos, course videos, and other products that sound as good as they look.

Have any questions about our guide to the best lavalier mics? Let us know by commenting below.

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The 22 Best Condenser Microphones for Every Budget (2023 Guide) https://myelearningworld.com/best-condenser-microphones/ https://myelearningworld.com/best-condenser-microphones/#respond Sun, 19 Mar 2023 10:01:33 +0000 https://myelearningworld.com/?p=4188 Are you looking for the best condenser microphones for your studio, practice room, or performance kit? I am in love with my collection of condenser mics. I am an “old-school” type of audio engineer that started recording live bands in the 1980s. I owned a collection with mics of all shapes and sizes to make ... Read more

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Are you looking for the best condenser microphones for your studio, practice room, or performance kit?

I am in love with my collection of condenser mics. I am an “old-school” type of audio engineer that started recording live bands in the 1980s. I owned a collection with mics of all shapes and sizes to make live recordings of bands, from budget mics to the most expensive ones.

Over the last few decades, I’ve used countless condenser microphones. Over time, I’ve come across a lot of great models that I continue to use to this day, and of course, I’ve also used plenty of condenser mics that weren’t so great.

That’s why I decided to put together this guide where I outline what I feel are the very best condenser microphones you can buy in 2023. I’ve included picks for a wide range of price points and applications, so there’s a little bit of something for everyone here.

Ready to find the best condenser microphone for your needs? Let’s get started…

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

 

Quick Picks for the Best Condenser Microphones

Don’t feel like reading this whole in-depth guide? Here are a very of my absolute favorite condenser mics I feel are a cut above the rest.

TZ Stellar X2 Large Diaphragm Cardioid Condenser XLR Microphone TZ Stellar X2 Large Diaphragm Cardioid Condenser XLR Microphone
$199.99

What’s inside?

  • High-grade brass diaphragm and specialty Mylar.
  • High-quality iron durable body .
  • Balanced and neutral frequency response to pick up a wide range of sound.

Killer feature: This condenser microphone has a noise floor of less than 13dB.

We earn a commission if you make a purchase, at no additional cost to you.
01/16/2024 05:07 pm GMT

This Stellar X2 is one of the best quality choices. It costs around $200 but is worth the price. It comes with a beautiful aluminum carrying case and includes a leather pouch for the pick with a zipper, a foam wind cover, a shock mount, and a 3/8 to 5/8-inch stand adapter. It requires 48V phantom power to operate.

Also Great
Audio-Technica AT2020 Cardioid Condenser Studio XLR Microphone Audio-Technica AT2020 Cardioid Condenser Studio XLR Microphone

What’s inside?

  • High SPL handling and wide dynamic range
  • Custom designed low mass diaphragm that offers great frequency and transient responses
  • Noise level of 20 dB SPL

Killer feature: Reduces any background noise and sounds, which improves voice and desired sound

We earn a commission if you make a purchase, at no additional cost to you.

This is another terrific pick that is built extremely well with an all-metal structure. This gives the weight of 1.8 lbs. (0.8 kg). It usually sells for around $100, which is a nice value for the price. The cardioid pickup pattern significantly reduces unwanted background noise.

Blue Yeti Nano USB Microphone Blue Yeti Nano USB Microphone
$89.99

What’s inside?

  • Plug-and-play for use with either a Mac or a PC.
  • Switchable cardioid or omni-directional pick-up pattern.
  • One-year limited warranty.

Killer feature: Stylish and comes with its own desktop stand.

We earn a commission if you make a purchase, at no additional cost to you.

I like the feature on this one that allows me to switch from a cardioid pick-up pattern that focuses on what is in front of the device to an omnidirectional pickup pattern that focuses on the whole room. I use this feature when doing live streaming interviews and want to switch it from the focus on my voice to pick up the other people in the room.

 

How to Choose the Best Condenser Microphone for Your Needs

The best condenser mic for you might be different from the best condenser mic for someone else.

That’s why you need to consider the following before you choose:

Step 1: Decide what type (large-diaphragm or small-diaphragm) you need.

Decide what type (large-diaphragm or small-diaphragm) you need
Most professional recording studios have some of both types to use for recording different things.

The decision between a large-diaphragm condenser mic or small-diaphragm condenser mic comes down to how much sound you want to pick up.

A large-diaphragm condenser mic will pick up more room sound.

A small-diaphragm condenser mic, sometimes called a “pencil” or a “shot-gun”, is designed to focus on picking up sounds directly in front and proximity to it.

Step 2: Pay Attention to the Features

Pay Attention to the Features

Here is a checklist of the features you want to evaluate closely when looking at condenser mics:

  • Pickup Pattern Variations: Some have the intentional design to pick up mostly sound coming from a source that is very close to it and only from in front of it. As the sound source moves away from the device head or moves around to the back, the sound pickup drops dramatically. For example, one might choose a pick with a tight cardioid pickup pattern if recording a voice or vocals in a boisterous environment to avoid recording the room sounds. Alternatively, if one wants to record all the sounds in a room, then an omnidirectional pickup pattern is a better choice since it records sounds from all directions. Some have a switch that allows the pickup pattern to be changed.
  • Proximity Effect Sensitivity: The proximity effect sensitivity is the different sound pickup for a sound socurce coming very close to it. For a cardioid, it adds bass (low-end) frequency to any sound that is very close it. This effect can be desirable or unwanted. It may make voice recording sound boomy and “muddy.” It also adds a sense of weight to the sound that some find useful.
  • Frequency Response Curve: The frequency response curve is a diagram showing how a particular responds to different frequencies (tones). A mic with the same response to all frequencies will have a flat line instead of a curve. They are chosen that work better for the frequencies in the human hearing range (20 Hz to 20 kHz) that they are intended to record. For example, if you want a device to record vocals, look for a condenser with a decent frequency response to the mid-range frequencies (tones).

Frequency Response Curve

  • Power Supply: Make sure you understand if it requires phantom power to come from another device, whether it uses batteries to provide the power, or if it can be used without power, such as all USB devices. Even though with an XLR to USB adaptor, it is possible to plug it into a computer, if it needs to have the power to operate, it will not work.
  • Noise Floor: The noise floor is the level of sound that comes from the equipment or recording environment and not from what the equipment is recording. If your equipment makes an audible buzz or hum when there is otherwise silence in the room, it is not set up properly, it is picking up interference (such as coming down the power line from equipment plugged into the same electrical circuit), or is not functioning well.
  • Dynamic Range and Headroom: A condenser dynamic range is a calculation that is made of the difference in decibels (dB) between the loudest thing it can record and the quietest signal it can pick up. Headroom is the difference between the loudest sound trying to be recorded, and the upper limit (threshold) of the sound volume in dB is the maximum. You want your device to be able to be delicate enough to pick up the quiet sound you would like to record and to handle the loudest volume you will record as well. Where you will place it and how loud the sounds you plan to record determines the needs for dynamic range and headroom.

Step 3: Choose the one you can afford. Then, add more microphones later.

If your budget can handle it, buy the best quality device that is a superb choice for that budget amount. If your budget is severely limited, then you will want first to get a sturdy, all-purpose devices (switchable from a cardioid to dynamic pickup pattern), which is one of the less expensive ones under $100.

Choose the one you can afford. Then, add more mics later

You will not need to buy a power source if you get one that plugs directly into a computer using a USB connector. Most audio recording studios have more than one so plan to add to your collection over time.

 

What are the Best Condenser Mics?

Best Condenser Microphones
Stellar X2

For usage in a home studio or a voice-over studio to record voices.

Category: Large-Diaphragm with an XLR Connector
Amazon →Tech Zone →
Audio Technica AT2020

For recording projects with a limited budget and home studios.

Category: Large-Diaphragm with an XLR Connector
My choice among Condenser Microphones
Amazon →Audio-Technika→
MXL V67G

For entry-level, budget-conscious home studios.

Category: Large-Diaphragm with an XLR Connector
Amazon →MXL →
AKG-P120

For audio projects and in-home recording studios.

Category: Large-Diaphragm with an XLR Connector
Amazon →AKG →
Movo VSM-7

For almost any purpose that includes recording podcasts, YouTube content, music, and voice-overs.

Category: Large-Diaphragm with an XLR Connector
Amazon →Movo →
AKG Acoustics Project Studio  P220

For a home studio or those just starting a recording project.

Category: Large-Diaphragm with an XLR Connector
AKG →
Blue-Snowball

For podcasting, YouTube videos, live streaming, Skype calls, Zoom, and voice-over recording.

Category: Large-Diaphragm with a USB Connector
Amazon →Blue →
Samson Meteor

For those bloggers who prefer shooting podcasts.

Category: Large-Diaphragm with a USB Connector
Amazon →Sweetwater →
Razer Seiren X

For gamers and live streaming on Twitch.

Category: Large-Diaphragm with a USB Connector
Amazon →Razer →
CAD Audio GXL2600USB

For voice-over recordings.

Category: Large-Diaphragm with a USB Connector
Amazon →
Audio Technica AT2020USB

For recording narrations or voice-overs as commentary over another audio track.

Category: Large-Diaphragm with a USB Connector
Amazon →
TONOR Podcasting Compatible TC-777

Good microphone for Zoom meetings, working from home and virtual conference attendance, podcasting.

Category: Large-Diaphragm with a USB Connector
Amazon →Tonor →
AKG PERCEPTION 170

For recording drum kits and guitars.

Category: Small-Diaphragm  with an XLR Connector
Amazon →AKG →
MXL 770

For recording vocals and instruments.

Category: Small-Diaphragm with an XLR Connector
Amazon →MXL →
Audio Technica Pro 37

For recording acoustic guitar, overheads, piano, and group vocals.

Category: Small-diaphragm  with an XLR Connector
Amazon →Audio-Technika →
AKG-C451

For professional use in recording studios.

Category: Small-Diaphragm with an XLR Connector
Amazon →AKG →
Lewitt LCT 140 AIR

For recording instruments.

Category: Small-Diaphragm with an XLR Connector
Amazon →Lewitt →
Blue Ember

For recording instruments and vocals and for making YouTube videos, podcasting, and live streaming.

Category: Small-Diaphragm with an XLR Connector
Amazon →Blue →
Shure SM81-LC

For live instrument sound reinforcement and recording.

Category: Small-Diaphragm with an XLR Connector
Amazon →Shure →
Samson Go

For recording music, podcasting, live streaming, and field recording.

Category: Small-Diaphragm with a USB Connector
Amazon →Sweetwater →
Rode NT-USB-Mini

For recording vocals and instruments, podcasting, voiceovers, gaming, and live streaming.

Category: Small-Diaphragm with a USB Connector
Amazon →Sweetwater →
Blue Yeti Nano

For podcasting, live streaming, gaming, Skype calls, YouTube video creation, or music recording.

Category: Small-Diaphragm with a USB Connector
My choice among Condenser Microphones
Logitech→

I organized the condenser microphones into two categories:

  • large-diaphragm;
  • small-diaphragm.

The reviews follow the same category breakdowns as the list above with large-diaphragm condenser mics (XLR and then USB) followed by the small-diaphragm models (XLR and then USB).

Large-Diaphragm Condenser Microphones

I broke down the large-diaphragm condenser mics into two subsets:

  • with an XLR connector;
  • with and USB connector.

Large-Diaphragm Condenser Mics with an XLR Connector

Large-diaphragm condenser mics pick up more sound than those with a smaller diaphragm. This group has an XLR connector. Large-diaphragm models are mostly used for vocals. For a better look at this type of mics check out my reviews here.

1. Stellar X2

I love using this condenser mic to record vocalists. The sound is smooth, stable, and blends in nicely with the mix. I expect it to have a long service life.

The low noise floor of less than 13 dB is a feature that allows this condenser to be used to record voices without needing to add any filters.

This makes it easier when doing an audio mix later, for example, when adding background music to the voice-over.

The cardioid pickup pattern is also tailor-made for recording voices.

Stellar X2
Credits: stellarmicdesign.com

Pros

  • High-quality diaphragm.
  • Low noise circuitry.
  • Durable build from high-quality iron.
  • Comes with a 3/8 to 5/8-inch adapter, foam wind cover, shock mount, an aluminum case, and a zippered leather pouch to carry the device safely.
  • Carefully tuned sound.

Cons

  • To connect to a computer you need to use an audio interface (not included), which provides phantom power.
  • XLR cable needed (not included).
  • Not suitable for use as a handheld pick.

Stellar X2
Credits: stellarmicdesign.com

Best for: Use in a home studio or a voice-over studio to record voices.

Buying Options

2. Audio-Technica AT2020

The Audio-Technica AT2020 is a modestly-priced (around $100) condenser microphone with nice performance characteristics.

Audio-Technica AT2020
Credits: audio-technica.com

Pros

  • High SPL handling.
  • Wide dynamic range.
  • Cardioid polar pickup pattern.
  • Extended frequency response from having a custom-engineered, low-mass diaphragm.
  • Superior transient response.

Cons

  • Must have a phantom power source, which is a common requirement for a condenser with an XLR connector.
  • Does not come with a shock mount.
  • Does not come with a wind screen.
  • Does not come with an XLR cable, which is needed to use it.

Audio-Technica AT2020
Credits: audio-technica.com

Best for: Recording projects with a limited budget and home studios.

This video, produced by Podcastage, is a full review of the Audio-Technica AT2020. He points out that this pick must have a 48V phantom source that he provides using a Beringer UM2 amp to provide the power. It will not work with an XLR to USB adaptor or an XLR to 3.5mm (RCA) cable, or a USB sound card.

This condenser mic is versatile because it can handle high SPL and has a wide dynamic range, which is good for recording vocalists and instruments. It picks up minimal sound from the rear of the pick and focuses much more on the sound in the front. The graph of the frequency response is almost a straight line. This means it has a decent response across the entire sound spectrum of human hearing from 20 Hz to 20 kHz.

Buying Options

3. MXL V67G

This is a budget condenser mic selling for around $80. It has a lovely gold mesh and olive green body.

MXL V67G
Credits: mxlmics.com

Pros

  • Low cost.
  • Solid state preamp balance transformer output.
  • Audio sensitivity of 130 dB.
  • The single-to-noise ratio is 74 dB.
  • Lightweight at 0.67 lbs. (0.3 kg).

Cons

  • The MXL-57 shock mount is an optional accessory you should buy (not included).
  • XLR cable not included.
  • Chinese manufacturer has terrible customer service.
  • No warranty.

MXL V67G
Credits: mxlmics.com

Best for: Entry-level, budget-conscious home studios; however, when you buy the accessories that you need to use this condenser (cost about $20 to $30 more), it is no longer a bargain.

This video, produced by Podcastage, is a full review of the MXL V67G large-capsule condenser device. He uses it connected to a Focusrite Scarlett Solo amp with the gain set to around 55%.

I like the look of this one, but the inside quality is questionable. The build for this condenser mic is not very sturdy, and it tends to break easily. Some complain that it works well at first but soon fails. There is no warranty, so you have to take your chances. Returning it is nearly impossible, so you may be out around $80 if it breaks.

Buying Options

4. AKG-P120

The AKG-P120 is an entry-level condenser mic that is a nice choice for those looking for a device that sells for around $80. This condenser microphone is a general-use, all-purpose for a recording studio.

AKG-P120
Credits: akg.com

Pros

  • Cardioid pickup pattern.
  • 2/3-inch (17 mm) diaphragm.
  • Sturdy all-metal body.
  • Switchable bass-cut filter.
  • Switchable attenuation pad for high SPL use up to 150 dB.

Cons

  • The body may be a source of unwanted noise.
  • Picks up some of the background noises in the room.
  • If it arrives broken, or it breaks after a short time, it is difficult and costly to return it for warranty repair.

AKG-P120
Credits: akg.com

Best for: Audio projects and in home recording studios.

This video, produced by Podcastage, is a full review of the AKG P120. He uses it connected to a Focusrite Scarlett Solo amp with the gain set at around 55%. He tests the vocal sound and how it sounds with both an acoustic and electric guitar.

This is my favorite condenser to use in a multi-mic setup when recording a drum kit because it can handle high SPL (up to 150 dB). It has a switchable attenuation pad to cut some of the sound levels down. This pad is useful for close-micing the various parts of a drum kit to achieve good audio separation when recording.

Buying Options

5. Movo VSM-7

This condenser has the special feature of being three mics in one. You can choose between a cardioid pick-up pattern, a bi-directional pick-up pattern, and an omnidirectional pick-up pattern for more control when recording or live streaming.

Movo VSM-7
Credits: movophoto.com

Pros

  • Three selectable polar pick up patterns.
  • Comes with an XLR cable included.
  • Comes with an excellent shock mount that is sturdy and keeps it from moving.
  • Has an integrated pop-filter included.
  • One-year warranty with a U.S.-based customer support team.

Cons

  • A bit more expensive than some of the others but worth the price.
  • You need to have a phantom power source such as an audio interface or a mixing board.

Movo VSM-7
Credits: movophoto.com

Best for: Almost any purpose that includes recording podcasts, YouTube content, music, and voice-overs.

This video, produced by Audio for Content Creators, reviews the Movo VSM-7, and the reviewer says this new model from Movo may be his best choice for a device to use for podcasting. It is a professional-grade condenser.

I am impressed with the versatility of this one. It is one of my favorites. I really want to give praise to the manufacturer for having a one-year warranty and U.S.-based support. If you have a problem with a defect within the first year, someone will actually help you resolve the issue.

Buying Options

6. AKG Acoustics Project Studio P220

The AKG Acoustics Project Studio P220 is an exceptional condenser mic sold with a vocal recording setup kit.

AKG Acoustics Project Studio P220
Credits: akg.com

Pros

  • Sturdy build with an all-metal body.
  • Switchable bass-cut filter.
  • Switchable attenuation pad for high-SPL usage up to 155 dB.
  • Complete kit for vocal recording.
  • Two-year limited warranty with U.S.-based customer support.

Cons

  • Like all XLR condenser mics, you have to have a phantom power source
  • Headphones are entry-level, decent but not outstanding.

AKG Acoustics Project Studio P220
Credits: akg.com

Best for: A home studio or those just starting a recording project. This is a very high-quality, well-priced kit.

This video, produced by Podcastage, shows the condenser microphone set up with a 2i2 Second Gen with the gain set at 12 o’clock. The reviewer likes the sturdy build and demonstrates this by throwing the boxed one on the floor.

If you want to record vocals and are just starting your audio project or building a home recording studio, this vocal recording kit is an excellent choice. It comes with almost everything you need to get started. All you have to add is an audio interface to provide the phantom power and a cable to connect the audio interface to your computer, and you are good to go.

Buying Options

Large-Diaphragm Condenser with a USB Connector

A large-diaphragm condenser mic picks up more sound than those with a smaller diaphragm. This group has a USB connector.

7. Blue Snowball

The Blue Snowball is a popular voice over microphone because it is low-cost (around $70) and offers the switchable choice of a cardioid or omnidirectional pickup pattern.

Blue Snowball
Credits: bluemic.com

Pros

  • Plug-and-play compatible with a Mac or a PC.
  • Budget priced (around $70).
  • Contains two condensers for switchable pickup pattern from cardioid to omnidirectional.
  • Switchable -10dB attenuation pad.
  • 16-bit with 48 kHz sampling rate.
  • Excellent USB condenser mic

Cons

  • May pick up desk vibrations and bumps.
  • Stand is not very tall.
  • Plastic construction.
  • Lousy customer service.

Blue Snowball
Credits: bluemic.com

Best for: Podcasting, YouTube videos, live streaming, Skype calls, Zoom, and voice-over recording.

This video, produced by Podcastage, talks about the difference between the Blue Snowball USB with two microphones and the Blue Snowball ICE, which has only one.

People love this USB mic for its style and low price. I found the omnidirectional setting almost useless, but the cardioid pattern is excellent for recording voice-overs with a clear sound. It is lovely sitting on the desk. When I use it, I feel like I am a radio DJ.

Buying Options

8. Samson Meteor

The Samson Meteor has a nice sound for recording voice-overs. It comes with fold-back legs that serve as a desktop stand.

Samson Meteor
Credits: samsontech.com

Pros

  • Has one of the largest condenser diaphragms of these type of mics.
  • Has a no-latency 1/8-inch headphone output with volume control and a mute switch.
  • The maximum SPL is 120 dB.
  • The polar pattern is cardioid.
  • Includes a USB cable and a carry pouch.

Cons

  • Has a mini-USB plug.
  • Extendable legs are very short.

Samson Meteor
Credits: samsontech.com

Best for: Those bloggers who prefer shooting podcasts.

This video, produced by Booth Junkie, reviews the Samson USB Meteor, a desktop mic designed for gaming, podcasts, and VOIP. He compares it to the Blue Yeti which was one of our picks for the best micriophones for YouTube.

A nice touch to this USB mic is the chrome-plated finish. This pick is very easy to set up and use. With the Garageband software installed on your computer, you can set up it and be recording within a few minutes.

Buying Options

9. Razer Seiren X

The Razer Seiren X has a built-in shock mount. It has a very tight, super-cardioid pickup pattern. The body is made of anodized aluminum.

Razer X Seiren
Credits: razer.com

Pros

  • Sturdy build and weighs 12.8 ounces (360 grams).
  • Power source is a plugged-in AC cable. No phantom power required.
  • Audio output is USB.
  • Good condenser mic for streamers

Cons

  • Stand is a bit short.

Razer X Seiren
Credits: razer.com

Best for: Gamers and live streaming on Twitch.

This video, produced by Podcastage, shows a full review of the Razer Seiren X connected directly to the USB input port of a Mac. The reviewer thinks the plastic body is low-quality for a pick that costs around $100.

Suppose you are a gamer you want a low-profile device not to block your view of the screen. For other uses, you may have to put it on top of some books to get it high enough to speak directly into it without having to bend down. For the mic to pick up your voice properly, you need to speak directly into it.

Buying Options

10. CAD Audio GXL2600USB

The CAD Audio GXL2600USB has a one-inch Aoedein capsule diaphragm. This one has a cardioid pickup pattern. It uses a USB connector to connect directly to a computer.

CAD Audio GXL2600USB
Credits: cadaudio.com

Pros

  • Comes with a studio-quality shock mount and a desk stand.
  • Comes with a USB cable.
  • Sensitivity is -35 dB.
  • Uses a PureTone analog to digital converter for accurate sound quality.
  • Sturdy build that weighs two pounds (0.9 kg.)

Cons

  • Decent quality for voice-overs, but not as good for recording vocals.
  • The analog to digital conversion causes a delay so this one is not suitable for use in live performances.
  • The included tripod stand is very short and falls over easily.

CAD Audio GXL2600USB
Credits: cadaudio.com

Best for: Voice-over recordings.

This video, produced by ArtoftheImage, shows the unboxing of the CAD Audio GXL 2600, and the reviewer gives his initial impressions of it.

This model comes with a good quality shock mount, but the desktop stand needs improvement. It may be better to use it with an adaptor to connect to a boom stand.

Buying Options

11. Audio Technica AT2020USB

The Audio Technica AT2020USB has a built-in headphone jack with volume control to offer zero-latency monitoring. The body is only 6.3 inches tall. It comes with a tripod desktop stand.

Audio Technica AT2020USB
Credits: audio-technica.com

Pros

  • Has a unique feature of being able to live mix the signal with another pre-recorded audio track by using a wheel control on the device itself.
  • Comes with a tripod stand, a pivoting mount, and a 10-foot (3.1 meter) USB cable.
  • Compatible with Windows and Mac OS.
  • Has a protective pouch (included) for it when not in use.
  • Has an on/off switch on the body.

Cons

  • When using the tripod on a desk with a keyboard, it picked up the typing sound very clearly.
  • The cardioid pattern also picks up too much room noise.

Audio Technica AT2020USB
Credits: audio-technica.com

Best for: Recording narrations or voice-overs as commentary over another audio track.

This video, produced by Podcastage, shows the review and test of the Audio Technica AT2020 USB+ quality. He shows what it comes up and then how it sounds. He likes the build quality that is an all-metal construction.

I expected quite a lot from a mic that sells for $150 from Audio Technica. This one is decent but using it without a shock mount on the included tripod desk stand is not a good idea. Any bump or desk noise is too easy for it to pick up.

Buying Options

12. TONOR Podcasting Compatible TC-777

The TONOR TC-777 is an excellent value at under $30. It is designed for gaming, voice-overs, and podcasting.

TONOR Podcasting Compatible TC-777
Credits: tonormic.com

Pros

  • Low-priced at around $27.
  • Plug-and-Play for PS4, Mac, PC, and Linux.
  • No driver software download.
  • Compatible with Zoom, GotoMeeting, and Google Meet.
  • Two-year replacement warranty.

Cons

  • No output for headphones on it.
  • No mute button.

TONOR Podcasting Compatible TC-777
Credits: tonormic.com

Best for: Zoom meetings, working from home and virtual conference attendance, podcasting.

This video, produced by RA Visuals, shows the unboxing and the review of the Tonor TC-77 USB that he thinks might be a strong competitor to the Blue Snowball. He likes the two-year replacement warranty.

I think this model is terrific because it is so cheap and comes with a nice stand, an integrated pop filter, a shock mount, and a USB cable. The tripod legs are metal, but the body is PVC plastic. The tripod legs have nice anti-skid, non-slip rubber balls on the ends to securely hold it in place.

Buying Options

Small-Diaphragm Condenser Mics

I organized the small-diaphragm condenser mics into two subsets:

  • XLR connector
  • USB connector

Small-Diaphragm with an XLR Connector

Small-diaphragm mics are more focused than those with a larger diaphragm. This group has an XLR connector.

13. AKG PERCEPTION 170

The AKG PERCEPTION 170 is a workhorse for any recording studio that wants to record instruments.

AKG PERCEPTION 170
Credits: akg.com

Pros

  • Has a 1/2-inch (13 mm) true condenser/transducer diaphragm.
  • Switchable attenuation pad for high-SPL usage up to 155 dB.
  • It weighs one pound (0.5 kg).

Cons

  • Requires phantom power to operate.
  • Made in China.
  • Customer service is horrible.

AKG PERCEPTION 170
Credits: akg.com

Best for: Recording drum kits and guitars.

This video, produced by Bside Talks Guitar, shows a sound test using an acoustic guitar and the AKG P170 connected to the Focusrite Scarlett 2i2 Gen 3 amp. This is an excellent “pencil” condenser to isolate and pick up just the guitar sound with little background noise.

I owned a bunch of these devices and got a lot of use out of them. When they broke, I threw them in the bin for repair later, which I never did. I got at least $100 use out of them, which is what they cost. I ordered some more to replace the broken ones and always had about 12 in good working order.

Buying Options

14. MXL 770

The Blucoil MXL 770 cardioid comes in a kit that I think is exceptional. It has a fitted case, a boom arm, a pop filter, a shock mount, and a cable included in the kit.

MXL 770
Credits: mxlmics.com

Pros

  • Balanced frequency response from 30 Hz to 20 kHz.
  • The noise floor is 20 dB.
  • Handles up to137 dB of SPL.
  • 10-foot XLR cable included with a lifetime guarantee.
  • Carrying case, shock mount, 30-inch (0.75 meter) boom arm, and pop filter included.

Cons

  • If you use the boom arm be sure to secure it well so it does not fall.
  • This model is very sensitive and can pick up room noises.
  • Needs phantom power.

MXL 770
Credits: mxlmics.com

Best for: Recording vocals and instruments.

This video, produced by Audio Hotline, shows a sound test using the ZOM H5 to record the model with the gain set at about 43% with a Steadman Pro pop filter.

This is a nice kit that includes everything except the device to create the phantom power. The included 10-foot XLR cable connects the mix to your audio interface or mixing board. The boom arm is made from heavy-duty steel and zinc alloy. It is adjustable 360 degrees. If installed vertically, it will hold a device that weighs up to 3.3 lbs. (1.5 kg). This one weighs one pound (0.45 kg).

Buying Options

15. Audio-Technica Pro 37

The Audio-Technica Pro 37 is a professional-grade device. It is used for studio recording a live audio reinforcement.

Audio-Technica Pro 37
Credits: audio-technica.com

Pros

  • Has a low-profile design for optimal placement.
  • It has corrosion-resistant contacts made from gold-plated XLRM-type connectors.
  • Comes with a foam wind cover, a clip with an adaptor, and a zippered pouch.

Cons

  • Requires phantom power.
  • High-priced at about $170.

Audio-Technica Pro 37
Credits: audio-technica.com

Best for: Recording acoustic guitar, overheads, piano, and group vocals.

This video, produced by sillennium, shows a sound test comparison with five Audio-Technica for AT4041, AT4021, AT2021, ATM450, and the Pro 37. He conducts a sound test of the Pro 37. It starts at the 1:50 timecode in the video.

If you can afford this model, you will enjoy using it. Most professional recording studios have plenty of these devices on hand if they record bands.

Buying Options

16. AKG-C451

The AKG 451 is legendary and was first released as the C451 EB in 1969. It is a “shot-gun” style model and used to reinforce sound in live performances and studio recordings.

AKG-C451
Credits: akg.com

Pros

  • Has an efficient high-pass filter with 12dB per octave that prevents low-end distortion coming from a rumble or from wind noise
  • Uses a transformerless preamp to reduce distortion.
  • The surface mount technology creates high reliability and lower weight.
  • Comes with a clip and a foam-fitted, zippered, carrying case.

Cons

  • Expensive at around $295.
  • Requires phantom power.

AKG-C451
Credits: akg.com

Best for: Professional use in recording studios.

This video, produced by Musician’s Friend, shows the AKG C 451 B that is a revival of an extremely popular condenser first sold during the late 1960s. It is ideal for recording a loud sound source like drums or amplified guitar. It can handle a sound pressure level of up to 155 dB.

This device established itself as a touring standard during the 1980s and has remained popular since then. Its design is simple and elegant. The main selling point, besides having a great sound, is that this one is extremely durable.

Buying Options

17. Lewitt LCT 140

The Lewitt LCT 140 is a small pick. It is designed for use in recording instruments.

Lewitt LCT 140
Credits: lewitt-audio.com

Pros

  • It has a high-performance back-electret capsule.
  • Weighs 13.6 ounces (385 grams).
  • Comes with a clip.

Cons

  • Designed in Austria, but made in China.
  • The Lewitt company is fairly new.

Lewitt LCT 140
Credits: lewitt-audio.com

Best for: Recording instruments.

This video, produced by GaragebandandBeyond, shows a sound test using a piano a Martin guitar with the Lewitt LCT-140 small pick.

If you do a lot of recording of instruments, this is definitely a model to consider. You have to hear the “airy: mode to understand how it changes the sound, and then you will understand when to use it in that setting.

Buying Options

18. Blue Ember

This is a bundled kit from Blue, and it includes the Blue Ember, Polsen HPC-A30 monitor headphones, an XLR cable, and a pop filter.

Blue Ember
credits: bluemic.com

Pros

  • The compact side-address design is useful for placement purposes.
  • A wind screen, an XLR cable and headphones are included in the kit.
  • The dimensions are 11.5 by 8.1 by 5.3 inches.
  • Excellent frequency response.
  • Has a precise cardioid pickup pattern.

Cons

  • Requires phantom power like all XLRs.

Blue Ember
Credits: bluemic.com

Best for: Recording instruments and vocals and for making YouTube videos, podcasting, and live streaming.

This video, produced by Tech Summit, is a clear and honest review that finds many things that the reviewer was surprised that he likes, such as the aluminum body and also some things that are not so good, such as it does not sound very good recording a voice-over without a pop filter. He tests it under a few different room conditions.

This is a nice combination bundle that has quality components. The headphones are quite good with 50 mm drivers that provide an 18 kHz to 22 kHz frequency response.

Buying Options

19. Shure SM81-LC

The Shure SM81-LC is a top-of-the-line model that sells for about $350. Its elegant, thin design makes it perfect for recording instruments.

Shure SM81-LC
Credits: shure.com

Pros

  • Has a sturdy construction.
  • Performs well in a wide range of temperature and humidity conditions.
  • Included are a swivel adapter, an attenuator-switch lock, a foam windscreen, and a carrying case.
  • Low susceptibility to RF interference.
  • Low distortion.

Cons

  • High price of about $350.
  • Requires phantom power.

Shure SM81-LC
Credits: shure.com

Best for: Live instrument sound reinforcement and recording.

This video, produced by The Stuff I Use Channel, is a very positive review of the Shure SM81. It is one of the reviewer’s favorite model for its build and general-purpose recording. He used this device for more than three years.

This model sets the standard for a high-quality, durable stage that can take abuse and still deliver fantastic sound under every imaginable exterior and interior performing circumstance. All of the lower-priced picks try to compare themselves to it. Some models cost more, but few that are of better quality.

Buying Options

Small-Diaphragm with a USB Connector

Small-diaphragms are more focused than those with a larger diaphragm. This group has a USB connector.

20. Samson Go

The Samson Go is so adorably cute you will fall in love with it. It has a solid performance even though it is a small model. It is one of my favorite pick that sells for around $50.

Samson Go
Credits: samsontech.com

Pros

  • Lightweight, weighs only 0.5 pounds (0.2 kg).
  • Plug-and-play compatible with Macs and PCs.
  • Switchable cardioid and omnidirectional patterns.
  • 16-bit, 44.1 kHz/48 kHz sampling rate.
  • Works with voice recognition software, iChat, VOIP, and web casting.

Cons

  • The plastic casing can break.
  • Sensitivity may pick up unwanted noises.

Samson Go
Credits: samsontech.com

Best for: Recording music, podcasting, live streaming, and field recording.

This video, produced by Wild4Games, reviews the Samson Portable Go, and he loves it! It is a tiny device with many superb features, such as switchable cardioid and omni pickup patterns. It is a terrific value for its size and price.

For a budgetmodel that is easy to take with you anywhere, this Samson Go is a great choice.

Buying Options

21. Rode NT USB Mini

The Rode NT USB has a detachable magnetic stand. It has a built-in pop filter and a headphone amplifier.

This model is well made and heavy, weighing 1.2 pounds for a small model. I like that if you place it on a metal surface, its magnetic base will hold it securely in place. Just don’t get it too close to an external hard drive because the magnet might erase the digital data.

Rode NT USB Mini
Credits: rode.com

Pros

  • Built-in headphone jack and amp allows zero-latency monitoring.
  • The included desk stand has a magnetic base to help secure it in position.
  • Easy setup with no software to download.
  • No phantom power required.

Cons

  • No mute button.
  • Small but a bit expensive at $99.

Rode NT USB Mini
Credits: rode.com

Best for: Recording vocals and instruments, podcasting, voiceovers, gaming, and live streaming.

Buying Options

22. Blue Yeti Nano

The Blue Yeti Nano has two picks with you can choose to use an omnidirectional one or a cardioid one. The headphone output with volume control offers zero-latency monitoring.

Blue Yeti Nano
Credits: bluemic.com

Pros

  • Mute button.
  • 24-bit with a sampling rate of 48 kHz.
  • Headphone output offers zero-latency monitoring.
  • One-year limited warranty.
  • Comes with a desktop stand.

Cons

  • Getting customer support to help with a warranty repair is challenging.
  • USB port can break.

Blue Yeti Nano
Credits: bluemic.com

Best for: Podcasting, live streaming, gaming, Skype calls, YouTube video creation, or music recording.

This video, produced by Podcastage, follows this reviewer’s familiar format with unboxing and then testing the recording sound. He finds the build to be a bit flimsy, and to him, it feels cheap.

I like the products by Blue. They have a nice retro feel and work well. It has a switchable pickup pattern that helps when I am podcasting to include the people’s sounds in the room.

Buying Options

 

Must-Have Accessories for Your Condenser Mic

Here are some other items needed to use the condenser microphones:

Cable →

Microphone-CableIf you are going to use XLR models, you need to have a cable to connect each one. This item is the basic quality cable with XLR connectors (one male and one female) on each end. It is 10-feet long.

Be careful when running your XLR cables parallel to a power cord because a cable may pick up interference.

3-pin XLR Connector →

3-pin XLR ConnectorThis connector is used to connect two XLR cables to extend the cable length.

If you plan to record bands live, then you will want to have a handful of these on hand to connect different XLR cable lengths.

Stand →

Microphone-StandThis is a stand that is a basic tripod style used to hold a pick in the proper position. This can be a real salvation.

It is useful to have a stand for each model you own. Especially if you like to actively gesticulate with your hands.

Clip-Barrel-Single →

Clip-Barrel-SingleThis is the basic barrel clip used to hold a device on a stand. So if you buy a stand, do not forget to take this product.

It is helpful to have one for each device stand you own and a few extra ones if one of them breaks.

 

Other Useful Resources

 

Final Thoughts about the Best Condenser Microphones

I love condensers, especially when recording a live band. I take pride in choosing the best picks for the type of sound that I am recording. I know how to choose the ones with the correct specifications and understand how to use placement to capture the exact sounds that I want.

Becoming proficient in how to use them is the fun part of being an audio engineer. I want the sounds of each instrument in my recordings to have enough separation that allows me to make an outstanding editing mix later. I think of my collection as a toolbox of fine tools. Each is best used for a particular purpose.

Be sure to check out my reviews of other types of mics, such as dynamic or lavalier ones. Dynamic mics are made for tough conditions of use, and lavalier mics are the tiny ones that pin to your clothes and can be hidden.

Have any questions about this guide to the best condenser microphones? Let us know by commenting below.

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The 16 Best XLR Microphones for Musicians, Streamers, & Podcasters (2023 Guide) https://myelearningworld.com/best-xlr-microphones/ https://myelearningworld.com/best-xlr-microphones/#respond Sat, 18 Mar 2023 08:24:57 +0000 https://myelearningworld.com/?p=4001 With the best XLR microphones, you can enjoy crystal-clear, high-quality sound no matter what you’re recording or performing. Whether you’re creating podcasts, making music, or recording a video, XLR microphones provide the precision and clarity necessary to capture excellent audio. You might worry that XLR microphone models won’t fit your budget, but the truth is ... Read more

The post The 16 Best XLR Microphones for Musicians, Streamers, & Podcasters (2023 Guide) appeared first on MyeLearningWorld.

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With the best XLR microphones, you can enjoy crystal-clear, high-quality sound no matter what you’re recording or performing.

Whether you’re creating podcasts, making music, or recording a video, XLR microphones provide the precision and clarity necessary to capture excellent audio.

You might worry that XLR microphone models won’t fit your budget, but the truth is they come in a range of prices.

I’ve reviewed dozens of XLR mics over the years, and have curated a list of what I believe are the 16 very best XLR microphones available in 2023.

I’ve included picks for every budget, ranging from XLR mics under $100 to models that cost several hundred dollars.

Let’s get started…

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

 

Quick Picks for the Best XLR Mics

Don’t feel like reading this complete guide to the best XLR microphones? Here are a few picks that I feel are a cut above the rest.

Also Great
Audio-Technica AT2020 Cardioid Condenser Studio XLR Microphone Audio-Technica AT2020 Cardioid Condenser Studio XLR Microphone

What’s inside?

  • High SPL handling and wide dynamic range
  • Custom designed low mass diaphragm that offers great frequency and transient responses
  • Noise level of 20 dB SPL

Killer feature: Reduces any background noise and sounds, which improves voice and desired sound

We earn a commission if you make a purchase, at no additional cost to you.

My top pick is the best XLR microphone out there, but it’s far from your only option. No matter what you want to do with your device or how much you can afford to spend, make sure that you check out my other top picks.

Shure PGA48 Dynamic Microphone - Handheld Mic for Vocals with Cardioid Pick-up Pattern Shure PGA48 Dynamic Microphone - Handheld Mic for Vocals with Cardioid Pick-up Pattern

What’s inside?

  • Handles all types of speech patterns and voices
  • Convenient power switch
  • Response range of up to 15,000Hz
  • Adapter for use with stands
  • Zippered storage pouch

Killer feature: Rejects unwanted sounds

We earn a commission if you make a purchase, at no additional cost to you.

As one of the most affordable XLR microphones in the world, the PGA48 weighs less than two pounds and is great for carrying around. If you still aren’t sure if it can meet all of your needs though, take a look at my other top pick.

Shure SM7B Vocal Microphone Shure SM7B Vocal Microphone
$399.00

What’s inside?

  • Bass roll-off and mid-range controls with graphic display
  • Internal air suspension shock isolation
  • Very effective pop filter

Killer feature: Wide-range frequency response that will produce clean and natural sound for speech and music

We earn a commission if you make a purchase, at no additional cost to you.
01/16/2024 03:12 am GMT

Capable of rejecting electromagnetic humming and the other noises that you hear when working, it’s no wonder that the SM7B is so popular with shoppers. Though this isn’t my top pick, I think it’s a great model for the money.

I also encourage you to take a look at the SM58-LC from Shure, which has a stronger frequency range than other affordable choices do at 50 Hz to 14 kHz. With the included break-resistant stand and zippered storage case, you can use this device almost anywhere.

 

How to Choose the Best XLR Microphone for Your Needs

This guide will help you in choosing the best device considering all your wishes and opportunities.

Step 1: Consider Your Content

Consider Your Content

One of the most important things to consider when choosing an XLR mic is the type of content that you want to create.

Do you dream of streaming video games online and picking up fans who will turn to you for tips on future releases?

Maybe you want to become a streamer who shares tips on making it in the entertainment industry or becoming a successful writer.

Some XLR microphones are perfect for podcast creators, too.

Whether you focus on restaurant reviews or true crime, you need a device that can pick up your voice and anyone you bring onto your podcast. You’ll also find devices that can handle any interviews that you do to introduce guests to your audience.

The models designed for other types of recording are a little different. Though some are perfect for singers, others are better suited for musicians. A model designed for singers will ensure that it picks up every note that you hit and records those notes. You can hear those notes when you play the song back. Models for musicians work with all types of instruments, including guitars and drums.

I recommend that you identify the content that you want to create before choosing an XLR model.

Step 2: Factor in Your Budget

Factor in Your Budget

Though it’s easy for some shoppers to drop thousands of dollars on new equipment without thinking twice, not everyone is as lucky. You do not need a top-of-the-line or state-of-the-art mic to start your first podcast.

Some of the XLR microphones priced at $100 or less can help you create a podcast that people love. As you build up your audience and get ad revenue, you can spend a little more on a new device and other equipment.

Make sure that you think about your budget in terms of everything that you need and not just a recording device. Do you need speakers that let you hear your recordings or editing software to edit your work before putting it online? Maybe you need a few cables that you can run around your recording studio or soundproofing supplies to block out the street sounds.

When you sit down and create your budget, think about how much you want to spend in total. You can then look at how much you can afford to spend on all of the equipment that you need.

Step 3: Look at the Types of Microphones

Look at the Types of Microphones

Once you decide to start shopping for a recording mic, think about whether a dynamic or condenser microphone is best for you.

Looking at where you will use it and the sounds that you want to capture can help you choose which one is best for your needs.

Let’s say that you want to record hard rock music or songs backed by multiple instruments. Dynamic mics are best for those situations.

A dynamic mic can pick up the strongest of voices and ensure that any instruments in the background also come through.

Dynamic mics also come in handy when you want to play live because the device ensures that the audience can hear you over the roar of the crowd.

Condenser mics are usually better for studio sessions. They do a better job of picking up lighter and softer sounds.

Have you ever worked with someone who spoke so softly that you could hardly hear them when standing beside them? Now try to imagine using a microphone to pick up that person’s voice.

Condenser mics can pick up soft voices without requiring that the person stand close to the device.

You’ll also find that condenser mics are better for studio sessions with recording artists who have higher singing voices.

Step 4: Think About the Environment

Think About the Environment

Choosing the right XLR device will also require that you think about your main recording environment. Do you plan to spend a lot of time in a professional studio that has soundproofed walls and new equipment? Those sessions will require a model that is compatible with all of your equipment. If you plan on spending a lot of time on the move such as recording interviews for a podcast, you want one that weighs less and has an ergonomic design that can fit in your hand.

You’ll also find that those designed for home studios are often different from those used in pro studios. A home model may come with a zippered pouch or another type of bag. This allows you to keep the device safely stored between your recording sessions and keep it away from dust. You can also use the pouch to carry the device to sessions that you schedule in the homes of others or different studios. No matter what environments are on your mind, you can easily find a microphone that works in each one. You just need to look at detailed reviews to make sure that the model can handle those environments.

Now that you know what to pay attention to while choosing a device, it’s time to get into the details. Read through my ultimate picks to find the best device for your vocals.

 

What are the Best XLR Microphones?

Best XLR Microphones
Audio-Technica AT2020

One of the most affordable options available.

Category: under $100
My choice among condenser microphones!
Amazon →SweetWater →
Marantz Pro MPM1000

Its impressive features make it perfect for live streams and podcasts.

Category: under $100
Amazon →
Rode PodMic

The leading choice on the market for podcasters.

Category: under $100
Amazon →SweetWater →
Shure PGA48

Strong enough to use every day.

Category: under $100
My choice among budget microphones!
Amazon →SweetWater →
MXL Mics 770

Highly affordable for musicians and others.

Category: under $100
Amazon →
Neewer NW-700

Adds a professional touch to home recordings.

Category: under $100
Amazon →
Blue Ember

Has a compact size to keep it out of your way.

Category: under $100
Amazon →Bluemic →
Shure SM58-LC

A leading choice for both singers and musicians.

Category: under $100
Amazon →SweetWater →
Rode Procaster

Creates professional broadcasts in any setting.

Category: under $300
Amazon →
Shure SM7B

One of my top picks for XLR mics.

Category: under $300
My choice among dynamic microphones!
Amazon →SweetWater →
AKG Pro Audio P220

Capable of recording most voices and instruments.

Category: under $300
Amazon →AKG →
Stellar X2

Offers neutral and balanced recordings.

Category: under $300
Amazon →Techzone →
Shure MV7

Compatible with the Shure app to give you more options.

Category: under $300
Amazon →SweetWater →
Shure Super 55

Great choice for users on the go.

Category: under $300
Amazon →SweetWater →
HEiL sound PR-40

Suitable for indoor and outdoor recording.

Category: under $500
Amazon →
Electro-Voice RE20

A nice choice for close-up voicework.

Category: under $500
Amazon →SweetWater →

Best XLR Microphones Under $100

Here are my reviews of the cheapest models with an XLR connector:

1. Audio-Technica AT2020

As my top pick for the best XLR microphone, the AT2020 has both a cardioid polar pattern and a unidirectional design that detect noises from all directions. Whether you stand in front of or behind the device, you can rest assured that it will hear your voice. Some found that it does a better job of picking up louder voices than softer ones though, which may mean that you need to stand a little closer when recording.

Audio-Technica AT2020
“With its studio-quality articulation and intelligibility, the AT2020 is ideal for musicians, streamers, podcasters, and other content creators.” – audio-technica.com

With a 20 decibel SLP rating, the AT2020 is a good option for home studios. While it detects all types of noises, it doesn’t produce as much interference that can leave the room as other models do. You’ll also like the low-mass diaphragm that extends the range of its frequency response while also helping the response last longer. Though you may think that these features only come in the most expensive models, the AT2020 shows that you don’t need to spend a lot to equip your home studio.

Top Features:

  • 20 decibel SLP
  • Three-pin XLR connector
  • Low-mass diaphragm
  • 20 to 20,000Hz frequency response range
  • 74 decibel signal to noise ratio

Pros:

  • Perfect for most home studio jobs
  • Provides many of the same benefits that professional devices do
  • Offers high quality sound
  • Great choice for beginners
  • Works well with loud and booming voices

Cons:

  • Does not include any cables or adapters
  • Not suitable for all professional projects
  • You may have problems using it with a computer

Audio-Technica AT2020
Credits: audio-technica.com

Best for: home studio recording artists

Though the AT2020 is my top pick, you don’t need to take my word for it. The video below helps you see why so many recording artists choose this model when they work at home.

Thanks to the low price tag and impressive features, it’s no wonder why so many pick the AT2020 for their home recording needs.

Buying Options:

2. Marantz Pro MPM1000

As a wired microphone, the Pro MPM1000 has a sensitivity range as low as 38 decibels. Not only does it work well for most users, but it includes mounting hardware that gives you the option of using it on a desk or with a floor stand.

Marantz Pro MPM1000
“The MPM-1000 Studio Series microphone is a high-quality condenser mic that delivers studio-grade audio performance along with unexcelled value.” — marantzpro.com

The Pro MPM1000 comes with a windscreen and a shock mount that work together to block other noises such as people talking behind you and mechanical hums. I’m a big fan of this model for beginners who want to save money as they learn the ropes of podcasting and live streaming.

Top Features:

  • Built-in condenser capsule
  • Internal shock mount
  • 20 to 20,000Hz frequency response range
  • High sensitivity
  • 77 decibel signal to noise ratio

Pros:

  • Works with both stand and desk mounts
  • Includes a windscreen for background noise elimination
  • Affordable price tag
  • Suitable for beginners
  • Leading choice for home recording artists
  • Excellent recording quality for the price

Cons:

  • Doesn’t deliver the best sound quality
  • May have issues picking up sounds from a few feet away
  • Can sound lower than you would like

Marantz Pro MPM1000
Credits: marantzpro.com

Best for: podcasts and live streaming

Take a look at one of my favorite videos to see why the Pro MPM1000 is so popular for home artists. You can watch this video before you use my link.

Whether you want to live stream or share podcasts, you may want to compare the Pro MPM1000 to similar models such as the PodMic.

Buying Options:

3. Rode PodMic

Podcasting is an easy way to reach fans and even make some money as you talk about your favorite topics. With the PodMic, you will have no problem creating content that listeners can hear on their devices.

Rode PodMic
“The PodMic is optimised for use with the RØDECaster™ Pro Podcast Production Studio, but will also offer exceptional results with any high-quality microphone interface.” – rode.com

This one has internal shock mounting that reduces vibrations to put the focus on the voices of you and your subjects. It also has a high output impedance and a low sensitivity rating that work together without phantom power to deliver the quality that you want with less editing required.

Top Features:

  • Cardioid polar pattern
  • 320 output impedance
  • 20Hz to 20,000kZh frequency response range
  • Metal construction
  • Sensitivity as low as -57 decibels

Pros:

  • Capsule design is perfect for interviews
  • Pop filter cuts down on interference
  • Easy to use with other Rode accessories
  • One of the best options for podcasting
  • Delivers pretty high quality audio

Cons:

  • Doesn’t work well for live streams
  • Works better with deeper voices
  • Requires that you sit close to use it

Rode PodMic
Credits: rode.com

Best for: podcasters

If you don’t have time to run sound tests at home, check out the video review of the PodMic below. You can get a good look at the sound that it delivers when using it at home.

Though the low price makes the PodMic appealing, you may want to compare it to microphones from Shure and other companies before reaching for your credit card.

Buying Options:

4. Shure PGA48

Make your living room feel more like a stage with the PGA48 from Shure. Not only is this perfect for karaoke nights with your friends and family, but it works just as well for home studio recording and podcasting.

Shure PGA48
“Legendary Shure quality construction ensures exceptional performance in rigorous environments.” — shure.com

The included XLR cable is compatible with most of your equipment and lets you hook it up without going through a bunch of steps. Shure gives you a zippered carrying pouch to keep the device safe and an adapter to use with the stand of your choice. The PGA48 can stand up to daily use and users who like to move as they record and perform.

Top Features:

  • XLR connector
  • Cardioid polar pattern
  • Built-in power switch
  • Stand adapter
  • Includes a zippered carrying pouch

Pros:

  • Low price
  • Compatible with equipment from other manufacturers
  • Comes with a holder and XLR cable
  • Has an impressive sound quality
  • Holds up to daily use

Cons:

  • Produces more noise when you hold it vs. using it with a stand
  • You can accidentally hit the power switch
  • Not suitable for live or stage performers

Shure PGA48
Credits: shure.com

Best for: home recording and karaoke singing

Thanks to the video below, you can see some of the top benefits of using the PGA48 at home. You can quickly watch this video before checking out my other reviews.

From home karaoke recording to podcasting, the PGA48 can handle most of your needs.

Buying Options:

5. MXL 770

Capable of picking up both instruments and voices, the MXL 770 is one of the best models to use in any studio setting. Weighing only one pound, it comes with a unidirectional polar pattern that helps it pick up the top sounds from across the room.

MXL Mics 770
“To achieve this MXL uses a high-quality FET pre-amp and transformerless balanced output for wide dynamic range and low noise.” — mxlmics.com

You get an attenuation switch that works at settings of -10 decibels along with a high frequency range. The included shock mount prevents vibrations and easily connects to different surfaces or stands. This one also comes with a rugged carrying case when you want to use it in different places.

Top Features:

  • Gold diaphragm
  • 30Hz to 20,000kZh frequency response range
  • Attenuation switch
  • Durable carrying case
  • High-pass filter

Pros:

  • Perfect for recording all types of voices and instruments
  • Works with most types of phantom power
  • A nice budget choice
  • Shock mount with adapter support
  • Produces sounds similar to expensive models

Cons:

  • Requires both phantom power and an XLR cable to use it
  • Has issues with sound isolation
  • You may find that the stand is hard to use

MXL Mics 770
Credits: mxlmics.com

Best for: vocal and instrument recording

To see how the 770 works in the real world, check out the following video. You can even see how well it works in sound tests.

The MXL 770 is a great option for shoppers on a budget. Once you try it, you may even think that the price was a mistake and that it’s worth more.

Buying Options:

6. Neewer NW-700

Get ready to take the world by storm with the NW-700, which is one of the few microphones that will deliver pro results in any setting. Thanks to the adjustable stand, you can now change the position of this model to make sure that it works for you. This also helps you pick up voices when you interview others along with the instruments that you use.

Neewer NW-700
“The set can be used for karaoke, in sound reinforcement or recording, to pick up voice or instruments, indoors or outdoors.” — support.neewer.com

Though you do need some accessories to use this device, you get a high frequency response range as well as a windscreen that keeps it from picking up other sounds. You also get a foam cap that lets you use the NW-700 outside.

Top Features:

  • Condenser model with an upgraded audio circuit
  • Windscreen works as a pop filter
  • Adjustable scissor arm stand
  • Foam cap for outdoor use
  • High frequency response range

Pros:

  • Comes loaded with accessories for recording
  • Adjustable stand helps you get it in the right spot
  • Blocks other noises to help your vocals sound clearer
  • Lets you take the device outside for interviewing and recording
  • Compatible with most electronic equipment and instruments

Cons:

  • Requires a sound card and other accessories to use it
  • Not compatible with Macs
  • Has a learning curve for new users

Neewer NW-700
Credits: support.neewer.com

Best for: professional audio recording

See what other reviewers loved about the NW-700 in the video listed below. It might make you take the plunge and order today.

Whether you want to record a new song or work on a podcast, the NW-700 delivers the best sound quality for the money.

Buying Options:

7. Blue Ember

You no longer need to adjust your device to make sure that it doesn’t appear in your shots because this Blue Ember has a low-profile that keeps it out of the way. Not only is it more compact than other models, but it also weighs less. That makes it easy to carry it around for interviews and use it outside of your studio.

Blue Ember
“Ember’s precise cardioid polar pattern and custom-designed phantom power circuitry ensure remarkably consistent frequency response with ultra-low noise for a rich, smooth vocal sound.” — bluemic.com

You may dislike that design though as it makes it hard to find a compatible shock mount. A shock mount is a must-have as this model can pick up soft and loud noises. Though it does not come with an XLR cable, it works with the cables that you already own to quickly connect it to all of your equipment.

Top Features:

  • Built-in condenser cap
  • Strong cardioid pattern
  • Low-profile design
  • XLR connector

Pros:

  • Compact design won’t show up in your camera’s field
  • Acts as an upgrade when compared to other microphones in this price range
  • Easy to set up
  • Compatible with lots of accessories and equipment

Cons:

  • You may need a signal booster in some situations
  • Works better when paired with a shock mount
  • Price rises when you add the must-have accessories

Blue Ember
Credits: bluemic.com

Best for: podcasting and live streaming

Get a better look at this Blue Ember in the review that I found. In just a few minutes, you’ll see why so many podcasters love it.

To record live streams and podcasts at home that have a professional look, this is a great model to try.

Buying Options:

8. Shure SM58-LC

Priced at right around $100, the Shure SM58-LC delivers the sound quality and results that you expect from a Shure while also helping you save money. With a frequency response range of 50 to 50,000Hz, it can detect the softest of voices nearby and pick them up.

Shure SM58-LC
“When wind and plosives try to take over, the spherical mesh grille and built-in pop filter keep them out of the mix.” — shure.com

Shure gives you a pop filter that protects against both electronic and wind noises. Thanks to the pneumatic shock system, the SM58-LC also does a good job of cutting back on the noises produced as you move and handle it.

Top Features:

  • 50 to 50,000Hz frequency response range
  • Pneumatic shock-mount
  • Cardioid pickup polar pattern
  • Enamel and metal construction
  • Built-in pop filter

Pros:

  • Perfect for projecting one or more voices across space
  • Suitable for all types of vocal recording
  • Durable design holds up to daily use
  • Stand adapter is resistant to most damage
  • Works with or without a computer

Cons:

  • Does not have a built-in power switch
  • May need an amp to use it for projecting
  • Can produce some popping sounds

Shure SM58
Credits: shure.com

Best for: vocal recording and singing

To get a better idea of how the SM58-LC from Shure can meet your needs, I encourage you to watch the video that follows. You can check it out after reading my short review.

From giving lectures that everyone in the crowd can hear to recording vocal tracks in a studio setting, the Shure SM58 has all of the features that you need.

Buying Options:

 

Best XLR Microphones Under $300

These models are a bit more expensive but they are also a bit better.

9. Rode Procaster

You can sit as close as you want to the Rode Procaster without worrying that it might miss some of the words that you say. Specifically designed for podcasting, it has a tight polar pattern that picks up all types of speech patterns.

Rode Procaster
“The Procaster features an internal pop filter, designed to minimise plosives sounds that can overload the microphone capsule and distort the audio output.” — rode.com

Even if you interview guests with low or soft voices, you can still record them. With the included zippered pouch, you can safely store the mic between your recording sessions and keep it safe. Rode also added a built-in pop filter to reduce background noises.

Top Features:

  • Unidirectional cardioid polar pattern
  • 3/8-inch adapter for use with stands
  • Zippered storage pouch
  • Internal pop filter
  • Built-in shock mount

Pros:

  • Eliminates mechanical noises caused by electronics
  • Offers professional sound quality
  • Has the clean gain that you want
  • Delivers lots of bass sounds
  • Durable design for regular use

Cons:

  • May need a preamp or other accessories
  • Has some pickup from behind the mic
  • You might notice that the internal parts move as you use it

Rode Procaster
Credits: rode.com

Best for: podcasting and broadcast recording

The following video lets you see why the Procaster is such a popular choice for podcasting at home. You can see how you can use it no matter what subjects you address in your podcasts.

For both broadcast recording and podcasting, you can’t go wrong with the Rode Procaster.

Buying Options:

10. Shure SM7B

The removable windscreen that comes with the Shure SM7B both reduces some sounds and focuses on voices when you or your guests sit closer to the microphone. You can also use the pop filter when you sit close to stop this device from picking up the sound of your breath.

Shure SM7B
“The air suspension shock isolation and the pop filter eliminate both mechanical noise and breathiness. So words get through and the rest stays out of the mix.” – shure.com

The captive nut stand works with the yoke mount to let your mount the microphone overhead. You can also adjust the nut as needed to change the angle of the SM7B. Shure also gives you an internal shock system that eliminates all types of mechanical noises.

Top Features:

  • Removable windscreen
  • Built-in pop filter
  • 50 to 20,000kZh frequency response range
  • 150-ohm impedance
  • Mounting bracket included

Pros:

  • Nice and fast response time
  • Mounts overhead to detect and pick up more voices and sounds
  • Adds a deeper and richer tone to some voices
  • Designed to stand up to daily use
  • Reduces the sounds of breathing

Cons:

  • Not as sensitive as you might expect
  • May require the addition of a line or signal booster
  • Can pick up lots of floor noise

Shure SM7B
Credits: shure.com

Best for: podcasting and live streaming

I recommend watching this short video to see some of the features that make this a good choice for podcasting. You’ll also see some of the benefits of using it for live streaming.

As it cuts back on breath sounds and picks up soft voices, the SM7B is perfect for interviewing guests and creating fun podcasts.

Buying Options:

11. AKG Pro Audio P220

AKG Pro Audio makes the P220 for those who want an affordable way to get professional results at home. This is a device that you can use in your studio without worrying about mechanical noises and electronic sounds getting in your recordings.

AKG Pro Audio P220
“A switchable bass-cut filter and attenuation pad make it perfectly suited for use on loud sound sources with sound pressure levels up to 155dB SPL. The rugged and roadworthy design also makes the P220 a perfect choice for on-stage applications.” – akg.com

It has a frequency response range of up to 20,000kZh and a sensitive range of down to -20 decibels. You may find that it produces better results when used with deeper and silkier voices than it does with those who have higher pitches.

Top Features:

  • Adjustable bass-cut filter
  • Attenuation pad works at 155 decibels
  • Cardioid polar pattern
  • 200 ohms electrical impedance
  • Sensitivity range down to -20 decibels

Pros:

  • Adds a warm touch to your vocals
  • Can detect all types of instruments
  • Easy to both setup and use
  • Works nicely with deeper voices such as baritones
  • Comes with a shock mount

Cons:

  • Can have an uneven response range
  • Only works with phantom power
  • May not pick up soprano and higher voices

AKG Pro Audio P220
Credits: akg.com

Best for: vocal and instrument recording in home studios

Watch the following video to see how the P220 can deliver professional results in your home studio. The video also looks at how you can use this model with other equipment.

If you want to produce strong audio clips and recordings at home that you can share online, try the P220 on for size.

Buying Options:

12. Stellar X2

The Stellar X2 is a must-have microphone for those who want neutral and balanced sounds. Not only does it have a frequency response range of up to 20,000kZh, but it features a built-in condenser made from both Mylar and brass that can last for years.

Stellar X2
“Powder-coated paint is evenly applied and heat-treated to provide it with a smooth and scratch resistant surface.” — techzoneaudioproducts.com

The gold traces inside the device are more conducive than other materials to deliver better audio quality. You’ll also like that it has an optimized circuit that both produces less distortion while picking up softer tones.

Top Features:

  • Balance and neutral range of frequency responses
  • Mylar and brass condenser capsule built inside
  • Optimized circuit to work with lower/softer noises
  • Rugged and durable iron body
  • Sensitivity range as low as -31 decibels

Pros:

  • Delivers warm and clear sounds
  • Offers the same quality that expensive microphones do
  • Works well when voices are close by
  • Produces less distortion as it records
  • Detects a range of both voices and instruments

Cons:

  • Requires an audio interface to use it
  • Produces some dull or flat sounds
  • Not the best option for voiceover work

Stellar X2
Credits: techzoneaudioproducts.com

Best for: vocal and instrument recording in studio settings

Before you drop $200 or more on this device, watch the following video. I recommend that you look at both the X2 pros and cons before you buy.

Thanks to the pop filter and other impressive features, the X2 adds a warm touch to any voice and can make instruments sound clearer.

Buying Options:

13. Shure MV7

The MV7 might be the only microphone that you ever need for creating podcasts at home. It comes with options that let you connect it to other equipment via an XLR cable or USB cord. Built-in support is also available for headphones to help you focus on your recording.

Shure-MV7
“Whether you’re a podcaster that likes to get up close and personal with the microphone, or a streamer that likes a bit more breathing space, you can select from ‘near’ or ‘far’ depending on your preference.” — shure.com

I like the auto-level mode that lets the MV7 automatically adjust its settings based on how you want to use it and the sound of your voice. You can also use the ShurePlus app to get more control over those settings and use this device away from your system. This app is compatible with most mobile devices.

Top Features:

  • Auto level mode
  • XLR and USB outputs
  • Voice isolation technology
  • Preset positions
  • Built-in headphone support

Pros:

  • Works well in all types of rooms and studios
  • Comparable to professional models
  • Delivers impressive sound quality
  • Comes with free software
  • Works with the Shure app to give you more control

Cons:

  • Included boom stand doesn’t work well
  • You may need a better windscreen
  • Can pick up some echoes

Shure-MV7
Credits: shure.com

Best for: podcasters

Check out the software that you can use with the MV7 along with other features in this video. It also shows you why this is a top choice for podcast creators.

As strong as the MV7 is for podcasting, you may want to check out other Shure microphones.

Buying Options:

14. Shure Super 55

Vintage designs are popular with many recording artists, but one of the best modern models with that design is the Super 55. As soon as you grab this and slip into your studio, you’ll want to belt out all of your favorite classic songs. Don’t let the design make you think that this can’t handle the needs of today’s artists though.

Shure Super 55
“The shock-mounted cartridge minimises stand noise. So swing while you sing. It can handle the motion.” — shure.com

The Super 55 has a unidirectional cardioid pattern that helps it pick up any nearby voices along with the sounds of instruments and other equipment. It has a thread that is compatible with most accessories and comes with a zippered pouch that keeps it safe between your sessions. Shure also offers technical support online when you buy the microphone. You simply register the Super 55 online and set up an account. Shure will then let you ask questions and get help when you need it.

Top Features:

  • Unidirectional cardioid pattern
  • Compatible thread adapter for use with other equipment
  • Comes with a zippered pouch for storage
  • Include online technical support
  • Rejects most types of feedback

Pros:

  • Follows the natural voice patterns of users
  • Rugged and durable design
  • Low price tag
  • Perfect for video recording and live streaming
  • Picks up all types of voices

Cons:

  • Doesn’t work with all types of mounts
  • Can produce some hissing sounds
  • May require that you use an optional windscreen

Shure Super 55
Credits: shure.com

Best for: those who like to move as they record

Do you love the look of the Super 55 but want to see if the vintage design can handle modern recording? Check out the video I added below to see what other reviewers liked about this model.

Those who love vintage microphones but don’t want to worry about how to use them with modern equipment will get a kick out of the Super 55.

Buying Options:

 

Best XLR Microphones Under $500

Here’s my review of the most expensive models on this list.

15. HEiL Sound PR-40

HeiL makes some of the best equipment for professional and beginning recording artists such as the PR-40. Thanks to the three-pin connector, it is compatible with your favorite accessories as well as an optional windscreen that the company makes. Even without the windscreen, it does an adequate job of preventing background noises and mechanical hums from interfering with your work.

HEiL Sound PR-40
“PR 40 will provide a flawless, smooth, flat response from 28 Hz all the way up to the 18k Hz, making this a great microphone for everything from vocals, to bass drums and tom drums, to guitar and bass cabinet mic’ing and more.” — heilsound.com

The PR-40 weighs over one pound, which can make it feel too heavy in your hand. This model has the balanced impedance that you want to give your recordings a smooth and even tone. Many like how well the PR-40 picks up different types and levels of sounds, including both voices that are softer and louder as well as most instruments. This device also does an amazing job of focusing only on sounds in the vicinity.

Top Features:

  • 28Hz to 18kHZ frequency response range
  • Cardioid polar pattern
  • Off-axis rear projection
  • Balanced impedance
  • 148 maximum SPL

Pros:

  • Available in two finishes to match your studio
  • Dual mesh screens act as filters for your recording
  • Smooth response that lacks mechanical noises
  • Available in two finishes to match your studio
  • Compatible with an optional windscreen for outdoor use

Cons:

  • Doesn’t work with all types of accessories
  • Costs a little more than other microphones
  • Can feel heavy when used in your hand

HEiL Sound PR-40
Credits: heilsound.com

Best for: professionals and those with more money to burn

Get a look at how the PR-40 performs and some of the features that you’ll want to use in this short video. It goes into greater detail than I had a chance to do in my short review.

Buying Options:

16. Electro-Voice RE20

The RE20 shows that you can get more for your money when shopping for an XLR microphone. Thanks to the classic design, you might feel like an old-school broadcaster every time you step into the studio. With the included adapter, you can use the RE20 as a recording boom or on a floor stand. That adapter absorbs shocks and reduces the line hums that you can sometimes hear.

Electro-Voice RE20
“The RE20 dynamic cardioid microphone is truly an industry standard, a firm favorite for broadcasting, podcasting, and sound engineering worldwide.” – electrovoice.com

Weighing less than two pounds, this model features a two-pin connector that also functions as a three-pin connector. It has high sensitivity and comes with a pop filter that allows this model to pick up the voices of anyone in the room when they stand close by. The frequency response range of 45 to 18,000Hz ensures that those with both loud and soft voices can use the RE20. Though the higher price tag might put the RE20 outside of your budget, it has some great features that make it one of the best around.

Top Features:

  • 45 to 18,000Hz frequency response range
  • Cardioid polar pattern
  • Mid-bass switch
  • Classic design
  • Large diaphragm

Pros:

  • Pop filter focuses primarily on voices
  • Prevents line hums
  • Reduces noises caused by vibrations
  • Comes with an internal shock mount
  • Includes a stand case

Cons:

  • The high price tag doesn’t fit all budgets
  • Weighs a little more than other mics
  • Not the best option for instrument recording

Electro-Voice RE20
Credits: electrovoice.com

Best for: close-up vocal work

When you can afford to spend more on an XLR microphone, you want to make sure that it meets your needs. I recommend taking a look at the video below to see how the RE20 works in real life. You can also get a look at some of the features that you’ll use.

The RE20 is one of the top choices for those who can spend more than $300 on a mic.

Buying Options:

 

Must-Have Accessories for XLR Mics

There are some must-have items that you may need as an addition to your XLR microphones.

1. XLR Male to Female Microphone Cable

XLR Male to Female Microphone Cable

To use any of the devices on my list, you may want to add a few accessories to get more out of them. I recommend the XLR Male to Female Microphone Cable from Amazon Basics. Designed specifically for mics, this six-foot cable lets you quickly connect your device to equipment with a different adapter. It has copper shielding inside along with copper conductors to cut back on other noises and any type of interference. As a bonus, you get a one-year warranty with these XLR cables.

Buying Options:

2. XLR to XLR Two-Pack Microphone Cable

XLR to XLR Two-Pack Microphone Cable

The XLR to XLR Two-Pack Microphone Cable from Cable Matter is also useful. This two-pack comes with two cables that work with most microphones. At 10 feet in length, the XLR cables give you more freedom of movement and are great for use in your studio or on the stage. The conductors are free of oxygen to ensure that you get crisp sounds with no interference. This set is compatible with any type of equipment that has an XLR connector, including lighting and speaker systems.

Buying Options:

3. Gearlux XLR Male to Female Microphone Cable

Gearlux XLR Male to Female Microphone Cable

You may want to consider the Gearlux XLR Male to Female Microphone Cable, too. At 25 feet in length, this is one of the longest cables that you can buy. You get two cables in the set. Both of which are perfect for using your microphone with a home computer or audio equipment when recording. The cables are also great for live shows where you perform in front of a crowd because they do not pick up interference and deliver all of the crisp sounds that you want.

Buying Options:

 

Other Useful Resources

 

A Final Word on the Best XLR Microphones

A good XLR microphone serves you well as you perform live in front of others and produce work in a studio.

Whether you want to create videos for YouTube and podcasts that you share with listeners or want to record books and songs, you need the best device that fits your budget.

I recommend that you make a list of your needs and wants, and then check out all of the XLR microphone models listed above to find options that match them.

Have any questions about our guide to the best XLR microphones? Let us know by commenting below.

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The 16 Best Dynamic Microphones for Every Budget (2023 Guide) https://myelearningworld.com/best-dynamic-microphones/ https://myelearningworld.com/best-dynamic-microphones/#respond Sat, 18 Mar 2023 07:10:14 +0000 https://myelearningworld.com/?p=3918 Whether you’re a professional video blogger, an online course creator, an educator looking to create video content for fun, or just someone in the market for a new mic, this guide will help you find the best dynamic microphones. Dynamic mics are perfect for creating videos and doing voice overs because they are sturdy and ... Read more

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Whether you’re a professional video blogger, an online course creator, an educator looking to create video content for fun, or just someone in the market for a new mic, this guide will help you find the best dynamic microphones.

Dynamic mics are perfect for creating videos and doing voice overs because they are sturdy and have the ability to give your voice a steady, high-quality sound to polish your videos.

With so many choices out there, finding dynamic microphones that sound great and deliver the performance you need for your audio projects can be overwhelming.

But don’t worry – this guide will cover everything from dynamic microphone features to shopping tips and recommendations for some top-notch mics at every price point.

I’ve tested dozens of dynamic mics over the past few years, and have narrowed the field down to what I believe are the 16 very best dynamic microphones you can buy in 2023.

This guide includes options for dynamic microphones at all budget levels — from cheap picks to high-end models.

Let’s get started!

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

 

Quick Picks for the Best Dynamic Microphone Models

Don’t feel like reading the full guide to the top dynamic microphones? Here are a few quick picks that I feel are a cut above the rest:

Shure SM7B Vocal Microphone Shure SM7B Vocal Microphone
$399.00

What’s inside?

  • Bass roll-off and mid-range controls with graphic display
  • Internal air suspension shock isolation
  • Very effective pop filter

Killer feature: Wide-range frequency response that will produce clean and natural sound for speech and music

We earn a commission if you make a purchase, at no additional cost to you.
01/16/2024 03:12 am GMT

The Shure SM7B is my top pick because it is a terrific choice that provides users with professional, high-quality performance even after rigorous use over time. It is ready to serve you and give your voice a warmer tone that your listeners and watchers will appreciate.

Samson Technologies Q2U USB/XLR Dynamic Microphone Recording and Podcasting Pack (Includes Mic Clip, Desktop Stand, Windscreen and Cables) Samson Technologies Q2U USB/XLR Dynamic Microphone Recording and Podcasting Pack (Includes Mic Clip, Desktop Stand, Windscreen and Cables)
$69.99

What’s inside?

  • USB digital output
  • Cardioid pattern
  • Headphone jack

Killer feature: Cardioid pattern, A/D converter, and 50Hz - 15kHz frequency response to ensure that the recorded sound is crisp, clear, and accurately produced

We earn a commission if you make a purchase, at no additional cost to you.
01/16/2024 04:57 pm GMT

The Samson Technologies Q2U  is another great pick that I like because it is easy to set up in a recording studio or on the go. This mic is very affordable and offers great value, while also producing fantastic audio quality to listeners.

Behringer Ultravoice Xm8500 Dynamic Vocal Microphone, Cardioid Behringer Ultravoice Xm8500 Dynamic Vocal Microphone, Cardioid
$25.00

What’s inside?

  • Cardioid pattern with wonderful feedback suppression
  • A shock mount system
  • Two-stage pop filter

Killer feature: Excellent transparent sound, high signal output, and smooth mid-frequency level to ensure amazing voice sound

We earn a commission if you make a purchase, at no additional cost to you.
01/16/2024 04:57 pm GMT

The Behringer ultra-voice Xm8500 is another one of my favorite one for YouTube because it is durable, affordable, and produces excellent sound quality.

 

How to Choose the Best Dynamic Microphone for Your Needs

There are certain aspects that you should pay crucial attention to when selecting the perfect dynamic mic. The following are a few of the important features to look for:

How to Choose the Perfect Dynamic Mic

1. Value

It is important that you make sure you are getting the best value when purchasing a device. Therefore, you will need to make sure that it is worth what you pay for it. The more you spend, the better you should expect it to work.

2. Compatibility

This is a very important feature when buying a mic. You need to make sure that it is compatible with your smartphone, applications, computer, camera, or whatever device you plan to use. By choosing a mic that is compatible, you will save yourself a lot of stress in the long run.

3. Trusted brand

Finding a microphone that has been created and sold by a trusted brand is extremely important. If you buy a model from a brand that is not very well-known or not known to be trustworthy, you will have a big chance of getting a mic that does not work well or last for a long period of time. I recommend choosing a dynamic mic that you can read plenty of reviews on, watch videos about, and see other customers’ satisfaction level. This will give you relief in knowing that your device will work well for you just like it did for others.

4. XLR or USB

You need to determine if you are looking for USB mics or XLR mics. The difference of these two types is how they plug into your device that you plan on using. You do not want to purchase a model with the wrong output because you will end up needing to return it. Some have both outputs.

5. Durability and reliability

It is highly recommended to make sure the mic you select is durable and reliable. When making this important purchase, you most likely will be planning to use this mic for at least a few years. Therefore, it is crucial that you choose one that is known to last awhile and can withstand a few small bumps here and there.

6. Flexibility

While recording videos, you will be speaking into a mic to help your viewers hear you loudly and clearly. Therefore, you will need to make sure that the mic you plan on using is flexible. This will enable you to move around more freely while speaking and recording.

 

What are the Best Dynamic Microphones?

My recommended list of best dynamic microphones
Samson Technologies Q2U

For beginner podcasters, YouTubers, live streamers, public speakers, and vocal artists.

Category: Budget Models
Amazon →
Behringer Ultra-voice Xm8500

For individuals who do not have a lot of experience with it and are interested in improving their audio quality.

Category: Budget Models
My choice among Budget Models
Amazon →
UHURU

For podcasters, YouTubers, gamers, and those who just want to chat online.

Category: Budget Models
Amazon →Uhuru →
Audio-Technica AT2020

For individuals starting out in the virtual world. It will enhance your voice quality on your videos tremendously.

Category: Budget Models
Amazon →AT website →
Zoom ZDM-1

For beginner podcasters, YouTubers, and those interested in recording their voice.

Category: Budget Models
Amazon →Sweetwater →
PreSonus 1 PD-70

For podcasters, YouTubers, radio hosts, and more. It will benefit anyone who needs to amplify their voice in a clear, warm way.

Category: Budget Models
Amazon →Sweetwater →
MXL BCD-1

For live performers, vocal artists, or anyone looking to record their voice for any reason.

Category: Budget Models
Amazon →MXL →
Pyle PDMICR42SL

For beginners and those interested in doing live performances.

Category: Budget Models
Amazon →
Rode Procaster Broadcast

For intermediate and advanced users, who are looking to step up their podcast or YouTube channel with amazing audio quality.

Category: Budget Models
Amazon →
Shure SM57-LC

For instrument players who are interested in recording their music.

Category: Budget Models
Amazon →Shure →
Zoom ZDM-1 Podcast

For singers, podcasters, video game streamers, and YouTubers.

Category: Middle Segment
My choice among Middle Segment
Amazon →Sweetwater →
Shure MV7

For vocal artists, podcasters, and YouTubers. If you are spending majority of your day speaking into it, the Shure MV7 will shine outstandingly.

Category: Middle Segment
Amazon →Shure →
Shure BETA 58A

For individuals who are starting out their podcast, music, or YouTube career. It is a basic choice that will accomplish your daily tasks as needed.

Category: Middle Segment
Amazon →Shure →
Shure SM7B

For new or professional YouTubers who need a great device to amplify their voice to go with their videos.

Category: Hi-End Models
My choice among Hi-End Models
Amazon →Shure →
Shure Super 55

For YouTubers who are going to sit still and speak directly into it.

Category: Hi-End Models
Amazon →Shure →
Warm Audio WA-47jr

For individuals who play instruments, sing, or are interested in creating video content for YouTube.

Category: Hi-End Models
Amazon →Warm Audio →

In my list, I have found 16 picks that will work best for blogging and educating. I have organized them into three different categories for your convenience. The three categories include Budget, Middle Segment, Hi-End Models.

Budget Models

If you are short of money at the moment, you are an economical user, or you just need a simple option, here are some of the best dynamic microphone models that won’t break the bank.

1. Samson Technologies Q2U

The Samson Technologies Q2U USB/XLR is a pick that offers its users the ability to use an XLR or USB output. This is a simple-style microphone that provides professional, high-quality audio sound.

Samson Technologies Q2U USB/XLR Dynamic Microphone
Credits: samsontech.com

Pros:

  • Can connect using XLR cable or USB
  • Very affordable
  • Easy to plug in directly to your computer

Cons:

  • Plain, simple appearance
  • Users must speak directly into it
  • May work best for beginners

Samson Technologies Q2U USB/XLR Dynamic Microphone
Credits: samsontech.com

Best for: Beginner podcasters, YouTubers, live streamers, and vocal artists. It offers great quality at an affordable price.

For more information on the Samson Technologies Q2U, check out Podcastage’s YouTube video. Throughout the video, he gives you an in-depth look at the mic, what’s included, and provides you with his opinion of it.

Buying Options

2. Behringer Ultra-voice Xm8500

The Behringer Ultra-Voice Xm8500 is the perfect choice for individuals looking for a device that is easy to use and performs wonderfully. This pick is sturdy, high-quality, and provides smooth voice audio.

Behringer Ultra-voice Xm8500 Dynamic Vocal Microphone
Credits: behringer.com

Pros:

  • Easy to use
  • Sturdy and extremely reliable
  • Great frequency response
  • High signal output

Cons:

  • Plain appearance
  • You will need to get rid of anything in the background that may cause noise
  • May need a pop filter to reduce extra noise

Behringer Ultra-voice Xm8500 Dynamic Vocal Microphone
Credits: behringer.com

Best for: Individuals who do not have a lot of experience with it and are interested in improving their audio quality.

To see the Behringer Ultra-Voice Xm8500 in action, take a look at Podcastage’s YouTube video. He explains in-depth why this is a great device to choose.

Buying Options

3. UHURU

The UHURU is a professional device that will enhance your voice and give it a smooth, natural sound. This model is for beginner, intermediate, and advanced users.

UHURU XLR Condenser Microphone
Credits: uhurumobility.com

Pros:

  • Affordable
  • Great power and responses
  • Cancels room noise from the background
  • Provides flexibility and ability to move around

Cons:

  • May need a pop filter to help reduce pop and breathing noises
  • May be slightly sensitive to pop noise
  • Plain appearance

UHURU XLR Condenser Microphone
Credits: uhurumobility.com

Best for: Podcasters, YouTubers, gamers, and those who just want to chat online. It is a well-rounded mic that can complete the needed tasks for all individuals.

To learn more about the UHURU XLR, watch Cruisn Canada’s YouTube video. He gives you a look at the unboxing of this model and provides his opinion on if he thinks this mic is good for YouTube and podcasts.

Buying Options

4. Audio-Technica AT2020

The Audio-Technical AT2020 is an excellent option that works best in home studios. This mic offers incredible versatility that cannot be matched.

Audio-Technica AT2020 Cardioid Condenser Studio XLR Microphone
Credits: audio-technica.com

Pros:

  • Easy to use
  • Affordable
  • Amazing versatility

Cons:

  • Simple, plain appearance
  • Most beneficial to beginners
  • May need additional equipment

Audio-Technica AT2020 Cardioid Condenser Studio XLR Microphone
Credits: audio-technica.com

Best for: Individuals starting out in the virtual world. It will enhance your voice quality on your videos tremendously.

If you are interested in finding out more about the Audio-Technica AT2020, view Podcastage’s video. He gives you a detailed look at it while also testing it out.

Buying Options

5. Zoom ZDM-1

The Zoom ZDM-1 is a professional device that provides excellent sound quality. It has a classy look and focuses on ensuring crystal clear recordings.

Zoom Dynamic Microphone ZDM-1
Credits: zoomcorp.com

Pros:

  • Extremely durable and reliable
  • Affordable
  • Nice appearance
  • Great sound and isolation from noise
  • Trusted brand

Cons:

  • May be best for beginners
  • Must speak directly into the mic
  • May be sensitive to other sounds

Zoom Dynamic Microphone ZDM-1
Credits: zoomcorp.com

Best for: Beginner podcasters, YouTubers, and those interested in recording their voice.

To see an up-close look of the Zoom ZDM-1, watch Obscure Mics’ YouTube video. He gives an awesome review of the details of it, its features, and how it works.

Buying Options

6. PreSonus 1 PD-70

The PreSonus 1 PD-70 is an amazing device that is ready to take on the virtual world. This pick is not only stylish but also offers wonderful audio quality.

PreSonus 1 PD-70 Dynamic Vocal Microphone XLR
Credits: presonus.com

Pros:

  • Stunning, unique appearance
  • Top-notch performance
  • Works well with all types of audio interfaces that include a microphone preamp
  • Extremely durable
  • All users can use it (beginner-advanced level)

Cons:

  • Sensitive
  • May need to speak close to it

PreSonus 1 PD-70 Dynamic Vocal Microphone XLR
Credits: presonus.com

Best for: Podcasters, YouTubers, radio hosts, and more. It will benefit anyone who needs to amplify their voice in a clear, warm way.

Rebel Tech has created a video where he is using the PreSonus PD-70. His goal is to ensure that you have all the details and information about this product before purchasing it.

Buying Options

7. MXL BCD-1

The MXL BCD-1is a great choice for individuals looking for a sleek device that will give them excellent sound quality. This mic focuses on providing high output and low noise. It is the perfect product for anything speech-related.

MXL BCD-1 Dynamic Podcast Microphone
Credits: mxlmics.com

Pros:

  • Sleek appearance
  • Great control
  • Durable
  • Versatile

Cons:

  • May need to speak directly into the mic
  • Sensitive
  • Built-in shock mount picks up noise sometimes

MXL BCD-1 Dynamic Podcast Microphone
Credits: mxlmics.com

Best for: Live performers, vocal artists, or anyone looking to record their voice for any reason.

Check out Audio Hotline’s YouTube video on the MXL BCD-1. In the video, he uses the mic and shows off all its amazing capabilities.

Buying Options

8. Pyle PDMICR42SL

The Pyle PDMICR42SL is an outstanding product with a vintage appearance. This device offers an old-fashioned look with an up-to-date, high-quality sound.

Classic Retro Dynamic Vocal Microphone
Credits: www.pyleaudio.com

Pros:

  • Stylish appearance
  • Very Affordable
  • Flexible

Cons:

  • May be sensitive to noise
  • Some individuals may not like the classic look
  • May work best for live performances
  • Not very durable

Classic Retro Dynamic Vocal Microphone
Credits: www.pyleaudio.com

Best for: Beginners and those interested in doing live performances.

Take a look at Podcastage’s YouTube video on the Pyle PDMICR42SL. During the video, he uses the model while also giving an explanation of what he thinks of it overall.

Buying Options

9. Rode Procaster Broadcast

The Rode Procaster Broadcast is a beautiful product that offers incredible features. It is ready to serve you with any of the speaking needs that you may have.

Rode Procaster Broadcast Dynamic Vocal Microphone
Credits: rode.com

Pros:

  • Beautiful appearance
  • High-quality sound
  • Durable, sturdy metal construction

Cons:

  • May not work well for beginners
  • May need to purchase other products to go with it
  • Sensitive

Rode Procaster Broadcast Dynamic Vocal Microphone
Credits: rode.com

Best for: Intermediate and advanced users, who are looking to step up their podcast or YouTube channel with amazing audio quality.

To learn more about the Rode Procaster, check out Podcastage’s YouTube video. He will give you a great explanation of everything this item entails.

Buying Options

10. Shure SM57-LC

The Shure SM57-LC is one of the most trustworthy mics on the market. With its unique design and high-quality performance, this mic will amaze its users.

Shure SM57-LC Cardioid Dynamic Microphone
Credits: www.shure.com

Pros:

  • Unique, stylish appearance
  • Affordable
  • Trusted brand
  • Easy to use

Cons:

  • May experience some sensitivity
  • May need to speak directly into the mic

Shure SM57-LC Cardioid Dynamic Microphone
Credits: www.shure.com

Best for: Instrument players who are interested in recording their music.

If you would like to take a look at the Shure SM57, Podcastage has created a YouTube video showing off this pick for your convenience.

Buying Options

Middle Segment

If you want to choose something medium and high-quality for daily use,here are some of the best dynamic microphone models in the mid-price range.

11. Zoom ZDM-1 Podcast

The Zoom ZDM-1 is a great choice for those searching for a trusted brand, professional-quality headphone. This one will produce smooth, crisp audio sound while allowing you to listen through headphones.

Zoom ZDM-1 Podcast Dynamic Microphone
Credits: zoomcorp.com

Pros:

  • Produces loud and clear sound
  • Gives your voice a smooth, crystal clear sound
  • It provides excellent isolation to prevent any background noise, distortion, or pops

Cons:

  • May seem to be a little on the pricey side
  • Plain appearance, not very appealing looks-wise
  • The frequencies are sometimes too high

Zoom ZDM-1 Podcast Dynamic Microphone
Credits: zoomcorp.com

Best for: Singers, podcasters, video game streamers, and YouTubers. It can fit into the daily life of all individuals. Whatever the task, this mic is ready for the challenge.

Check out Podcastage’s YouTube video to get a thorough review of the Zoom ZDM-1. He gives you a look at what comes in the box when you purchase it.

Buying Options

12. Shure MV7

The Shure MV7 is an elegant device that offers users the ability to use it with an XLR or USB output. It provides users with complete control as well as the ability to monitor their sound through headphones. When choosing a mic, the Shure MV7 is one that will give your voice a rich, natural sound.

Shure MV7 Podcast Microphone
Credits: www.shure.com

Pros:

  • Very nice appearance
  • Ability to use USB or XLR
  • Ability to control and monitor sound
  • Extremely durable and reliable

Cons:

  • Some may find the appearance to be plain
  • Some people may find this item to be on the pricey side
  • Users will need to speak directly in front of the mic

Shure MV7 Podcast Microphone
Credits: www.shure.com

Best for: Vocal artists, podcasters, and YouTubers. If you are spending majority of your day speaking into it, the Shure MV7 will shine outstandingly.

Watch Alpha Gaming’s YouTube video on the Shure MV7 for more information about this product. He unboxes it and gives you an up-close look at everything that is included.

Buying Options

13. Shure BETA 58A

If you are looking for a simple mic that will get the job done, the Shure BETA 58A should be at the top of your list. This item offers great feedback, frequency response, control, durability, terrific sound, and more.

Shure BETA 58A Supercardioid Dynamic Vocal Microphone
Credits: www.shure.com

Pros:

  • Great control for vocals
  • Background noises are minimized
  • Trusted brand known to be reliable and dependable
  • Excellent power

Cons:

  • Simple, plain appearance
  • Some individuals may find this mic to be on the pricey side
  • May benefit beginners more

Shure BETA 58A Supercardioid Dynamic Vocal Microphone
Credits: www.shure.com

Best for: Individuals who are starting out their podcast, music, or YouTube career. It is a basic choice that will accomplish your daily tasks as needed.

If you would like more information on the Shure BETA 58A, check out Briansredd’s YouTube video. He gives you a quick look at this device that he enjoys using.

Buying Options

Hi-End Models

If you have enough money at your disposal, I would advise you to choose these models. They have such characteristics that are definitely worth the money.

14. Shure SM7B

When looking for a high-quality model, a Shure SM7B is the perfect choice. Shure is a trusted brand that is well-known for producing some of the top audio gear, and the SM7B lives up to this. While using this one, your voice will become clear, crisp, and warm to your listeners. You will also have complete control over the low-end frequencies.

Shure SM7B Cardioid Dynamic Microphone
Credits: www.shure.com

Pros:

  • The frequency response is outstanding
  • The electromagnetic shield helps minimize hum and interferences
  • The dynamic capsule has the ability to produce high-quality audio for both instrument and voice recordings

Cons:

  • Some may consider this mic to be too expensive
  • It is rather plain and does not have an eye-catching appearance
  • The XLR output requires that the user use an audio interface or special recording hardware

Shure SM7B Cardioid Dynamic Microphone
Credits: www.shure.com

Best for: New or professional YouTubers who need a great device to amplify their voice to go with their videos. Voice-over artists also can benefit from it.

For more information about the features included with the Shure SM7B, check out Podcastage’s YouTube video. He explains why it is his favorite and provides a test to show interested individuals how it works.

Buying Options

15. Shure Super 55

The Shure Super 55 has a sleek look to it, and it sounds amazing. Individuals who purchase this model will be able to produce clear, natural vocal sound. Its rugged construction can also endure any rigorous activities.

Shure Super 55 Supercardioid Dynamic Vocal Microphone
Credits: www.shure.com

Pros:

  • Very attractive appearance
  • Ensures smooth, natural performance with no background noise
  • Very reliable with its rugged case

Cons:

  • Some people may find it to be too costly
  • May not be able to move around while speaking into the mic because you need to be directly in front of it
  • Some people may not want a vintage-looking one

Shure Super 55 Supercardioid Dynamic Vocal Microphone
Credits: www.shure.com

Best for: YouTubers who are going to sit still and speak directly into it. If you are planning to do little to no movement, this mic will give you exceptional sound quality to go along with your videos.

To see the The Shure Super 55 being used by someone, take a look at Jake Holder’s YouTube video. He takes the time to show how it sounds while speaking and singing into it.

Buying Options

16. Warm Audio WA-47jr

The Warm Audio WA-47jr is a beautiful pick with three polar patterns. This pick is solid, strong, and known to give user’s voices a detailed sound with no distortion present.

Warm Audio WA-47jr Large Diaphragm Condenser Microphone
Credits: warmaudio.com

Pros:

  • Resists distortion
  • Very attractive appearance
  • Produces warm sound

Cons:

  • Some people may find this mic to be too expensive
  • The brand is not as well-known as other brands
  • The sound may sometimes sound thin if you do not speak directly into it

Warm Audio WA-47jr Large Diaphragm Condenser Microphone
Credits: warmaudio.com

Best for: Individuals who play instruments, sing, or are interested in creating video content for YouTube. You can easily record your talent on video while using the mic to amplify the sound.

If you would like to see the Warm Audio WA-47jr in use, watch Sweetwater’s YouTube video. He spends a few minutes giving his review of it as well as shows you how it works.

Buying Options

 

Must-Have Accessories for Your Dynamic Microphone

After you have chosen the perfect mic for your YouTube channel, there are a few must-have items that you should look into purchasing to go along with it. The following are three must-haves to consider buying:

Adjustable Stand →

Adjustable StandThe Adjustable Suspension Boom Scissor Arm Mic Stand is an excellent choice for holding your mics in place to prevent it from shaking or making extra noise while you are recording. You can easily mount this product on your desk or table and immediately begin using it.

Users who buy this mic stand use it for their YouTube videos, podcasts, music, and more. It offers great performance and can be easily folded and taken anywhere with you.

USB C Adapter →

USB C AdapterThe USB C Adapter is a great device that has two parts. One part is simply for listening, and the other part is for speaking. It gives you the opportunity to talk while recording videos or chat while playing a videogame. This product also minimizes background noise and is small enough to be carried along anywhere with you.

Foam Cover →

Foam CoverFoam Cover is highly beneficial to users because it helps get rid of the muffle sounds as well as the pop, breathing, and wind noises. This small foam windscreen is the perfect choice for improving the quality of the sound.

It also helps get rid of any background noise and ensures that your voice is amplified clearly.

 

Other Useful Resources

 

A Final Word on the Best Dynamic Microphones

As you can see, there is a large variety of best dynamic microphones. The main goal of purchasing a microphone is to ensure that your audience and viewers are able to hear you clearly and accurately while watching your videos. I know that it is also important for some people to find a microphone that is not expensive.

If you are on a limited budget and need a new microphone that works great, you can check out this article on 21 of the best budget microphones. Instead of worrying about being able to buy a high-priced microphone, you should purchase something that you can afford right now and worry about upgrading at a later time.

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The Best Acoustic Foam Alternatives for Cheap Soundproofing Your Space https://myelearningworld.com/acoustic-foam-alternatives/ https://myelearningworld.com/acoustic-foam-alternatives/#respond Thu, 16 Mar 2023 11:42:06 +0000 https://myelearningworld.com/?p=5286 With the best acoustic foam alternatives, you can enjoy highly effective, cheap soundproofing materials for your studio or any space. Acoustic foam panels are excellent to use for fine-tuning the sound in a room. They help to get rid of unwanted echoes and other problems caused by reflective surfaces. However, acoustic foam panels are not ... Read more

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With the best acoustic foam alternatives, you can enjoy highly effective, cheap soundproofing materials for your studio or any space.

Acoustic foam panels are excellent to use for fine-tuning the sound in a room. They help to get rid of unwanted echoes and other problems caused by reflective surfaces.

However, acoustic foam panels are not very good at soundproofing a room because soundproofing is achieved by reducing the vibrations caused by a sound coming from outside a room.

The other concern is that foam panels are somewhat expensive compared to other sound treatment solutions.

The good news is you don’t need to spend that much money to soundproof your room and reduce noise leakage.

In this article, I’ll show you how to use better alternatives to acoustic foam that offer cheap soundproofing materials to fit your budget.

I have been producing podcasts for many years. Making podcasts is not something I did to earn money, and I had to do everything on a very low budget. I tried all kinds of things to soundproof my home studio.

Read more to learn about getting the perfect sound for your home recording studio by using all kinds of things as an alternative to acoustic foam or in addition to using acoustic foam.

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

 

What is acoustic foam and how does it work?

People think acoustic foam is for soundproofing. This is a common misunderstanding. It can help with improving a room’s sound, but soundproofing is not its main purpose.

The main reason to use acoustic foam is to stop sound waves from bouncing off the reflective surfaces in your recording studio and fine-tune the frequencies.

Think of sound waves bouncing off surfaces like throwing a tennis ball at the wall. The ball would bounce and perhaps hit another surface and bounce again.

They Bounce When They Hit a Hard Surface

Sound waves do this also, just invisibly. As a sound wave reflects from a surface, it may hit another surface and bounce again. Now you have all the interference patterns of the sound waves mixing, making a jumbled mess.

If a sound wave hits an acoustic panel, the angle of the foam panel’s bumpy design or the absorption of the soft material catches the sound wave and does not reflect it. Think of these panels as acting like a catcher’s mitt that catches the tennis ball thrown at it.

To choose acoustic foam panels, you want to evaluate these things:

  • Flat Panels: Flat panels absorb sound based on their thickness.
  • Sculpted Panels: Sculpted panels absorb more sound based on the design. They may have ridges, pyramids, or look like an egg crate.
  • Thickness: Panels come in one-, two-, and four-inch thick styles. Thicker panels absorb more sound.
  • Noise Reduction Coefficient (NRC): This is a scientific measurement of how well the material absorbs sound. The NRC measurement has a range from zero to one. Zero is no absorption. One is full absorption. A good NRC rating is 0.75.
  • Size: Typically, sound panels come in 24-inch squares or multiples of that size. Bigger sizes are simply more convenient to use when covering large surfaces.
  • Color: Acoustic sound panels in different colors can be used to make a recording studio more attractive.

If you want to find the best acoustic panels you can get my recommendations here.

 

Cheap Acoustic Foam Alternatives

Here are the things that I have tried as alternatives to acoustic foam tiles for soundproofing materials.

Some materials, which are heavier and denser, are better for soundproofing purposes.

Other materials are better for their sound absorption characteristics to help fine-tune the room sound.

Acoustic Foam Can Be a Bit Expensive

One note of caution is appropriate to consider before we begin to talk about materials. Be aware that you may create a fire hazard.

For example, if you stuff the walls with paper, you can block some sound from coming in from outside; however, if the paper is not treated with fire retardant, you severely increase the risk of a fire.

To avoid creating a fire hazard, use fire-rated materials for safety and treat the materials with fire retardants to reduce their combustibility.

Here are some acoustic foam alternatives to consider that are great cheap soundproofing materials:

1. Heavy-Duty Moving Blankets

Heavy-duty moving blankets are a good choice because they are so cheap. If new, they only cost about $6 each for the 72- by 80-inch size. You can sometimes find used ones for sale at bargain prices.

For Permanent Installations, They Can be Layered Between Other Materials

You can use moving blankets to stuff the walls, cover wall surfaces, or hang them like curtains. You can hang them from hooks on the walls, and then they can be taken down and moved around.

All in all, heavy blankets are fantastic cheap soundproofing materials.

2. Scrap Materials

Any type of dense material that can be fire-treated is suitable for using as soundproofing material to fill the walls. These can be various fibers, used cement, wood scraps, sawdust, packing materials, and some recycled materials.

Any dense material that can be used in thick walls provides a barrier that reduces the ability of sound to pass through.

It is Possible to Fill Walls With Sand, Gravel, Clay, or Even Dirt

In a newly built professional recording studio, the rooms are floated on a suspension system that creates minimal contact with the support structures. Thick concrete walls are used to separate recording studios from other rooms.

In a home recording studio with enough physical space to isolate the room, a false wall can be built inside or outside the existing wall. The space between the two walls can be filled with any available scrap materials.

3. Putting Carpet on or in the Walls

In a permanent home studio installation, it may be possible to put carpet inside the wall. Be sure to use a fire-retardant to treat the carpeting, and then you can fill the walls with it.

A Fast Way to Deaden a Room is to Hang Carpet on the Walls

To improve soundproofing, the idea is to reduce the vibrations that are transmitted through materials and reduce the air that comes in from outside. Sound travels through the air by vibrating the air molecules. Sound travels through other materials by vibrating them also.

The thicker and denser the material is the less vibration that can pass through it. The more layers there are, with a gap of air space between them, the more control you have over blocking sound and vibrations.

Install carpeting on the wall on one side, place carpeting inside the wall, and then install carpet on the other side of the wall to achieve an excellent result.

You can use carpeting on the floors and ceiling in a similar way to reduce sound vibrations coming from above or below. The carpeting does not have to be new.

Be Sure There Are no Gaps and Places Where Air Leakage Can Pass

Try to talk with some local carpet installation companies. They may give you used carpeting for free because they have to pay to throw it away.

4. Egg-Crate Mattress

These mattresses and mattress covers (like this one) are foam that looks like an egg crate. If you buy this material new, it is about the same price as acoustic foam.

However, you may also find a mattress company that will give you the material inside the old mattresses for free or cheap.

Get Old Mattresses for Free

Used mattresses cannot be sold to another person to use for sleeping due to health safety issues. A company that sells new mattresses has to remove the old ones. Then, they have to dispose of the old mattresses.

Usually, they tear them down into components and recycle the metal parts. But the foam is often thrown away. This may be a source of materials that you can get free or cheap to use for soundproofing and blocking sound leakage from your space.

5. Egg Carton

If you eat eggs, save the cartons, and then you can put them up on your home studio walls to help fine-tune the room. These cartons are made from surprisingly effective sound absorbing materials.

For example, you can glue them onto a concrete wall to reduce the sound reflections coming from that wall.

Egg Cartons Are One of the Cheapest Alternatives

The egg cartons can be painted or covered with a spray texture to change the sound dynamics of the material. You can read more about this method in this article about using egg cartons as a soundproofing material here.

6. Cup Holders

The types of cup holders that work for this purpose are made out of the same material as the egg crates. You may be getting these as a carrying tray when you buy drinks from a fast-food restaurant.

The reason these work to absorb sound comes from their shape. They trap incoming sound in the same way as acoustic panels that have an egg-crate style or pyramid style.

Cup Holders Are Almost Free

The sound waves coming toward them hit the angular surface of the cup holder and, instead of bouncing straight back, go on a reflected angle to hit the surface of the cup holder again.

This re-direction of the momentum of the sound vibration and sound absorption allows the noise to be reduced when it comes into contact with the materials.

7. Clear Plastic

Clear plastic, which is useful for sound insulation, includes solid PC sheets, acrylic sheets, plastic-coated glass, layered glass with plastic between glass layers, and transparent composite materials.

Clear Plastic is Usually Cheaper Than Glass

None of these materials are cheap unless you find them as recycled building materials. You may want to have a clear window between rooms in your recording studio.

In most recording studios, a small window is installed in the wall of the vocal isolation booth. This allows an audio engineer to see the performer when working at the mixing board or audio interface/computer in the other room.

Such a window for a vocal isolation booth can be tall and narrow to use as little clear plastic as possible.

A Double-Pane Window Does Not Work as Well as Solid, Thicker Plastic

Install this window in such a way as to block any air leakage from passing around the window edges from inside the vocal isolation booth. If air can get out of the room, so can the sound.

8. Green Glue

Green Glue is a noise-proofing system used with new construction or remodeling to reduce noise transmission between rooms significantly. It works by reducing the transfer of structural vibrations caused by sound waves as they pass through the walls, ceilings, and floors.

There are four products: noise-proofing clips, noise-proofing compound, noise-proofing sealant, and joist tape.

The noise-proofing clips disconnect direct contact between one side of the wall and the other side, which reduces the amount of sound transferred by the framing. Each side of the wall vibrates independently.

Using Green Glue Products is Best Done Along With the Building Plans

The noise-proofing compound is used between two layers of materials: drywall, cement board, or plywood. It works best with thicker materials that are rigid such as 5/8-inch sheetrock mounted on 3/4-inch plywood.

The noise-proofing sealant is used to fill a 3/8-inch gap around the perimeter of a wall or ceiling. This method creates an acoustical seal and is a great way to soundproof a room.

The joist tape is used on the top of the floor joists to reduce any squeaks when the subflooring rubs on the joists.

9. Mass Loaded Vinyl

Mass Loaded Vinyl (MLV) is a vinyl material with embedded metal particles used to increase the mass. It comes in rolls. You can use MLV to add mass to walls and ceilings for soundproofing. It’s a very effective way to block sound.

MLV reduces the transmission of sound through walls, ceilings, and floors. It is flexible and easy to cut into pieces.

It is Flexible and Easy to Cut Into Pieces

MLV can be hung on existing walls. It performs the best when it is sandwiched between two drywall layers. It can also be installed under the carpet between the floor and the carpet pad.

10. Sound-Deadening Spray or Paint

The sound-deadening spray is used to reduce the transmission of sound through metal. One application of sound-deadening spray is to stop a rattling noise coming from the air ducting system.

A Spray Makes it Easier to Treat Places Tthat are Difficult to Reach Otherwise

Sound-deadening paint, which may come as a spray or in buckets, works on a different principle. It is meant to be applied to walls to increase the wall’s mass. When a wall’s mass increases, this reduces the sound vibration that can pass through the wall. This can go a long way to soundproof a room.

11. Resilient Channel

Resilient channel is a thin metal channel installed between the wall or ceiling joist and the drywall to create an air void between the two surfaces.

Resilient Channel is especially useful if you want to have a home recording studio below another floor. You can use this to reduce the sound of walking from the floor above your home studio by up to 90%.

The Main Purpose of Resilient Channel is to Decouple the Vibration

You have to be careful when installing Resilient Channel because if you use the wrong length of screws or install it incorrectly, you may defeat its effectiveness.

12. Anti-Vibration Pads

There are many kinds of anti-vibration pads and mounts. They can be used to isolate vibrations and not transfer them to another part of the structure.

Anti-Vibration Pads are Good Alternative to Acoustic Foam

For example, you may have a home recording studio in the basement, and in another adjacent room, there is the laundry area with a washing machine and a dryer.

You can use anti-vibration pads under the legs of the appliances to keep these vibrations from transferring to the floor or the walls. This will block sound and stop the vibration from passing into the other room where you have your studio.

13. Sound Clips

Sound clips are used to decouple the vibration of walls and ceilings from other structural components. When each side of a wall can vibrate independently.

Sound Clips Reduce the Transfer of Sound

Sound clips perform better than a Resilient Channel when used with insulation. The enhanced performance comes from having fewer contact points to transfer sound.

14. Ceiling Sound Baffles

Ceiling sound baffles can be made of foam, fiberglass, or cotton. A baffle can be layered with different materials and covered with acoustic fabric. Large ceiling baffles may contain an aluminum frame for increased structural strength when hanging them.

Ceiling Sound Baffles Hang Down Vertically

They are used to improve the sound of speech in the room and give it more clarity by reducing any unwanted echoes. If the purpose of the baffle is to diffuse the sound, it may have an abstract shape.

15. Soundproof Curtains

Soundproof curtains can be made of any thick material. You can use heavy fabric, moving pads, carpeting, and carpet padding.

Installing a soundproof curtain blocks sound transfer from one part of a room to another. An example is using a soundproof curtain in a theater so that the audience cannot hear what is happening backstage while the curtain is closed.

By Using Thicker Material, More Sound Reduction is Possible

On a smaller scale, the convenience of using a portable soundproof curtain is that it can be mounted on hooks installed in a wall or on movable wall panels. It can be put up, taken down, and moved around for sound dampening as needed.

For example, you can isolate a loud instrument, such as a drum kit, by surrounding it with a soundproof curtain. This method helps reduce the amount of drum sounds picked up by other mics in the room, when recording a live band.

16. Weather Stripping

Weather Stripping is used around doors and viewing windows so that the air does not come through. This reduces the sound that would otherwise leak through the cracks around doors and windows.

Weather Stripping Enhance The Effect Of Other Materials

 

Do you use acoustic foam or cheaper alternatives?

I have used both. When choosing soundproofing materials, focus on whether you need to stop the air, the vibrations, or both.

What is Your Final Descision?

There are four categories of soundproofing materials, which are:

  • Sound Absorption: Lightweight porous materials that capture sound within the room.
  • Transmission Reduction: Systems that decouple one part of the building’s structure from another part.
  • Vibration Reduction: Materials that reduce vibration transmission.
  • Dampening: Materials that dampen noise and block unwanted sounds coming from the exterior of a room or a certain sound source.

 

Useful Resources

 

A Final Word on Cheap Soundproofing Solutions

The acoustics of a room can be fine-tuned using a variety of methods and materials. Use these techniques and materials to isolate the room from the outside noise and annoying sounds. Use different treatments of the surfaces within the room to reduce unwanted echoes and absorb noise more effectively.

To stop vibrations, think about creating a gap between the thing making the vibration and the rest of the room.

To stop echoes, think about using something soft to absorb the sound, hitting any reflective surfaces in the room.

Have fun with this, and don’t be afraid to try different materials to reduce background noise, echoes, vibrations, and other interior and exterior noise pollution.

Have any questions about acoustic foam alternatives and cheap soundproofing materials? Let us know by leaving a comment below.

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How to Become a Sound Designer for Film, TV, Video Games, & More https://myelearningworld.com/how-to-learn-sound-design/ https://myelearningworld.com/how-to-learn-sound-design/#respond Thu, 16 Mar 2023 10:35:57 +0000 https://myelearningworld.com/?p=5522 Do you want to learn sound design? Are you wondering how to become a sound designer for movies, TV, video games, and other media? When it comes to media production, there’s a lot that goes on behind the scenes to make a movie, TV show, or online video look perfect. While plenty of attention is ... Read more

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Do you want to learn sound design? Are you wondering how to become a sound designer for movies, TV, video games, and other media?

When it comes to media production, there’s a lot that goes on behind the scenes to make a movie, TV show, or online video look perfect.

While plenty of attention is given to the visual aspects of media production, you may not realize that just as much goes into the sound design as well.

But just what is sound design? What does a sound designer do? To take things a step further, if you’re an audio enthusiast, you may be wondering how to learn sound design and make it a career.

In this article, I’ll answer these questions as well as:

  • What tools are used in sound design?
  • What resources can you use to learn sound design?
  • How do you become a sound designer?
  • Where do sound designers work?
  • How much does a sound designer make?

Read on to learn how to become a sound designer who gets great gigs across the different types of media.

 

What Is Sound Design?

Sound Designers and Artists Have a Lot in Common

In a nutshell, sound design is the creation and crafting of sound. Sometimes, this task is left up to a single individual, but other times, a sound designer will work with a team of creative professionals.

I go into more detail below, but the goal of designing sound is to create an overall theme or set of feelings that utilize audio like a sonic paintbrush. Much like an artist chooses colors when creating a painting, sound designers use audio to paint a sonic landscape.

You may be surprised to learn that you’re already adept at designing sound if you have ever worked with audio production. Crafting sound elements and developing sonic themes is all about looking at the big picture.

I’ve worked on many recording projects over the years, including some for major media clients and large production studios. Throughout all of them, I’ve found myself going back to the basics of sound design in order to create a unique audio experience.

At its core, sound design is made up of two different functions: the actual creation of new sounds and the development of audio themes that are used throughout a piece of media. The former relies on audio production skills, but the latter is focused more on the overall psychology of sound as it pertains to generating emotion.

Connection Between Music and Emotions

In other words, sound design is the process of using things like synthesizers and recording hardware to make sounds. At the same time, it’s the process of mixing in sound to match the feeling of what is taking place on screen or on stage.

There’s often overlap between sound design, creative directors, sound directors, film producers, and editors. This is because a sound design professional will need to work closely with other production team members to incorporate created audio into a final piece of media.

In this video, the sound designer Tyler Mitchell from Once Upon a Synth talks about how synth settings can be tweaked to create unique sounds.

When creating sounds using synthesizers, you’re probably going to be using envelopes. Specifically, you’ll be changing parameters that include attack, delay, sustain and release (ADSR) of a particular frequency. It would be a good idea to familiarize yourself with these four concepts before diving into heavy synthesis production.

 

Where Is Sound Design Used and For What Purposes?

Sound design is used in virtually all forms of media, but it plays a more prominent role in movies, television shows, and game development.

You’ll also likely find a sound design team working on live performance art like plays and stage shows.

Sound Design Scope

When it comes to pure audio, someone who works as a sound designer may also be responsible for creating sounds to be used in music.

When doing this, software and hardware settings are often manually adjusted to dial in specific tones and effects to make unique sounds that fit the intended purpose of a creative vision.

At times, the goal of sound design in music is to create unique audio that can’t be easily replicated by another artist. This may be achieved by manually tweaking settings in a software synth instead of using presets that come with the software.

 

How to Learn Sound Design

When searching out how to learn sound design, there are many paths you can take. The process of creating sounds and incorporating them into media productions can be learned through experience, but it can also be taught.

Take a Class

The best thing you can do if you want to know how to become a sound designer is to take a course.

Many audio enthusiasts take courses in sound design to learn the principles behind how sound is created, shaped, and manipulated. Courses are available through specialty schools like Full Sail University, but they are also taught through traditional institutions like Berklee College of Music.

Not only that, you can take online sound design courses from the comfort of your home, learning from some of the world’s top experts in the field.

Some of our favorite sound design courses include:

All of these courses are great for aspiring sound designers, as they will help you get a better understanding on the different elements of sound design and how to use them in your work.

Learn From the Experts

“The Sound Effects Bible” and Its Author Ric Viers

Another way to learn the principles of audio design and creative direction is through books like, “The Sound Effects Bible,” by Ric Viers or publications like Sound on Sound Magazine. These resources provide opportunities for budding sound designers who prefer a more self-guided approach to learning.

Learning from experienced sound designers who have worked on major projects is a great way to get inspired and learn from professionals who have been successful in their careers.

Check Out YouTube Videos

Finding Useful Videos on YouTube

YouTube offers a wealth of videos on sound design as well. Through video lessons and discussions on how to learn sound design, you have the chance to not only see and hear how different audio is created, but you also have the chance to ask questions and offer feedback through the comments section if enabled.

Speaking of YouTube videos, in this video, Michael from In The Mix discusses sound design and synth fundamentals that you can use to create your own unique audio for music projects.

Synthesizers, including both digital and analog models, typically generate sound through frequency oscillators. The concept behind this technology involves creating an electronic signal that changes in frequency based on an oscillating circuit that opens and closes at a particular rate.

This can then generate sound when processed digitally and sent to an audio output. Some synths have a single oscillator, but others incorporate multiple oscillators at once to create lush, complex sounds.

Experiment With Your Equipment and Software

I always encourage those I teach to experiment and find their own path as a way to learn. When it comes to designing sound for media or for a music project, there are a number of things you can do to learn more about how the sound design process works, including:

Read Your Manual

Manual Is an Important Part of Equipment and Software

As I mentioned above, designing sounds is often done through manipulation of settings in software or on a piece of audio hardware. In order to know what settings to change or how the settings will affect the sound, I suggest you read through any manual or technical documentation that came with your gear.

Explore Presets

Experimenting with Presets

Although using presets isn’t technically sound design since a preset has already been designed for you, you can learn some sound design principles by exploring presets that come with your software synths and effects. Try loading up the default state preset, take note of the settings, and then load a different preset to see what’s changed to learn how different controls affect the sound.

Experiment With Effect Plugins

Trying to Improve Sound by Using a Plugin

Effect plugins can dramatically change a sound and make it unique. I find that when I’m working in sound design and feel like I’ve run out of original ideas, loading up some effect plugins and experimenting with audio manipulation can open up new sonic possibilities.

Experiment With Microphones

Choosing a Microphone

If you’re recording audio to be used in a project instead of just using synths to generate sound, consider using different microphones to change things up.

For example, an omnidirectional microphone can be used to capture sound from all around, so this might be a good choice if you’re recording ambient sounds to be incorporated into the background of a scene. You can learn more about some of the best omnidirectional microphones in this article.

Read Forums

Experience Exchange on the Forum

I also recommend forums and message boards as a way to learn new things. One of the nice aspects of these resources is that you don’t even have to participate in order to learn.

Many audio design forums are full of questions and answers that can help you learn without having to even create an account. In fact, you may be surprised at just how many people out there have the same questions as you do.

 

Finding a Career in Sound Design

While knowing how to implement sound design principles is great for personal projects, you may want to take things a step further and turn your passion for audio into a career.

Working in the sound design field can be an exciting prospect since you’ll likely always be creating and discovering new ways to tell a story through sound.

Difficult but Exciting Sound Designer's Career Path

If you’re looking for some direction, below are some common ways to break into the industry:

Create a Portfolio

One of the first things you can do when looking for a career in sound design is to create a portfolio of your work. This portfolio can feature sounds you’ve created, examples of any real-world projects you’ve worked on as well as demo projects you’ve created on your own.

A portfolio doesn’t have to have professional examples, especially if you’re just starting out. The goal, however, is to highlight your ability to create sounds and demonstrate an understanding of how audio can be incorporated into the sonic storytelling process.

Variants of Portfolio

I recommend creating a YouTube channel if you’re interested in working with sound design for film, television, game development, or other video media. You can host examples of your work or create spec demo videos to showcase your talent.

In this video, the sound designer Bryn North from MrBrynnorth talks about how audio design can be used in cinematic trailers to generate emotion and drive a story forward.

If you’re designing sound elements for film, you may or may not have a score to work with. If you do not have a score yet, try to remember that your sounds will be implemented alongside dialogue, sound effects, ambient noise, and possibly music.

This means that your contribution should sit nicely in the mix without taking attention away from audio elements that are important to the specific scene.

Work as a Freelance Sound Designer

You can also look for freelance work on your path to becoming a sound designer. This usually means approaching potential clients and selling your services as a sound designer.

Freelancers Can Work Wherever They Want

Some audio production studios will hire freelance sound designers to come in and work on aspects of larger projects when they are short on staff.

A film production company may also bring on freelancer sound designers to work on individual projects or to collaborate with existing staff on a larger project.

Apply to Job Openings for Sound Designers

Of course, you can also look for traditional job openings for sound designers at film studios, video game development companies, media production facilities, and similar businesses. Most of the time, the application process for these jobs will be handled online, and you’ll usually have the chance to submit a link to your online portfolio or links to examples of your work online.

Don't Forget abot Traditional Job Openings

If you’re interviewed for a position, the interview may take place online as well. When conducting an online interview, make sure you have a suitable camera as well as a good mic.

I recommend using the Blue Yeti due to its USB capabilities and sound quality. You can learn more about adjusting sensitivity levels when using the Blue Yeti in this article.

 

How Much Does Sound Design Pay?

Your pay as a sound designer can vary based on a number of factors, including the type of project you’re working on, any contracts involved in your employment, your location, and the amount of time and work required.

Some projects provide compensation based on a per-project basis. This means that you will get paid a fee based on the project, regardless of the time it takes or how much work you put in.

Income Calculation

Other times, you will get paid by the hour as a sound designer. In this type of arrangement, you will be paid only for the hours you work, and overtime may or may not apply.

Still, other situations may pay based on salaried employment. This may be the case if you’re the in-house sound designer at a production studio or record label.

 

Sound Design Payscale

According to online metrics from tracking sites, sound designers can expect to make the following:

  • $34,000-$97,000 base salary
  • Up to $15,000 in bonuses
  • Potential for up to $28,000 in profit sharing
  • A total pay of $34,000-$140,000 per year

Pay for sound designers is often based on experience, and it can also differ based on the publicity of the project. A high-profile project with a large budget will likely pay much more than an independently funded project.

Basis of Payment

Similarly, your pay will be higher in an area with a higher cost of living. If you’re freelancing, you may have more freedom, however, to set your own rates.

Creating sound for film often requires attention to detail. In this video, Artlist offers a step-by-step guide to creating sound effects and sonic elements to drive story pieces forward without the need for a lot of music production.

I often encourage my students to utilize storyboards as a way to track a scene and develop ideas for audio elements. Planning ahead by knowing what will be coming up can help you avoid designing soundscapes that do not transition well from one story beat to the next.

 

Useful Resources for Aspiring Sound Designers

 

A Final Word on How to Become a Sound Designer

As an aspiring sound designer, you need to be open to creative possibilities!

In the end, the answer to how to learn sound design is creativity and experimentation. As such, never limit yourself to convention simply because someone else did something one way.

I recommend experimenting with different settings, different microphone placements, different acoustic properties, and more. The best sound designers will tell you that there’s no substitute for learning by doing.

In fact, you can even experiment with your recording space by using things like acoustic blankets to create unique effects. To learn more about some of the best acoustic blankets for audio recording and sound design, you can read my reviews in this article.

Have any questions about how to become a sound designer? Share your thoughts below.

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The 19 Best Home Studio Monitors (2023 Reviews & Rankings) https://myelearningworld.com/best-home-studio-monitors/ https://myelearningworld.com/best-home-studio-monitors/#comments Sat, 04 Mar 2023 01:38:26 +0000 https://myelearningworld.com/?p=1757 Need a well-weighed selection of acoustic systems? Read on for a roundup of the best low-budget, mid-range and high-end studio monitors. My top 19 choices for amateurs and pros, key features, video reviews, and the final verdict!

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With the best home studio monitors, you can take the quality of your recordings up to the highest level by getting clearer sound that allows you to fine-tune the mix of your audio.

But why would you bother with home studio monitors in the first place?

After all, headphones or your Hi-Fi setup could do the trick…Right?

Wrong.

The short answer here is: you need natural sound.

Whereas Hi-Fi, headphones, or PC speakers ‘tune’ the sound to improve your audial experience, studio monitors let you get the real, true sound of your mix so you can tweak it accordingly and get it sounding its very best across all mediums.

Of course, it has to be pointed out that not all studio monitors are the same. Home studio monitors come with all sorts of different features, sound quality levels, build quality, and price points.

In this article, I will review the best studio monitors that I worked with during my home recordings.

We’ve been testing and reviewing dozens of home studio monitors since we originally put together this guide 3 years ago, and now, we’ve fully updated it for 2023 to include a curated list of the top studio monitor speakers on the market today.

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

 

Studio Monitors vs. Speakers

Now, what’s the difference between speakers and studio monitors?

Speakers may have an impact on the recording (weird response curve, too much bass) whereas studio monitors produce the recorded sound with no extra overtones, providing a flat frequency response.

Studio monitors are flat and accurate, with minimal distortion – a great fit for critical listening and studio recording.

Long story short, in studios where ‘critical listening’ is a must-have, you should opt for monitors. 

 

What are the Best Home Studio Monitors?

To come up with a well-balanced collection of studio monitor speakers, I split my choices between the best inexpensive, mid-range and high-end categories.

The starting budget is $100, and the sky is the limit.

In my list, I only the best studio monitors with a long track record and a good reputation among recording pros and home studio users. Tastes differ as regards sound quality, so my intention was to put together the top picks from several brands for a better picture.

  1. Yamaha HS5
  2. IK Multimedia iLoud Micro Monitors
  3. PreSonus Eris E3.5
  4. Mackie MR524
  5. Alesis Elevate 5 MK II
  6. Pioneer DJ DM 40
  7. JBL 308PMKII
  8. M-Audio BX3
  9. Alesis Elevate 5
  10. Audioengine A2+
  11. Yamaha HS7
  12. KRK Rp7 Rokit G4
  13. Yamaha HS8
  14. Adam Audio T7V
  15. Avantone Audio Active MixCubes
  16. KRK Rokit 5 G3
  17. Adam Audio A7X
  18. Neumann KH 120 A
  19. KEF LS50 Meta Monitor

Now let’s get closer to it. First on my list comes the selection of the most affordable monitors.

 

Budget Studio Monitors

These are some of the budget-friendly studio monitors at an affordable price that garnered the most recognition from the community. Popular, highly recommended, and totally to my liking.

1. Yamaha HS5

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01/16/2024 10:52 am GMT

The Yamaha HS5 design is a powered studio monitor that comes in five-, six and one-half-, and eight-inch sizes. There are tabletop and mountable versions. Unlike other monitors that sell in pairs, these sell in single units.

These are two-way, bass-reflex, bi-amplified, near-field studio monitors with a five-inch cone woofer and a one-inch dome tweeter.

They offer an excellent frequency response range of 54 Hz to 30 kHz. The bi-amplification system provides 45 watts for low-end frequencies and 25 watts for high-end frequencies for a total of 70 watts of
power amplification.

Why I Picked It:

  • These studio monitors have XR and TRS phone jack inputs that accept balanced or unbalanced signals.
  • There is a nice fine-tuning possible for room control and high-trim response controls.
  • The design of these studio monitors gives a nice flat response rather than adding bass or treble frequencies. This precision reference helps create a more accurate mix.

Who It’s For: The Yamaha HS5 monitor is the type that is typically used in a professional recording studio for A/B checking that is why it is sold as a separate unit. For example, perhaps you want to check just the right side of a stereo mix so you would send that signal to this single monitor to hear it as a stand-alone audio output. There is a slightly different sound when you do this, compared to a panned-right version of the same output signal.

Check out the video review of the Yamaha HS5 monitor by Sonarworks that mentions its legendary white-cone look and its superb professional recording studio quality. They tested these studio monitor speakers using an anechoic chamber to determine its frequency response and distortion characteristics. Then, they compared the sound quality in five different real-life studio environments.

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2. IK Multimedia iLoud Micro Monitors

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01/16/2024 01:32 pm GMT

The ultra-compact design of the three-inch IK Multimedia iLoud micro monitors makes them one of the best studio monitors for smaller studios and home studio recording spaces.

These studio monitors have a super-near-field design that creates a sweet spot for listening to the sound right at ear-level when sitting at a desk.

There is also a desktop/shelf switch to use if you place the monitors on a shelf rather than down on the desk below. No matter where you put these studio monitors in a desktop studio setting, they sound terrific.

Why I Picked It:

  • I like the bi-amplified design with power amps running at 50% power to deliver the full linear range with a faster transient response and significantly lower distortion that creates a clean, crisp sound.
  • The best studio monitors work with a Bluetooth signal and have one-eighth-inch stereo jacks plus direct RCA jack inputs. The Bluetooth and analog connections can be used simultaneously to compare them.
  • Along with the desk/shelf adjustment switch there are a high-end filter switch and a low-end filter switch that allows a separate -3dB adjustment, which is very useful to fine-tune these studio monitors to different room conditions.

Who It’s For: If you have a limited budget and work in a small space with a desktop recording system, then the IK Multimedia iLoud micro monitors are an excellent choice. They sound good in smaller rooms, and they have adjustments for the typical problems that come from the unwanted sound reflections caused by placing monitors on a desktop or a shelf.

Check out the video review of the IK Multimedia iLoud micro monitors created by Produce Like a Pro that shows how they fit into a professional studio environment as monitors that go along well with an audio-editing workstation to be used as reference sound.

Buying Options

3. Presonus Eris E3.5

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01/15/2024 06:57 pm GMT

The design of the Presonus Eris 3.5 inch, near-field studio monitors reproduces sound with an unenhanced frequency response to produce an accurate representation of the recorded audio without any equalizer modification. Their quality makes them some of the best studio monitors out there.

These studio monitors should be listened to while physically close to them and while set at a low to medium volume level. This helps to create a balanced sound mixture for an audio or video production.

A nice feature is that these home studio monitors have a high-end and low-end tuning knob on the back of the left-side unit. This allows the fine-tuning of the speakers to match the environment where they are used.

Why I Picked It:

  • I like the connections available for different audio sources that include one-quarter inch TRS and RCA inputs on the back and one-eighth inch stereo, unbalanced line inputs on the front to use for mobile devices.
  • The best part about this monitor is the accuracy of the sound reproduction created by one that is such a compact size.
  • The high-end and mid-range fine-tuning controls allow -6dB to +6dB variation, which is very useful to adjust these studio monitors to different room conditions.

Who It’s For: The Presonus Eris E3.5 monitors are for the professional or semi-professional audio engineer and for use in a home recording studio where having an accurate representation of the recorded audio is critical. These studio monitors are NOT useful as home speakers that need to fill a room with sound. There is no strong bass enhancement or boosting of the mid-range frequencies, which is the typical output from a home speaker system.

Check out the unboxing video of the Presonus Eris E3.5 monitors by Open Box Tech Reviews to see how small-sized these monitors are, but don’t let the small size fool you. These are very high-quality studio monitor speakers that reproduce accurate sound in an exceptional way for a very reasonable price.

Buying Options

Need more details? Take a look at my review on the Eris E3.5 vs Mackie CR3 vs Edifier R1280T.

4. Mackie MR524 →

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01/16/2024 03:47 am GMT

The design of the Mackie MR524 five-inch studio monitors uses Mackie’s logarithmic waveguide technology to create an ultra-wide dispersion for better stereo imaging and a larger sweet spot for listening.

The one-inch silk dome tweeter has a quick transient response time providing details and vocal precision for the high-end frequencies. The tweeter goes along nicely with the five-inch polypropylene woofers
that deliver a dynamic and
responsive low-frequency sound.

These studio monitors produce an accurate mix that easily translates to other listening environments and audio formats.

Why I Picked It:

  • These are professional studio monitors designed for excellent performance. They reproduce music accurately as well as voice-over recordings. They have TRS, XLR, and RCA input jacks.
  • These studio monitors come in five-, six-, and eight-inch sizes. The five-inch size provides 65 watts of dual-amplified Class A/B sound.
  • There are acoustic space controls that allow fine-tuning adjustments to the frequency response of the monitors. These help adjust for the studio or room environment where the monitors are used. For example, the high-frequency filter is useful to adjust the sound if the monitors are placed against a wall or in the corners of a room.

Who It’s For: The Mackie MR524 monitors are professional-grade and can be used in a recording studio or a home recording environment to create an accurate mix. If the bass in the audio is strong, then you can use these studio monitors with the optional MRS10 subwoofer to experience enhanced low-end frequencies along with the rest of the music. The subwoofer has a built-in variable crossover so that it can be fine-tuned to match the monitors. It comes with a footswitch that allows the bypass of the subwoofer to be able to hear the music without the bass.

Check out the review video of the Mackie MR524 monitors by VitoProduction to listen to the reviewer’s positive opinion about how these monitors compare with others in the same price range. You can see the back of these studio monitors in the video to understand the acoustic space adjustments that are possible.

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5. Alesis Elevate 5 MK II

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01/15/2024 10:32 pm GMT

As one of the more affordable speaker sets available, the Alesis Elevate 5 MKII is a nice option for those on a budget. It adds that special touch that your studio needs and works with most of your equipment. The 1” silk tweeter produces clear sounds and works with a high frequency.

You also get a 5” dome that handles low noises just as well. Designed to work with any subwoofer, this speaker set allows you to connect a television or video game console as well as stereo and studio equipment. It has flexible inputs and outputs, too.

Why I Picked It:

  • The included audio cable makes it easy to connect the speakers to other devices that use an RCA cable.
  • Made from high-density wood, the cabinet reduces vibrations and interference.
  • Thanks to the baffle around the speaker, it prevents diffraction.

Who It’s For: I recommend the Alesis Elevate 5 MKII for those with small studio spaces who want big sounds and results. It has 80W of power across two channels and comes with an audio cable.

Find out what the pros think about the Alesis Elevate 5 MKII in the following video from YouTube. Not only can you see it in action, but you get a look at what comes in the box.

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6. Pioneer DJ DM 40

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01/15/2024 09:57 pm GMT

The design of the Pioneer DM 40 desktop monitors is suitable for a home recording studio and can be used by a DJ to produce music mixes as well.

These monitors have a front-, two-way bass reflex system and use the diffusion effectual convexity by Olson Specs (DECO) technology to create a wider reach and a larger sweet spot. This makes the sound quality easy to evaluate from many positions in front of the monitors. These are active monitors with a tweeter and a soft dome woofer.

Why I Picked It:

  • There is a robust sound quality coming from these compact four-inch speakers. Unlike monitors designed for “flat” sound, these monitors have a nice bass frequencies enhancement so, they can be used as regular desktop speakers well.
  • These monitors come with a two-meter long (about six feet) connection cable between them. This allows the placement of them to be at your desired separation.
  • The input jacks are RCA and these monitors come with a 3.5 mm stereo mini-plug to RCA converter cable. There is a mini-jack headphone monitor output as well

Who It’s For: The Pioneer DM 40 monitors are designed for DJs and those who produce music in a home recording studio. The four-inch woofers output a vibrant, punchy bass sound that gives a tight bass kick even when they are next to a wall. These monitors produce a 3D stereo sound using the DECO diffuser technology that channels the high frequencies in every direction.

Check out the video review of the Pioneer DM 40 active monitors by Digital DJ Tips who say that for the price these monitors pack a lot of punch for the money. DJs like these monitors because they are bass-heavy, which is something that feels good when listening to them.

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7. JBL 308PMKII

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Unobtrusive and well-performing, JBL’s 308PMKII builds up an awesome soundstage. The model highlights subtle details that you could’ve missed in a different audial experience. This duo will work just fine without a subwoofer. You’ll be surprised to find impressive lows and loudness that one could hardly expect within this reasonable price range.

How does LSR308 stand out from the crowd?

  • Improved high frequency detail
  • Adjustable to room acoustics, neutral response and sound across large workspaces and studios
  • Class D Amplifiers for abundant output power

Jargon aside, this model delivers advanced depth and ambiance in recordings, even in a dense mix. Plus, you don’t have to stand in front of the speakers to make smooth adjustments to the mix.

Killer feature: Incredible imaging

Detail is key. The expansive soundstage and wide stereo panorama offered by JBL definitely have an edge over the competition.

In this review, you can find a test and feature comparison of the LSR305 and 308. Enjoy the video and decide which one better addresses your objectives:

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8. M-Audio BX3

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01/15/2024 09:12 pm GMT

Need equipment for a basic home studio? This budget device is exactly what you need. M-Audio BX3 is a pair of compact desktop monitors, similar to the older AV40 model.

Facts and figures:

  • 3.5 or 4.5-inch woofer models available
  • 120-watt powered speakers
  • Versatile monitors for everything from gaming to podcasting to home recording
  • Premium components for a deep, full sound

What to make of it all? Clear sound in the near field. Decent loudness that won’t be window-shattering, yet a good fit for a small studio. Flexibility and ease of use.

Killer feature: Speaker cones.

I mean, obviously, that’s not a top-notch tech parameter, but it’s got a great look and feel. In the BX3, the cones are placed safely behind a grill, so the device doesn’t get hot to the touch like its predecessors or other models.

The quick review below touches upon volume control, master vs. slave units, multiple input/output options, and advantages over the older M-Audio speakers.

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9. Alesis Elevate 5

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This Alesis model offers some great value for the money. Cheap and cheerful, these speakers will provide great performance in a home recording studio. Alesis Elevate 5 comes in a pair so you get a complete setup at an incredible price.

What’s included in this model?

  • 40-Watt power per speaker
  • Frequency response rate at 55 Hz – 30 kHz
  • Elliptical waveguides
  • Bi-amplification (50 woofer and 25 tweeter)
  • Wood cabinets (high-density)

In layman’s terms, these specs mean that you can’t get any booming sound out of this pair, but for a reasonable price, you can enjoy a pretty large woofer and overall clarity.

For greater wattage, try the newer 75-Watt (50 low and 25 high) model, Elevate 6.

Killer feature: Auto shut-off

In both versions – 5 and 6 – you can utilize a nifty power-saving tool. Although this may cause certain hiccups in specific scenarios, the power saving really takes a few bucks off your electricity bill. Worth considering if you find yourself in an intensive recording environment.

Here’s a descriptive video overview of the Elevate 5. Watch for the key features, benefits and tech characteristics. The video per se is somewhat pitchy but it really helps you get a better idea of the model.

Buying Options

10. Audioengine A2+ Wireless

An obvious recommendation when it comes to cost-efficient studio speakers, Audioengine products have been on the radar for quite a while. The A2 towers over the previous two models on my list with its greater wattage and frequency response, yet remains in the affordable range.

The best part? They’re totally wireless and use Bluetooth connectivity.

In a nutshell:

  • 60 watts of power
  • Balanced sound along with elegant design
  • Smart connectivity, including dual analog audio inputs for connecting multiple devices, USB audio input, and Bluetooth
  • Fits any application: desktop or room-wide
  • Stylish cabinets
  • Cabling included

Killer feature: Small footprint – great outcome.

Audioengine offers one of the best ‘power-to-weight’ ratios on the market. Speakers this size are indeed capable of filling a whole big room with solid and refined sound.

Buying Options

That’s it in the budget department. If you’re looking for a cheaper way to check your recordings, feel free to consult my review of home studio headphones.

 

Mid-Range Home Studio Monitors

This is the golden middle where you can find superb studio monitors for a close-to-entry-level price. These few picks raise the bar for mid-range sound quality. Browse through the section for improved frequency response and greater wattage.

11. Yamaha HS7

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01/15/2024 10:02 pm GMT

Industry-standard performance for a moderate price? That’s Yamaha. HS7 delivers loud, crisp, solid sound, and throws in a few nice perks for audiophiles.

The tech parameters include:

  • 1″ dome tweeter and 6.5″ cone woofer
  • Frequency response at 43Hz – 30kHz
  • 95W total (60W LF and 35W HF bi-amp)
  • High trim response controls
  • Great connectivity with XLR and TRS phone jack inputs

That’s definitely an upgrade compared to the KRK Rokit 5 – and KRK is really good. Yamaha is more punchy and offers the utmost in the mid and high range. To provide more accurate sound in the mids, HS7 kind of reduces its bass capabilities. For a boomy bass, feel free to add a standalone subwoofer.

Killer feature: The right balance

The thing with HS7 is that it sounds good. It doesn’t get pushy in the low mid, and there’s no high end shelf. A great fit for audio/video production and postproduction.

In the video piece below, the reviewer shares his thoughts of the model after owning it for a month. Watch this review for a first-hand home studio experience:

Buying Options

12. KRK Rp7 Rokit G4

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01/15/2024 09:17 pm GMT

The KRK RP series comes in many sizes of five-, seven-, eight-, and 10-inch monitors. The seven-inch size is a nice mid-range price, available as a single unit or in pairs. The Rokit Generation 4 uses matching drivers made with Kevlar Aramid Fiber to create the equivalent sonic integrity for all frequencies.

These monitors offer active DSP-drive room tuning. They have a nice built-in LCD graphic display on the back of the monitors to help visualize EQ settings. These monitors can also be adjusted by using a smartphone application that includes a real-time room acoustics analyzer and spectral analysis with peak hold function. This makes the fine-tuning for the room environment very easy to accomplish.

Why I Picked It:

  • I like the built-in “brick-wall” limiter that automatically activates when the maximum amp-level is reached to keep a balanced sound, stop the system from harm by being overdriven, and supports a better-sounding, wider dynamic range.
  • The DSP-driven system for room tuning has 25 visual settings for graphic equalization.
  • There is a high-density foam pad that incorporated between the speaker and the surface of what the monitor sits on to reduce any sound transmission by vibration. This improves sound clarity.

Who It’s For: The KRK Rp7 Rokit G4 is designed for professionals and is commonly found in major recording studios. One reason why these monitors are so popular is the ability to fine-tune the monitors’ performance to match the sound recording environment. Many adjustments are possible for fine-tuning; however, it is very easy to use the smartphone application with its spectral analysis capability to discover the monitor settings that work the best for a specific room.

Check out the unboxing video of the KRK Rp7 Rokit G4 monitors by Open Box Tech Reviews to see what these monitors come with and how to set them up in your studio. You can see the back panel and the cables that come with a pair of monitors.

Buying Options

13. Yamaha HS8

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01/17/2024 06:12 am GMT

The Yamaha HS series became popular after its development in the 1970s. The Yamaha HS8 is the eight-inch version in the series. Many audio engineers call the HS8 the best studio monitor. Major recording studios often choose this monitor. A new improvement to the HS series is the use of innovative transducers that support a smooth response over a wide frequency range of 38 Hz to 30 kHz.

These monitors are available as a single unit or also sold in pairs. The eight-inch size consumes 60 watts of power for operations and the bi-amplification offers 75 watts for low frequencies and 45 watts for high frequencies for a total of 120 watts output.

Why I Picked It:

  • I like the level controls and the trim that can be used to fine-tune these monitors for almost any recording room environment and monitor placement. Level control is +4dB per center click. The equalization offered for high frequencies is +/- 2 dB. The room control switch reduces the low frequencies under 500Hz by 2 dB or 4dB.
  • These monitors have XLR and TRS phone jack inputs. The crossover is 2 kHz. These monitors work with a wide range of inputs from balanced and unbalanced sources such as audio interfaces, keyboards, and mixers.
  • There are low-cut and high-cut filters and phase control.

Who It’s For: If you can afford the investment you cannot go wrong with any of the Yamaha HS series. Over the past nearly fifty years, Yamaha continued to improve these monitors until they are as near perfect as they can be.

Don’t take my word for it though. The following video gives a detailed look and review of the Yamaha HS8. As long as you have five minutes free, you can check out the highlights of this speaker for a home studio and find out what the reviewer loved about it.

Buying Options

14. Adam Audio T7V

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01/15/2024 11:02 pm GMT

At only seven inches in size, the T7V from ADAM Audio is perfect for small home studios. Don’t let the small size trick you or make you think that it isn’t a good speaker though. The T7V has a large frequency range with a lower point than most in this price range have. You also get two amps that provide 70W and inputs that help you connect all of your studio equipment.

Why I Picked It:

  • The monitor comes with a nice warranty and the option of extending your coverage.
  • It works with a frequency range down to as low as 25kHz, which is lower than most budget monitors.
  • The small size makes it perfect for a home studio.

Who It’s For: Get a better look at the ADAM Audio T7V in the video below from YouTube. In just 12 minutes, you’ll see the opinion of the reviewer and the reasons why he thinks this is one of the best budget studio monitors. I recommend giving it a watch before buying it.

Thanks to its low price, the T7V is one that I recommend for shoppers on a budget. You get a two-year warranty and the option of adding three extra years of protection when you register online.

Buying Options

15. Avantone Audio Active MixCubes

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01/15/2024 08:27 pm GMT

The MixCube is a mini reference monitor focusing on the mid range. It comes with a single 5.25″ woofer and produces sound with no tweeter involved.

There are no complicated controls: all you need to do is plug and play, and follow your mix. Avantone makes each model duly shielded so there will be no interfering with your computer’s sound. These speakers are shipped in a 6.5″ cube MDF cabinet, provide a relatively small footprint, and come in classic black and cream colors.

Other features include:

  • Frequency response of 90Hz-17kHz
  • 60W amplifier
  • Inputs: 1 x XLR/TRS Combo
  • Sealed enclosure: Sealed
  • System Gain and Ground Lift controls

Where does this all bring us? MixCube is a dream for mono mixing in your setup. These home studio monitors enable easier mixing of vocals and instruments within the mid frequencies. Plus, it’s compact and lightweight. What else could you ask for?

Killer feature: Universal sound

MixCubes are based on the good old architecture of bass-deprived, full-range 5 1/4″ speakers that you can find installed in many car and hi-fi systems. If your mix works great on these monitors, it will sound equally awesome pretty much anywhere.

In the video below, Grammy winner Ryan Moys elaborates on why he loves the Avantone Mixcubes. Watch for practical tips and feature descriptions:

Buying Options

16. KRK Rokit 5 G3

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01/16/2024 02:17 am GMT

Bordering on the budget category, the Rokit 5 really rocks! When you see those bright yellow dots, you know that’s the stuff you need. A highly recommended choice in the mid-range, these speakers beat many a competitor, and for a reason.

So what comes in the bundle?

  • A pair of KRK RP5G3-NA Rokit 5 Generation 3 Powered Studio Monitors
  • Bi-amped, class A/B amplifier
  • Outstanding waveguide
  • Extended response up to 35kHz
  • 1 Soft-dome tweeter
  • High-frequency tweaking controls

Translated into common language, this stands for low distortion, perfect clarity, and large headroom. This pair also provides superior imaging, and the ability to make high-frequency tweaks and tunes on the fly.

Killer feature: Waveguide

Rokit delivers detailed imaging in the listening position. The front bass port reduces boundary coupling and allows for flexible location, and the surface keeps off distortions. As bright and clear as it gets in this category.

The video review below questions whether KRK is the best you can get for this price, and, well… answers in the affirmative. This clip also includes feedback from a professional audio producer.

Buying Options

High-End Studio Monitors

The models here can be really pricey. These studio monitors are utilized by pros who require pristine sound clarity, great performance in the entire spectrum, and outstanding frequency response.

17. Adam Audio A7X

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Since Adam was a boy, the A7X has delivered some great audial experiences to pros and amateurs alike. Borderline mid-range, this model sports some real high-end characteristics. With impressive frequency range and bass power, Adam is a standard for near-field monitoring. Check it out; you can’t go wrong!

What’s inside?

  • Frequency response: 42Hz 50kHz
  • Max peak SPL: 106 dB
  • A/B Amplifier class
  • Output power: 75W
  • Input connectors: XLR, RCA
  • Width: 8″, height: 13.5″, depth: 11″

In the Adam, there’s a bunch of other bells and whistles like chamfered upper corners around the tweeters, and smart design and nifty architecture to keep off-edge diffraction. Smooth mids. It’s a soft option and great value for the money for a legit studio setup.

Killer feature: Tweeter

Kudos to the Adam manufacturers! Their custom-built tweeter really rocks. The idea of using a folded ribbon instead of a woofer seems brilliant. Adam works magic with high-end frequencies and clarity. Go for it!

In the YouTube review below, the observer praises the Adam controls and universal applications. Check this out for a succinct, yet comprehensive assessment.

Buying Options

18. Neumann KH 120 A

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01/15/2024 08:07 pm GMT

The Neumann KH 120 A active studio monitor is made by Sennheiser. The monitors are very high quality and very pricey because of that fact. They are precision manufactured with + or – 0.5 dB tolerance that ensures a perfectly matched pair if you want to buy two or you can also buy just one unit if that is all you need.

These fantastic monitors can serve as a near-field reference or as a part of a large multi-channel system. The KH 120 has a mathematically modeled dispersion waveguide (MMD) that delivers a smooth, off-axis response. There are four-position acoustical controls for bass frequencies, low-mid, and treble frequencies.

Why I Picked It:

  • I like the bi-amplification (2 x 50 watts) and two-way monitoring features. These monitors have a 5.25 long woofer and a one-inch, titanium-fabric dome tweeter.
  • The cabinet for these studio monitors is rugged and made from non-resonant aluminum to eliminate unwanted cabinet-induced sound coloration.
  • The frequency response is an excellent range of 52 Hz to 21 kHz (+ or – 3 dB).

Who It’s For: The Neumann KH 120 A is a luxury item for most people. If you can scrape together the budget to buy these studio monitors, you will impress your friends and clients, if they know anything about audio monitors. They are made in Germany and cost between three to six times more than the equivalent studio monitors made by others.

Check out Part 1 (of several parts) of the video review of the Neumann KH 120 A monitors by DV247 Music Store UK TV with an interview of the Neumann President Wolfgang Fraissinet recorded in 2011.

Buying Options

 

19. KEF LS50 Meta

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01/15/2024 10:12 pm GMT

Good things come in small packages. This adage is more than true when referring to this KEF Meta monitor. Mind-blowing quality in a bookshelf model. Great look and feel. Accolades from Stereophile, What Hi-Fi, and other reputed sources. Totally worth the money.

What is it like?

  • Produces a large listening sweet spot
  • Its Uni-Q driver array ensures a clean and expansive sound
  • Reproduces audio flat and unaltered
  • Four classy colors
  • Solid build quality

Behind the tech jargon, one finds agility and dynamic and tonal accuracy. The KEF LS50 professional monitors always stay precise staging-wise: it reflects everything – which, of course, could include recording flaws, but that’s another story. The KEF also looks fantastic: it’s compact and powerful enough to cover most typical studio needs.

Killer feature: Accuracy

Hold your breath and shoo away the insects – the KEF will reveal anything that happened. Make sure you position it right for the best results, and enjoy the ample rich audio.

This video review speaks of the pros and cons of the model, and includes a few curious tweaks to unlock KEF’s full potential:

Buying Options

Need more information? Refer to my review on the KEF LS50 mini-monitor vs SVS Ultra Bookshelf vs ELAC Uni-fi UB5 vs KEF R300

 

Useful Resources

 

A Final Word on the Best Studio Monitors for Home

Now that my roundup of the best studio monitors comes to an end, it’s time to give out the awards.

The choice is really tough here since I’m sort of comparing apples to oranges, but I’d like to pick two models that will fit most common use scenarios.

My gold medal for the best studio monitors goes to the Yamaha HS8 for its smart functional compromise between low, mid and high.

The silver for the best studio monitors goes to Adam for its excellent price-to-performance ratio, superb frequency response, and bass that makes you shiver – in a good way.

Interested in related stuff that you might need along with your studio monitors?

Have any questions about our guide to the best studio monitors for home setups? Leave a comment below so we can help.

The post The 19 Best Home Studio Monitors (2023 Reviews & Rankings) appeared first on MyeLearningWorld.

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How to Avoid Mouth Noises & Sounds When Recording https://myelearningworld.com/avoid-mouth-noises-when-recording/ https://myelearningworld.com/avoid-mouth-noises-when-recording/#respond Thu, 02 Mar 2023 10:43:00 +0000 https://myelearningworld.com/?p=4313 Are you trying to figure out how to avoid mouth noises when recording? This guide will show you how.

The post How to Avoid Mouth Noises & Sounds When Recording appeared first on MyeLearningWorld.

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In the intricate world of voiceover work, especially in eLearning, the devil is often in the details. Over my years as an instructional designer, I’ve crafted countless courses, and one challenge that consistently emerges is the pesky presence of mouth noises and breathing sounds during recording. These unintentional clicks, pops, and breaths can detract from the clarity and professionalism of your content.

Part of the problem comes from the issue that whoever is being recorded lacks the training and skills to manage their breathing and pronunciation. Another contributing factor comes from using the wrong voice-over mic without a pop screen or wind filter. Some people don’t even know what this fuzzy thing on a mic is, so I recommend reading this article to learn more about it.

Drawing from my extensive experience, this article will dive deep into tried-and-true techniques I’ve learned to minimize, if not eliminate, these unwanted sounds. Whether you’re a seasoned voiceover artist or just starting out, these tips will ensure your recordings are as crisp and clear as your content deserves.

How to Avoid Mouth Noises When Recording

The best way to avoid mouth noises in your recordings is not to record them in the first place. To get a better voice-over sound, stand up while recording.

Here are the top 10 tips used by professionals to avoid having annoying mouth sounds in your voice recordings.

Tip #1 – Getting Rid of Plosives

Plosives are caused when a high volume of air rushes at the mic from a close distance. Think of air being stopped by the lips and then suddenly exploding out of the mouth to hit the mic head, and that is a plosive.

Plosives typically occur on any words that begin with the letters “P” or “B.” Try saying this familiar children’s rhyme, “Peter Piper picked a peck of pickled peppers. How many pickled peppers did Peter Piper pick?” Can you hear the popping of each word that starts with the letter “P?”

Getting Rid of Plosives

Plosives also can occur with words that begin with “D,” “G,” “K,” and “T.”

Using a pop filter helps get rid of this kind of mouth noise.

A pop filter is a small fabric-covered device that is attached to a mic. It stays in a fixed position, slightly away from the mic’s head. This physical barrier disperses the air from the words that create a plosive so that the mic does not record the annoying “popping” sound.

Tip #2 – Removing Saliva Clicks

Saliva clicks come from the tongue movement. If a person is dehydrated, there is less saliva and more viscosity (stickiness) in the saliva. A mouth with less moisture creates more clicks.

More water is not always the best solution because too much moisture in the mouth causes a different type of mouth noise. You want to find the proper balance of hydration that reduces clicks in the recordings. It’s much easier to create click-free mouth conditions than remove the mouth noises later in the editing process.

This video by 21 Accents discusses your diet, water, and chewing gum.

Tip #3 – Getting Rid of Dry Mouth

To get rid of mouth clicks, you need to get rid of dry mouth. Dehydration, illness, stress, alcohol consumption, coffee drinking, and anxiety can lower amounts of saliva.

I suggest using sugar-free chewing gum to get the salvia flowing properly for a simple dry mouth problem. The gum-chewing helps to warm up the mouth and jaw. Be sure to take the gum out of your mouth before recording, or you will have the sound of gum-popping to deal with in your recording.

Take frequent breaks while recording and drink some water on the break. Just remember that while drinking plenty of water has its benefits, it can also lead to too much moisture in the mouth as I previously mentioned, which can cause other bad mouth clicks and sounds.

Some people like to brush their teeth and use mouthwash.

I use a trick to swish around a bit of virgin olive oil in my mouth and spit it out into a cup if my mouth gets dry. I call this “lubricating my pipes.”

In this video by Justin Omoi, he gives some “sound” advice on dealing with saliva sounds.

Tip #4 – How to Quiet Breathing Sounds

Teaching yourself to breathe through your nose reduces the breathing sounds that are much more noticeable when breathing-in using the mouth.

How to Quiet Breathing Sounds

One way to practice this is to meditate. In your meditation, focus on the breath. Sit calmly with your mouth closed as you inhale through the nose and open your mouth silently when you exhale.

Alternatively, when you exhale, open your mouth and make an extended bass-tone of the word “OM.”

Tip #5 – Stopping Bad Speaking Habits

Have you ever noticed a person with a habitual speaking pattern, such as when they end each sentence with “you know,” or there are many “ums,” “ahs,” and other unnecessary sounds that they make when speaking. These are simply bad speaking habits that a person can correct with practice.

Often people do not notice that they have a particular voice “tic,” which causes them to introduce unnecessary sounds when speaking. It may be an audible way for them to express anxiety or nervousness. If they never heard their recorded voice, they may be surprised the first time they hear how its sounds.

Stopping Bad Speaking Habits
Our voices sound very different in our heads because the skull provides a resonant chamber to add tonal qualities to the voice that we hear when we speak. It is quite different from what others hear.

Use digital recording software, such as software called Audacity, to record your voice without any effects. Then, practice eliminating the unwanted sounds/words, which you notice in your speech pattern. After you get these unwanted sounds out of your speech, then go on to the next tip, to learn how to use the audio software to improve the sound of your voice.

Tip #6 – Using Voice Improving Software

Audacity is free, so I use it as an example of improving the sound of your voice using the software. The principles are the same no matter what software you choose to use.

Here are a few things you can try to improve your vocal recordings:

  • Noise Reduction: You can use noise reduction to get rid of a certain noises such as background sounds. You set the sound profile to select a quiet portion of the recording, where everything is silent, and only the background noise is heard. Then, the noise filter uses the pattern of that sound as a guide to removing it from the rest of the recording. Depending on the frequencies of any mouth noises, it may be possible to use noise reduction on them as well. Try it to see if it helps.
  • Compression: When you compress vocal recordings, you get the loudest parts and the quietest parts to be closer in volume range to each other. Unfortunately, if the recording contains mouth clicks, compressing the sound can make them stand out from the other audio. To avoid this problem, it is best not to record the voice with mouth clicks. If you must record the clicks, you can try to remove them one-by-one in a laborious process (or by using fancy expensive software with special audio algorithms) before using the compressor effect.
  • Equalization: Equalization (EQ) adjustments are made to increase bass for a warmer-sounding voice. Perhaps, add a bit to the mid-range to increase clarity, and add a touch of high frequencies, if needed. Fine-tune the result. EQ is a bit like spices, which you adjust to your taste.
  • Normalize: The normalize effect takes a compressed signal and increases the volume (gain) back to the original level prior to the compression.
  • Apply Limiter: Setting a limiter (noise gate) puts an upper limit on the volume.
  • Normalize Again: If you use a limiter (or another effect), then, you should normalize again to re-balance the volume level.

In this video made by Zeke Wolfe, Make Your Voice Sound AMAZING in Audacity, he shows how this is done.

It is possible, yet laborious, to go through a complete audio recording and reduce the sound level for just the moments of a voice click or sibilance (hissing sound). Please note, it sounds more natural if you leave the noises in and not cut the sound entirely out but have them reduced substantially in the mix.

This method provides an ultra-fine-tuning of every unwanted sound at the micro-level. Adjust a narrow slice of the sound, using the shortest audio timecode possible, to reduce the unwanted parts. Even though this works, it is a lot of effort to do manually. Advance audio algorithms exist that professionals use to automate this process. However, these are expensive software tools.

Tip #7 – Improvements from Vocal Training

Everyone serious about improving their voice will benefit from taking voice-over training courses. You will learn exercises to strengthen your voice, how to breathe properly, and what to do to improve pronunciation. Read my reviews of the best voice-over training courses to find one that is suitable for you.

Improvements from Vocal Training

Tip #8 – Vocal Warm-Ups

I have a unique technique I use. I record my vocal warm-ups to see the sound frequencies recorded and hear my voice before doing any voice-over takes. There is something helpful to see the recorded sound pattern and zoom in on specific unwanted sounds and any mouth noise in the audio editing software.

I found that when I get excited, my voice has a tendency to go up in its register, and I sound more nasally, so I force myself to lower my voice for recordings.

Here is an excellent vocal warm-up routine from the Jacobs Vocal Academy that only takes five mutes. It is meant for singers, yet you can also use this even if you are only doing spoken narrations.

Tip #9 – Choosing the Best Voice-Over Mic

Luckily, I already did extensive reviews of the best voice-over mics which you can find here, and explained how to set-up a voice-over studio here. Reading these articles will save you a lot of time getting to know about the solutions that I think are the best for recording voice overs.

In general, the best type of mic for voice recording is a condenser mic with a cardioid pickup pattern. Use the mic with a windscreen and/or pop filter.

Tip #10 – The Proximity Effect

Even an excellent mic may have problems with the proximity effect. The proximity effect comes from being very close to the mic and the mic’s frequency response to different sound waves. When very close to the mic, it changes the sound that the mic picks up, adding more bass.

The Proximity Effect

This effect may be desirable or undesirable. Audio engineers use it as a creative tool. To eliminate the proximity effect, make sure there are at least six to 12 inches (15 to 30 cm) between the mic and your mouth. There is a trade-off to consider if the mic has a tight cardioid pickup pattern that focuses the mic on the sound coming from right in front of it. As you move your mouth away, the mic may pick up much less audio. That is what a tight cardioid pickup pattern is designed to do.

Experiment with mic placement (distance from your mouth) and the angle that the mic is placed. Vocals can improve by not speaking directly into the mic and, instead, speaking across it by turning the mic at a perpendicular angle to the mouth.

Useful Resources

Final Thoughts

If you learn how to deal with annoying mouth sounds, you’ll enhance your vocal recordings to make them sound much more professional. This is a critical skill to have for vocal recordings because unwanted sounds may become such a distraction that they disturb your listeners to your eLearning courses or other voiceover work.

Have any questions about avoiding and removing mouth noises, clicking sounds, and other unwanted noises from your recordings? Comment below so we can help you out. 

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The 14 Best Microphones for Vocals of All Genres (2023 Reviews & Rankings) https://myelearningworld.com/best-microphones-for-vocals/ https://myelearningworld.com/best-microphones-for-vocals/#respond Wed, 01 Mar 2023 16:01:10 +0000 https://myelearningworld.com/?p=3554 Finding the best microphones for vocals could be the difference between your recordings and live performances sounding great or sounding like a muddled mess. The vocals are one of the main components of a song. When you think of your favorite song, you likely remember the vocals of the person singing it along with the ... Read more

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Finding the best microphones for vocals could be the difference between your recordings and live performances sounding great or sounding like a muddled mess.

The vocals are one of the main components of a song. When you think of your favorite song, you likely remember the vocals of the person singing it along with the lyrics before the melody pops in your mind.

While a good voice over microphone can help with other types of recording, you want one designed for vocals when recording songs. The right choice will make your voice sound crystal clear to listeners and also ensure that your songs pick up the complete range of your voice.

But with so many different vocal microphones on the market today, how can you find the one that’s right for your needs?

There’s no one-size-fits-all vocal microphone that works best for all singers in all genres and in all performance environments, so there are a few important things you’ll need to consider, including your budget, music genre, singing style, and performance environment. We’ll talk about all of these factors in depth in a bit.

To help you choose the right vocal microphone for your needs, we’ve tested and reviewed dozens of different models over the last few years. We’ve curated a list of 14 of the very best vocal microphones on the market today across a range of categories and budgets, so you can find the perfect one that best fits your needs. From dynamic mics to condenser mics and budget-friendly models to high-end options, you’re sure to find something that will work for you.

This guide has been fully updated for 2023 to include the latest options so you can make an informed buying decision.

Ready to get started? Let’s go…

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

Quick Picks for the Best Vocal Microphones

If you don’t feel like reading the full guide to the top microphones for recording vocals, you can check out a few of my quick picks below:

My Top PickAKG Pro Audio C214

AKG Pro Audio C214

What’s inside?

  • Unidirectional pattern
  • Wired connections
  • Bass-cut filter
  • Scratch-resistant finish
  • Dynamic range of up to 156 decibels

Killer feature: Integrated suspension that cuts down on mechanical and background noises

Check price on Amazon →

Check price on AKG →

Check price on B&H →

I recommend the AKG Pro Audio C214 for anyone looking for a mic for vocals. It is my top pick because the model reduces the proximity effect in close-up recording and has integrated suspension that cuts back on both stage vibrations and mechanical noises.

Also GreatRode NT2-A

Rode NT2-A

What’s inside?

  • Large frequency range
  • Three-position polar pattern
  • High-pass filter that works in three directions
  • One-inch gold capsule
  • Internal shock mounting

Killer feature: Durable design makes this device suitable for indoor and outdoor use

Check price on Amazon →

Check price on B&H →

Check price on SweetWater →

Though it’s not my favorite microphone, the NT2-A is another one of my top picks. This mic comes with a dust cover for protection along with a pop filter and shock mount. You can easily adjust the device to make it work for any type of recording.

Also GreatShure SM58

Shure SM58

What’s inside?

  • Frequency response of 50 to 15,000 Hz
  • Pneumatic shock system
  • Designed for outdoor and indoor use
  • Steel mesh grille
  • Included storage bag

Killer feature: Pop-up filter blocks noises from your breathing and wind outside

Check price on Amazon →

Check price on Shure →

Check price on B&H →

I also encourage you to take a look at the SM58 from Shure, which has a stronger frequency range than other affordable choices do at 50 Hz to 14 kHz. With the included break-resistant stand and zippered storage case, you can use this microphone almost anywhere.

5 Easy Steps to Choose a Mic Suitable for Your Vocals

While you can walk into almost any store and buy a standard microphone, there’s no guarantee that it will meet your vocal recording needs. I created this buyer’s guide as a way to help you choose the right one from the top models that I ranked above.

Buyer's Guide

Step 1: Choose the Type of a Microphone

One of the first things that you need to decide on is the type of vocal microphone that will meet your needs. You’ll find both condenser and dynamic mics.

A condenser microphone is better at picking up delicate and soft sounds. This is a good option for those who have low and breathy voices that other models cannot pick up.

Condenser vs Dynamic

Dynamic mics are better at detecting louder and stronger sounds. If you’re in a rock band with those who play drums and other instruments, a dynamic microphone is the best choice for you.

Though it will pick up the instruments that are around you, a dynamic microphone will put the focus on your voice and make sure that it comes through.

Step 2: Analyze Your Budget

A common question that I get from vocal artists is about how much money they should spend. If you dream of going on American Idol or releasing a song on YouTube that gets millions of views, you probably don’t have as much money to spend as some of your peers do.

Knowing that my readers all have different budgets in mind, I ranked my list of vocal microphones at prices as low as $100 or less. Not only can you save when you start recording, but you get a good idea of what you want and need when it comes time to upgrade later.

Budget or Quality
It takes time to understand what kind of a mic you need. Start with a cheap option and you will see which one is worth paying for.

Those in the $100 to $300 range have some stronger features that might appeal to you. You can also get a good device at around $500 or less or spend up to $1,100 on one. The amount that you spend will depend on what you want out of a vocal microphone.

Step 3: Consider Your Music Genre

Make sure that you consider the music genre that you use when picking a vocal mic. Shure makes several models that are suitable for rock musicians and those who sing along with instruments.

You typically want to choose one with a large diaphragm and look at dynamic microphones. Dynamic mics are capable of picking up the instruments that complement your vocals while also ensuring that the crowd can hear your lyrics. Electronic musicians can also benefit from them.

Music Genres

If you play light or soft music, a condenser mic is a better choice. They often have small diaphragms and do an amazing job of putting the focus on your voice. These devices are great for recording songs in the comfort of your studio that you release online as well as when you play live in front of an audience.

Step 4: Singing Style

Some artists do not realize that their singing style plays a key role in the type of vocal microphones that they need.

Have you ever been to a concert where the crowd drowned out the sound of the singer’s voice? If you have a soprano or another type of higher voice, you want to make sure that the device can pick up the highest notes that you hit.

It’s also important to consider anyone else who plays on your track. Let’s say that you have an idea for a rock or pop song that includes a short rap in the middle. The mic needs to provide clarity to the rapper and ensure that the audience can hear all of the lyrics in that portion. You may want to choose a device that can detect drums and other instruments that your band plays, too.

Step 5: Recording Environment

Studio Recording and Stage Performance

A common thing that some artists forget is that they need to take into account their recording environment. There is a big difference between the vocal microphones that you use while standing on a stage versus those you use in a recording studio.

A studio mic often weighs less and features a dedicated power supply. That power supply lets you plug studio mics in and begin recording your songs in seconds. You’ll also find that a recording microphone will usually have polar patterns designed to eliminate background noises to ensure that your voice takes center stage.

If you want to play concerts and shows, you’ll usually go with a wireless microphone that gives you more freedom of movement. Some of these work on rechargeable batteries that you can charge before your show. Dynamic microphone models are perfect for stage performances because they are compatible with electric guitars and other instruments. Some devices are also suitable for open-air performances in which you’ll sing in front of others but without instruments.

Vocal recording artists can work from home and release songs that their fans love, but they can also perform live in front of large crowds. No matter how much experience you have or what type of singing you want to do, you need a good mic by your side. Choose the right one for you based on factors such as how much you can afford to spend and where you plan to record.

Best Microphones for Vocals
Audio-Technica AT2020

For rhythm and blues or soul singers with vocal ranges up through soprano.

Category: condenser
Amazon →B&H →SweetWater →
Audio-Technica AT2035

Good for acoustic and live performances as well as country and soul music.

Category: condenser
Amazon →B&H →SweetWater →
AKG P220

Perfect choice for rock and soul performers along with mellow and lower vocal types.

Category: condenser
Amazon →AKG →B&H →
Rode NT2-A

Suitable for tenor and bass vocals as well as classic and soul music.

Category: condenser
My choice among condenser microphones!
Amazon →B&H →SweetWater →
AKG Pro Audio C214

Best for hip hop artists and deep voices.

Category: condenser
My choice among microphones for vocals!
Amazon →AKG →B&H →
Rode NTK

Nice choice for R&B and soul singers along with baritone and other deeper voices.

Category: condenser
Amazon →B&H →SweetWater →
Neumann TLM 102

Good for jazz and soul music as well as other genres.

Category: condenser
Amazon →B&H →SweetWater →
AKG Pro Audio C414 XLII

Option for alto and soprano voices and pop or rock music.

Category: condenser
Amazon →AKG →B&H →
Shure SM58

Top pick for rock and pop music as well as soprano and alto vocals.

Category: dynamic
My choice among dynamic microphones!
Amazon →Shure →B&H →
Shure SM57

Another good option for rock musicians and touring artists.

Category: dynamic
Amazon →B&H →SweetWater →
Rode NT1-A

Suitable for acoustic and folk music as well as soprano and bass vocals.

Category: dynamic
Amazon →B&H →SweetWater →
Rode PodMic

Good for studio recording artists along with hip hop and rap artists.

Category: dynamic
Amazon →B&H →SweetWater →
Shure SM7B

For rock music and singers who have quiet voices.

Category: dynamic
Amazon →Shure →B&H →
Electro-Voice RE20

Nice for low and mellow voices as well as soul, classic and R&B singers.

Category: dynamic
Amazon →B&H →SweetWater →

What are the Best Microphones for Vocals?

Now that you know what my top picks are, it’s time to get into the details on these vocal microphones. Read through my ultimate picks to find the best mic for your vocals.

Condenser Microphones

Condenser mics are ideal for picking up delicate and soft sounds. They are suitable for recording in a studio environment. Let’s start!

1. Audio-Technica AT2020

Audio-Technica AT2020
“With its studio-quality articulation and intelligibility, the AT2020 is ideal for musicians, streamers, podcasters, and other content creators.” – audio-technica.com

The AT2020 has the consistency that you need when recording different types of voices and genres. It has a high sound pressure range that helps it pick up both soprano and baritone voices. With the cardioid polar pattern, the design allows you to pick up vocals from around and behind you while also isolating other noises. You also get an extensive frequency response range of up to 20,000 Hz.

Features:

  • One-inch capsule
  • Integrated suspension
  • Dynamic range with ultra-low noise pickups
  • Low-cut switch
  • Spider shock mount

Pros:

  • Nice sensitivity to pick up more sounds and noises
  • Perfect for both instrument and voice recording
  • Resistant to scratches and other damage
  • Handles drops and falls without breaking
  • Reduces both background and mechanical noises

Cons:

  • More expensive than similar mics
  • May sound a little muddy
  • Can arrive with broken pins or other damage

Audio-Technica AT2020
Credits: audio-technica.com

Best for: Rhythm and blues or soul singers with vocal ranges up through soprano.

Check out this YouTube video to get a better look at the AT2020. You can see how it handles and some of the reasons why it ranks as one of my top choices before you buy.

Buying Options

2. Audio-Technica AT2035

Audio-Technica AT2035
“With its smooth, natural sound, the AT2035 is ideal for musicians, streamers, podcasters, and other content creators.” – audio-technica.com

You don’t need to blow your recording budget on one piece of equipment because you have affordable options such as the AT2035. The AT2035 is one of the best choices for live recording because it has a high-pass filter and a range that picks up all of your instruments as well as the crowd. This is easily one of the top choices for acoustic performers, too. It can detect the quietest of voices.

Features:

  • Custom shock mount
  • 33-decibel audio sensitivity
  • Wired connections
  • Switchable high-pass filter
  • 10-decibel pad

Pros:

  • Frequency response range of 20 to 20,000 Hz
  • Provides natural and smooth sound recording
  • Cardioid mic design picks up sounds from all directions
  • Good sensitivity to pick up more sounds
  • Works well with most computers and audio equipment

Cons:

  • Does not come with a stand
  • May have some loose connections
  • Produces some flat or dull sounds

Audio-Technica AT2035
Credits: audio-technica.com

Best for: Acoustic and live performances as well as country and soul music.

Don’t take my word for it on whether the AT2035 is a great microphone. I found this video on YouTube that lets you see how it works.

Buying Options

3. AKG P220

AKG P220
“A switchable bass-cut filter and attenuation pad make it perfectly suited for use on loud sound sources with sound pressure levels up to 155dB SPL. The rugged and roadworthy design also makes the P220 a perfect choice for on-stage applications.” – akg.com

With the low price of the P220, you can feel confident when you step in front of the mic and know that you’ll still get the quality that you need. I like that it has a switchable bass filter that lets you eliminate other noises to focus on your voice.

Designed for performers of all types, it has a rugged case that makes it perfect for live gigs.

You’ll also like that the P220 works just as well inside your studio, too.

Features:

  • Unidirectional polar pattern
  • Three-pin XLR connector
  • Spider shock mount
  • Aluminum carrying case
  • Switchable bass-cut filter

Pros:

  • Nice low price for budget shoppers
  • Frequency range of up to 20,000 Hz
  • Low sensitivity to pick up lighter sounds
  • Works with most stands
  • Solid audio quality for studio recording

Cons:

  • Doesn’t last as long as other microphones do
  • May produce some hissing or other odd noises
  • Picks up more background noises than it should

AKG P220
Credits: akg.com

Best for: Rock and soul performers along with mellow and lower vocal types.

Find out the top features of the P220 and get a better look at this model with this YouTube video. The reviewer goes over some of the top reasons why the P220 is worth the money and how you can use it in your studio for recording audio.

Buying Options

4. Rode NT2-A

Rode NT2-A
“The RØDE NT2-A is designed and made in Australia, and covered by RØDE’s industry leading 10 year warranty.” – rode.com

Modern recording artists need equipment that can handle different genres and voices, which is why the NT2-A is such a popular choice. Capable of giving you the silky vocals that Frank Sinatra and other big names produced, it has a pop filter that gives your vocals more clarity. The included dust cover keeps it safe in your home or pro studio and ensures that it’s ready to go the next time that you have a song in your heart.

Features:

  • Large one-inch gold capsule
  • Three-position high-pass filter
  • Three-position variable pad
  • On-body control with polar pattern
  • Shock mount and pop filter included

Pros:

  • The included stand adjusts to reach the direction that you need
  • Works well for both instrument/song and voice recording
  • Great device for an affordable price
  • Lets you use the polar pattern on the mic
  • Can easily adjust the filter and other settings

Cons:

  • The included stand can tilt to the side or tip over
  • Can pick up some background noises
  • You may have problems getting a refund or sending it back

Rode NT2-A
Credits: rode.com

Best for: Tenor and bass vocals as well as classic and soul music.

I tracked down this YouTube review that gives you an inside look at the NT2-A. You can learn more about adjusting the microphone and using the different settings, too.

Buying Options

5. AKG C214

AKG C214
“A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL.” – akg.com

Designed for lead singers, the C214 does an amazing job of picking up both your vocals and any background artists on your song. It has a nice range that works with both high soprano voices along with deeper bass vocals. As the C214 picks up instruments that include percussion and wood instruments, I also like that it reduces the amount of editing that you need after a recording session.

Features:

  • Bass-cut filter
  • Switchable attenuator
  • All-metal body mic
  • Integrated suspension
  • Double-mesh grille

Pros:

  • Built-in suspension cuts down on background noise detection
  • Frequency response range of 20 to 20,000 Hz
  • Sensitivity as low as 20 mV/Pa
  • Resistant to both scratches and shocks
  • Includes both a shock mount and windscreen

Cons:

  • Makes some voices sound either too sharp or too dull
  • Some parts can become loose
  • Can sound too harsh at times

AKG C214
Credits: akg.com

Best for: Hip hop artists and deep voices.

To get a good look at how the C214 records voices and other sounds, I recommend watching this YouTube video when you have a few minutes free. It lets you see how this device responds in different situations.

Buying Options

6. Rode NTK

Rode NTK
“The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components. The result is an ultra-wide dynamic range, low noise, and stunning tube warmth.” – rode.com

Perfect for jazz musicians, the NTK delivers the best quality. It has a vintage look that works for soul and R&B singers along with a wide dynamic range. The included dedicated power supply helps you record live performances without tracking down a battery. Many singers also like that the NTK has a steel mesh head that can stand up to anything on the road and an ultra low noise design that picks up deeper voices.

Features:

  • One-inch gold capsule diaphragm
  • Valve condenser microphone
  • Class A circuitry
  • Internal shock mounting
  • Heat-treated mesh head

Pros:

  • Rejects most types of RF and background noises
  • Comes with a dedicated power supply for studio use
  • Dynamic range with ultra-low noise detection
  • Lets you replace the tubes as needed for future use
  • Picks up the lowest of voices

Cons:

  • Needs a better tube for stronger recording
  • May have some minor flaws or defects
  • Lacks some of the features found on expensive mics

Rode NTK
Credits: rode.com

Best for: R&B and soul singers along with baritone and other deeper voices.

As much as I like the NTK from Rode, I didn’t rank it as high on my list as others. You can get a good look at some of the reasons why it’s not the best microphone but still worth the money in this YouTube review.

Buying Options

7. Neumann TLM 102

Neumann TLM 102
“The TLM 102 also processes extreme volume and jumps in dynamics without distortion. That makes it an excellent choice for miking loud amps and drums.” – neumann.com

As a new vocal artist, you can easily set up the TLM 102 and get the same quality that professionals do. It prevents other equipment from distorting your vocals and blocks out electromagnetic issues. Capable of giving you smooth vocals, this is one of the best options for those who record in different genres. You’ll find that it can detect any type of voice or vocal work, too.

Features:

  • Sleek and modern nickel finish
  • Large diaphragm that works in different directions
  • Maximum sound pressure of 144 decibels
  • Built-in presence boost
  • Comes in two finish options

Pros:

  • Has a frequency response range of up to 20 kHz
  • Includes a hard mount for setting up in your studio
  • Provides nice quality with modern and vintage equipment
  • Compact design to save you space
  • Boosts lower voices and sounds at six decibels

Cons:

  • Smaller in size than you might expect
  • Can produce some distortion
  • Similar mics have the same features but cost less

Neumann TLM 102
Credits: neumann.com

Best for: Jazz and soul music as well as other genres

You might think that a small microphone may not have all the power or features that you need, but this YouTube video will ease some of your worries. I recommend that you watch the whole video to see how the TLM compares to others on the market.

Buying Options

8. AKG C414 XLII

AKG C414 XLII
“The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use.” – akg.com

The high price tag of the C414 XLII proves that this is a tool designed for pros. Perfect for lead vocal artists, it has nine different polar patterns that you can use based on what you play. With three attenuation levels, you can also select the right level based on how close you are. Not only is it great for pop and rock music, but it works with low and high voices that range from alto to soprano.

Features:

  • Nine polar patterns that you can choose from
  • Three attenuation levels for all types of sound and vocal recording
  • Three switchable bass-cut filters
  • Built-in overload warning
  • Large diaphragm capsule

Pros:

  • Shock mount reduces both handling and mechanical sounds
  • Lets you choose the best polar pattern for any type of recording
  • Keeps the mic from overloading the circuitry
  • Sensitivity range as low as 23 mV/Pa
  • Bass-cut filter works at three different levels

Cons:

  • Has features similar to those found on cheaper microphones
  • May sound duller than you would like
  • Makes some low noises as it records

AKG C414 XLII
Credits: akg.com

Best for: Alto and soprano voices and pop or rock music.

The C414 XLII is one of the newer designs from AKG Pro, which is why I recommend watching this short but detailed YouTube review. It goes over some of the upgrades that it offers and lets you see why you may want to spend some more money.

Buying Options

Dynamic Microphones

Let’s continue our reviews with dynamic microphone options. Dynamic mics capture all the sound in a room and perfect for live performances.

9. Shure SM58

Shure SM58
“If you’ve ever heard someone sing or speak into a live microphone, there’s an excellent chance it was an SM58.” — shure.com

Pop musicians around the world use the SM58 when they work in a studio or play in front of crowds. They love that this dynamic mic puts the focus on their vocals rather than background noises as much as you will. Both the included windscreen and pop filter weed out the noises that might distort your voice to ensure that your fans hear only what they want to hear. Thanks to the durable design, you can take it on the road, too.

Features:

  • Nice frequency range of up to 15,000 Hz
  • Zippered storage bag included
  • Steel mesh grille
  • Break-resistant stand adapter
  • Built-in pop filter

Pros:

  • Durable design lets you use the mic inside and out
  • Cuts down on background noises caused by wind or your breathing
  • Strong choice for professional recording
  • Reduces mechanical noises
  • Provides smooth and silky vocals

Cons:

  • No cable included in the package
  • May give your vocals a slightly dull sound

Shure SM58
Credits: shure.com

Best for: Rock and pop music as well as soprano and alto vocals.

If you’re on the fence about whether to invest in the SM58, I recommend checking out this video. It gives you a good idea of how well it responds in different situations.

Buying Options

10. Shure SM57

Shure SM57
“With a uniform cardioid pattern and a pneumatic shock mount system, you get a whole lot of tone without the handling or background noise.” — shure.com

Similar to the last option, the SM57 dynamic mic also comes from Shure. It is one of the leading choices for rock musicians because it works with amplifiers but won’t let your instruments drown out your vocals.

Perfect for live shows, the SM57 lets you get as loud as you want to whip the crowd into a frenzy without changing your voice.

This vocal mic also weeds out wind and other background noises to help you hear your voice.

Features:

  • Unidirectional polar pattern
  • Wired connection
  • Ergonomic design
  • Shock mount system
  • Weighs 10 ounces

Pros:

  • Suitable for close-up recording
  • Frequency range of 40 Hz to 14 kHz
  • Durable design makes it suitable for daily use
  • Contoured shape helps you hold it easily in your hand
  • Lightweight size makes it great for long-term use

Cons:

  • Doesn’t pick up some low or quiet vocals
  • Sound quality is poor when compared to some microphones
  • Can sound harsh or dull
  • Lacks any cables or adapters

Shure SM57
Credits: shure.com

Best for: Rock musicians and touring artists

Take a look at how the SM57 vocal mic works in real life when you watch this YouTube video. Not only can you see how you can use this affordable model, but you also get a look at how it responds to different voices and vocals.

Buying Options

11. Rode NT1-A

Rode NT1-A
“The RØDE NT1-A” cardioid condenser microphone has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the world’s most expensive microphones.” — rode.com

The ultra-low noise design of the NT1-A gives you a stronger vocal range that detects more of the voices of those who sing with you.

This popular vocal mic works just as well with acapella singers as it does with those who use background tracks and instruments.

I like that it comes with a video you can download to pick up tips on recording with it and that you get a 20-foot cable for connecting the mic to recording equipment and other tools.

Features:

  • Weighs 4.6 pounds
  • AC power source
  • One-inch gold capsule
  • Internal shock mount
  • External condenser

Pros:

  • Includes a dust cover for keeping the device safe when not in use
  • Sensitivity range of as low a -31.9 decibels
  • Comes with a 10-year warranty when you register the model with Rode
  • Frequency range of 20 Hz to 20,000 kHz
  • Picks up vocals as low as five decibels

Cons:

  • Runs a little hot
  • Can have some distortion with certain sounds
  • Not a good choice for professionals or studio use

Rode NT1-A
Credits: rode.com

Best for: Acoustic and folk music as well as soprano and bass vocals.

No matter how you want to use the NT1-A set, check out this YouTube video that I found before you spend a dime. I like that the video focuses on the benefits of using it.

Buying Options

12. Rode PodMic

Rode PodMic
“The PodMic is optimised for use with the RØDECaster™ Pro Podcast Production Studio, but will also offer exceptional results with any high-quality microphone interface.” – rode.com

Don’t let the name fool you because the PodMic works great for vocal artists. It has a pop filter that minimizes the noises behind you to ensure that your vocals come through. Rappers and hip hop artists will love that it has an optimized design for speech patterns. You can rest assured that it will detect anyone who talks or raps in the middle of your song or chorus.

Features:

  • Internal pop filter
  • Dynamic capsule for broadcast recording
  • All-metal construction
  • Cardioid polar pattern
  • XLR outputs

Pros:

  • Low sensitivity range picks up the lowest and smallest of vocals
  • Works without any type of phantom power
  • Compatible with most audio recording software
  • Provides audio quality suitable for any type of broadcast
  • Reduces vibrations as you record

Cons:

  • Need to adjust the settings many times for streaming applications
  • Sound quality is iffy at times
  • Works better with deeper and lower voices than higher or softer vocals

Rode PodMic
Credits: rode.com

Best for: Studio recording artists along with hip hop and rap artists

If you want to see how the PodMic works, watch this YouTube video and look closely at the top features. This video goes over some of the reasons why this model is so good.

Buying Options

13. Shure SM7B

Shure SM7B
“The air suspension shock isolation and the pop filter eliminate both mechanical noise and breathiness. So words get through and the rest stays out of the mix.” – shure.com

Give your vocals the polished sound and feel that professionals have with the SM7B. Designed for singers, it allows you to stand and record as close to the mic that you want.

Thanks to the electromagnetic shielding, this vocal mic will never pick up mechanical noises from anything else in your studio.

Shure also added features that reduce distortion when you or others are too close.

Features:

  • Unidirectional polar pattern
  • XLR connector
  • Removable windscreen
  • Captive stand nut
  • Pop filter

Pros:

  • Meets all industry standards for vocal recording
  • Strong construction makes it a reliable microphone
  • Rejects off-axis sounds and noises
  • Prevents electromagnetic hums and mechanical sounds
  • Offers robust recording in studio settings

Cons:

  • You need a signal booster to get the most out of this device
  • The high price tag isn’t affordable for beginners
  • May lack the adapter when it arrives

Shure SM7B
Credits: shure.com

Best for: Rock music and singers who have quiet voices

The high price tag might turn you off, but watching this YouTube review will show you why the SM7B is worth the price. It takes just a few minutes to watch the video before you buy.

Buying Options

14. Electro-Voice RE20

Electro-Voice RE20
“The RE20 dynamic cardioid microphone is truly an industry standard, a firm favorite for broadcasting, podcasting, and sound engineering worldwide.” – electrovoice.com

Anyone who enjoys classic recordings will like the RE20. It has a true cardioid mic design along with a frequency response tailored to the sound of your voice. Coil guards keep it from picking up hums and other noises as you sing. You also get a frequency response range of up to 18,000 Hz. If you want to sound like a classic recording artist, this is the one for you.

Features:

  • Steel case
  • Three-pin XLR connector
  • Internal pop filter
  • Big diaphragm
  • Bass roll-off switch

Pros:

  • Has sound clarity up to 18,000 Hz
  • Provides professional results
  • Great choice for close-up voice recording
  • Cuts down on vibrations and hums
  • Shields against electromagnetic hums and similar noises

Cons:

  • Has more wobbles than it should for the price
  • The adapter may not work the way that you want or need
  • Runs hot

Electro-Voice RE20
Credits: electrovoice.com

Best for: Low and mellow voices as well as soul, classic and R&B singers.

Get the lowdown on the RE20 when you watch this YouTube video. I recommend that you take a few minutes to watch the video to get a look at the top features before you shop for this model online.

Buying Options

Must-Have Accesories for Your Vocal Mic

While you need one of the best microphones for vocals in your home or professional studio, you also need some must-have accessories and equipment. I found some of the best pieces that are compatible with some or all of the mics that I talked about above. You can take a look at those products and see what I liked about them below.

1. Windscreen →

Foam Windscreens for Your Handheld Mics

One of the first things that I recommend looking at is the Foam Microphone Windscreen, which works with handheld mics such as Shure SM58. Made from foam, the windscreen reduces the risk that the microphone will pick up the sound of your breaths and popping noises.

2. Desktop Boom Arm →

Blue Boom Arm

Broadcast journalists are lucky in that they have dedicated microphone operators who can film them as they talk. When you work alone or with a limited crew, you need to wear more than one hat. This tube-style broadcast mic stand is perfect for holding your device as you work.

It has an internal spring that lets you adjust the stand as needed as well as a hidden channel that runs through the center to manage your cords and cables. Workers for the company tighten all of the hinges by hand to ensure that they open and close smoothly without making any noises that the microphone might pick up. The stand works with most broadcast mics and is compatible with all shock mounts.

3. Microphone Shock Mount with Pop Filter →

BTOOP Mic Shock Mount with Pop Filter

No matter what type of mic you have, you’ll find that this shock mount and pop filter set is compatible with it. You get a universal adapter in the packaging that makes it easy to connect your device. You can use this set with your microphone or a mic stand. The pop filter features both a foam layer and a metal layer. While the foam layer absorbs some vibrations, the metal layer blocks both the wind and any loud noises in the background.

It also does a good job of preventing saliva from damaging your microphone. The shock mount comes with an elastic band that keeps your device from falling off. You can check the product description for sizing information to make sure that the set will fit your mic.

4. Three-Layer Pop Filter →

PEMOTech Three-Layer Pop Filter

This pop filter from PEMOTech works with most vocal microphones that have a diameter of 45 to 63 mm. Unlike other shields that have only two layers, this one has three. You get an etamine layer along with a foam layer and one made from metal. Those layers work together to reduce loud noises, including crackles and pops. It’s a good option for vocal recording because it won’t pick up the sound of your voice or the wind in the background. The shield isolates the sound of your voice to help the mic pick it up.

Thanks to the metal mesh screen, you can also keep your device safe from damage as well as saliva stains.

5. XLR Cable →

FURUI 6ft XLR Cable

When you need to connect your microphone to speakers and other equipment, this two-pack of XLR cables can help. Each cable uses a construction made of oxygen-free copper to provide the fidelity that you need. You can use the cables when you want to move recordings across a short distance or a longer range. Each one uses shielding on the outside made of aluminum foil and a braided material that gives you better performance and less data loss.

You can plug in and unplug these cables up to 5,000 times without seeing any damage or changes to your recordings. This set uses a male-to-female design that works with all types of equipment with three-pin adapters.

Useful Resources

A Final Word on the Best Vocal Microphones

Finding the best microphones for vocals shouldn’t take as much time as you might expect. The top vocal mics come from some of the top names in the industry and are easy to use.

You’ll find options for beginners as well as professionals who have more experience.

I also found microphones that are suitable for podcast hosts and video gamers as well as broadcasters and audiobook narrators. When you stream video games or other types of videos online, you can use any of the best microphones for YouTube to handle all of your needs, too. Check out my list of the best models to find one that can handle everything that you do.

Have any questions about our guide to the best vocal microphones? Let us know by commenting below.

The post The 14 Best Microphones for Vocals of All Genres (2023 Reviews & Rankings) appeared first on MyeLearningWorld.

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The 11 Best Studio Headphones for Recording Voiceovers, eLearning Content, & More at Home https://myelearningworld.com/best-studio-headphones/ https://myelearningworld.com/best-studio-headphones/#comments Wed, 01 Mar 2023 13:58:04 +0000 https://myelearningworld.com/?p=1717 The right studio headphones can play a big role in the voiceover recording process, helping you dial in your sound for a clean, professional finished product.

The post The 11 Best Studio Headphones for Recording Voiceovers, eLearning Content, & More at Home appeared first on MyeLearningWorld.

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As an instructional designer who’s spent countless hours in my home studio recording voiceovers for eLearning modules, one of the most important things I’ve learned is the tools we use to create our content can make or break the learning experience. And while you might think the microphone is the only thing that matters when recording voiceovers, I’m here to tell you that the headphones you use also play a pivotal role in ensuring the clarity and quality of your recordings.

The right studio headphones provide an accurate representation of sound, allowing you to catch subtle nuances, background noises, or inconsistencies that might otherwise go unnoticed in your recording project.

That’s why I’ve reviewed and ranked the best studio headphones, offering quality picks across different categories and for every price point (click here to learn about our entire Editorial Process & Methodology for product reviews). From budget studio headphones and high-end models to headphones specifically designed for voice over work, I’ve tried dozens of different products, and curated a list of 11 of the very best products available today.

This guide has been fully updated for 2023, so you can make sure you’re getting current, accurate info to help you find the right pair of headphones for your needs.

My Quick Suggestions

To save you some time, here are some suggestions from my research and testing. These voice-over headphones all deliver great results and come with features to deliver quality recordings for all skill levels:

  • Sennheiser HD280PRO – Affordable on nearly any budget, these studio headphones are comfortable with adjustable cups and closed-back design for attenuation of ambient noise, trusted brand with over 75 years in the recording industry
  • Beyerdynamic DT 770 PRO – Mid-range price for professional studio quality monitoring, versatile for use in voice-over work and instrument recording, comfortable and replaceable ear pads, able to use with mobile recording devices as well as in-studio applications and hardware
  • Audio-Technica ATH-R70x – Neutral tuning for accurate voice-over monitoring, acoustically transparent to allow for hearing of your own voice during performances, can be used with a range of headphone amplifiers

Now let’s move on to the full list of headphones that are ideal for voice-over in your home studio. I’ll analyze in detail their characteristics, explain the reason why I chose them, and help find the best option for you.

Best Studio Headphones for Voice-overs, Music, and More
Sennheiser HD280PRO

The industry standard, lightweight, comfy, great for voice-over pros and beginners.

Type: closed-back
My choice among the closed-back studio headphones!
Check price
Sennheiser HD 650

High end, great dynamic range, mids, bass, and highs. Soft on the ears!

Type: open back headphones
Check price
Sony MDR7506

A pro choice, appealing design, solid noise reduction, high frequency response.

Type: closed-back
Check price
Sony MDRXB800

Superb low tones, smart price, natural sound, bass, ergonomic and foldable.

Type: closed-back
Check price
Beyerdynamic DT 770 PRO

Cost-effective, soft ear cushions, great highs, and mid-range, 2yr warranty.

Type: closed-back
Check price
Beyerdynamic DT-990-Pro-250

Nice mid-range option, wide frequency range, 250-ohm drivers, lightweight diaphragm.

Type: open back headphones
Check price
Shure SRH1540

Perfect headphones for voice-overs, nice look and sound, noise-free, adjustable headband.

Type: closed-back
Check price
Shure SRH1840

Pure audial pleasure, circumaural design, well-balanced, ergonomic, and durable.

Type: open back headphones
Check price
AKG K 240 MK II

Over-ear design, firm bass, rich dynamic range, adjustable; a smart choice!

Type: semi-open back headphones
Check price
Audio-Technica ATH-R70x

Spacious sound, lightweight, big breathable cups, natural and clear sound.

Type: open back headphones
My choice among the open-backs!
Check price
Status Audio CB-1

Good studio headphones for voice overs, no sound leaks, soft cups, foldable, nice cabling.

Type: closed-back
Check price

What are the Best Studio Headphones?

1. Sennheiser HD280PRO →

Sennheiser HD280PROPower users maintain Sennheiser HD280PRO is the industry standard, which might be true, as far as I’m concerned.

That’s why this is my pick for the best studio headphones for voice over work that you can buy.

Other headphones just don’t quite measure up to this one with its excellent sound reproduction, accurate frequency response, comfortable design, and proven performance.

Looking for dynamic closed-back headphones? HD280 could be your top choice.

What’s inside?

  • Foldable ear cups for easy, safe transport.
  • Utilizes durable single-sided cable for convenient management.
  • Linear sound reproduction with high ambient noise attenuation.

Why I picked it:

  • Lightweight, ergonomic, nice look and feel.
  • Warm, natural sound with no extra gadgets involved.
  • One of the most best values on the market in terms of price and quality.
  • Ambient noise attenuation really helps with natural sounds like the human voice, but sound reproduction remains uncolored and neutral.
  • Sennheiser is one of the most respected names in pro audio with a proven track record of creating superior gear.

Best for

  • Budget-conscious studio owners.
  • Vocal recording artists who work in more than one location.
  • Voice-over talent who require high-quality monitoring when performing on location.

These headphones are the epitome of comfortable. Nifty around-the-ear design, ear cups that really stand out – well… metaphorically speaking.

Here’s a brief video review of HD280PRO. The review includes main tech features, applications and purchase tips:


2. Sennheiser HD 650 →

Sennheiser HD 650An open-back that will make the most picky audiophiles happy, Sennheiser HD 650 appeals to pros and covers amateur needs as well.

What’s inside?

  • High power neodymium magnets for top efficiency.
  • Lightweight voice coils for rapid transient response.
  • Hand-picked pair of response units with narrow tolerances of ± 1dB.
  • Detachable cable made specially to eliminate signal noise using highly conductive OFC copper.

Why I picked it:

  • Real high-end and everything that goes with it.
  • Incredible dynamic range.
  • Miraculous mids and bass, and clear highs.
  • Great extension and sound stage, boosted frequency response at 10 – 39,500 Hz (-10 dB).
  • Custom-designed acoustic silk helps to reduce total harmonic distortion to as little as 0.05%.

Best for:

  • Audiophiles who demand high-quality playback.
  • Voice-over artists who perform a range on roles.
  • Studio professionals looking for headphones targeted toward transient detail.

Need a soft touch on the ears? You got it!

Take a look at the video and judge for yourself why these are considered some of the best studio headphones on the market:


3. Sony MDR7506 →

Sony MDR7506A pro choice, Sony MDR7506 offers balanced low, medium and high tones and are a great choice for studio headphones for recording at home.

What’s inside?

  • Comes with protective carry pouch and gold-plated adaptor.
  • Can connect to portable recording and listening devices for work on the road.
  • Easily handles frequencies up to 20kHz.
  • Mid-range price is the sweet spot for home studio voice-over artists.

Why I picked it:

  • The overall design makes a good impression, the headband will work fine for any taste, and the ear cups are soft and comfortable.
  • Sound leakage is minimal, with solid noise reduction. Great overall sound quality. Frequency response of 10Hz – 20 kHz.
  • Versatile connection options for use in both studio voice-over work and personal listening enjoyment.

Best for:

  • Voice-over artists who need a fast and easy monitoring solution that connects to different types of hardware.
  • Home recording studio engineers.
  • Vocal recording artists on a budget who want to save money.

These recording headphones fold up easily in case you need to travel or store them with a minimal ‘footprint’.

4. Sony MDRXB800 →

Sony MDRXB800This Sony model has an edge over the competition in the low tones, and many more perks!

What’s inside?

  • Padded ear cups aid in comfort for long listening sessions.
  • Hinged headband makes for easy storage and transport.
  • Frequency response dips down to 3Hz according to Sony.

Why I picked it:

  • Cheap, stylish, foldable, smart construction (earpiece-earpiece design-over-the-head) – what else could you ask for?
  • Cable length – 3.94 ft; maximum frequency response at 28 kHz.
  • Realistic, natural sound quality, and bass, genuine BASS, if you are into it.

Best for:

  • Vocal recording pros who want to connect to multiple devices.
  • Recording engineers who want to reference mixes using consumer headphones.
  • Baritone voice-over artists seeking extra-strength bass.

How else is it different from the MDR7506? Get more insights from a popular vlogger:


5. Beyerdynamic DT 770 PRO →

Beyerdynamic DT 770 PROAvailable at a moderate cost, the closed-back Beyerdynamic DT 770 PRO tops the list of the best headphones for recording vocals and voice overs, providing quality sound and improved bass response.

What’s inside?

  • Circumaural technology provides natural sound in the studio and through mobile devices.
  • Full frequency response with a neutral tuning to reproduce crisp highs and deep lows.
  • Spring steel headband for flexibility and padded ear cups provide comfort during long sessions.
  • Single-sided cable reduces clutter and tangled messes.

Why I picked it:

  • A nice trade-off between solid features and a reasonable price.
  • Stylish design with rugged headband construction.
  • Comfort and ease-of-use with single-sided cableSoft ear cushions.
  • Impressive high and mid-range reproduction.
  • 2-year warranty if purchased from an authorized reseller.

Best for:

  • Voice-over artists who record while traveling.
  • Recording engineers needing monitoring headphones for both music and vocal work.
  • Voice-over artists who work from home.

Learn more details in this HomeTracks review and consider these headphones for your home recording studio:


6. Beyerdynamic DT-990-Pro-250

Beyerdynamic DT-990-Pro-250A seasoned performer in the mid-range, the DT-990-Pro-250 open-back from Beyerdynamic offers an extraordinarily wide frequency range, and more!

What’s inside?

  • 250-ohm drivers, superb sound reproduction.
  • Lightweight diaphragm and exceptional impulse performance.
  • Pro model features a coiled cable for easier management and less mess.
  • Both the ear cups and the headband are snug but comfortable without causing tension.
  • Open-back design reduces pressure and artificial bass to ensure neutrality.

Why I picked it:

  • Like the DT 770, this one has an adjustable, padded headband construction, and goes soft on your ears thanks to the tender velour ear pads.
  • All this comes with a traditional 2-year manufacturer warranty.
  • Excellent sound reproduction for voice-over work and music mixing.
  • Wide stereo image allows for pinpoint accuracy in panning and mixing voice-over takes with other audio.
  • Affordable price but with high-end results.

Best for:

  • Professional and home studio recording engineers.
  • Voice-over artists who are ready to step up from enthusiast headphones.
  • Podcasters looking for an affordable, professional monitoring solution.

Get more information from this HardwareCanucks review and see which Beyerdynamic product meets your requirements:


7. Shure SRH1540 →

Shure SRH1540 PremiumExcuse the bad pun, but this is the headphone device you can be sure about. The close-ear Shure SRH1540 looks gorgeous and never fails in terms of quality, be it voice-overs or any other possible scenario.

What’s inside?

  • Steel driver frame for improved linearity, eliminated internal resonance and smooth performance at various levels.
  • Carbon fiber construction provides durability and long-lasting performance.
  • 40mm neodymium drivers create a rich sound stage with warm bass and crisp high-end.
  • Features a closed-back design for improved isolation and full sound.
  • Comes with a storage case, replacement ear pads, a threaded adapter, and replacement cable.

Why I picked it:

  • It’s a perfect blend of good looks and good sound, with utmost comfort included.
  • The headphones have garnered a bunch of positive reviews from voice-over pros, high-end fans and audiophiles across the globe. All these people just can’t be wrong, and I totally agree.
  • An extensive soundstage with clear highs and warm basses.
  • The classic closed-back design helps reduces background noises.
  • Ergonomic, fully adjustable headband for ultimate comfort.

Best for:

  • Home and professional studio engineers.
  • Voice-over artists who want to monitor full-range performances.
  • Vocal artists who want headphones that will last for years.

Feel free to learn more in an elaborate video clip from Z Review:


8. Shure SRH1840 →

Shure SRH1840An excellent pair of headphones, the SRH1840 open-back raises the bar for a full, truly absorbing audial experience.

What’s inside?

  • Open-back design allows for neutral monitoring without bass pressure or harsh transients.
  • Includes replacement velour ear pads, carrying case, replacement cable and threaded adaptor.
  • Full sound with no over-tuned response, perfect for use in monitoring, mixing and mastering.

Why I picked it:

  • The circumaural design makes for natural sound, wide stereo and boosted field depth.
  • External noises aside, the sound is well balanced with solid bass, mids in the right spectrum, and highs bright and clear.
  • Lightweight, yet durable – a close rival to its SRH1540 sibling!

Best for:

  • Studio engineers who require neutrality in sound reproduction.
  • Voice-over artists seeking a monitoring solution that brings out natural details in voice work.
  • Recording professionals who are ready to move up from mid-tier pricing.

Great review by Damir Franc will give you more details about these headphones!

9. AKG K 240 MK II →

AKG K 240 MK IIAKG were once famous for their flagship K1000 series of studio headphones. The up-to-date semi-open K240 model follows this remarkable legacy and adds more features.

What’s inside?

  • Utilizes 30mm XXL transducers to reproduce natural sound without over-tuning highs or lows.
  • Back design is semi-open, allowing a combination of natural clarity mixed with isolation for improved detail.
  • The provided mini-XLR cable is perfect for connecting to professional recording gear in the studio, at home or in the field.

Why I picked it:

  • The over-ear design gives you an awesome feeling, however long the voice-over.
  • Check it out and appreciate the firm bass, airy highs, and ample dynamic range.
  • The headband can be self-adjusted to cater to individual preferences.

Best for:

  • AKG is undoubtedly one of the most celebrated standards for studios, orchestras and stages.
  • Top pick for audiophiles and sound professionals worldwide.
  • Vocal pros who want to hear everything around them as they work

For a quick unboxing and thoughts on this model, watch this video review:


10. Audio-Technica ATH-R70x →

Audio-Technica ATH-R70xAll about spaciousness and rich sound, these award-winning open-back studio headphones from AT will make most picky audiophiles happy.

What’s inside?

  • The model comes with nifty magnets and a pure alloy magnetic circuit that help to eliminate distortion and increase high-frequency response.
  • Acoustically transparent housings reduce unwanted coloration and reproduce natural performances
  • Features a dual-sided detachable cable for customizing the listening experience
  • Utilizes carbon composite resin to remove transient bite
  • Lightweight, yet durable, for added comfort and protection

Why I picked it:

  • Incredibly light to wear, with big comfortable cups – ATH R70x will deliver the utmost usability even for long recording sessions.
  • The ear pads are soft and breathable.
  • As for the sound, it reaches the highest standards – natural and clear.
  • The open-back design delivers a flat response for neutral monitoring during recording and while mixing and mastering vocal takes and more.
  • All this with an approximate weight of 0.5 lbs/220 g.

Best for:

  • Professional studio engineers
  • Voice-over artists who are ready to move up to pro-audio quality and price
  • Recording engineers who need to monitor subtle and nuanced vocal takes

Need video proof? You got it! Learn how these headphones perform in real life, and why the reviewer thinks they stand out from the competition:


11. Status Audio CB-1 →

Status Audio CB-1Status Audio CB-1 has been designed for pro use and covers all voice-over needs from A to Z. You got all you need in these closed-back studio headphones – no sound leaks, no distractions, and no hiccups.

What’s inside?

  • Utilizes 50mm drivers with a closed-back design, but delivers a neutral monitoring experience for mixing vocal takes
  • Detachable cable for clean organization in the studio
  • 3.5mm plug can be adapted to 1/4” for use with many hardware devices

Why I picked it:

  • Aside from nice sound rejection, Status excels in durability.
  • However far you try stretching the band, don’t expect any cracks or breaks. It’s rock-solid, yet flexible.
  • The ear-pads are soft, smooth, and ergonomic, attaining the same or higher level of comfort as the close competitors on the list.
  • Moreover, these headphones are foldable. Looking for a smaller form factor? All you need is a gentle touch, and they fold.
  • The package comes with decent cabling: two detachable cables, coiled and straight, with twist-lock available.

Best for:

  • Voice-over artists seeking an entry-level monitoring solution
  • Music enthusiasts who need a pair of inexpensive closed-back headphones
  • Home studio users who are learning about recording and engineering sessions

A CLE Tech review suggests this might be the best pair of headphones under $100. Watch the video, and judge for yourself:

Choosing the Best Studio Headphones for Your Needs

Finding the right recording headphones for voice-over work or home studio use can seem daunting. What options should I look for? What features do I need? Does brand or price matter?

Thankfully, finding the right studio headphones can be easy by following these five simple tips:

1. Understand Your Needs

Headphones can be used for monitoring vocal performances during recording, but most headphones aren’t always the best choice when it comes to mixing and mastering recordings.

As a result, look for mixing and mastering headphones that provide a flat response so you get an accurate representation of your vocal work during the recording process. Headphones that are heavily tuned toward bass tones can cause an unnatural and muddy sound that distorts your EQing and mastering.

With this stated, high-end headphones can be used for mixing and mastering as long as they are designed with neutrality in mind.

2. Think of Your Comfort

ComfortThe length of time it takes to get a good vocal take depends on a number of factors, including the length of the voice-over and how many takes you need to get the perfect recording.

This means you may be wearing studio headphones for varying lengths of time, including for hours a day if you’re recording voice-over work for lengthy videos.

If you’re wearing uncomfortable recording headphones the whole time, you may not be ready to give your best performance, so look for studio headphones that include comfort features like adjustable clamp tightness, cup extenders and cushioned over-the-ear cups.

3. Price Doesn’t Determine the Right Fit

In life, you often get what you pay for. This may lead you to believe that the most expensive pair of voice-over headphones will deliver the best performance, but that may be incorrect.

Once again, it all comes down to your recording needs and how you plan to use the studio headphones.

An expensive pair of studio headphones that has been designed specifically for simulated surround sound may cost more than a pair of recording headphones designed for vocal monitoring, but the vocal monitoring headphones will likely better meet your needs.

4. Consider Connectivity

ConnectivityTraditionally, mixing headphones in a recording environment are connected to a digital audio workstation or recording hardware unit through a cord and jack.

While this method is still preferred among most professional studios, wireless technology has made major advancements in recent decades toward providing a similar listening experience with very low latency in the field of vocal recording.

As a result, consider what type of connection you will need between your studio headphones and your recording equipment prior to making a decision.

Also, think about the future and where you see the industry moving in terms of wired vs. wireless options down the road. Keep in mind that technology changes fast, so it may be better to stick with trusted connection methods until you have a chance to see how things will play out instead of investing in a gimmick that won’t last more than a few years at the most.

5. Think About Extra Equipment

If you’re new to purchasing headphones for recording and voice-over work, you may think studio headphones work just like retail headphones that connect to a source for listening to music. While this is technically the case, many studio headphones, especially those on the higher end of the price and quality scale, will require amplification in order to get the most out of them.

Schiit Magni 3
Schiit Magni 3 Headphone Amp

A headphone amplifier may be an additional piece of hardware that will be utilized to control the volume of source material being fed to the headphones, but it may also provide power to an amplification unit built into the headphones.

An amplifier is also used to reduce signal noise for the cleanest, clearest sound possible. Before purchasing a pair of voice-over headphones, check to see if you will need to also purchase an amplifier or other hardware so that you’ll be ready to record, monitor and mix your tracks from day one.

FAQ

What are the main types of studio headphones?

There are a few different types of studio headphones for recording:

  • Closed-back, over ear headphones
  • Open-back, over ear headphones
  • In-ear headphones

While closed-back studio headphones tend to be the best choice for recording, the others still offer various benefits, such as comfort.

What’s the difference between studio headphones and normal headphones?

Thinking about trying to use your regular headphones for recording?

Regular headphones don’t have the same range as studio headphones and won’t deliver the kind of sound quality you need for recording. They’re not designed for mixing, and they often have various boosts.

Studio headphones are designed to let you fully hear everything that’s going on in your mix, so you can pick up on fine details that may need to be refined or edited out. The result is your final product has better sound quality for listeners to enjoy.

Furthermore, the best studio headphones are simply more durable and sturdy than regular headphones, so they’ll last longer and deliver better sound quality for your recording and mixing purposes.

How much do studio headphones cost?

Recording headphones come in a wide range of prices, and more expensive doesn’t always mean better. You could spend anywhere from around $100 to $300 or more on a pair of studio headphones, depending on your needs.

A Final Word on the Best Studio Headphones

Am I missing some studio headphones brand that deserves attention? Give me a shout! Any feedback is welcome. You can also check out my guide to the best headset microphones.

Looking to get more education in the field of voice over work? Make sure to check out our voice over classes guide!

Have any questions about choosing the best studio headphones for recording at home? Leave a comment below.

The post The 11 Best Studio Headphones for Recording Voiceovers, eLearning Content, & More at Home appeared first on MyeLearningWorld.

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The 15 Best Cables for Studio Monitors (2023 Rankings) https://myelearningworld.com/best-cables-for-studio-monitors/ https://myelearningworld.com/best-cables-for-studio-monitors/#respond Mon, 27 Feb 2023 07:41:56 +0000 https://myelearningworld.com/?p=5617 The best cables for studio monitors can help you get the best sound quality from your recording and mixing sessions. Studio monitors are some of the most important tools a recording engineer or audio enthusiast can have. Dedicated monitors provide accurate feedback while recording, but they also make a world of difference when mixing and ... Read more

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The best cables for studio monitors can help you get the best sound quality from your recording and mixing sessions.

Studio monitors are some of the most important tools a recording engineer or audio enthusiast can have. Dedicated monitors provide accurate feedback while recording, but they also make a world of difference when mixing and mastering.

What I’ve learned over the many years I’ve spent in the studio is that people who are new to the world of recording are often confused about connecting monitors. After all, monitors look like regular speakers, so shouldn’t you just be able to plug into them like a regular speaker?

The truth is that different monitors have different inputs for different purposes. On top of that, you’re going to need the right cables to connect your monitors to your audio interface or computer.

Whether you are a professional or just starting out, having the right cables is essential for achieving that perfect balance between clarity and richness in your recordings.

With so many different types of cables available, it can be difficult to decide which ones are best for your specific needs.

To take some of the mystery out of selecting the right cords for your monitors, I tested nearly 50 products. While all had something to offer, I found 15 that I want to pass along to you in order to help you create better audio.

In this article, you’ll learn about:

  • How to select the right studio monitor cables
  • Features of some of the best cables
  • Tips for cable management
  • Must-have accessories to complete your recording experience

I should also note that although I’ve only included my reviews for the best cables, there were some that I tested that were still good, despite not making my list.

Because of my preference for wired connections in the studio, I reviewed products that offered a physical-only option. Some audio gear can utilize both wired and wireless links, but I’m concerned with physical cabling for the purposes of these reviews.

This guide has been fully updated for 2023 to provide you with the best current options on the market so you can choose wisely.

Disclosure: Some of the links in this article are affiliate links, meaning at no additional cost for you, we might get a commission if you click the link and purchase.

 

Quick Picks for the Best Studio Monitor Cables

Don’t feel like reading my full guide? Here are a few of my absolute top choices for the best studio monitor cables available in 2023…

My Top PickСable Matters XLR to XLR

Сable Matters XLR to XLR

What’s inside?

  • Designed using oxygen-free copper
  • Cabling is balanced with a soft PVC jacket
  • Available in lengths up to 20’

Killer feature: Gold-plated contacts reduce oxygenation for longer life

Check price on Amazon →

Check price on Cable Matters →

When choosing audio cords for monitors, keep in mind that many of these cords can pull double-duty. This means that many cords can be used for connecting mics to audio interfaces, guitars to amps and more.

As such, it never hurts to have a few extra cords around even if they aren’t dedicated for use with your monitors.

Also GreatHosa CSS-110 TRS to TRS

Hosa CSS-110 TRS to TRS

What’s inside?

  • Balanced wiring reduces electronic interference
  • Tip ring sleeve design can be used for connecting other hardware
  • Available in lengths up to 25’

Killer feature: Lightweight construction weighs in at 1.6 ounces for easy storage and transport.

Check price on Amazon →

Check price on Hosa →

Check price on Sweetwater →

Labeling your cables can make a huge difference in workflow efficiency. This is even more important when you’re using multiple pieces of audio gear in a small studio. Consider writing the name of each source or destination on a strip of paper and taping it to the appropriate cable.

Also GreatMonoprice TRS to XLR

Monoprice TRS to XLR

What’s inside?

  • Thick 16AWG wiring
  • Gold-plated TRS tip
  • Available in lengths up to 50′

Killer feature: Separate braided shield for extra noise reduction

Check price on Amazon →

Use caution when hanging cables, especially when they are connected to audio gear. A snag can cause damage to equipment or has the potential to lead to a fall and injuries.

 

What to Consider When Shopping for the Best Studio Monitor Cables

You might think that all studio monitor cables are created equal, but there are a number of factors that can determine whether a cable is right for your needs. Connection products come in a variety of thicknesses, often measured by gauge.

Thinking About the Needs

The gauge of a wire inside of a cord can determine the amount of current it can handle. A gauge that is too thin may not deliver performance, but one that is too thick may add extra costs with little benefit.

Because cabling solutions are all different, below are some tips to help you find the right products for your studio’s needs:

Step 1: Analyze Your Budget

I almost always start any audio purchasing decision by analyzing my budget. Knowing how much you have to spend in the present is important, but you should also factor in the amount of money a purchase will generate in the future.

Every Purchase Starts with the Analyzing the Budget

It may make sense to make a bigger purchase now if you know that it will help you earn more down the road.

Step 2: Choose Between Balanced Cables and Unbalanced Cables

Audio cables typically come in two different types: balanced cables and unbalanced cables. Which one works best can be based on how you’re using the cabling as well as the needs of your equipment.

Choosing the Right Equipment Is Not Very Hard

Balanced cables are often the better choice for canceling out signal noise, but not all audio equipment can work with balanced connections. For shorter connections, an unbalanced cable will usually work fine.

Below is an explanation of how the two differ:

Unbalanced Cables

An unbalanced audio cable uses two wires to make a connection. These types of configurations are usually found in RCA cables and standard 1/4” tip-sleeve (TS) cables.

Unbalanced Cable's Parts

This type of cabling configuration involves the use of a signal wire and a ground wire. The signal wire transmits the audio, and the ground wire helps to reduce electrical interference that can cause noise from equipment.

Balanced Cables

A balanced cable, on the other hand, is one that includes two signal wires and one ground wire. The ground wire still shields against interference, but the signal wires also serve this purpose in a balanced configuration.

Balanced Cable's Parts

The reason for this is that the signal wires carry a signal that has had its polarity inverted. When the signal arrives at the destination input, the polarity is reversed again, causing the signal to sound normal.

The difference is that any unwanted noise that is picked up as the signal travels will now be included and inverted when it arrives at the destination input. Since the polarity gets inverted at the input, any noise picked up along the signal path also gets inverted and therefore canceled out while leaving the original signal intact.

Step 3: Choose the Type of Connectors You Need

Once you’ve figured out your budgeting and have decided between balanced and unbalanced cables, you’ll need to consider the type of connectors you need. There are a number of different types of connectors used in audio gear, and some can utilize adapters if you can’t make a one-to-one connection.

Popular Types of Connectors

Here are some common connector configurations:

  • XLR to XLR
  • TRS to XLR
  • TRS to TRS
  • TS to TS
  • RCA to RCA
  • RCA to XLR

When choosing the right connector, your decision may simply come down to what type of connection is established by the input of your gear. Most manufacturers will state in product documentation what type of cabling works best for different connections included with each product.

Step 4: Consider the Length of the Cables You Need

Finally, you’ll want to take a look at your studio space and figure out the length of each cable needed. Keep in mind that the shorter a connection is, the better it will work in most cases.

Measure the Length to Get a Better Sound

The longer a cord is in length, the more chances it has to generate signal noise. Beyond that, a longer cable could potentially generate minimal amounts of delay that could affect syncing audio.

 

What are the Best Studio Monitor Cables?

Here are all of my choices for studio monitor cables worth trying in 2023…

My List of the 15 Best Cables for Studio Monitors
Cable Matters

Best for studio monitor connections and microphones.

Category: XLR to XLR
My choice among XLR to XLR connections!
Amazon →

Cable Matters →

Mogami

Best for female-to-male XLR monitor connections.

Category: XLR to XLR
Amazon →

Sweetwater →

B&H →

EBXYA

Best for outputting audio from TRS connections directly to monitors.

Category: TRS to XLR
Amazon →
DISINO

Best for patching connections between monitors and TRS interfaces.

Category: TRS to XLR
Amazon →
Monoprice TRS to XLR

Best for making shorter connections between monitors and XLR/TRS outputs.

Category: TRS to XLR
My choice among TRS to XLR connections!
Amazon →
Cable Matters

Best for connecting audio interfaces to studio monitor inputs.

Category: TRS to XLR
Amazon →
LinkinPerk

Best for patching connections between monitors or patch bays.

Category: TRS to TRS
Amazon →
Seismic Audio

Best for patch bays and outputs to studio monitors.

Category: TRS to TRS
Amazon →

Seismic Audio →

Hosa CSS-110

Best for intermediate balanced connections between monitors and interfaces.

Category: TRS to TRS
My choice among TRS to TRS connections!
Amazon →

Hosa →

Sweetwater →

Hosa CPP-201

Best for stereo connections that require interconnected dual cabling.

Category: TS to TS
Amazon →

Hosa →

Sweetwater →

VIOY

Best for general patching between instruments, interfaces and studio monitors.

Category: TS to TS
Amazon →
Monoprice RCA to RCA

Best for studio monitors that accept two-channel RCA inputs.

Category: RCA to RCA
Amazon →

Walmart →

Sydien

Best for connecting studio monitors in larger studio spaces.

Category: RCA to RCA
Amazon →
TISINO

Best for patching monitors and portable recorders and converters.

Category: RCA to XLR
Amazon →
SiYear

Best for sending audio from mixing consoles to studio monitors using RCA/XLR.

Category: RCA to XLR
Amazon →

Below, I’ve reviewed 15 of the best cables for studio monitors from a variety of manufacturers. During my testing, I looked at not only how well these cables performed, but I also considered the durability of each, the thickness of the wiring and what lengths were available.

When reviewing, I tested a number of different connections because I know that everyone has their own preference when it comes to choosing studio monitors. Some monitors accept RCA connections only, but others use connections that accept 1/4” TRS and TS cables.

Because of the importance of studio monitors cables, I took the time to try out different brands to find the best. I also tried a number of different connection types across different monitors so that I could hear the difference each made for myself.

XLR to XLR

These are the best XLR to XLR models that I chose.

1. Cable Matters

Cable Matters
“Copper braided shielding of these Mic cables provides maximum cancellation of hum and noise.” — cablematters.com

I tried out the Cable Matters XLR cables with a variety of monitors for mixing. I liked that these came in two packs as it reduced my overall costs.

In terms of clarity, I found the signal to be perfectly clear. In fact, I had to double check my monitors and playback as I’m used to a warmer sound from other cables.

The length was perfect for my setup from the mixing console to the monitors; however, if you’re using monitor stands or have your monitors positioned further away, you may need to purchase longer models.

One nice thing about these cables is that they can be used for a variety of purposes. If you work in any type of live sound or film work in the studio, these cables can also be hooked up to DMX lighting as well as microphones and monitors.

Features

  • Gold plating on XLR pins
  • Strain relief on connectors
  • Compatible with DMX lights
  • Individual wire insulation
  • Available in lengths up to 20’

Pros

  • Available in packs of two
  • Can be used with camera mics
  • PVC jacket is very durable
  • Grip threads reduce connection loosening

Cons

  • No color coding
  • Signal clarity may be fatiguing

Cable Matters
Credits: cablematters.com

Best For: Connecting interfaces to monitors and mics to interfaces

Killer Feature: Copper braided shielding eliminates hum and interference

In this video, Sean Divine walks you through how to select the right studio cables for a variety of different pieces of gear. Sean provides insight regarding balanced and unbalanced cables as well as how each performs during recording.

I don’t usually concern myself with the type of metal used for the wiring of my cables because most of it will be copper anyway; however, gold plating on some metal used in audio gear can resist corrosion.

Buying Options

2. Mogami

Mogami

One of the nice things about Mogami’s XLR cable is that it is designed specifically for studio use. There is a stage version available, but it incorporates a slightly different feature set.

When testing these cables in the studio, I found the audio reproduction to be crisp and clear. I experienced no signal noise or RF interference, and I have a number of WiFi enabled devices around.

The cables feel well-made and sturdy with no difficulty in attaching, detaching or connection grip. I would caution that these cables are meant to remain out of the way as rough handling could cause separation of the shielding.

If you’re planning to use these to connect monitors in a live environment, I would recommend the stage version instead.

Features

  • Incorporates four conductors for extra isolation
  • Can be used with powered monitors
  • Balanced design reduces noise by 95%
  • Utilizes oxygen-free copper
  • Available in lengths up to 100’

Pros

  • Can be used with isolated subwoofers
  • Includes lifetime warranty
  • Works with vocal effects processors
  • Designed specifically for studio use

Cons

  • A bit heavy at almost a pound
  • Shielding is prone to separation from rough handling

Best For: Making XLR connections for monitors and preamps

Killer Feature: Quad-conductor design reduces RF interference and noise

A wired connection will almost always deliver a more consistent experience compared to wireless. This is especially true when using microphones, including those that utilize XLR. You can learn more about the best XLR microphones in this article.

Buying Options

TRS to XLR

These are the best TRS to XLR models that I chose.

3. EBXYA

EBXYA

Connecting TRS outputs to XLR inputs can be a challenge, but the EBXYA TRS-to-XLR cables made things easy. I had no issues making a connection between my interface output to my monitors, and the connections felt very secure with no wiggle.

Sound reproduction was faithful to the source material across a variety of monitors in the studio. I didn’t experience any RF interference, and I think this is owed to the double shielding incorporated in the design.

The connectors are made from a zinc alloy. While I only tested these cables for a short time, my experience tells me that they will remain durable for many years to come.

Best For: Connecting mixer consoles and monitors in-studio

Killer Feature: Zinc alloy XLR connector is durable for longer use

Features

  • Available in packs of two
  • Includes Velcro management
  • Dual shielding for added isolation
  • Balanced Lo-Z
  • TRS is plated with 24k gold

Pros

  • Can be used as a patch cable
  • Additional male/female configurations available
  • Utilizes oxygen-free copper
  • Can connect additional audio gear

Cons

  • A bit more expensive compared to other options
  • No color coding available

Although it may be tempting to wrap your cables from your hand to your elbow to save time, this can damage cables. Instead, coil loose cables over your palm in small sections to allow for some slack.

Buying Options

4. DISINO

DISINO

The DISINO 1/4” TRS-to-XLR cords I received felt very durable and professionally manufactured. I didn’t have much experience with the brand, but I was pleasantly surprised by these products.

When used with my studio monitors, I experienced very little in the way of hum. This may have been interference, but I think it may have also been an electrical issue on my end.

After checking all of my connections, the rest of my time was relatively noise-free. One nice thing about these cords is that they utilize 20AWG for the wiring. I think the thickness works well and improves the audio transfer across longer lengths.

Features

  • Copper wiring is 20AWG
  • PVC jacket wrapping
  • Gold-plated TRS tip
  • Rubberized booty at cord connection
  • Available in lengths up to 15’

Pros

  • 360-degree grip threading
  • Includes Velcro cable wrap
  • Works with a variety of audio gear

Cons

  • Connections may be a bit tight
  • A bit more expensive than comparable products

Best For: Connecting 1/4” outputs to XLR monitor inputs

Killer Feature: Oxygen-free copper resists corrosion for durability

If a piece of debris is blocking a cable input, never force a connection. Instead, consult your gear’s manual and manufacturer to discuss solutions to safely remove the debris.

Buying Options

5. Monoprice TRS to XLR

Monoprice TRS to XLR

One thing I really liked when reviewing the Monoprice Premier Series cords is that they use 16AWG wiring. As with other products I reviewed, the thicker gauge usually means that I experience fewer issues with noise.

These worked great, and I experienced no interference. I also like the price point compared to similar products.

Although I always recommend using the shortest cords possible when making audio connections, I find it reassuring that Monoprice offers these cables in lengths up to 50’ should they be needed.

Features

  • TRS uses gold plating
  • Separate braided shielding to reduce interference
  • Affordable pricing
  • Utilizes 16AWG

Pros

  • Can connect digital instruments directly to monitors
  • Available in lengths up to 50’
  • Prevents ground loop issues
  • Reduces modulation of interference into signal path

Cons

  • No color coding option
  • May need adapter if connecting directly to a mic

Best For: Large studios that need extra space for monitor placement

Killer Feature: Balanced design extends range without introducing interference

If you hear a buzzing or humming while a cable is plugged into your monitors, the problem could be the ground wire; however, you may also be using an unbalanced cable when you should be using a balanced cable.

Buying Options

6. Cable Matters

Cable Matters
“Sturdy metal connectors have gold-plated contacts to reduce oxidation and strain-relief molding on the XLR connector to maintain cable integrity.” — cablematters.com

Cable Matters makes some great products, and the brand’s TRS-to-XLR option I tried was no exception. I found the manufacturing to be solid, and the product felt durable in my hands.

Whenever I need to make a connection between TRS and XLR, I watch out for connection fit as even a slight offset can cause an interruption. With these cords, I felt the connection was solid with no jiggling or exertion of force required.

Once the connector was clicked into place, it remained stable with no interference during my entire testing session. The audio itself was faithfully reproduced and sounded clear across all of the studio monitors I tried.

Features

  • Oxygen-free copper
  • Flexible PVC jacket
  • Polyethylene insulation
  • 360-degree grip threads
  • Available in lengths up to 50’

Pros

  • Can be used for other connections
  • Foil shielding
  • Pro model features balanced design
  • Molded strain relief

Cons

  • No color options
  • Could cause hum if conductor touches metal

Cable Matters
Credits: cablematters.com

Best For: Making connections between studio monitors and 1/4” audio outputs

Killer Feature: Gold-plated connectors are housed in a PVC jacket for extra durability

In this video, Kennis Russell demonstrates a variety of different cables and connectors commonly used in the studio. Kennis also provides some insight on selecting the right cable for your studio’s needs.

If a connector is bent, even slightly, it can have a big impact on a cable’s performance. When dealing with a bent connector, you may be able to bend it back in place using hand tools, but if it’s warped out of position, replacing the cable might be a better option.

Buying Options

TRS to TRS

These are the best TRS to TRS models that I chose.

7. LinkinPerk

LinkinPerk

Measuring in a three feet, the LinkinPerk TRS cords I tried worked perfectly for my smaller home studio. Many times, longer cables can get in the way and get damaged, but these products were just the right length to make a solid connection between my mixer and my monitors.

I didn’t notice any interference during my testing, and once again, I likely owe this to the short length of these cords. I was also able to use them for my patch bay to connect my preamps and effects processors without a problem.

While I didn’t experiment too much with connecting audio players, I did have a chance to try out a portable field recorder I had on-hand. The audio transfer was once again clear and without any interference.

Features

  • Connectors are plated in 24k gold
  • Double-nylon braid housing
  • Oxygen-free copper
  • Available in lengths up to 15’

Pros

  • Works well to resist interference
  • Can be used with FX pedals
  • Zinc-alloy housing

Cons

  • A bit on the thin side
  • Slightly more pricey for shorter lengths

Best For: Linking studio monitors and connecting audio players

Killer Feature: Utilizes 24k 15U gold plating to resist corrosion

Remember that the quality of your audio is only as good as your source. If you’re playing audio from a bad source, a good cable won’t make any difference in sound quality.

Buying Options

8. Seismic Audio

Seismic Audio
“Has a heavy duty flexible rubber jacket.” — seismicaudiospeakers.com

When it comes to management of studio gear, I am a big fan of labeling with colors. This system gives me the chance to see what’s connected to what without having to go back to my handwritten notes.

The Seismic Audio SATRIX cords worked perfectly for this since they’re available in a number of different color combinations. Using these products with my monitors and patch bay, I felt that my workflow was more efficient and more productive.

Regarding sound quality, I experienced no interference across the number of cords I tried. I also like that these cables utilize a flexible rubber jacket that felt durable yet soft.

Features

  • Balanced cables to reduce interference
  • Fiberglass insulators
  • 22AWG wiring
  • RF rejection
  • One-year warranty

Pros

  • Color availability for easy organizing
  • Flexible rubber jacketing
  • Oxygen-free copper
  • Can be used to connect more than just monitors

Cons

  • Only 6’ length available
  • May require adapters for some connections

Seismic Audio
Credits: seismicaudiospeakers.com

Best For: Patch bays and monitor connections in smaller studios

Killer Feature: Available in over 15 color sets to easily label inputs and outputs

Labeling cables is helpful, but you can also use colors as labels to identify cables when reading a label is not feasible. Consider purchasing different colored cables for this purpose, or tape colored pieces of paper to each cable to identify them.

Buying Options

9. Hosa CSS-110

Hosa CSS-110
“This cable is designed to interconnect pro audio gear with balanced phone jacks. It may also be used as a stereo interconnect.” — hosatech.com

Testing the Hosa CSS-110 TRS cords gave me a chance to try out a brand I don’t have much experience with as Hosa is known for DJ audio. The design of these products was fairly basic in appearance, but they feel well-made and very durable.

I used a few pairs of monitors for testing, but because these are TRS-to-TRS, they don’t work with monitors that require an XLR connection. Hosa does make a number of other connector options, so you may need to check your connection types and look for other options from the company.

While I wouldn’t recommend them for connecting an audio source during recording, they worked fine for audio reproduction as this doesn’t affect the final product. I would also recommend getting the three-foot or five-foot models for use in your studio instead of a longer length.

Features

  • Nickel-plated plugs
  • Oxygen-free copper
  • Spiral shielding
  • Lightweight design a less than two ounces
  • Available in lengths up to 25’

Pros

  • Rejects electromagnetic interference
  • TRS design offers better shielding
  • Can use adapter to convert balanced to unbalanced signal

Cons

  • Can’t connect to 3.5mm inputs
  • May not be suitable for head-to-cabinet connections

Hosa CSS-110
Credits: hosatech.com

Best For: Larger mixing areas and medium home studios

Killer Feature: 10’ length provides more space to spread out

Check out this video where Pete Johns from Studio Live Today walks you through some best practices for cable use in a home studio setup. Pete also provides some details about balanced cables vs. unbalanced cables, the different types of connectors commonly used in a home studio and more.

Although audio cables are usually shielded and don’t carry much current, they can be an electrical hazard since they’re connected to electrical gear. As such, use caution when handling live wires to avoid injury or damage to equipment.

Buying Options

TS to TS

These are the best TS to TS models that I chose.

10. Hosa CPP-201

Hosa CPP-201
“It is ideal for use in a variety of professional and consumer applications.” — hosatech.com

I also tried the Hosa CPP-201 Dual 1/4”-to-1/4” stereo line. These cables are color-coded, and this is a big benefit when working with stereo sound.

As with some of the other products I tested, these won’t work with standard studio monitors that utilize XLR connections. They will, however, work perfectly if you need to connect left and right channels to inputs and outputs using basic TS connections.

I didn’t experience any hum or electrical noise during my testing, and the sound quality was comparable to any professional-grade options I tried.

Keep in mind that these are unbalanced, so interference could be a problem across longer lengths.

Features

  • RF and EMI resistance
  • Oxygen-free copper resists corrosion
  • Nickel-plated plugs
  • Spiral shielding

Pros

  • Can separate wires if needed
  • Color-coded
  • Price is budget-friendly

Cons

  • May need better model for pro audio
  • Doesn’t work well for microphones

Hosa CPP-201
Credits: hosatech.com

Best For: Unbalanced stereo connections between short distances

Killer Feature: Oxygen-free copper conductors improve sound clarity

You might come across people telling you to make your own connectors by soldering wires inside of your cables. This may be possible, but it can also damage your equipment and void your cable’s warranty.

Buying Options

11. VIOY

VIOY 

When it comes to general connections using TS 1/4”, I had no problems with the VIOY product. The connections felt secure on the first click and remained that way throughout.

Regarding sound, I didn’t notice any hum or noise from the cords themselves, but I didn’t feel that the audio was as crisp. Instead, it had a bit of warmth to it that I didn’t expect.

I don’t know if this was due to the unbalanced design introducing some sound I couldn’t identify or if this was just a matter of switching monitors often during testing.

In any case, I would recommend these products if you need general cables to connect between an audio source and studio monitors that accept a TS connection. The price point is very affordable, and the lengths are perfect for most general audio needs.

Features

  • Copper-plated silver-core wire
  • Inner TPE cover
  • Outer braided cotton mesh
  • Polished brass housing

Pros

  • Outputs stereo signal
  • 22AWG
  • 24k gold plating
  • Rejects electromagnetic signals

Cons

  • Unbalanced design could cause interference
  • Can’t be used with XLR monitors

Best For: General connections between monitors and audio players, preamps and interfaces

Killer Feature: Multi-use design can easily be swapped between monitors and other gear

When using interconnected cables for stereo sound, make sure you double check the left and right inputs to ensure they are in the correct spaces. Plugging in the wrong cable is a simple error that can lead to big problems with a mix when you have your channels reversed.

Buying Options

RCA to RCA

These are the best RCA to RCA models that I chose.

12. Monoprice RCA to RCA

Monoprice RCA to RCA

The Monoprice Premium RCA-to-RCA cords that I tried felt flexible yet thick. They included the standard red and white color coding that is conventionally found on RCA cables, allowing me to keep track of what was plugged into what.

When testing these on several monitors that accept RCA connections, the sound came through clearly without any color added. I will caution you that, as with all RCA connections, if the ground is not secure, buzzing can occur.

Thankfully, I found that these products made a tight seal and remained connected with normal use. While I tend to like thicker gauged wiring, the 22AWG on these lines worked fine and didn’t seem to make a difference in terms of sound quality.

Features

  • 22AWG
  • RG-59 75 ohm coaxial
  • Gold-plated conductors
  • Lifetime warranty
  • Rubberized rings

Pros

  • Color-coded
  • Can separate wires if needed
  • Available in lengths up to 75’

Cons

  • Not rated for wall installation
  • Unbalanced

Best For: Stereo connections between studio monitors and portable players/recorders

Killer Feature: Manufactured using 22AWG wiring for better conductivity

Most connections will click into place when secure. You’ll be able to both hear and feel this click, but if you don’t your connection may introduce noise and static as well as intermittent sound loss.

Buying Options

13. Sydien

Sydien

What I noticed right off the bat with the Sydien RCA cables I tested was the outer braided shielding. This looked nice, but it also provides extra durability which is a huge plus in a busy studio.

Because these cables are male-to-male, I was only able to test them from outputs to inputs that offered female connections. If you need to connect a male output, you’re going to need an adapter that forms as link.

I had no problems with audio during my testing. There was one instance where I heard a bit of digital fuzz, but this was because I hadn’t pressed the connection in far enough.

As long as the connections are snug, which they seem to be by default, I don’t expect that you’d run into any sound problems using these cords.

Features

  • Oxygen-free copper
  • 6.mm diameter
  • Connections have gold-plating
  • Plug is pure copper
  • Available in lengths up to 16’

Pros

  • Can be used for consumer audio equipment
  • Various male/female arrangements available
  • Lightweight

Cons

  • Can not easily separate wires
  • More expensive than comparable products

Best For: Stereo connections leading from audio recorders to studio monitors

Killer Feature: High-purity, oxygen-free copper reduces unwanted signal noise

In this video, Matthew Stratton talks about how to connect studio monitors to an audio interface. He also provides some tips for troubleshooting and getting the most out of your audio gear.

To avoid damaging cords, use care when connecting and disconnecting. Connecting and disconnecting roughly can damage delicate pins as well as internal components within your audio gear.

Buying Options

RCA to XLR

These are the best RCA to XLR models that I chose.

14. TISINO

TISINO

While I typically prefer plastic shielding or a similar material to be used on the connection portion of a cable, I didn’t run into any problems with the TISINO RCA-to-XLR cords I tried. The only think to watch for it that you don’t allow conductors to come into contact with the metal housing used on these products.

They felt durable, and I appreciate that TISINO uses color coding to differentiate the lines. I was able to easily connect stereo outputs from digital recorders and audio interfaces to a pair of monitors without any problems.

The sound reproduction was faithful in that I didn’t notice any colorization or loss of tone. There was a bit of digital crispness that I sensed, but this is an issue across all digital recordings these days.

I would recommend these as a general connection option in small and medium studios, but consider purchasing the three-foot model since six-feet might be a bit too long. As always, this comes down to monitor placement and studio layout.

Features

  • Oxygen-free copper
  • Flexible rubber/nylon braid
  • Available in lengths up to 10’
  • Polyethylene insulation

Pros

  • 20AWG
  • Flexible design reduces tangles
  • Color-coded
  • Can be used to connect multiple devices

Cons

  • RCA can cause buzzing when plugged and unplugged
  • Metal housing may generate noise if wire contacts

Best For: Audio player and preamp connections as well as studio monitor connections

Killer Feature: 20AWG 4N oxygen-free copper for improved clarity

If you’re recording in the same room as your monitors, it can be beneficial to use studio headphones instead of listening through monitors. You might also consider the use of curtains and other sound treatments to isolate your audio source.

You can learn more about the best soundproof curtains for studio recording in this article.

Buying Options

15. SiYear

SiYear

The SiYear XLR-to-RCA cords I tested utilize a bit of a strange color scheme. Instead of the typically red and white or red and black, these use red and green.

This wasn’t a problem since it didn’t affect the audio. I had no problems getting the lines connected, and the sound had no noticeable artifacts or interference.

One thing I do want to note is that these cords use aluminum foil material along with copper wiring. This isn’t necessarily a problem, but I would have liked it if the entire construction was copper.

The gold plating one the RCA jacks helps to make up for this a bit, however, as I expect the connections to last as a result.

Features

  • PVC jacket construction
  • Oxygen-free copper
  • Flexible housing to reduce tangles
  • Available in lengths up to 15’

Pros

  • Gold-plated connections
  • Can be used with additional audio gear
  • Resists corrosion

Cons

  • Color labels take time to get used to
  • RCA connection can lead to noise if bumped

Best For: Patching connections between studio monitors and audio gear using RCA jacks

Killer Feature: 24k gold plating resists corrosion and reduces audio interference

If you experience intermittent audio or audio with static, check your cabling for damage. Many times, small splits in the shielding of a cord can lead to disruptions in an audio signal or the introduction of static, noise and distortion.

Buying Options

 

Other Must-Haves

Even the best monitors and cables are only going to get you so far in the world of recording and production. With only the bare essentials, you’re going to be limited in what you can do and what types of projects you can tackle.

That’s why I also recommend you check out these other must-have essentials:

Monitor Stands

The placement of your monitors can have a big impact on the quality of sound. If your monitors aren’t positioned properly at ear level and separated at the appropriate width, your perception of the output is likely to be skewed.

PERLESMITH

While it’s certainly possible to place your monitors on pretty much any flat surface while recording and mixing, I usually recommend getting ahold of a pair of monitor stands instead. Dedicated monitor stands can be placed exactly where you need them, and most offer the ability to raise, lower and even rotate monitors securely.

Buying Options

Studio Headphones

Although monitors are useful for listening to a recording during the mixing process, I find that a good pair of studio headphones is invaluable during the recording phase. Studio headphones can be used to monitor a performance in real-time, allowing me to catch any mistakes and correct them before they become a problem in post.

OneOdio

Studio headphones are also ideal if I’m recording on-the-go or if I need to listen at a low volume with fine control. Many of today’s studio headphones can emulate the best monitor setups, so I recommend you look for headphones that are designed specifically for studio use as opposed to retail headphones designed for music listening.

Buying Options

Acoustic Treatment

Having the right acoustic balance in a studio makes a world of difference in recording, but it also plays a huge role while mixing. Even the best monitors can sound bad if your console room isn’t properly treated with acoustic foam, bass traps and other types of sound isolation.

Sound Addicted

The art of acoustics is a technical topic that deserves its own attention, but I would recommend at least having some type of treatment in place to get the best sound possible from your monitors. Keep in mind that every hard surface can serve as a reflection point, so think about the direction your monitors are facing when installing acoustic treatments.

Buying Options

 

Useful Resources

 

Conclusion

The best gear isn’t always the most expensive.

In closing, I want to leave you with a bit of advice I’ve picked up during my years spent in large studios: the best gear isn’t always the most expensive. Many times, you can get the same experience from a moderately priced piece of equipment as you can from an expensive one.

This is true for cords as well as things like headset microphones and more. In my experience, the best cables for studio monitors as the ones that get the job done right without any noise interference regardless of price.

If you want to know more about choosing the right gear, you can learn about the best headset microphones for recording in this article.

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The 10 Best Microphone Isolation Shields and Reflection Filters (2023 Guide) https://myelearningworld.com/best-microphone-reflection-filters/ https://myelearningworld.com/best-microphone-reflection-filters/#respond Mon, 27 Feb 2023 07:38:01 +0000 https://myelearningworld.com/?p=2522 With the best microphone isolation shield, you can reduce unwanted noise and end up with higher-quality recordings. Whether you’re recording in a studio environment, podcasting at home, or anything in between, taking control of the recording environment is crucial for maximizing sound quality. I’ve had the opportunity to work in a wide variety of recording ... Read more

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With the best microphone isolation shield, you can reduce unwanted noise and end up with higher-quality recordings.

Whether you’re recording in a studio environment, podcasting at home, or anything in between, taking control of the recording environment is crucial for maximizing sound quality. I’ve had the opportunity to work in a wide variety of recording situations with vocalists and voice over artists, and I’ve learned that a microphone isolation shield is one of the most crucial tools for recording success.

Using a reflection filter with your voice over microphone, my vocal recordings are free of background noise and can be easily edited to sound their best.

I’ve reviewed and ranked the best microphone shields and reflection filters for 2023 based on numerous factors, including the quality of materials used, design, price, customer reviews, and more.

My Quick Suggestions

I’ve included detailed reviews below, but if you’re pressed for time, here are some of my quick suggestions to help you find the best microphone isolation shield and microphone filter to tame sound wave reflections during recording:

  • Aston Microphone Reflection Filter – Unique design offers 360-degree microphone isolation and filtering. Lightweight, high-density acoustic foam allows for portability between studio and live recording environments.
  • Rockville Isolation Shield + Tripod – Foldable design of this mic shield delivers flexibility in different audio recording situations. Included tripod is sturdy and can be easily maneuvered and adjusted for microphone placement. Because of its width, this mic isolation shield is also ideal for recording instruments.
  • Monoprice Microphone Isolation Shield – High-density acoustic foam microphone filter cuts out sound reflections for clear, direct recording. Includes 3/8-inch threaded mic mount for ease of use with standard microphones.
Best Mic Reflection Filters & Isolation Shields
Aston Reflection Filter

High-end solution for 360 degrees of reflection filtering. Large depth can accommodate a range of microphone sizes.

Price: high-end
My Choice for High-End Microphone Filter
Check price →
Rockville Microphone Shield + Heavy Duty Tripod Stand

Wide panel dimensions offer reflection control for vocal and instrument recording, easy to transport.

Price: mid-range
My Choice for Mid-Range Mic Shield
Check price →
Monoprice Microphone Isolation Shield

Affordable and portable. Can be adapted to most general home recording studio needs.

Price: low cost
My Choice in the Low Cost!
Check price →
sE Electronics Reflexion Filter PRO

Impressive design and quality construction materials. Durable for portability and can filter out long and short reflections.

Price: high-end
Check price →
Neewer Microphone Isolation

Easily attaches to a variety of mic stands. Durable construction and vented backing reduce delayed and early reflections.

Price: low cost
Check price →
LyxPro VRI-10 Foam Shield

Unique folding panels allow for use on desktop or on studio mic stand. Compact and portable.

Price: mid-range
Check price →
RF-X SE Electronics Portable Vocal Booth

Affordable solution for general isolation needs. Foam material provides damping and reflection reduction for untreated acoustic environments.

Price: low cost
Check price →
Marantz Professional Sound Shield

Adjustable microphone plate offers customization for various recording needs. Durable construction materials provide protection for portable recording situations.

Price: low cost
Check price →
TONOR Isolation Shield and Stand Kit

Vented backing reduces early reflections. Dense foam pyramid design diverts unwanted sound from the microphone’s recording capsule.

Price: low cost
Check price →
Pyle Mic Absorber Shield with Stand

Open design provides room for multiple performers. Reduces early and late reflections utilizing angled acoustic foam.

Price: mid-range
Check price →

When to Use and When Not to Use a Reflection Filter

Before choosing any type of microphone isolation shield, it’s important to understand how they work and why they’re used.

While many microphone reflection filters look the same, they actually serve different purposes.

Here are some things to consider before you start shopping for microphone isolation shields:

 

Understanding Reflections

In a nutshell, any time sound is produced, whether it be from a voice, an instrument, or a car door slamming, a pressure wave is created. This wave travels through the air and reverberates within the eardrum, thereby creating what we know as sound; however, sound waves don’t just hit our eardrums in a straight line.

Instead, sound waves spread out and bounce off of nearby surfaces. Depending on the material of these nearby surfaces, reflections are created just like a mirror. This is what creates reverb and echo or delay effects. The harder and more even a surface is, the more likely it will be to produce a strong reflection that can feed back into your microphone, ultimately leading to unwanted noise.

 

When to Use a Microphone Reflection Filter

In order to get rid of these unwanted reflections, I use a mic reflection filter when recording. Microphone isolation shields act as a barrier between my voice and any reflective surfaces while recording.

Because these types of filters utilize dense, uneven materials, they don’t reflect sound well, meaning the microphone receives a clear, direct sound wave from my voice without the clutter of reflective reverberation and echo.

I almost always use a microphone reflection filter when recording voice over work because I need to not only have clear audio, but I also need to be able to shape the sound in post-production. The best part is that, by recording a dry signal, I can add or remove reflections later through my editing software and plugins.

 

When Not to Use a Microphone Isolation Shield

Of course, there are times when I actually want to record reflections. These situations may arise when I’m trying to capture the acoustic space of a room for effect during recording.

For example, if I’m recording a voice over that needs to sound like I’m in a large auditorium, I would set up my recording rig in the space and allow the reflections to naturally bounce back to the mic off of the walls and other surfaces.

I might also forgo the use of a microphone reflection filter or mic shield when I’m in a live recording environment and need to capture the crowd and other audio sources around the area. If I place a microphone isolation shield around the microphone in these situations, then I can lose the natural ambiance of the moment, but without one, those room reflections won’t get lost or muted.

 

What are the Best Microphone Isolation Shields?

Here are our picks for the very best microphone isolation shields and reflection filters available in 2023…

1. Aston Reflection Filter →

We earn a commission if you make a purchase, at no additional cost to you.
01/17/2024 04:47 am GMT

What’s inside: Portable reflection filter, microphone mount plate

Top Features: The big thing (pun intended) about the Aston Microphones Halo Shadow is its size. This filter is large enough to work with virtually any microphone you can throw at it, making it an excellent choice for studios that have a dedicated mic cabinet. This also means that you have room to maneuver your equipment into place for the right recording angle.

Another cool feature is that the Halo Shadow adds layers of filtering vertically instead of just using a traditional horizontal layout. This offers additional isolation from reflections that can pop up from untreated flooring or down from ceiling tiles. The real benefit in this is that some of the best recording environments in the world rely on hardwood acoustics for instrument tracking, but these aren’t always best for vocals.

By using the Halo Shadow, you can set up your mic in any room in the studio without needing to shuttle back and forth between the vocal booth and the tracking room.

Best for: Professional studios and recording environments with reflective ceilings and flooring.

Audio engineer James from Production Expert demonstrates the features of the Aston Microphones Halo Shadow while also showing viewers how to make adjustments for different recording situations. He also records vocal takes at varying volumes to demonstrate how versatile this reflection filter can be in the studio.


 

2. Rockville Microphone Shield + Heavy Duty Tripod Stand →

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01/15/2024 08:32 pm GMT

What’s inside: Mic isolation shield and heavy-duty black tripod with mount

Top Features: The Rockville Recording Studio isolation shield delivers powerful filtering of reflections in almost all recording environments, but it really excels in larger spaces. The shield itself is wide enough to accommodate multiple voice artists at once, so if you have a project that requires dialogue and you don’t want to hassle with separate booths, this shield can help.

Another thing I like about this package is that it includes a tripod stand that can double as a PA speaker pole mount. This not only gives me peace of mind in knowing that the shield will remain in place when I set it, but it can also pull double duty if the need arises in a live recording environment. Finally, the design of the inner foam involves convex cone shaping for extra dispersion of reflections, providing increased damping and control over recorded vocal takes.

Best for: General studio vocal work and live recording environments for broadcast or playback podcasting on location.

Rockville Audio unboxes and demonstrates the process of setting up and adjusting the Recording Studio isolation shield. You also get to hear how it can be used in different recording capacities, including vocal recording for game streaming and voice over work.

 

3. Monoprice Microphone Isolation Shield →

What’s inside: Microphone isolation shield, 3/8-inch threaded mount, and desktop feet

Top Features: Monoprice’s isolation shield offers a wide filtering area that can be adapted to a range of general recording scenarios, including podcasting and narration. One nice feature is that the mic shield comes with desktop feet, so it can be used alongside a computer or portable audio interface, but it can also be mounted on a stand to block reflections from untreated surfaces.

The pyramid design of the inner foam traps common speech sound frequencies, and it can also mitigate reflections from lower ranges.

I also found that Monoprice had encapsulation in mind by designing the shield to fold in on itself enough to provide adequate closure for extra reduction in sound reflections. This comes in especially handy when a recording environment has curved glass surfaces that may bounce sound waves off of odd angles.

Best for: Interviews, podcasts, and other general voice work.

Songwriter Isaac Lundgren demonstrates the Monoprice microphone isolation shield’s effect on vocal recording in his home studio. Utilizing a Blue Kiwi microphone, he records a voice demo track that lets you hear how the shield not only isolates the vocals, but allows them to be mixed more easily without noisy background reflections.

 

4. sE Electronics Reflexion Filter PRO →

We earn a commission if you make a purchase, at no additional cost to you.
01/16/2024 02:42 am GMT

What’s inside: Isolation shield, microphone mount plate and mounting clamp

Top Features: When it comes to looks, sE got it right with the Reflexion Filter PRO. The unit has a futuristic design that certainly commands attention, and its vented backing helps to tame early reflections that would otherwise find their way back around the front and into your mic. I like that the unit includes a mounting plate for use with most standard microphones, but the inclusion of a mounting clamp seals the deal by giving users additional options for attaching the shield. This is a big plus in my book because different recording jobs call for different setups, so it’s nice to know I can have flexibility in a pinch.

In terms of sound, sE utilized a multi-layer approach to reflection cancellation. While foam can work wonders in reducing and eliminating sound wave reflection, the insulation layers in the Reflexion Filter PRO seem to tame a wide range of frequencies, making this the ideal solution for both vocal and instrument tracking when isolation is a must and a booth isn’t an option.

Best for: Professional studio vocal and instrument tracking

 

5. Neewer Microphone Isolation Shield →

What’s inside: Isolation shield, shield mounting hardware and microphone mounting plate

Top Features: Neewer’s isolation booth solution utilizes the familiar vertical rectangle foam design to block out common frequencies, but its vented backing gives an edge over the competition by pushing away early reflections as well. This means it can be used to capture vocals from performers of all stripes with only minor adjustments regarding placement.

Speaking of adjustments and placement, this unit includes hardware to move the shield placement vertically to adjust for height, but it also allows for microphone adjustment horizontally. When it comes to recording vocals, this is incredibly important as different performers will have different styles and needs regarding proximity and volume.

All in all, the Neewer Microphone Isolation Shield is a solid, versatile unit that’s great for a range of environments.

Best for: General studio recording, podcasting and live broadcasting when proximity adjustments are a must.

 

6. LyxPro VRI-10 Foam Shield →

We earn a commission if you make a purchase, at no additional cost to you.

What’s inside: Isolation shield, microphone stand mount and desktop mounting

Top Features: Although I often record vocal takes while standing, I like having the option to sit, especially when I need to be working for longer periods of time. On top of that, while standing often provides the best vocal takes for projecting, sitting can also change the tone of my voice based on the position of the diaphragm. With the VRI-10 from LyxPro, I can have the best of both worlds because this unit allows for easy attachment to a stand or convenient mounting on a desktop.

Another nice feature about the VR1-10 is that it includes five folding panels for additional customization. Some portable reflection filters will go with a three-panel design, meaning I can only really block two competing angles, but with five panels, I have the ability to choose the coverage area in a more comprehensive manner, allowing for easier setup in tight spaces or when I need to block sound waves from odd angles.

Best for: General studio vocal recording and podcasting, but also ideal for specialty usage when curved or uneven surfaces are a factor.

 

7. sE RF-X Electronics Portable Vocal Booth →

We earn a commission if you make a purchase, at no additional cost to you.

What’s inside: Isolation shield, clamp assembly

Top Features: The sE RF-X features not only a traditional horizontal insulation pattern, but each insulation strip is also angled to increase surface area and reduce front-facing reflections. This is especially important if you need to fold the shield into a tighter space where the added foam surface area can trap more intense frequencies without diminishing the overall sound source.

This kit also contains mounting hardware for microphone attachment onto a threaded base. This can be a pro or a con depending on the microphone you need to use. If you choose not to utilize the included mount, this shield should be able to accommodate almost any type of condenser mic using a shock mount or a clip mount.

Best for: General purpose studio recording of vocals and some instruments. Can also be used for podcasting or narrating video content for clearer diction.

 

8. Marantz Professional Sound Shield →

We earn a commission if you make a purchase, at no additional cost to you.
01/16/2024 05:22 am GMT

What’s inside: Curved isolation shield and adjustable microphone mount

Top Features: Although the Sound Shield Live is only one curved piece, it makes up for a lack of flexibility by being very portable due to its lightweight aluminum construction. Additionally, the unit comes with an adjustable microphone mount attachment that provides enough space for taller mics, including bottle mics and ribbon mics. This is a major benefit if your mic cabinet includes some vintage capsules.

Height and mic proximity adjustment are also a breeze when mounting to a stand as the performer can move the shield and the mic into a comfortable position by simply adjusting the thumbscrews. Unfortunately, due to the microphone mounting clamp, this unit wouldn’t be able to sit on a desktop or flat surface unless you’re utilizing a separate mic stand.

Best for: Vocal tracking in a home studio, professional studio, or when podcasting using a separate mic stand.

 

9. TONOR Microphone Isolation Shield →

We earn a commission if you make a purchase, at no additional cost to you.
01/17/2024 07:37 am GMT

What’s inside: Isolation shield, thread adapters and adjustable stand

Top Features: TONOR’s mic isolation shield is constructed of steel, making it heavy, but also making it durable. This can be a huge benefit in live recording situations where the environment could be less than pristine, or when the potential exists for the unit to get banged around.

In terms of the insulation material used to deaden reflections, TONOR included cotton layers to allow for the trapping of lower frequencies while allowing high-end tones to shine through. This can make for an ideal recording environment when you’re working with vocal talent that produces upper ranges.

Best for: General studio recording and recording vocals and instruments in live settings where ambient noise needs to be reduced.

 

10. Pyle Mic Absorber Shield with Stand →

We earn a commission if you make a purchase, at no additional cost to you.
01/16/2024 07:17 am GMT

What’s inside: Isolation shield, desktop mounting feet, tripod mounting stand, and stand-mounting hardware

Top Features: Pyle is known for producing affordable audio solutions, and its absorber shield is a good contender in the space of general-use reflection filtering. The foam insulation used to reduce reflections is arranged in a convex cone pattern, and the backing of the unit includes venting to disperse reflections from behind that may reach around and bounce off of surfaces behind the performer.

One downside to this unit is that, while Pyle included desktop mounting feet for use in podcasting and narration settings, the unit itself may be a bit too wide for many desktops. That said, the shield does fold, so it may be possible to mold it into the right shape with some effort. On the other hand, when used for recording in a standing position, the included mounting stand offers a range of possibilities with some adjustments.

Best for: General studio recording that requires wide coverage areas for filtering, including for instruments when a booth isn’t available. May be too wide for desktop use.

 

Is a DIY Microphone Isolation Shield an Option?

If you’re not ready to commit to a professional microphone isolation shield just yet, you can do it yourself and make your own for a fraction of the price!

Check out the videos below for some ideas to get started with building your own microphone isolation shields:

DIY might be the solution if you need an affordable reflection filter. This video walks you through the steps and tools needed to build your own microphone isolation shield for around $14.

You can also make your own isolation foam booth-like cube using foam panels and common household tools. This solution can be completed for around $20 and provides near-total isolation for your mic in a recording studio environment.

 

Final Thoughts on Choosing the Right Microphone Isolation Shield

In my experience, having a quality microphone isolation shield in your toolkit is essential to recording great audio.

In the studio, a microphone isolation shield or reflection filter provides the power to really shape recorded audio, but in a live setting, protecting recorded audio is even more important because I rarely have the chance to re-record something in the field.

Have you used a microphone isolation shield?

Do you have any tips or tricks that you use in your own studio to deal with sound wave reflections?

Leave us a comment below to share your questions and experiences!

Want to learn even more about the art of voice acting? Check out our guide to the best voice acting classes to take your skills to the next level.

[democracy id=”35″]

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The 11 Best Microphone Preamps for Vocals & Voice Over (2023 Rankings) https://myelearningworld.com/best-microphone-preamps/ https://myelearningworld.com/best-microphone-preamps/#comments Thu, 16 Feb 2023 17:38:27 +0000 https://myelearningworld.com/?p=2052 Feel like your microphone isn’t that loud after all? Get yourself a decent microphone preamp! Browse this article for a selection of single and dual channel preamps, solid state and tube models, and make the right choice!

The post The 11 Best Microphone Preamps for Vocals & Voice Over (2023 Rankings) appeared first on MyeLearningWorld.

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With the best microphone preamps for vocals and voice over work, you can easily record professional-sounding audio in your home studio.

Whether you’re a singer, podcaster or voice actor, having the right preamp for your microphone is key to getting the most out of your recordings. Preamps provide a range of features that can make or break your production, so it’s important that you choose the right one for your situation.

After years of setting up my own studio as well as consulting with audio engineers, I’ve tested a number of mic preamps for vocals. In the guide below, I’ll share my favorite mic preamps at every price point so you can find the one that best fits your specific needs.

 

My list of best mic preamps
DBX 286s

An affordable studio-quality preamp. Great noise reduction for recording vocals and voice overs. 1 channel, solid state.

Price: low cost
Best in the budget category!
Check price
Golden Age Project Pre73 JR

Microphone preamp with switchable phantom power and 20–70 dB gain. 1 channel, solid state.

Price: low cost
Check price
ART Pro MPAII

Cheap preamp with phantom power and variable input impedance. 2 channel, solid state. Suitable for vocal and voice over recording in a clean audio environment.

Price: low cost
Check price
FMR Audio RNP8380

Nifty 1/3 rack preamp with a wide distortion-free spectrum for vocals and acoustic instruments. 2 channel, solid state.

Price: mid-range
Check price
Focusrite ISA

Best voice over mic preamp with gain control, good headroom, and flexible outputs. 1 channel, solid state.

Price: mid-range
Best in the golden middle category!
Check price
True Systems P Solo

An all-in-one preamp with high impedance input, phantom power, high pass filter, etc. 1 channel, solid state

Price: mid-range
Check price
Warm Audio TB12

High quality recordings, various tones, phantom power, and capacitor select. 1 channel, solid state. For amateurs and pros recording vocals and instruments

Price: mid-range
Check price
Grace Design m101

Clear sound, 12-position rotary gain switch, 3 outputs, universal compatibility. 1 channel, solid state. Nice mic preamp for recording vocals and instruments

Price: mid-range
Check price
Focusrite ISA

Dual mono transformer-based mic preamp, variable impedance selector, high-pass filter. 2 channel, solid state. Best for voice-overs and vocals

Price: mid-range
Check price
PreSonus ADL700

Pricey, warm and versatile, with a high-voltage dual transformer and 4 band equalizer. 1 channel, tube.

Price: high end
Check price
Avalon VT-737sp

4 dual triode vacuum tubes, outstanding gain range, close-up round sound, and more. 1 channel, tube. Best for recording voice overs and vocals in pro studios

Price: high end
Best in the pricey selection!
Check price

What does a microphone preamp do?

Can’t one just neglect a preamplifier and plug a voice over mic, synths, and guitars into an audio interface? What does a preamp do for vocals? When faced with this question, I usually respond: a preamp helps you record a decent vocal recording. The output of a standard microphone is too low to plug it into the recorder directly.

Basically, a preamp is a device that makes the mic signal louder, or amplifies low level signals to line level – the operating level of your recording gear.

There are two types of preamps: onboard/stock and outboard.

Onboard preamps are built into your audio interface. An outboard preamp is a standalone device; generally it’s less noisy than a stock one. Both are designed to amplify mic signals.

You may need a preamp as just another sound source; it doesn’t have to be external, since most audio interfaces include embedded preamps.

The in-built option is just great to get you started. However, external preamps reveal better sound quality, better gain (around 70 dB), lower noise, special sound patterns, and extra features.

 

Single channel or dual channel? That is the question

Now, what’s the deal with 1 and 2 channels?

Let’s imagine a few scenarios.

For instance, you could record stereo tracks with two mics, or use two mics for two different sources. Recording two vocalists or two instruments in separate streams is another example. These cases will most likely require a dual channel mic preamp.If this rings a bell, then go look for a stereo mic preamp.

Otherwise, you should be fine with a plain single channel preamp. However, keep in mind that 2 channel mic preamps will always end up cheaper per channel than a single channel mic preamp. There is an abundance of dual channel units under $2K, so just pick your color and design and go for it.

 

Solid-state or tube?

Great sounding tube gear is a smart pick for its musical quality and sound. However, it’s always crucial to evaluate the gear, since tubes do differ. Although tubes provide greater harmonic response, solid state and pin & hole technology over surface mount may also work great.

Within their operating range, high-gain tube stages, in fact, produce greater distortion than solid-state devices. However, their resulting ‘distortion’ may be rather pleasing to the listener. Most people describe this sound as warm and musical.

With a high-end solid-state preamp you can actually record a more accurate track with more tones preserved from the original source. Budget-wise, two solid-state preamps are cheaper to purchase and maintain than their tube rivals. A low- to mid-range tube preamp is more expensive to buy and operate due to the increased cost of parts. Yet for those who value impeccable quality, tubes are really worth paying for!

 

The Best Preamps for Vocals and Voice Over

1. DBX 286s →

A must-have for voice over and podcasts, DBX provides clean gain, excellent limiter, powerful LF and HF options, phantom power, and more.

DBX 286s Microphone Pre-amp Processor
DBX 286s

How does this model stand out?

  • Studio quality microphone preamp/channel strip processor
  • Classic dbx compression delivers great sound within easy reach
  • Reduces sibilance and high frequency distortion
  • Program adaptive expander/gate.

This small device adds professional quality to your voice before mixing. With DBX, there’s no need to get extra gain from your mixer even with notoriously ‘hungry’ mics like the Heil PR40. All in all, great value for the money!

Best for: professional studios, high-end vocals and voice overs.

My pick in the affordable category!

2. Golden Age Project Pre73 JR →

A beautiful vintage mic preamp, the Golden Age comes with switchable phantom power, absolute phase, and gain switch range of 20–70 dB.

Golden Age Project Pre73 JR Compact Vintage Style Microphone Preamp
Golden Age Project Pre73 JR

What’s special about this device?

  • High-impedance input
  • Discrete signal path with a transformer-balanced input and output
  • Combo XLR/TRS input jack as well as separate output XLR and TRS jacks.

A sibling to the best-selling PRE-73 Mk2, this model offers a classic musical sound character at an affordable price. It has all it takes to make great recordings in a smaller format and mount four units in a 19-inch rack kit.

Best for: semi-pro applications, voice recordings

3. ART Pro MPAII →

The ART Pro MPAII dual channel mic preamp is next-gen cost-effective technology. Each mic input features variable input impedance, which can dramatically alter the performance of any dynamic or ribbon microphone.

ART Pro MPAII Two Channel Mic Preamp
ART Pro MPAII

How does this preamp stand out?

  • Flexible microphone voicing
  • Adjustable plate voltage
  • Discrete class-A input mic preamplifier
  • Noise reduction at lower gain settings
  • Total harmonic distortion close to unnoticeable.

The Pro MPA II is a flexible device that can be tailored to dual mono or stereo operation with selectable mid/side mic support. Reliable, designed for long-term use and suitable for road shows if live reinforcement is required.

Best for: pro and home studios, vocals and voice-overs in a clean audio environment.

4. FMR Audio RNP8380 →

RNP8380 is a nifty 1/3 rack dual channel mic preamp with an unbelievable distortion-free spectrum.

FMR Audio RNP8380 Really Nice Preamp
FMR Audio RNP8380

What’s up with this preamp?

  • Sturdy, functional and moderately priced
  • Clip point of +27.5dBu (almost 25V peak-to-peak)
  • Separate +22dBu unbalanced output and a +28dBu balanced output
  • Neutral sonics
  • Compatibility with RNC/RNLA

RNP8380 is a real workhorse, it’s minimalistic in design, easy-to-use and powerful. A soft option in the 2-channel category!

Best for: small studios, vocals and acoustic instruments.

5. Focusrite ISA One Single-channel Mic Pre-Amplifier →

A transformer-based microphone preamplifier, this ISA model is based on the original ISA 110 and comes as a cost-efficient and flexible package.

Focusrite ISA One Classic Single-channel Mic Pre-Amplifier
Focusrite ISA

Why is this a great option?

  • Independent gain control
  • Output for routing to an amp, as well as an independent XLR output on the rear
  • Optional stereo 192kHz A-D converter
  • Switchable impedance
  • A standalone insert point that helps you place extra processing between the preamp and the optional converter.

The ISA One provides pleasing sound, decent headroom, low distortion, a DI which is good for bass and electric guitar, balanced in/out, nifty VU meter, and more perks. All in all, a superb affordable choice!

Best for: recording pros, studios, a great fit for grabbing instrumental audio and voice-overs.

My choice in the mid-range category!

6. True Systems P Solo →

The P-SOLO is a 1-channel mic or instrument preamp with an appealing design, fantastic sonic detail and neutral character.

True Systems P Solo Microphone Preamp
True Systems P Solo

How does it stand out from the crowd?

  • Natural detailed sound field
  • Full support for all types of mics: condenser, dynamic, or ribbon
  • Dual servo and high dynamic range
  • Internal AC power for perfect transient response.

It’s a Swiss army knife of features and valuable properties: high-impedance instrument input, phantom power, high-pass filter, military-grade, hand-matched components and a stylish durable enclosure. Good bang for the buck!

Best for: small and home recording studios as well as larger stages.

7. Warm Audio TB12 →

This WA mic preamp delivers high quality of direct recordings for instruments and voice-overs. It’s versatile and affordable, and a real beast!

Warm Audio TB12
Warm Audio TB12

What’s the Warm Audio all about?

  • Various tones from vintage to modern
  • Comes with phantom power
  • Capacitor select
  • Bypass transformer.

Like its name suggests, this device really manages to warm up pretty much any sound, however harsh or disharmonic. The preamp is, indeed, feature-packed so you have a bunch of opportunities to tweak and tune. Totally worth every penny!

Best for: both amateurs and pros recording vocals and instruments.

8. Grace Design m101 →

A 1-channel model, the m101 delivers amazing quality and comes with a 12-position rotary gain switch.

Grace Design m101
Grace Design m101

How is the m101 different?

  • No noises, crisp and detailed
  • Clear uncolored sound
  • Great compatibility: from low-cost to high-end mics
  • 3 outputs (balanced XLR, balanced TRS, and unbalanced TS).

What you can do is shell out for this Grace Design device and plug in any mic you like – it will perform with flying colors. Give it a try and you won’t regret it!

Best for: recording vocals and instruments, great fit for violins and cellos.

9. Focusrite ISA →

This Focusrite model is a dual mono transformer-based microphone preamplifier. A smart 2-channel option!

Focusrite ISA
Focusrite ISA

What’s great about this model?

  • Best-in-class input transformers
  • Variable input impedance that enables you to match the preamp to your microphone
  • Front panel instrument and rear panel line inputs
  • 18dB/octave high-pass filter that eliminates unwanted low-frequency sounds
  • Balanced insert point with ¼-inch TRS.

The Focusrite ISA Two has an unbelievable price-to-performance ratio. It provides sweet sound and knows how to elicit the perfect tone out of pretty much any microphone. Also, big kudos for the variable impedance selector and the independent DI!

Best for: professional studios, music, voice-overs and vocals.

10. PreSonus ADL700 →

The ADL 700 delivers a single-channel version of the award-winning ADL 600 and comes with a high-voltage dual-transformer – one 12AT7 and two 6922 vacuum tubes.

PreSonus ADL700
PreSonus ADL700

What are the PreSonus ADL’s benefits?

  • Four band semi-parametric equalizer
  • High-end 2U rack-mount, three inputs with a source selector: line input, mics, instruments
  • Phantom power, a -20 dB pad, and polarity reverse
  • Fully variable FET compressor/limiter

This is a real high-end choice, warm and versatile. The ADL700 helps you change the mic’s character easily and has rich, yet transparent functionality.

Best for: general applications for voice-overs and vocals.

11. Avalon VT-737sp →

The cream of the crop, this Avalon model has the crystal-clear warm sound that only tubes can deliver.

Avalon VT-737sp
Avalon VT-737sp

Here’s more details:

  • Four dual triode vacuum tubes, high-voltage discrete Class “A”
  • Transformer balanced 850/2500 ohm, 0dB to +58dB
  • Maximum input level and connector types
  • Microphone 26dB@25Hz, +30dB@1kHz balanced XLR, line +36dB balanced XLR
  • Maximum output level +30dB, balanced 600 ohms, DC coupled
  • Unbalanced front panel jack socket.

The Avalon VT-737sp tube mic preamp produces close-up round sound, and superb mid-range presence which is a great fit for voice overs. Professional, “A” class, pricey and worth every penny!

Best for: pro studios, vocals, voice overs, most demanding audio environments.

This is my recommendation in the high-end category!

 

A Final Word on the Best Preamps for Vocals & Voice Over

It’s now time to wrap up and summarize my recommendations.

All these microphone preamps do a great job, so it’s really hard to tell which one leads the field.

In any case, I have my favorites in each category and here they are.

The DBX 286s wins the prize in the budget price range for its good gain, low distortion, and great bang for the buck.

In the golden middle, I’m vouching for the 1-channel Focusrite ISA One with independent D.I. switchable impedance and impressive headroom.

My pick among the high-end tube preamps is the Avalon VT-737sp. However sticker-shocking, it’s a killer in terms of sound, mid-range presence, design, and usability!

Want to learn even more about voice over work? Check out our guide to the best voice over classes you can take online right now to learn more about the technical and business sides.

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The 14 Best Wireless Microphones Worth Trying in 2023 [Single, Dual, Quad, & More] https://myelearningworld.com/best-wireless-microphones/ https://myelearningworld.com/best-wireless-microphones/#respond Mon, 06 Feb 2023 08:47:22 +0000 https://myelearningworld.com/?p=3698 The best wireless microphones and wireless systems can be take a home or professional recording studio to the next level. Cordless mics are an essential piece of voice-over equipment and are regularly used by voice actors, singers, speakers, journalists, and others. Wireless microphones allow the performer to move around freely without having to worry about ... Read more

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The best wireless microphones and wireless systems can be take a home or professional recording studio to the next level.

Cordless mics are an essential piece of voice-over equipment and are regularly used by voice actors, singers, speakers, journalists, and others.

Wireless microphones allow the performer to move around freely without having to worry about tripping over cables. This can be particularly useful for singers or dancers who need to move around a lot. It can also be useful in a studio setting for voice over artists who like the freedom to move around a bit when recording.

Of course there are tons of different wireless microphone systems available on the market, so it’s important to do your research before purchasing one.

The best wireless microphones will offer good sound quality, reliability, and range.

They will also be easy to use, and ideally will come with a carrying case for easy transport.

If you’re looking for a wireless microphone system for your studio or live performances, be sure to check out our 2023 picks in the guide below.

We’ve reviewed and rated dozens of different models over the past few years, and below, you’ll see our picks for the best wireless mics based on their quality, durability, features, customer reviews, cost, and other key factors.

Don’t feel like reading the full guide? Here are a couple of my good wireless microphones that are my favorites:

Shure BLX288/PG58 Wireless Microphone System Shure BLX288/PG58 Wireless Microphone System
$549.00

What’s inside?

  • Dual-channel wireless system with two handheld vocal mics
  • 50 Hz to 16 kHz frequency range
  • Includes the Shure BLX88 dual-band wireless receiver
  • Battery-operated cordless microphones have a cardioid pickup pattern
  • Adjustable gain control

Killer features: Wide bandwidth of 524 to 865 MHz

We earn a commission if you make a purchase, at no additional cost to you.
01/16/2024 07:52 am GMT

You can count on Shure for durability and quality. This system is exceptional. The sound of this wireless system is crisp and clear with no dropouts. The cardioid pickup pattern prevents the device from having feedback problems. The adjustable frequency bandwidth for the wireless signal allows you to select the best frequency to avoid any interference with the signal.

Sennheiser Pro Audio Sennheiser EW 100-835S Wireless Dynamic Cardioid Microphone System-A Band (516-558Mhz), 100 G4-835-S-A Sennheiser Pro Audio Sennheiser EW 100-835S Wireless Dynamic Cardioid Microphone System-A Band (516-558Mhz), 100 G4-835-S-A
$749.00

What’s inside?

  • This is a single-mic system
  • The cordless microphone and receiver synchronize using an infrared signal
  • The product has an aluminum body and the transmitter casing is also aluminum
  • The model has an on/off switch
  • The transmission range is up to 300 feet (line of sight)

Killer features: Up to 20 compatible wireless channels

We earn a commission if you make a purchase, at no additional cost to you.
01/16/2024 07:57 am GMT

This is my choice if you want to use just a single device. Sennheiser sells this as a bundle with your choice of microphone that can be a cardioid or super-cardioid dynamic, condenser, or lavalier mic. You can start with one type and then add other options thereafter for different uses. This system is compact and easy to use.

 

4 Steps to Find The Right Wireless Microphone System (WMS)

Not all wireless microphones are the same. Some offer better sound quality than others, while some have a greater range.

It’s important to do your research before purchasing a wireless microphone system, as not all of them are created equal.

When I think about WMS that I would like to add to my audio recording and sound reinforcement tools, I always take the following four steps in my evaluations.

Buyer's Guide

Step 1: Determine Your Budget

Before purchasing a wireless microphone system, it’s important to set a budget. This will help you to narrow down your options and find the best system for your needs.

As you’ll see in our guide below, there are wireless microphones that range in price from under a hundred bucks up to nearly a thousand dollars or even more in some cases.

There are a variety of different wireless microphone systems available on the market, so it’s important to find one that fits your budget.

When considering a wireless system, you may want to buy the receiver and one type of microphone to get started, with the plan to add more equipment later that is compatible.

Step 2: Consider Your Recording or Event Environment

It is critical to evaluate the places and the type of events where you plan to use a WMS. Interference problems may cause a signal interruption. Physical barriers, such as walls or set pieces, may reduce the signal transmission range. Having a clear line of sight between a transmitter and a receiver is vital for a decent signal path.

I prefer to buy higher-quality WMS equipment because I want my gear to be durable when I use it for public events. Many bad things happen to the equipment in a live-performance environment.

Foresee All Possible Situations

Performers drop the microphones, spill things on the gear, and basically find many clever ways to abuse the wireless systems. I even had a performer drop a lavalier mic in the toilet. I fished it out with the help of a pair of metal tongs, rinsed it off, and then let it dry before trying to test it. I was amazed when it still worked. If this happens to you, the trick is to make sure it is completely dry before using it again.

Think about how performers may move around, such as if they might go down from the stage to the audience level. Test the wireless system before any performance to ensure there are no drop-outs caused by how a performer might move around during a show.

In any event space, which has simultaneous live events, such as a conference setting, be sure to know what other events are happening nearby. If another wireless system operates on the same frequency, interference between the live shows/presentations is possible.

Step 3: Choose the Type of Mic and System

There are many cordless microphones and systems to choose from, such as handheld mics with a transmitter, a headset mic, or a lavalier one with a bodypack transmitter. There is the choice of an analog vs. a digital WMS. A digital system transmits at an extremely high-frequency range reserved for certain electronic equipment.

Types of WMS

You also want to decide if you prefer the system to use a USB connector or an XLR connector. A system with a USB connector can plug in directly to a computer. A system using an XLR connector usually needs to be plugged into another device, such as an audio interface, an amplifier, or a mixing board. If the microphone is a condenser style and requires phantom power to operate, the XLR connector provides this phantom power.

Step 4: Evaluate the Specifications

Here is my checklist of the specifications and considerations that I think about before buying a WMS.

  • Price/Value: There is always a trade-off between the price of equipment and the value for the price. Since I use my gear constantly, I like better-quality gear even if the price is higher.
  • Durability: The construction build that uses all-metal pieces is superior to any devices that are made from plastic. When testing a new model, the first thing I do is to drop it on a concrete floor from a height of six feet. If it cannot withstand this type of abuse, it is not useful to me for live performances.
  • Noise Floor: The noise floor of a cordless microphone is the sound that the equipment makes when recording silence. You want the noise floor to be as quiet as possible.
    Wireless mics tend to pick up noise from the electrical system. If you are using it and suddenly hear a buzzing sound, check to see if anything is plugged-in to the same electrical circuit that the receiver is using. A noise may come through the electrical system from things like a power drill or a vacuum cleaner.
    Depending on the wireless transmission frequency, a cordless mic can pick up noise from television or radio broadcasts.
  • Transmission Range: The transmission range may be of concern for certain applications, such as running the sound mixing board from the back of a large room with the stage on the opposite end.
  • Transmission Frequencies: Higher frequencies are able to penetrate barriers more easily and have longer transmission ranges. The adjustability of the transmission channels is highly-preferred so that you do not have any problems with signal interference that could ruin your show/presentation.
  • Simultaneous Mic Use Capability: There are systems for a single cordless microphone, dual-mic systems, and systems that can accommodate four or eight devices. If you have a smaller system, you may run into a problem when adding a second system if it uses the same transmission frequencies as the first one.
  • Battery Life and Rechargeable Batteries: Battery life needs to be long enough to cover the event length, including the set-up time. Rechargeable batteries are preferred to save money otherwise spent replacing them constantly with new ones.
  • Warranty:
    I like to have at least a one-year warranty on any major equipment purchases. I prefer to buy from a manufacturer that offers U.S.-based customer service. Even if the factory is located elsewhere, they need to maintain a physical presence in America that provides warranty repairs. Otherwise, you will find that shipping your equipment to the factory, for example, in China, is too costly to justify the expense.
    If you must buy a cordless mic with a very low-budget price, I suggest you buy two of them. Keep one in reserve to use if the other one suddenly breaks in the middle of a show or presentation.

Those are the considerations for WMS that will help you decide which cordless microphones are best for your needs.

Choosing the Best Wireless Microphone and Wireless System

I separated my reviews into four categories of wireless systems:

1) Single WMS;

2) Dual WMS;

3) 4 WMS;

4) 8 WMS.

If you are new to WMS or need a quick refresher, here is an overview of how cordless microphones and systems work in this video from ProSound and Stage Lighting.

Here is the list of the 14 Best Cordless Microphones that I reviewed. Following this list, I took a deep dive into the specifications of each product and its features.

Best Wireless Microphones
Shure PGXD24/SM58-X8

Great live sound for your voice-overs or church performances.

Category: Single WMS
Amazon →

B&H →

Sweetwater →

 Shure GLXD24/SM58-Z2

Designed for the professional singer or speaker who performs live.

Category: Single WMS
Amazon →

B&H →

SweetWater →

 Sennheiser EW 100 G4-835-S

The best pick for sound designers or occasional users.

Category: Single WMS
My choice among single wireless microphone systems
Amazon →

Sennheiser →

B&H →

Audio-Technica System 10 ATW-1102

Good choice for vocalists and live speakers to use in a large room.

Category: Single WMS
B&H →
Fifine K025

For the budget-conscious. Good for use with karaoke.

Category: Single WMS
Amazon →

Fifine →

Tonor TW-620

Suitable for use where the device can be dropped like at a karaoke party because it is very low-priced at around $30.

Category: Single WMS
Amazon →

Tonor →

Shure BLX288/PG58

For a vocalist who likes to move around the stage freely. Also has a wireless instrument connector

Category: Dual WMS
My choice among wireless microphone systems
Reverb →

SweetWater →

Nady DW-22

Perfect for stage performance at a modest price.

Category: Dual WMS
Amazon →

B&H →

 Phenyx Pro PTU-5000A

Turn on the receiver, and start your outdoor activity.

Category: 4 WMS
Amazon →

Phenyx Pro →

GTD Audio G-787H

Superb choice for professional live concert settings and live presentations

Category: 4 WMS
Amazon →

GTD Audio →

 Innopow WM-400

Good for karaoke, churches, live performances.

Category: 4 WMS
Amazon →

Innopow →

Pyle PDWM8250

Decent system with good value for a place where no interference problems are expected.

Category: 8 WMS
Amazon →
Pyle PDWM8300

Suitable for a conference panel or meeting with multiple speakers.

Category: 8 WMS
Amazon →
 Pyle PDWM8400

Good system for those traveling to countries with a different electrical power supply standard

Category: 8 WMS
Amazon →

And now, let’s get to my in-depth reviews of the detailed specifications of each product, broken down by category.

 

Single Wireless Microphone Systems

If you perform as solo person, here are some of the best single wireless microphone systems:

1. Shure PGXD24/SM58-X8

Shure PGXD24/SM58-X8 has two channels but comes with one wireless microphone. This system is compatible with the SM58 and other cordless models made by Shure.

Shure PGXD24/SM58-X8
“PGX-D Digital Wireless, with state-of-the-art, 24-bit digital audio and trusted Shure microphones, delivers stunning sound and a strong, clean RF signal.” – shure.com

Features

This receiver for this system has two antennas and two independent receivers for digital diversity and to make sure there is no signal drop. The receiver is constantly working to lock in on a solid radio frequency (RF) signal. Using a one-touch scan button on the receiver finds a clear frequency. The model has a cardioid pickup pattern to deliver clear vocals and speech. Guitar Center gives a positive review of this system.

Killer feature: Uses double antennas and dual channels for a stable RF connection.

Pros

  • Up to nine hours of continuous use from fresh AA batteries.
  • Automatic syncing between the receiver and the mic.
  • Up to 200 feet of operating range.
  • Settings on the model are lockable to prevent accidental changes.

Cons

  • To sync the microphone with the receiver, you have to take off the bottom cover to find the button.
  • To change the mic’s gain, you have to take off the top cover.
  • The model can cause feedback problems.

Shure PGXD24/SM58-X8
Credits: shure.com

Best for: For those who like the look, feel, and performance of a wired Shure SM58, this is the same model in a wireless version.

This video, produced by Tek Overclocked, shows how to use the device processed through his Reaper sound processing, and then he turns off the signal processing to show what it sounds like clean.

The reviewer answers the question of whether it is worth paying around $380 for this product. He thinks it is. He recommends using it with a pop filter on it. He uses this model at his church. He demonstrates the cardioid microphone pickup pattern by showing how it sounds when talking at the side. He shows how he uses EQ to bring down the low-end slightly and enhance the high-end, with a little reverb added, to get a great live sound for his voice-overs.

Buying Options

2. Shure GLXD24/SM58-Z2

Shure GLXD24/SM58 costs around $500, making it one of Shure’s top-of-the-line models. This is a system preferred by professional singers.

Shure GLXD24/SM58-Z2
“Revolutionary Shure GLX-D Digital Wireless Systems combine leading-edge LINKFREQ Automatic Frequency Management technology with best-in-class intelligent lithium-ion battery rechargeability to define the new standard for seamless operation and digital audio clarity.” – shure.com

Features

The system includes a GLXD4 receiver and one GLXD2 transmitter with an SM58 cardioid mic. It uses intelligent frequency management to lock on the best open frequencies quickly. It is possible to use four (and maybe up to eight) compatible systems in proximity to each other under ideal conditions. The model operates up to 18 hours on one battery charge.

Killer feature: This product works with a rechargeable lithium-ion battery.

Pros

  • There is no need to waste money buying disposable batteries because the lithium-ion battery included is rechargeable.
  • Uses LINKFREQ automatic frequency management.
  • Has a clear digital sound.
  • Uses the globally-license-free 2.4 GHz frequency band.
  • Comes with a USB charging cable and a carrying case with fitted foam for the entire system.

Cons

    • May not perform as well in challenging environments
    • Very pricey, but considered worth the investment.
    • Power cord is not good quality.
    • Heavy Wi-Fi usage near this system may cause interference.

Shure GLXD24/SM58-Z2
Credits: shure.com

Best for: This device is designed for the professional singer or speaker who always wants to sound consistent when performing live.

This video, produced by Shure, discusses the challenges encountered when using this system, which includes using it outdoors or in places with high ceilings.

The video shows how to configure the system in difficult places. It gives tips about the line of sight, usage near the receiver, and how to deal with Wi-Fi signals. It shows how to use the group-two frequency setting to find clearer frequencies with the most robust performance characteristics.

Buying Options

3. Sennheiser EW 100 G4-835-S

The Sennheiser EW 100 wireless receiver system can be matched with a Sennheiser 835S dynamic cardioid mic or many other Sennheiser cordless models. This is my top pick in this category that works with one device at a time.

Sennheiser EW 100 G4-835
“Max. 1680 receiving frequencies, adjustable in 25 kHz steps 20 frequency banks, each with up to 12 factory-preset channels, no intermodulation 1 frequency bank with up to 12 programmable channels” – sennheiser.com

Features

This is my favorite one-mic system because Sennheiser makes so many styles of cordless microphones that are compatible with this system according to the Sennheiser specifications. It comes bundled with an 835S dynamic mic with a cardioid pickup pattern. There are compatible Sennheiser omnidirectional lavalier and headset models. The lavalier mic style is also available with a cardioid pickup pattern. There is a condenser microphone offered as well. An optional instrument cable input can be used to connect instruments to the receiver.

Killer feature: This system offers up to 20 compatible wireless channels.

Pros

  • This one-channel system is easy to use and very flexible.
  • The mic body and receiver chassis are made of aluminum.
  • The transmission range is up to 300 feet (line of sight)
  • The microphone and receiver easily sync using an infrared signal.
  • The model has a nice digital display showing the frequency, strength, and battery level.

Cons

  • A bit pricey for a single-channel system.
  • Channels are in a somewhat narrow bandwidth range of 516 to 558 MHz.
  • If you grab the bottom of the product, you can inadvertently block the mic’s antenna and cause the device signal to cut out.

Sennheiser EW 100 G4-835
Credits: sennheiser.com

Best for: If you need a system that uses one device at a time but has the option to use many different mic styles that are compatible, this system is an exceptional choice for its flexibility.

This video, produced by Church Audio Life, shows the kit’s unboxing that contains an E835 model with an EM 100 receiver. It comes with a rack mount kit included and a power adaptor.

The reviewer talks about how he used this system for about a year and the SQM 100 mic, allowing it to be interchanged with another head for a different pickup pattern. The product is easy to take apart and clean. It uses two AA batteries, which last longer than 9-volt batteries. Optional rings are available to color code the microphone. It has a sensitivity adjustment. The reviewer compares this fourth-generation system to the previous third-generation version.

Buying Options

4. Audio-Technica System 10 ATW-1102

Audio-Technica System 10 ATW-1102 is a digital 24-bit/48 kHz wireless system that provides excellent sound and reliable performance. Operating this system is easy, with instant channel selection and syncing between the mic and the receiver for a fast set-up.

Audio-Technica System 10 ATW-1102
“Extremely easy operation with instantaneous channel selection, sync, and set-up.” – audio-technica.com

Features

This system operates in the 2.4 GHz range, which keeps it completely free from any interference caused by broadcast television signals. The system comes with an ATW-R1100 receiver and an ATW-T1002 handheld dynamic microphone/transmitter. The mic is unidirectional. An AT8456a Quiet-Flex™ stand clamp is included. Here is the Guitar Center review.

Killer feature: Automatic frequency selection with eight channels.

Pros

  • Up to eight channels can be used simultaneously without experiencing any interference.
  • The system receiver and transmitter on the product both have an easy-to-read display.
  • Space diversity uses two antennas on each transmitter and receiver to create the maximum signal integrity.
  • Comes with a handheld model and works with other mic styles.
  • The ATW-R1100 receiver has volume control and AF Peak and Pairing indicator lights.

Cons

  • Receiver only accepts one transmitter at a time.
  • The product’s on/off switch can be used by a performer inadvertently to turn off the device.
  • A blinking light warns only when the battery is running very low and about to go off.

Audio-Technica System10 ATW-1102
Credits: audio-technica.com

Best for: This is a good performance model for vocalists and also excellent for live speakers to use in a large room.

This video, produced by Audio-Technica, shows the unboxing of the System 10. The System 10 is the first foray into the digital wireless mic category made by Audio Technica.

The interviewer says the System 10 is available in a handheld version. It also comes as a bodypack system for an instrument cable, head-worn, or a lavalier mic. The warranty is two years. This system is a full-duplex system. This means the wireless system is always communicating between the receiver and the microphone. It has three levels of diversity assurance to ensure the RF signal is solid, to avoid drop-outs.

Buying Options

5. FIFINE K025

The Fifine wireless system is super cheap at around $30. It is useful for those who want the freedom to move around with a microphone at events and live performances.

Fifine K025
“Just remove from the box, insert batteries, plug into PA speaker, guitar amplifier, mixer (any device that allows 1/4″ mic input) and start to rock!” – fifinemicrophone.com

Features

This system is easy to use. It is plug-and-play with 20 selectable UHF frequencies. The model is lightweight. It comes with a receiver with a 1/4-inch output jack to connect to a DJ mixer or an amplifier.
You can read the Fifine specs and the FAQ to get more details about this system.

Killer feature: It is super cheap.

Pros

  • The device has a cardioid pickup pattern to avoid causing feedback.
  • It is comfortable and easy to hold.
  • The product has a low-battery warning light.
  • Low price.
  • One-year warranty.

Cons

  • Batteries are not included.
  • Not very durable. Made of ABS plastic.
  • Subject to interference from broadcast television UHF signals.
  • Range is just over 80 feet compared to up to 300 feet for more expensive systems.
  • Needs an amp (not included) to work with the receiver.

Fifine K025
Credits: fifinemicrophone.com

Best for: Those on a budget who need a WMS and only have a small amount to spend.

This video, produced by Tobias Holenstein, shows him opening the box and testing the device. He takes it outside to test the range. He has a cute dog watching him and gets help with the test from his parents sitting outside.

The reviewer says he thinks this product would be good for use with karaoke because it is so cheap, and if dropped, it would not be a great loss. He tests the range to see if it is 65 feet, which it is. The mic takes two AA batteries, and the receiver takes two AAA batteries. He demonstrates the audio quality and thinks it is pretty good.

Buying Options

6. TONOR TW-620

The TONOR TW-620 system is inexpensive and can be used with up to 14 other matching mic transmitter/receiver systems set to a different channel. There are 15 channels to choose from to avoid interference and use more than one system simultaneously.

TONOR TW-620
“Compatible with karaoke machine, powered speaker, amplifier, mixer, audio interface” – tonormic.com

Features

One set of microphone transmitter and receiver costs about $30. This budget price makes them perfect for casual uses such as karaoke. The receiver plugs into a mixing board or an amplifier using a 1/4-inch (6.35 mm) stereo plug. It has an operating range of up to 200 feet (line of sight) and other nice specifications. You may want to consult the FAQ to learn more.

Killer feature: Comes with a rechargeable battery system for the receiver that lasts up to eight hours on a full charge.

Pros

  • Rugged metal construction.
  • It has a cardioid pickup pattern to avoid feedback.
  • The receiver portion of the system is rechargeable in about two or three hours.
  • Receiver and mic automatically sync when turned on.
  • Comes with a microphone cover and a USB charging cable.

Cons

  • The model is NOT rechargeable and uses two AA batteries (not included).
  • The pickup pattern is very tight, which means you must sing or speak right into the mic.

Tonor TW-620
Credits: tonormic.com

Best for: This system is good for use where the device can be dropped like at a karaoke party because it is not expensive if you need to replace it.

This video, produced by xBert, shows the reviewer opening the box, which says on it “Made in China.” To me, this means if you have any problems, you will have to throw it away. Chinese manufacturers are notoriously bad at customer service.

The reviewer talks about the same system, but he reviews the TW-630 version that comes with two mics instead of just one and includes the batteries. The reviewer goes outside, and there is plenty of static when the walls block the signal.

Buying Options

If you are looking for other budget options that connect by cables, check out the reviews of the Best Budget Microphones.

 

Dual Wireless Microphone Systems

If you perform with someone else or maybe you sing with a guitar, then you’ll want to look into a dual wireless mic system, like the ones below.

7. Shure BLX288/PG58

The system has two PC58 cordless mics and the BLX88 wireless receiver. This is my choice for the best wireless system in this category.

Shure-BLX288/PG58
“Shure BLX Wireless Systems combine professional-quality sound with simple setup and an intuitive interface for legendary audio performance right out of the box. Precision-built and available in a variety of configurations, it’s the most accessible way to own the stage.” – shure.com

Features

Compare the two devices used with this system to the Shure SM58, which is the same wired mic that is a favorite with musicians. The PG58 model is the same shape and size and has a battery-operated cordless transmitter in the handle. This system is not the cheapest one in this category; however, it is probably the best-built one. For that reason, I feel it is worth the price. The Guitar Center review agrees with my assessment.

Killer feature: There is a bandwidth choice for the wireless signal of 524 MHz to 865 MHz.

Pros

  • Has an on/off switch on the microphone body.
  • LED battery indicator shows green when a battery is charged and red when not charged
  • Has a one-touch quick scanning feature on the receiver to find the best open frequency.
  • There is automatic mic/receiver frequency matching.

Cons

  • The chassis and frame are made from durable ABS polymer instead of metal.
  • Receiver is not rack mountable.
  • Microphones held too close to each other may cause interference.
  • The battery LED light does not warn soon enough if the battery starts to get low.

Shure-BLX288/PG58
Credits: shure.com

Best for: This system is very good for a vocalist to use who likes to move around the stage freely without having to be tethered to a wired mic.

This video, produced by Perform Wireless, covers all the features of these cordless mics and the receiver.

The reviewer notes that the receiver also has a wireless instrument connector if you want to connect with cordless instruments. The receiver uses XLR connectors to connect to a mixing board or an amp. The PS58 model uses two AA batteries. The system is straightforward to use. The reviewer demonstrates how far away he can go (line of sight) and still have the receiver pick up the wireless transmission from a device.

Buying Options

8. Nady DW-22

The Nady DW-22 system has excellent digital sound quality with QPSK modulation and operates over the UHF frequency range. It has a line-of-sight transmission range of up to 300 feet.

Nady DW-22
“Reliable long range operation. Digital transmission virtually eliminates interference from nearby obstacles.” – nady.com

Features

This system has ultra-low latency. I’m not too fond of the inability to choose another frequency on a fixed frequency system. If you experience interference, you are stuck, so I cannot recommend this system except for completely isolated usage. Take a closer look at the Nady specifications and see the Musician’s Friend review and the Guitar Center review to get some other opinions.

Killer feature: Extended range of up to 300 feet.

Pros

  • Comes with two microphones.
  • 48 kHz/24-bit digital conversion for clear audio.
  • Long range operation up to 300 feet (line of sight).

Cons

  • This is a dual fixed-frequency system that may interfere with other wireless systems.
  • Uses two regular AA batteries.
  • Poorly made.
  • May fail to work after a short time.

Nady DW-22
Credits: nady.com

Best for: Gamblers who don’t mind losing money.

This video, produced by Kennis Russell, is positive. He talks about what he did but does not show a demonstration. He tested the transmission up to 300 feet, and it worked.


The sound quality is decent. The reviewer says he used the pair of mics to sing with his niece. He talks about the system having a fixed frequency. This makes it easy to use but is asking for interference trouble.

Buying Options

 

Quad Wireless Microphone Systems

Here are my picks for the best Quad wireless microphone systems. I’ve included some cheap options for group performances and one option for professional live concerts:

9. Phenyx Pro PTU-5000A

The Phenyx Pro PTU-5000A system comes with four mics. Each device is set at a different but fixed frequency in the UHF range.

Phenyx Pro PTU-5000A
“Sturdy all metal construction for Quad-channel UHF wireless microphone receiver and high sensitivity unidirectional handheld mics, suitable for heavy use. High quality dynamic cartridge is specially engineered to limit feedback and interference, picking up sound smoothly and transmitting sound hassle-free.” – phenyxpro.com

Features

This system works long-range of up to 260 feet. The devices and the chassis for the receiver are made from metal. They sell in a set of four with a frequency group of either one or two options, so it is possible to use two systems set to different frequency groups and have eight mics that do not interfere with each other. Here is a link to the full Phenyx Prop specs.

Pros

  • The display screen on the microphone turns from green to red color when the battery is low. Eight AA batteries are included.
  • They have an on/off switch discretely placed at the bottom in a protected place to avoid hitting it by accident.
  • The receiver has balanced XLR outputs (one for each channel) and a mixed 1/4-inch output of all channels.
  • Rack mountable.

Cons

  • Frequencies cannot be changed so that this system may suffer from interference problems.
  • This is an older model selling at a discount. There is a newer model that costs $100 more.
  • The LED screen is fake and printed to make it look like a digital read-out. All this screen actually does is change color to indicate battery failure.

Phenyx Pro PTU-5000A
Credits: phenyxpro.com

Best for: This is a good system for those on a budget who do not expect to have any interference problems and only need four mics.

This video, produced by Garrett Plays, shows the unboxing and testing of the system with two handheld microphones, a lavalier mic, and a headset one.

The reviewer likes the lavalier mic for how it is built with a three-pin XLR connector. The handheld ones are all metal. The setup is easy. He puts in the batteries, turns on the receiver, and connects it to his computer for recording voice-over using the lavalier mic. He likes it the best when compared to the handheld one.

Buying Options

10. GTD Audio G-787H

The GTD Audio G-787H system is my favorite if you need four microphones or more. With 800 selectable channels and UHF diversity, up to 20 sets of four devices, each can be used together.

GTD Audio G-787H
“GTD-Audio’s G-787H WMS delivers superior sound quality and professional features.” – gtdaudio.net

Features

I really love this system for professional use because of its flexibility. It is a good value and sells for around $300. In a professional setting, the two things that can ruin a live show are mic interference and dropouts. This system has true diversity for increased operating range and signal reliability. Check out the full GTD Audio specs.

Killer feature: This system has an extended operating range of up to 600 feet.

Pros

  • There are 800 selectable UHF frequencies per channel.
  • This system has automatic frequency scanning to lock on the best interference-free settings.
  • The programmable frequency range for the transmission signal is UHF 550 MHz to 590 MHz.
  • Transmitter setup is automatic.
  • The mics and the receiver are easy to synchronize.

Cons

  • Battery life is only moderate so be sure to have plenty of spare batteries.
  • Does not recharge batteries.

GTD Audio G-787H
Credits: gtdaudio.net

Best for: This system is a superb choice for professional live concert settings and live presentations.

Buying Options

11. Innopow WM-400

The Innopow WM-400 system has four fixed-frequency mics in the UHF range. The operational range is up to 240 feet.

Innopow WM-400
“Durable 4 handheld cordless mics with individual volume control for each channel. Sleek metal housing with internal antenna for optimum aesthetics and durable long life.” – innopow.com.cn

Features

Each microphone channel in this system has an individual volume control. On the receiver’s back are four XLR individual outputs (one for each mic) and a 1.4-inch (6.35 mm) mixed output. The model has a unidirectional neodymium dynamic cartridge for a nice sound with minimal feedback problems.

Killer feature: The battery life for the devices is up to 17 hours of continuous use.

Pros

  • Durable all-metal microphone body.
  • This has a low price for a four-mic system, selling for less than $180.
  • Has a 24-month limited warranty, but warranty repair requires shipping the product back to China.

Cons

  • The microphone channels operate on fixed frequencies.
  • There are only two antennas.
  • They have an on/off switch but do not have a mute feature. Turning a device off while the system is on makes a loud click.

Innopow WM-400
credits: innopow.com.cn

Best for: This system is best to use in places where no interference is expected to occur.

This video, produced by Aplomb, discusses the specifications of the system. The reviewer shows the fixed frequency of each device printed on a box label. You need to make sure the frequencies do not conflict with any other equipment you plan to use.

The reviewer says this system is good for karaoke, churches, and live performances. He does an unboxing. He likes the build of its metal body. Batteries are included. It uses two AA batteries per mic. Each one has a digital display.

Buying Options

 

8-Wireless-Microphone Systems

Pyle gives a great range of wireless microphone systems that come with 8 mics to cover all your needs. Here are some of my top picks.

12. Pyle PDWM8250

Pyle PDWM8250 comes with eight mics. The receiver is a rack mount style. It operates using Base RF and AF radio/audio frequencies.

Pyle PDWM 8250
“The Pyle 8-Channel WMS provide wide area coverage ranges with simple controls and hassle-free operation.” – pyleaudio.com

Features

Each channel in this system has an independent volume control knob on the receiver. The receiver has eight digital display windows to match the digital displays on each device. These displays show the operating channel number and the frequency being used by each channel. Take a look at the full Pyle Audio 8250 specs.

Killer feature: Easy to set up and use with eight microphones.

Pros

  • Has eight independently controllable channels with XLR outputs.
  • Has two 1/4-inch outputs. One is a mix of channels – one to four and the other is a mix of channels – four to eight.
  • Operating range is up to 164 feet.
  • Automatic setup.
  • They have an on/off and a mute switch.
  • Limited one-year manufacturer’s warranty.

Cons

  • Pre-set UHF frequencies for each channel are not adjustable.
  • Subject to interference problems.
  • Horrible customer service.

Pyle PDWM 8250
credits: pyleaudio.com

Best for: This is a decent system with good value if you can use it in a place where no interference problems are expected.

This video is produced by The Awesome Guy 101. The reviewer only does the unboxing. He says this system was released in 2016.

You can see what comes in the box, but the reviewer does not test the system.

Buying Options

13. Pyle PDWM8300

Pyle PDWM8300 is an eight-channel system with eight desk-stand-type mics to use for conferences and panels of speakers.

Pyle PDWM 8300
“The Pyle PDWM8300 is a WMS featuring a rack mountable VHF base unit and includes eight cordless tabletop microphones. This system is the perfect for large conferences, public speaking engagements, religious events, and more.” – pyleaudio.com

Features

This is a system for those who want a budget-priced solution with eight devices. It sells for around $270 for the kit. Take a look at the full Pyle Audio 8300 specs.

Killer feature: It is low-priced for an eight-mic system.

Pros

  • There is an independent microphone volume control on the receiver for each channel.
  • Super easy to set up.
  • Rack mountable receiver.
  • Frequency response of 50 Hz to 16 KHz with a high signal-to-noise ratio for better performance.
  • Eight 9-volt batteries for the devices are included.

Cons

  • Uses VHF frequencies (174 MHz to 216 MHz) that are subject to interference from television broadcast signals.
  • Only one balanced XLR jack and one 1/4-inch mixed output.
  • Uses 9-volt batteries that discharge rapidly.

Pyle PDWM 8300
credits: pyleaudio.com

Best for: This system is designed for conferences with panels of speakers.

Buying Options

14. Pyle PDWM8400

Pyle PDWM8400 system comes with eight handheld mics. Each channel has an independent volume control knob on the receiver. The receiver has a mixed 1/4-inch output.

Pyle PDWM 8400
“The Pyle PDWM8400 is a WMS featuring a rack mountable VHF base unit and includes eight cordless microphones. This system is the perfect for large parties and performances, singing events, and professional engagements, and is also a great way to have fun with friends and family.” – pyleaudio.com

Features

This is a budget system selling for around $223. It is simple to set up. Just put the batteries in the device, attach the antennas to the receiver, plug the receiver in, connect it to a mixer or amp, and turn everything on. Check out the Pyle Audio 8400 specs. and the Provantage review.

Killer feature: This system has a 110/240V power switch to be used in America and Europe.

Pros

  • Low-price.
  • They have a low-voltage indicator light to show when the battery is getting low.
  • Rack mountable receiver.
  • Uses either a 110V or 240V power source for the receiver.

Cons

  • This system uses VHF frequencies that are subject to interference from television broadcast signals.
  • Decent for speaking, but not really suitable for singing.
  • The mics use 9-volt batteries that discharge quickly.

Pyle PDWM 8400
Credits: pyleaudio.com

Best for: This is a good system for those traveling to countries with different electrical power supply standard.

This video, produced by pylecustomerreview, talks about his using this system for conferences at his church. The reviewer likes the choices of microphones that work with this system.

The reviewer shows had easy it is to set up. He turns the system on and demonstrates what it sounds like with a handheld mic.

Buying Options

Dynamic microphones that have an XLR cable are more durable than a cordless dynamic mic. A wireless one has a transmitter within the handle, which is more easily broken when dropped. If you plan to use dynamic microphones in live performances, be sure to have spared them if you go with wireless ones, in case a cordless mic stops working.

 

Other Wireless Mic Options

Some Wireless Systems are designed to work with lavalier microphones and headset ones. Find out more about their work in my wireless mic guide.

Lavalier Microphones

Lavalier Microphones

Here are a couple choices for lavalier mics to consider:

Headset Microphones

Headset Microphones

Some choices of headset microphones to consider are:

  • The Shure BLX14/SM31-H9 is a WMS with a bodypack and a headset mic.
  • The Fifine K037B is a low-cost (around $49) WMS with a headset and lapel mics, beltpack transmitter, and receiver.

Plug-in WMS

Plug-On Wireless Mic System

The Xvive U3 is a plug-in WMS for use with a dynamic mic and an audio mixer, a PA system, or a DSLR camera. This system replaces a microphone cable with a cordless transmitter and receiver.

 

Understanding the difference between VHF vs. UHF vs. Digital Cordless Mics

In the United States (and Canada), the very high frequency (VHF) signal band is 54 MHz to 216 MHz. The ultra-high frequency (UHF) band is 470 MHz to 890 MHz.

VHFvsUHF

UHF frequencies are higher and better suited for wireless applications because the signal can better penetrate interior obstacles, such as walls, more effectively than VHF signals. Both VHF and UHF WMS are subject to interference from television broadcast signals.

The frequency of 2.4 GHz is the global standard used for digital transmission. It is much higher than VHF and UHF. At this higher frequency, there is no chance of VHF or UHF broadcast signal interference. To avoid interference problems, choose a system with a higher frequency range, allowing the channel frequencies to change. It is helpful if the system automatically scans to find a clear frequency to use.

 

FAQ

Are wireless microphones worth using?

Wireless microphones can definitely be useful in a variety of settings, especially for people who need to move around a lot.

What are the benefits of using wireless microphones?

Some of the main benefits of using wireless microphones include being unencumbered by cables, increased freedom to move around, and increased liberty during live performances.

How much do wireless microphones cost?

Wireless microphones come in a wide range of prices. The type of features offered as well as the brand can both affect cost.

For a decent wireless microphone, expect to spend at least around $100. For something pro level, the cost goes up from there.

What brands make some of the best wireless microphones?

There are a number of different top brands that make some of the best wireless microphones on the market today. Some include Shure, Audio-Technica, TONOR, and Sennheiser, among others.

Are wireless microphones worse than wired mics?

Some people believe that wired microphones are better than wireless ones, but that’s not necessarily true. These days, there’s no real difference in sound quality. Although, you could certainly make the argument that wired mics are more reliable than wireless microphones by nature.

 

Useful Resources

 

A Final Word on the Best Wireless Mics

Except for any occasional interference problems, you will find that using a wireless microphone gives you much more freedom than being tethered to a plugged-in device.

You probably want to have at least one cordless mic in your toolkit for flexibility. This goes along well with a wired one mounted on a desk stand if you want to do voice-overs in a home recording studio.

Of course, with so many options, it can get overwhelming trying to figure out which wireless microphone system is the best for your situation.

Hopefully, our guide above has given you some helpful advice for assessing your needs and finding the best wireless mic for your particular situation.

Whether you plan to use it for recording educational lectures, podcasting, or even recording music, the right wireless microphone will make a big difference in your sound quality and overall experience.

Have any questions about our guide to the best wireless mics? Let us know by leaving a comment below.

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The 12 Best Headset Microphones for 2023 (Reviews & Rankings) https://myelearningworld.com/best-headset-microphone-for-recording-audio/ https://myelearningworld.com/best-headset-microphone-for-recording-audio/#respond Fri, 03 Feb 2023 09:14:20 +0000 https://myelearningworld.com/?p=5380 With the best headset microphone, you can get great audio quality for recording, gaming, taking Zoom calls, and more. One of the biggest challenges in capturing audio is keeping the ability to move freely while still getting great sound. This is a problem for podcasters, but it’s also an issue faced by YouTubers and those ... Read more

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With the best headset microphone, you can get great audio quality for recording, gaming, taking Zoom calls, and more.

One of the biggest challenges in capturing audio is keeping the ability to move freely while still getting great sound.

This is a problem for podcasters, but it’s also an issue faced by YouTubers and those presenting on virtual conference platforms and webinars since you usually want to be able to move around while on camera.

Thankfully, when you record with the best headset microphone, you don’t have to worry as much about positioning and mic placement.

This advantage can help you achieve more consistent quality in your recordings and become more confident in your public speaking, but finding the best headset mic can be tough since there are hundreds of choices on the market.

Make the wrong choice, and you’ll end up with low-quality audio that makes it hard for your audience and transcription software programs to make out what you’re saying.

To help you find the best headset microphone for recording audio, I put 50 of the most popular models to the test.

Out of these 50, I chose 12 of the top performers, and I evaluated each for microphone quality, background noise cancellation, sound quality, battery life (for wireless headphones with mics), and comfort. I’ve included the best options in headset mics for all purposes, from recording podcasts to gaming headsets and more.

In this article, you’ll learn:

  • Tips for selecting the best headset microphone
  • Features of the devices I reviewed
  • Pros and cons of using this type of microphone
  • All about accessories and must-haves to improve your recordings

I’m also including tips for how to select the best model based on how you plan to record. From beginner to expert and studio to streaming, there’s a headset with a mic that’s right for you.

This guide has been fully updated for 2023 to ensure you’re receiving the most current information and can find a great solution that fits your needs.

 

A Quick Look at the Microphone Headsets & Headphones for Recording

While I’ll go in-depth about each of the 12 best headset microphones worth checking out later in this guide, I’ve provided a quick glance at a couple of favorites here below for those in a hurry:

Top Pick
EPOS Sennheiser GSP 300 Headset with Noise-Cancelling Mic EPOS Sennheiser GSP 300 Headset with Noise-Cancelling Mic
$39.99

What’s inside?

  • Integrated volume control
  • Ball-joint hinge for flexibility
  • Comfortable memory foam padding

Best For: Video tutorial producers and podcasters

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01/16/2024 06:57 am GMT

When considering comfort, remember that the pressure a headset places on your ears is relative to the headband’s flexibility. This means that having more flexibility to make adjustments to a headband will go a long way in helping you adjust for comfort in the ear pads. Simply put, these are the best headphones with a mic available today, in my opinion.

Also Great
FIFINE Wireless Microphone (K031B) FIFINE Wireless Microphone (K031B)
$42.99

What's inside?

  • Comfortable over-the-ear mic
  • StN ratio of 58dB
  • USB connectivity for most devices
  • Allows up to 80’ of range

Best For: Vloggers, Podcasters

We earn a commission if you make a purchase, at no additional cost to you.
01/16/2024 03:27 am GMT

When using this device to capture audio, be mindful of air pressure sources like fans and vents. These can cause unwanted noise in your final audio.

 

Buyer’s Guide: Choosing the Best Headset Microphone for Your Needs

I really like the ease-of-use that comes along with using a headset to capture audio, but I’ve learned that these devices aren’t needed in every situation. For the most part, a sound-capture headset is ideal when you need to be free to move while recording or talking.

If you aren’t sure whether you need a microphone headset or you’re unsure about how to select the right one, I’ve put together some steps to guide you. Check out my tips below:

Step 1: Do You Need to Hear Yourself?

Difference Between Headset and Lavalier Microphones

When considering your audio needs, I recommend you first think about whether or not you need to hear yourself while capturing audio. Monitoring your own voice has a lot of advantages, including the ability to notice problems and fix them before they end up as part of a final audio.

Headset for audio capture is really good for monitoring your voice while recording, and many include features like onboard volume controls to make adjustments to your own voice monitoring level without affecting the overall level.

If you don’t need to hear yourself, you might consider using a wireless lavalier microphone instead. This would give you the same ability to move around while recording without having to worry about hearing yourself in a headset.

Step 2: Think About Your Comfort

Important Parts

Another huge consideration when choosing a headset microphone for recording audio is your comfort. Yes, you want a great sounding headset mic, but your comfort matters too.

An uncomfortable device can cause you to get sidetracked while performing, take frequent breaks and reduce productivity.

Of course, comfort is subjective, but take a look at the padding on the earphone parts as well as the headstrap or headband. These are the two areas that will make contact with your head the most.

You don’t have to have luxury features like memory foam padding to get great sound quality, but additional comfort features do make life easier. You also want to have the ability to replace padding if it wears out and adjust headbands and headstraps to fit your head.

You may also want to consider the pros and cons of using a wired headset vs a wireless headset when considering comfort and ease of use.

Wired headsets are generally more affordable and more reliable, while wireless headsets offer complete freedom of movement.

Finally, be sure to take frequent breaks from using your headset or headphones throughout the day to reduce fatigue and ensure you’re not overworking yourself. This will help increase productivity in the long run. Taking regular breaks also allows

Step 3: Consider Connectivity

Connectors

Another recommendation for finding the best microphone headset for recording audio is to look at the unit’s connectivity. Many models utilize USB technology, but others connect via 3.5mm jack, 1/4’ jack or XLR cables.

The type of connection you have can affect latency, and this is especially important if you’re listening to yourself while capturing a performance and trying to achieve high quality sound. There are adaptors that can convert some connections into others, but these can also introduce latency.

The connection factor becomes an even bigger issue when capturing voice-over work due to the time-sensitive nature of these types of performances. If you’re curious, you can learn more about some of the best voice-over microphones in this article.

 

The Best Headset Microphones for Recording Audio

An audio-capture headset gives you the ability to free up your whole body while not having to pay as much attention to positioning relative to a mic. This can go a long way in offering creative freedom to express yourself while podcasting, creating tutorial videos, or demonstrating something in front of a YouTube audience.

I also like the fact that many models can be used to keep vocal capture consistent. Once I place the headset’s arm, my audio capture will remain the same regardless of the direction I’m facing or the angle of my head.

Below are some of my top choices for the best headset microphones, including over-ear headphones with mics and earbud-style equipment:

1. Epos Sennheiser GSP 300

Epos Sennheiser GSP 300
“A volume wheel on the right ear cup allows for quick adjustments while gaming.” — eposaudio.com

I really love Sennheiser products, so I was excited to get my hands on the GSP300. The sound quality for both the earphones and the microphone is top-notch, and the price is very affordable.

One thing I noticed when recording with this gaming headset is that it produces a flat response. This works well in most podcasting situations, but it also gives a lot of leeway if you need to add post-processing later.

I found the headphones with mic to be comfortable, even after using it for long periods of time. That because gaming headsets like this one are designed with comfort in mind. And even though this is a quality gaming headset, it’s still great for other purposes, like recording audio or taking conference calls.

The padded earphones are a closed-back design, so ambient noise was reduced. The active noise cancellation allowed me to focus my performance.

While wearing this model, I found that I was able to almost completely close out quiet sounds around me. When using the Epos Sennheiser GSP 300, I only encountered a slight problem with cable contact noise. This was solved by keeping the cable over my shoulder.

All in all, these are the best headphones with a mic in my opinion and are an especially great choice for those working in noisy environments.

Features

  • Closed-back design reduces outside noise
  • Can utilize a 3.5mm jack
  • Ball-joint hinge is easy to adjust for fit
  • Flexible, durable headband

Pros

  • Can customize with after-market ear pads
  • Produces a natural sound without colorizing
  • Great outside noise cancelling for focusing on your performance
  • High-quality sound overall
  • XL memory foam padding is very comfortable
  • More affordable than similar headsets

Cons

  • Headphone mid-range could use a boost
  • Cable can create contact noise

Epos Sennheiser GSP 300
Credits: eposaudio.com

Best For: Podcast producers and YouTube content creators

Killer Feature: Flip-to-mute option and onboard volume controls keep you focused on performing

In this video, Hardware Canucks gives an offbeat review of the Epos Sennheiser GSP 300, complete with a breakdown of the functions and some opinions on usage. You also get to see and hear this model in action, including examples using different gain options.

Buying Options:

2. FIFINE K031B

FIFINE K031B
“A light-weight head-worn mic fits firmly, making it possible to get quality sound for recording fitness or even a high-intensity aerobics tutorial.” — fifinemicrophone.com

The FIFINE K031B delivers wireless performance at a reasonable price point. I was able to get the mic up and running quickly with minimal hassles.

Right off the bat, I like that this package comes with the ability to use the included over-the-ear mic or a mini XLR mic of your choosing. This adds a lot of value through versatility.

When recording with the comfortable over-the-ear option, I barely noticed it was there after a while. Sound quality was full and rich, but I did notice a lot of plosives without a windscreen attached.

It’s a really good headset microphone for podcasters and bloggers, among others.

Features

  • Comfortable over-the-ear mic included
  • StN ratio of 58dB
  • USB connectivity for most devices
  • Allows up to 80’ of range

Pros

  • Can use included device or connect your own
  • UHF is more stable than other options
  • Light-up LCD transmitter screen
  • Easy to transport receiver dongle

Cons

  • Capsule can suffer from problems with plosives and breath noise
  • Over-the-ear option isn’t very flexible

FIFINE K031B
Credits: fifinemicrophone.com

Best For: Vloggers, podcasters and vocal capture in open areas

Killer Feature: Able to utilize additional devices with the transmitter pack for more options

In this video, Jdubb showcases some of the features included with the FIFINE K031B as well as demonstrates its audio capabilities. This video provides a basic rundown of how the device works, but it also discusses general setup instructions to help you kick start your project.

Buying Options:

3. CAD Audio U2

CAD Audio U2
“Condenser microphone is mounted on a flexible gooseneck boom for easy positioning.” — cadaudio.com

When I first got my hands on the CAD Audio U2, I was impressed by its quality and looks. The color scheme gives this model a polished look while maintaining a professional appearance.

Regarding performance, the headset portion left a little bit to be desired during playback, but the mic sounds great. I was able to get rich, natural tones during my vocal testing. You can get especially clear sounds if you also have some acoustic foam panels in your recording space to reduce echo.

I also really like the adjustable boom arm as well. It gave me a lot of flexibility to try out different angles and positioning techniques to dial in the sound I wanted.

Features

  • Adjustable boom arm
  • USB connectivity
  • Unidirectional capsule cancels noise
  • Compatible with most digital audio software

Pros

  • Lightweight at 11.2 lbs
  • Stylish black and silver finish
  • Adjustable headband and boom
  • Integrated 10’ USB cable

Cons

  • Must be used with a cord
  • May have gain issues with Mac

CAD Audio U2
Crredits: cadaudio.com

Best For: Podcast production, general diction and video voice-overs

Killer Feature: Adjustable boom arm allows for different micing techniques

If you want to see and hear the CAD Audio U2 in action, check out this video from Podcastage. This video covers a number of the CAD’s features and functions, and you also get to hear the quality for yourself.

Buying Options:

4. Yamaha CM500

Yamaha CM500
“Crafted with high-impact materials and an ultra flexible headband, its solid construction withstands repetitive twisting and hard use found in music labs and on the dance floor.” — usa.yamaha.com

Yamaha is one of the most trusted brands in audio gear, so it makes sense for the CM500 to be a great buy. This model features a full frequency response in the headphones, and this is perfect for playback and monitoring.

I also love that the frequency response is tuned to roll off sounds below 100Hz. This takes out a lot of mud and lets crisp vocals shine through.

One thing was clear when I tested this device, and that’s that Yamaha really paid attention to the details people want in a headset mic. Some examples of this attention to detail include the integrated 9’ cord as well as the ability to adapt the headset’s output to different types of input jacks.

Features

  • Headphone frequency response range is 20Hz-20kHz
  • 9’ cord for freedom of movement
  • 96dB/mW sensitivity
  • Impedance sits at 120 ohms

Pros

  • Includes 1/4” adaptor
  • Tuned to reduce rumble and mud
  • Distortion level is below 0.2%
  • Native jack is 1/8”

Cons

  • Adaptor could cause signal noise
  • Headstrap movement may be limited

Yamaha CM500
Credits: usa.yamaha.com

Best For: Podcasting and voice-over work

Killer Feature: Full frequency response to capture deep bass and crisp highs

Buying Options:

5. Mpow 071

Mpow 071
“Headband and fluffy earpads pad with memory foam and wrapped by skin-friendly protein leather comfortably fit your head with the adjustable steel slider.” — xmpow.com

Mpow makes some of the best budget-friendly gear, and the Mpow 071 represents the brand well. This model is comfortable to wear for moderate periods of time, and I like the memory foam padding included in the earphones.

In terms of sound quality, I found this device performed as well as most other budget-minded headsets. My voice sounded natural and full. I didn’t hear any distortion, and background noise was kept to a minimum.

I would recommend this pick for use in general as a YouTube microphone for content creators. It isn’t meant to be compared to a high-end device, but it does perform well in terms of clarity and sound capture.

Features

  • Inline function controls
  • Noise reduction sound card built-in
  • Memory foam padding for comfort
  • Compatible with Windows and Mac OS

Pros

  • Connect via USB or 3.5mm jack
  • Works well with diction software
  • Affordable on almost any budget
  • Two-year warranty

Cons

  • Midrange playback lacks a bit in clarity
  • Only available with wired connection

Mpow 071
Credits: xmpow.com

Best For: Video tutorial audio, podcasting and general YouTube voice-over work

Killer Feature: Onboard controls allow access of functions from a connected remote

Check out this video to see Bruce from The Boomer Consumer demonstrate some of the features of the Mpow 071. Bruce discusses setup options and also does some audio testing so you can hear the audio quality for yourself.

Buying Options:

6. Jabra Evolve 40

Jabra Evolve 40
“Busy light automatically turns on during a call to let others know the person is busy. Users can also activate it manually to signal that they don’t want to be disturbed.” — jabra.com

Jabra makes a number of notable headset products for phones, but the Jabra Evolve 40 forgoes the smart device and gives you a lot of bang for your buck. I tested the Evolve 40 in a number of audio environments and found that it really excelled when monitoring my own voice.

I like that this device includes an inline control for things like volume as this keeps me from having to mess with controls on my capture device. I also found it very convenient to have the option to use either USB or 3.5mm as my output since this provided more opportunities to record using different devices.

While the Evolve 40 doesn’t feature active noise cancellation, it does have passive noise cancellation which greatly helps reduce background noise.

Features

  • Noise cancelling built in to the mic
  • Adjustable for precise positioning
  • Earphones rotate 90 degrees
  • Affordable option for most budgets

Pros

  • USB and 3.5mm jack compatibility
  • Ear pads are designed to reduce high-frequency background noise
  • Sleek design looks good in any setting

Cons

  • May put too much pressure on some ears
  • Cushioning could be softer

Jabra Evolve 40
Credits: jabra.com

Best For: Podcast recording and YouTube content creation

Killer Feature: Inline controls provide freedom to utilize functions how you want

Headset Advisor’s David provides an in-depth look at the Jabra Evolve 40 in this video. He not only demonstrates many of this model’s key features and gives an audio demo, but he also talks about his experience using the Evolve 40 for listening to various types of audio.

Buying Options:

7. Audio-Technica BPHS1

Audio-Technica BPHS1
“The headset’s microphone has a cardioid polar pattern tailored for pickup of speech with maximum voice intelligibility over a wide range of frequencies.” — audio-technica.com

When I first took the Audio-Technica BPHS1 headphones out of their packaging, I wasn’t really floored by the look. It’s kind of basic.

Once I tried the headphones, however, my perception changed. This model offers great audio reproduction for podcasters, and it captures full sound with ease.

The dynamic mic does a great job handling vocal clarity without the added ambiance that can come with a condenser capsule. While the ear pads weren’t all that comfortable after extended use, I was able to overlook this since you can switch out the pads for something better.

Features

  • Flexible boom arm
  • Output cable includes 3.5mm jack
  • Adjustable metal headband
  • Closed-back headphones limit background noise

Pros

  • Durable construction
  • Mic can spin for easy positioning
  • Ear pads are easy to clean
  • XLR connection is available

Cons

  • A bit pricey for some budgets
  • Stock ear pads can become uncomfortable with time

Audio-Technica BPHS1
Credits: audio-technica.com

Best For: Podcasters and YouTube video content creators

Killer Feature: Available XLR connection for interfacing with lots of hardware

Want to see and hear the Audio-Technica BPHS1 for yourself? Take a look at this video from EposVox to learn more about how this device stacks up against similar headsets.

Buying Options:

8. Epos Sennheiser GSP 600

Epos Sennheiser GSP 600
“The microphone’s flexible lift-to-mute boom arm allows for best voice pick-up position and ergonomic design delivers comfort for long gaming sessions.” — eposaudio.com

Although the Epos Sennheiser GSP 300 is a great addition to any headset microphone collection, the Epos Sennheiser GSP 600 is a big step up in terms of quality. The GSP 600 gaming headset provides a rich audio experience using proprietary drivers, making it sound as good as many mid-range headsets on the market.

While testing the microphone, I was very impressed at how easily I was able to get a clean, natural tone that sounded like it was being recorded in my studio. There’s no coloration in the sound capture, and this is great when using this device for podcast audio that will be edited in post.

While this is a gaming headset, it’s also great for other purposes, like podcasting, voice over work, Zoom calls, and more.

Features

  • Flip-to-mute for easy sound control
  • TRRS and 3.5mm jacks
  • Intuitive onboard volume control
  • Compatible with all major consoles

Pros

  • Flexible headband is very durable
  • Sleek design looks great on camera
  • Clean, crisp fidelity
  • 2-year warranty

Cons

  • A bit more expensive than other options
  • May require adaptor for some inputs

Epos Sennheiser GSP 600
Credits: eposaudio.com

Best For: YouTube content creators and podcast producers

Killer Feature: Intuitive volume control makes adjustments easy and fast

You can check out this video from Blunty to learn more about the Sennheiser 600 GSP as well as other models in the 600 series lineup. This video also details product specs and provides audio examples so you can hear the microphone quality.

Buying Options:

Mono Headset Microphones

Stereo sound can provide a lush soundscape, but many vocal performances only require mono. This means that you only record into a single channel instead of right and left.

Mono headset microphones are often a good choice when you don’t want to wear a bulky headset. They’re also beneficial for anyone who needs to hear themselves as well as environment noise.

Below is a great mono headset microphone I had the pleasure of reviewing:

9. Epos Sennheiser PC 7 USB

Epos Sennheiser PC 7 USB
“This lightweight headset is designed for comfort and the rigors of daily use.” — eposaudio.com

I don’t usually work with mono headset microphones in the studio, but I was very pleased when reviewing the Epos Sennheiser PC 7 USB. The model itself is fairly basic, but the sound is clear and clean for general use.

One of the problems I run into with microphone headsets is that the straps and headbands can be tight and uncomfortable after a while. This device placed very little pressure on my head, allowing me to almost forget I was wearing it.

I also found the plug-and-play USB technology to be a breeze to work with. I was able to get the headset up and working within a few minutes of getting it out of the box.

Features

  • USB sound card
  • Fast set up
  • Robust frequency response from 42Hz-17kHz
  • Light headband pressure for extended use

Pros

  • Very affordable
  • Simple design looks professional
  • Easily folds for transport or storage
  • Highs and mids are cut to reduce harshness

Cons

  • May need adaptor for some applications
  • Boom arm does not rotate 180 degrees

Epos Sennheiser PC 7 USB
Credits: eposaudio.com

Best For: Podcasts, online tutorial creation and diction software

Killer Feature: Sound quality is great at such an affordable price

Buying Options:

Wireless Headset Microphones

Nothing beats the convenience of wireless when it comes to audio gear. Using a wireless headset microphone, you not only have the freedom to move while speaking or singing, but you can also stop worrying as much about mic placement relative to your location in a recording space.

These devices are ideal for voice-over work, but they also benefit on-camera talent for YouTube videos. It should be noted that some wireless capture solutions do require a base station and transmitter pack to send and receive signals.

Below are some awesome models I reviewed.

10. Bietrun UHF

Bietrun UHF
“3.5mm to 6.35mm converter can adapt to more loudspeakers” — bietrun.com

I like working with wireless audio capture headsets when I’m recording outdoors because of the freedom they provide for different setups. The Bietrun UHF provided a very good experience in my testing, allowing for plenty of space to move around.

The setup was a bit challenging, but this had more to do with being able to differentiate the light patterns indicating pairing. Once paired, however, recording went smoothly.

I found this model to be comfortable, but it offers a no-frills experience. Likewise, holding the mic in my hand was fine, but this kind of defeats the purpose of using a headset microphone in the first place.

Regarding sound, the quality was good, but I might suggest using a windscreen or isolation shield if recording outdoors. I used minimal post-processing to clean up the signal and was happy with the result.

Features

  • 160’ foot range
  • Can be used as handheld or headset
  • Low risk of frequency interference
  • Onboard volume controls

Pros

  • Can use multiple inputs at once
  • Includes 3.5mm jack and 1/4” adaptor
  • Lightweight and comfortable for extended use
  • Include 400 mah rechargeable battery and great battery life

Cons

  • Only 15 channels available
  • Setup may be a bit tedious

Bietrun UHF
Credits: bietrun.com

Best For: Podcast production, off-camera talent and outdoor vocal capture

Killer Feature: Large range from transmitter to base USB gives plenty of room to move

Buying Options:

11. XIAOKOA N80

XIAOKOA N80
“The dual Micro USB cable can charge both the wireless transmitter & receiver at the meantime, taking about 2-3 hours.” — xiaokoa.com

When reviewing the XIAOKOA N80, I expected to the headset to provide basic functions, but I was pleasantly surprised by its performance. Yes, the device is rather simple, but it delivers crisp audio that is clean and clear with detail.

One of the nicer things about this device and receiver is that the batteries can be charged for repeated use. This can save money on the need to constantly buy new batteries, and it can reduce downtime when you have spares charged and ready to install. It also has excellent battery life.

I was also happy to see that this model utilizes the 2.4 GHz range wireless band. Modern 5 GHz is great for speed, but it limits connectivity range. With 2.4 GHz, I’m able to use the XIAOKOA N80 in more places without the risk of losing signal.

Features

  • 8-hour battery life
  • Removable ear hook for handheld use
  • Includes 3.5mm cable
  • 88dB sensitivity

Pros

  • Connects to cameras, audio gear and amps
  • Headset and transmitter are rechargeable
  • 2.4Ghz for extended range
  • Affordable compared to other wireless systems

Cons

  • Doesn’t support aux output for mobile devices
  • Audio is a bit hot in the mids

XIAOKOA N80
Credits: xiaokoa.com

Best For: Diction software and podcast production

Killer Feature: 2.4 GHz signal offers more range than standard 5 GHz

Darren O’Neil reviews the XIAOKOA N80 in this video where he demonstrates the sound quality and features. Also in this video, Darren discusses charging and power options to help you make the right purchasing decision for your needs.

Buying Options:

12. FIFINE K037B

FIFINE K037B
“The clip-on mic is ideal for presentation, YouTube videos. Your audience will not notice the hidden mic under your clothing but will be impressed by its clear sound!” — fifinemicrophone.com

The FIFINE K037B functions much like other wireless systems, but it includes the ability to change from an over-the-ear headset microphone to a lapel microphone with ease. I really like this for my audio toolbox as it provides additional options for recording out in the field.

The device was simple enough to get going, and I found the audio quality to be on par with average mics in this price range. I felt the over-the-ear headset option ran a bit hot without some gain control, but overall, the audio was clear with no distortion.

In terms of comfort, I had no problems with this model or the lapel option. I could maybe see it becoming uncomfortable after a while, but my unit may have just been a bit tighter than usual.

Features

  • 20 selectable UHF frequencies
  • Range carries up to 65’
  • Can be used as lapel clip-on
  • Receiver includes extendable antenna

Pros

  • Compatible with smart devices
  • Includes 1/4” and 1/8” adaptors
  • LCD display for detailed information
  • Affordable price point for most budgets

Cons

  • Over-the-ear input gain can run on the hot side
  • Cable connections are a bit unsecured

FIFINE K037B
Credits: fifinemicrophone.com

Best For: Public speaking, on-camera talent and online lessons

Killer Feature: Interchangeable input options provide enhanced versatility

Learn more about the FIFINE K037B in this YouTube video from Tobias Holenstein. In the video, Tobias walks you through everything from the packaging of the device to its setup and use. You also get to see the FIFINE K037B in use and hear audio examples to judge for yourself how it will work for your needs.

Buying Options:

Must-Have Accessories for Headset Microphones

Using a microphone headset gives you more freedom to move around while still having your mic positioned properly, but there are additional must-have items that can take your recording experience to the next level.

Below, I’ve outlined some of my favorite accessories for use in studio and while recording remotely:

Headphone Stand

Headphone Stands

Protecting your investment is important when it comes to audio gear. Most modern pro audio equipment is not only fragile, but it’s also expensive.

Headphone stands may sound like a luxury item, but if you’re serious about extending the lifespan of your headphone, you need to keep your headphones safe. A headphone stand does this by providing a secure spot to store your headphones when not in use.

In addition, many headphone stands feature the ability to recharge wireless headphone. This means that you’ll never have to worry about waiting around to keep a project rolling again.

Buying Options

Headset Adaptor

Headset Adaptor

You also can’t go wrong by having too many headphone adaptors around. Adaptors give you the ability to connect different sound capture devices to different input jacks, meaning more flexibility in your audio capture capabilities.

I always try to keep some spare headphone adaptors around the studio, but I also make sure I have some when I’m working remotely. Common adaptors include USB-to-3.5mm, 3.5mm-to-1/4’ and different size of stereo-to-mono.

It’s also a good idea to have pairs of adaptors in case you need to reverse a signal flow. For example, going from mono to stereo and then from stereo to mono.

A word of caution about adaptors: some can introduce lag and signal noise. Try to use gold-plated connectors when possible to get a clean signal.

Buying Options

USB Stereo Sound Adaptor

USB Stereo Sound Adaptor

Although I mentioned adaptors in general above, I want to take a moment to point out the importance of having a USB stereo sound adaptor. These types of adaptors can be critical when you need an input and output jack in the same USB dongle.

A USB stereo sound adaptor doesn’t function like a traditional splitter. Instead of merging sounds, it separates the input and output signal through the adaptor, allowing you to listen and record at the same time.

I find that having a USB stereo sound adaptor is critical when I’m capturing directly into digital audio workstation software and my device doesn’t have separate input and output jacks. The best part is that most of these adaptors are universally accepted, hence the use of USB technology.

Buying Options

Useful Resources

A Final Word on Finding the Best Headset Microphone

Meet the needs of your project, not the expectations of others.

No matter what choice you make, the key to finding the best headset microphone for recording audio comes down to meeting the needs of your project. You don’t need to spend a lot of money to get a quality device, and many devices can pull double duty if you simply want to enjoy listening to some music, giving you an even better overall value for your dollar.

One last thing, though.

I would caution you to pay close attention to frequency response specs if you use a headset mic for recording studio-quality audio. A model that doesn’t feature a full frequency response may lose some clarity and natural tones compared to a pair of studio headphones that does have a full frequency response.

You can learn more about in my guide to the best studio headphones where I share my reviews of some great options.

Have any questions about choosing the best headset microphone? Comment below and I’ll help you out!

The post The 12 Best Headset Microphones for 2023 (Reviews & Rankings) appeared first on MyeLearningWorld.

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15 Tips on How to Remove Breathing from Audio and Stop Recording Unwanted Sounds https://myelearningworld.com/how-to-remove-breathing-from-audio/ https://myelearningworld.com/how-to-remove-breathing-from-audio/#respond Thu, 02 Feb 2023 02:46:03 +0000 https://myelearningworld.com/?p=3199 Get straightforward, practical tips on how to remove breathing from audio recordings so you can put out a great finished product.

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Recording voice overs, especially in eLearning, can be a journey filled with unexpected challenges. As an instructional designer, I’ve poured countless hours into creating courses, and one of the most common hurdles I’ve encountered is the inadvertent capture of unwanted sounds, especially breathing. Odds are you don’t want heavy breathing sounds in your voiceover recordings, training videos, course videos, or the like.

It might seem trivial, but these subtle noises can significantly impact the quality and professionalism of your audio. It doesn’t matter if you’re recording in a professional studio, on your iPhone, making a screen recording video, or anything else — noticeable breathing noises are a distraction that should be removed if they are prominent in the mix (pro tip: you’ll want a good pair of studio headphones for this kind of editing work). Thankfully, with the right techniques and tools, these issues can be addressed effectively.

In this article, drawing from my own experiences and mishaps, I’ll guide you through methods to seamlessly remove breathing from your recordings and share tips to prevent capturing those pesky unwanted sounds in the first place. I’ve also talked to a range of audio editing experts to get their best tips to remove breath sounds, mouth noises, and other undesired noises from your recordings.

Things to Do While Recording to Avoid Breath Noises

The best way to remove breathing sounds and other unwanted noise from your recordings is to not record those noises in the first place.

Here are the things you can do to avoid recording them and to keep your mic from picking up breathing sounds in the first place.

Remember, whether you’re recording amateur audio on your iPhone or you have a complete home studio set up, there are plenty of things you can do to avoid that breathing noise when recording.

1. Use a Pop Filter

Pop FilterA pop filter is a physical screen that sits in front of a microphone. This device is used to slow the air that comes from “plosives.” A plosive is a word that causes a rapid rush of air to hit the microphone. A pop filter softens the sound of a plosive, such as words that start with the letter “P” and “B.”

Looking for a good pop filter on a budget? This Aokeo pop filter is a great choice and is less than $10!

2. Microphone Selection

Use a cardioid microphone that has a tight sound pattern. This limits the recorded sound to a smaller area in front of the mic, where it can pick up sound. The cardioid sound pattern is a heart-shaped area that extends from the front of the mic.

This type of microphone is unidirectional. This means it only picks up sound from one direction in front of the mic. A tight cardioid pattern extends only a few inches from the front edge of the microphone. The mic does not pick up sounds that come from behind the mic or are further away.

To understand more about the recording pattern of a mic (also called a polar pattern), watch this explainer video from Shure.

3. Microphone Placement

The positioning of your microphone will have a huge impact on the quality of your recordings.

The first thing to do is to make sure the mic is actually pointing in the right direction.

Grammy Award winning producer Justin David Proctor offered the following tip in a recent interview:

“Generally speaking, most companies will often put their logo where you’re supposed to talk. So if you’re looking at the logo, you know the mic is pointing in the correct direction. But read the manual on that one because it’s not too hard to figure out.”

Place a cardioid mic at a position that a voiceover artist can lean in to record the voice and lean back to take breaths. This is a very easy way to capture a clean voiceover as long as the voiceover artist knows how to use this technique properly. All the breathing is done slightly away from the mic and, therefore, it is not recorded.

It is better to have a mic about 45 degrees above or below your mouth when recording a voiceover and just close enough to be in the audio pick-up range. Recording a human voice at an angle and not straight on is usually better.

Be sure you are not recording the voice too “hot,” (at too high of volume). When the mic gain (volume) is turned way up, this can introduce unwanted noise, as well as make breathing sound more prominent in the mix.

Experiment with different mic placement and intentionally make unwanted sounds from different distances and angles to see how your microphone’s pick-up pattern works.

Proctor said, “If you’re wondering how to address a microphone, and you don’t really know how to talk into it, make a couple of test recordings, and listen to them. And then choose one. Give yourself ten minutes, 15 minutes to experiment and play around a little bit.”

4. Use a Noise Gate When Recording

A noise gate is a piece of electronic audio equipment or software that controls the audio input signal. When used with a voice over microphone, a noise gate automatically stops the audio signal coming from the microphone when the volume is below the gate threshold. Breathing sounds at lower volume levels are blocked from being recorded when a noise gate is used properly.

This video from Zir John shows how to set up a noise gate using software that sets a threshold for the microphone when picking up your voice. This solution conveniently works for all applications so you don’t have to set up a noise gate for each application that uses the microphone input.

This is a great way to reduce background noise, whenever you use your microphone.

5. Use Proper Breathing Techniques When Recording

Professional voiceover artists train in breath control so that they can deliver lines or read narration without making breathing noise. They do this by controlling their breath, using the mic properly, and breathing through their nose instead of using the mouth.

It requires a bit of practice; however, talented voiceover artists are able to use slow, steady, deep-breathing techniques that are absolutely silent.

You can practice by turning on your recording system and just recording your breathing until you can do it for extended periods in complete silence.

And don’t think this is just for pros. This can work for amateurs recording on iPhones too!

You can also learn some great breathing techniques when taking voice over classes online.

Studio

Another powerful method of voiceover recording is to break up the narration/script into pieces that can be recorded in one breath. This is the “Takes” method. It is the method most often used in voiceover acting with the voiceover artist repeating the same thing over and over (as in “Take 1”, “Take 2”, etc.) until it is perfect.

6. Take Care of Your Voice

Whether you’re recording podcasts, narration for audiobooks, or even vocals for music, you have to start thinking about your voice as an instrument. And as a valuable instrument, you have to take care of it.

If you don’t care properly for your voice, you’ll have a hard time delivering a quality performance, and you could end up with more breath noises, pops, and unwanted sounds on your recordings.

“The way to keep your vocal cords healthy is to drink a lot of water, to practice vocal exercises, and [perform] in a way that doesn’t make them red and puffy and swollen to begin with. Then your voice which is actually set up to speak and sing 24 hours a day and not get hoarse, won’t get hoarse…it’s really that simple,” famed Hollywood vocal coach Roger Love advised.

Things to Do While Mixing Recorded Audio Tracks

If you listen to recorded audio tracks and hear breathing and other unwanted noises, don’t despair because there are things you can do to remove these sounds to improve the audio quality. I use open-source, free software called Audacity; however, the techniques are similar when using other types of audio-editing software.

Here are some simple editing tips to remove breathing from audio:

7. Using Loom? Try the “Reduce Background Noise” Option

Loom Loom

Loom is a powerful screen recording app that lets you create videos of whatever is on your screen or webcam. Easily record, add voiceovers, share, and interact with your videos.

We earn a commission if you make a purchase, at no additional cost to you.

If you’re making a recording using Loom’s screen recording software, they make it super easy to limit breathing sounds and background noise.

Here’s how you can do it quickly and easily:

  • If you haven’t recorded your video and voiceover yet, you can enable background noise suppression for everything you record going forward by going to Video Preferences, toggling on the “Reduce background noise” option, and then setting that as default. This will help prevent breathing sounds from getting recorded in the first place.
  • If you’ve already recorded your video and audio file, go to Video Preferences. Once you’ve clicked that, you can then toggle on the “Reduce background noise” option and it will automatically suppress background noise, which can go a long way to helping remove breathing sounds.

8. Manual Removal

If the unwanted breathing or other sounds are just in a few places in the recording, you can go through using a sound editor program to find and adjust those sections.

When the unwanted part comes up, don’t cut it out or use complete silence.

Instead, reduce the volume to eliminate the distraction and still keep the recording pace intact.

Here are the steps:

  1. Using an audio editing program, select just the breathing noise with a click and drag of the cursor over it.
  2. Reduce the peak amplification to between -30dB and -40dB.
  3. Find the next recorded breath and use the repeat function (CTRL+R).

9. Replace Unwanted Sounds with Background Noise

NoiseWhen recording voiceovers, it is always very useful to record the room sound when it is completely quiet.

Start each recording session with silence. Record the room sound for about 10 seconds.

You can use this room sound as a replacement for unwanted noises. It makes a nice,
smooth replacement.

If you use silence to replace unwanted sounds, it gives an uncomfortable feeling that all the sound disappeared, instead of the room being quiet.

10. Using an Envelope Tool

If you are using Audacity as your audio editing program, there is the Envelope Tool that allows you to easily select a section where you want the track’s volume to adjust smoothly over time.

You do this by setting control points in three places:

1) at the start of where you want the volume adjustment to begin;
2) at the point where you want the volume to be the lowest, and;
3) at the end where you want the volume to return to the level where it started.

The control points are the beginning, middle, and end points of an exponential curve that makes the sound volume adjustments perfectly smooth. The volume changes are not abrupt or disturbing to the listener.

11. Using a Noise Reduction Filter

NoisesIt may be possible to use a noise reduction filter to remove unwanted noises. There are noise reduction filters to remove breathing sounds, clicks and pops, and de-essers to remove the hissing sounds. A low-pass filter may help remove breathing sounds.

If you use noise filters, you must be careful that you don’t introduce a pulsing sound or other unwanted noises that are a distraction. These strange noises come from over-processing the sound.

12. Use a Noise Gate in Audio Editing

Gating can be applied using software when editing audio. A gate (also called a floor) attenuates audio that is below a certain threshold. Ironically enough, if you overuse gating, you may accidentally create an unwanted sound that is like a pulsing noise, which sounds a bit like distorted breathing as the gate goes on and off.

You will need to adjust the noise gate settings, run the gating, re-adjust the settings, and then fine-tune the results to get the best sound.

To use Audacity plugins, you will need to download and enable them from Audacity plug-ins. Get the plug-ins that you need, if you don’t already have them installed.

In this short video by Olivio Sarikas, he shows how to use the noise gate and auto duck plug-ins with Audacity to remove breathing sounds from audio recordings.

Here is a newer and longer video showing techniques on how to remove breathing or mouth noises and how to meet the ACX requirements for audiobooks, which is a nice standard to follow.

13. Use a Compressor in Audio Editing

A compressor is like a gate except it attenuates audio that is above a certain threshold. This can reduce sudden loud spikes in volume such as the distraction of pops, clicks, or lip-smacking if they are really loud.

14. Use a Noise Reduction Profile

If your unwanted breathing noises are consistent, you can use grab a section of the recorded breathing and use it as a noise reduction profile. Then, use the automatic noise reduction techniques to search for that captured noise reduction profile and reduce it.

It takes a bit of playing around with this to make it work well but it is worth a try and may save time when compared to having to manually remove all the breathing noises.

In this video, Fra Oaks shows how to use noise reduction and auto duck in Audacity to automatically remove breathing from an audio recording.

15. Paid Software Solutions

If you use Waves with Pro Tools audio editing software, you should get the DeBreath plug-in for around $30. It uses a sophisticated algorithm that automatically detects the difference between a speaking voice and breathing. This excellent tool allows you to control how much of the breathing you want to eliminate and how much you want to be processed.

In this video by Andy Maher, he shows how to use the DeBreath tool.

When using the iZotope RX Studio software, use RX 8 Advanced Breath Control, which is expensive (around $1,200). It is the most professional tool that is the industry standard when processing audio for television shows and movies.

In this video by BenoniStudio, there is a nice review of all the features of the iZotope RX 8Advanced to get an overview of what is possible using this powerful software.

Conclusion

Having done voiceover work for many years, I developed a very deep resonant voice that sounds perfect naturally without enhancement. I can easily record voiceovers while using silent breathing.

However, I also get lots of audio files to edit and repair that are lower-quality with unwanted noises.

If you’re making videos, I’ve found using Loom is a great option that allows for easily editing and cleaning up your audio file to remove breathing sounds, background noise, and other unwanted sounds.

After fixing the problems with audio check out my tips on how to make a voiceover demo!

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How to Make Blue Yeti Less Sensitive — 10 Possible Solutions to Reduce Background Noise https://myelearningworld.com/how-to-make-blue-yeti-less-sensitive/ https://myelearningworld.com/how-to-make-blue-yeti-less-sensitive/#respond Mon, 31 Oct 2022 06:18:33 +0000 https://myelearningworld.com/?p=5130 It might be something you never thought about, but you really need to know this information if you buy a Blue Yeti microphone. After reading this article, you will understand how to make the Blue Yeti less sensitive. If your Blue Yeti picks up everything — background noises, ambient noise, mouth noises, hums, keyboard noise, ... Read more

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It might be something you never thought about, but you really need to know this information if you buy a Blue Yeti microphone. After reading this article, you will understand how to make the Blue Yeti less sensitive.

If your Blue Yeti picks up everything — background noises, ambient noise, mouth noises, hums, keyboard noise, other unwanted sounds — you’re not alone.

Even though I have been working for decades as an audio engineer, I was surprised to discover some of these techniques to make a Blue Yeti less sensitive.

To assemble these tips, I talked to other recording engineers, microphone manufacturers, and even designers like those types who could have worked on the Blue Yeti design team.

A “Yeti” is a mythological creature known as the “abominable snowman,” said to live in the Himalayas. Who knows if proof of the Yeti’s existence will ever be sufficient to convince everyone it is real.

One thing I know is if you learn how to make Blue Yeti less sensitive, then your recordings and live streams that are made with it will sound less abominable!

 

Adjusting Blue Yeti Mic Sensitivity

Here is a description of the Blue Yeti mic, a discussion about the problem with sensitivity, descriptions of the sources of the problems, and suggestions about how to fix them for improved sound quality.

Doing Research

To create my problem-solving guide, I relied on my many years of audio recording experience. I referred to many sources, including the Blue Yeti tutorial written by Raelyn on how to use the correct pickup pattern and manage the gain to capture clear audio.

 

What is a Blue Yeti Microphone? Who Uses It?

The Blue Yeti is the number one choice for a USB microphone. It is used to make voice-over recordings, as a great microphone for YouTube videos, to create podcasts, live streams, and more.

Blue Yeti Microphones

Read my full explanation of the technical specifications of the Blue Yeti mic along with my reviews of other budget microphones here.

A Blue Yeti user is Technoblade. Technoblade is a major YouTuber and Minecraft gamer. He ascended to fame with the rise of Hypixel Skyblock in 2019, along with his competitive play on Minecraft Monday.

Technoblade is also known for his collaborations on Twitch with other streamers. He is a major influencer among streamers, and he uses a Blue Yeti mic for his streams.

Technoblade's YouTube Profile

Other artists that use the Blue Yeti include Imagine Dragons, Billy Bush, BT, Christian Burns, Derek Steinman, DJ Rap, Everclear, Gallant, KC Porter, Lars Stalfors, Naomi Kyle, Ron Reeser, Satnam Ramgotra, Terry Jackson, and many more.

 

The Problem with Blue Yeti Sensitivity

The Blue Yeti mic has three condenser capsules that offer four different, switchable pickup patterns. The choice of pickup patterns includes cardioid (heart-shaped), omnidirectional and bidirectional.

Blue Yeti's Polar Patterns

The problem is the Blue Yeti mic is extremely sensitive even in a quiet recording space, especially when set on the omnidirectional pickup pattern. If your Blue Yeti picks up everything from ambient sounds to breathing noises, rest easy knowing it’s a common problem, but it’s one that’s solvable.

In my reviews of omnidirectional mics, the Blue Yeti was my top choice in this article. However, if not used properly, the mic will pick up many unwanted background noise and room noise.

Omnidirectional Mic Catching Background Noise

Almost everyone will run into problems with the sensitivity of this microphone until they learn the best ways to reduce and eliminate the problems caused by mic sensitivity.

 

The Sources of the Problem and Possible Solutions

Here I discuss common problems, their causes and suggest solutions to adjust Blue Yeti mic sensitivity.

1. Loud Home Background Noise

When the background noise is louder than the speaker, you have a gain problem.

Background Noise Sources

Solution: The way to fix this problem is to use the cardioid pickup pattern to help suppress background noise. Also, speak louder and speak closer to the mic from the correct side (not top) of the mic. Adjust the gain on the mic until it records the correct level of voice, and the background noises, which the mic captures, are reduced.

2. Proximity Effect

The proximity effect causes your voice to have more low-end than is desirable. Your voice sounds “boomy” if you speak too close to the mic.

Speak Too Close to the Mic

Solution: The solution to fixing any unwanted proximity effect when recording is to back away from the mic. Try to stay about six inches away. Use a closed fist to estimate the proper distance. Put your fist between your mouth and the mic.

3. Mic Is Picking Up Wind Noise

This happens when using a mic outside in a windy environment.

Windy Environment

Solution: Use a “dead cat” (also known as a wind muff) mic cover when recording in a windy environment.

4. Mic Gain

There is a gain knob on the Blue Yeti mic that may need adjustment. Too much gain will cause the audio levels to peak and the sound to distort. Too little gain will cause the mic not to pick up sounds well enough or cause a steady unwanted background hum.

Mic Gain

In this video, produced by Burnt Rawe, the narrator shows how he dealt with a steady background hum that came from his gain setting on the Blue Yeti mic and his computer settings. He went into the properties settings of the microphone on his computer, set the volume to 20%, and turned the gain up on the mic to full.

He shows how he does this on his Windows computer by opening the recording devices, selecting the microphone, selecting properties, and then using the levels tab to find the place to reduce the microphone input volume to the computer to a setting of 20%. Then, he turned the gain knob on the Blue Yeti microphone up to full.

There are two opposite trains of thought regarding using the mic gain on the Blue Yeti microphone.

One says to turn the gain all the way down and use the computer mic input volume up. The other is the opposite and says to turn the gain all the way up on the mic and turn the computer input volume down.

The Balance Between the Gain and Input Volume

The point is that the balance between these two settings, one on the mic and one on the computer, makes the vocals sound better. Try different settings with your voice until you find the ones that you like the best.

Solution: Gain is adjusted on the mic by a knob. The gain adjustment can be turned all the way down and then added a little at a time to find the correct amount. On the recording side (the input to the computer), the microphone volume input needs to be adjusted to control any volume added by the computer.

5. Input Level

If the input level is too high, the sound will peak and distort. If the input level is too low, the signal will not be strong enough, and adding gain to the signal will introduce more unwanted noise.

Input Level Settings

This video, produced by Hazelnuttygames, shows six tips for getting the best vocal sound out of a Blue Yeti mic.

She shows how to adjust the gain knob on the mic. She shows how to set the pickup pattern to cardioid.

She shows how to use good mic skills and to speak directly into the front of the mic from about six inches away.

She recommends putting the mic on a boom stand and not using the desk stand that comes with the mic. Alternatively, if you want to use a clamp arm, use a shockmount. Get a pop filter.

Using Pop Filter

The last step is post-processing and using the software on your computer to clean up the sound.

Solution: Using the tips in the video to adjust input levels will help you find the “sweet spot” for recording vocals and voice-overs. The input level comes from a combination of how close the person is to the mic, how much gain is set on the mic, and the input volume setting on the computer.

6. Using the Wrong Pickup Pattern

The Blue Yeti has three condenser microphone heads and four choices of pickup patterns.

Choosing Cardioid Polar Pattern

Solution: The best pickup pattern to use for voice recording is the cardioid pattern shaped like a heart. This pattern focuses on the sound that comes from directly in front of the mic.

7. Noisy Environment

If you are trying to record in a noisy environment, you will probably pick up unwanted background noise. Get rid of traffic sounds by using the cardioid pickup pattern.

Noisy Neighbours and Traffic

Solution: If possible, record in a quieter environment or record at a quieter time (in the middle of the night). More tips about making your home studio recording environment quiet include using padding, acoustic foam panels, and blankets.

If this is not possible, you may want to use a different microphone with a very tight pickup pattern to avoid having unwanted background noise and room sounds in your recordings. You may also be able to use noise gates and audio filters to remove unwanted sounds.

8. Keyboard Noise

You do not want to record unwanted keyboard sounds and the clicking of the keys when typing.

Keyboard Sound

Solution: Here are some things you can try to solve this problem. Mount the mic on a boom stand instead of using a desk stand. Use a shock mount to cut down on any unwanted vibrations reaching the mic.

Record your voice by standing up away from the desk. Do not type while recording. Get a keyboard that makes less keystroke noise when typing.

9. Wrong Mic Positioning

You may have bad vocal sound because of not being in the proper position in relation to the mic.

Desk Stand vs Boom Stand

Solution: The best spot for mic placement is about six to eight inches from the mic. That is the width of your fist.
Address the mic from the side (not from above the mic) and speak directly in the front of the mic. You can try different distances and vocal volumes to see what sounds the best.

10. Recording Software

Audio recording software can be helpful to condition the voice. Use filters to block out unwanted sounds.

Blue Voice Software

In this video, produced by Huke, the narrator shows how to use a Blue Yeti mic and set it up properly to work with the collaborative forum software called Discord.

The settings he uses include that the gain knob on the mic is turned all the way down. He speaks directly into the mic with the distance from his mouth measured by his fist.

He sets the pickup pattern on the mic to cardioid (the one that looks like a heart). He uses Voicemeter banana software to add low-end to his voice.

Discord servers allow users to communicate using text, instant messaging, voice calls, video calls, and share media files.

Solution:
After all the physical setup is done, you may need to use audio filters and software to fine-tune the microphone sound. Consider using software like Blue VOICE or the open-source software OBS Studio.

In this video, produced by CalumXGames, the narrator works with OBS studio software for making audio recordings.

If you are a user of OBS Studio software, then the narrator shows how to use OBS compressor settings and other audio filters when recording to improve the sound of what is captured by the microphone.

 

Useful Resources

 

A Final Word on How to Reduce Blue Yeti Background Noise

Hopefully, with all the tips and tricks I gave you, you now have the knowledge you need to fix any problems you have about how to make Blue Yeti less sensitive.

Blue Yeti is a condenser mic. That is why the Blue Yeti microphone is so sensitive. To see how the Blue Yeti compares to other condenser mics, read my reviews here.

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What Is An Omnidirectional Microphone? The Ultimate Guide for Newbies https://myelearningworld.com/what-is-an-omnidirectional-microphone/ https://myelearningworld.com/what-is-an-omnidirectional-microphone/#respond Thu, 20 Jan 2022 12:48:25 +0000 https://myelearningworld.com/?p=4456 What is an omnidirectional microphone? And how are omnidirectional microphones used? If you’re setting up a home recording studio, you might be asking yourself these questions right now. With so many different types of microphones out there, it can all get very overwhelming. That’s why we’ve put together this in-depth guide detailing what omnidirectional microphones ... Read more

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What is an omnidirectional microphone? And how are omnidirectional microphones used?

If you’re setting up a home recording studio, you might be asking yourself these questions right now.

With so many different types of microphones out there, it can all get very overwhelming.

That’s why we’ve put together this in-depth guide detailing what omnidirectional microphones are, how they work, what applications they’re best suited for, and a whole lot more.

Let’s get started…

 

What is an Omnidirectional Microphone?

“Omni” means “all.” So, an omnidirectional mic picks up sound equally from 360º all around the device.

Omnidirectional microphones are used when you want the audience to hear sounds from all directions.

They are useful when trying to pick up multiple instruments or sounds from different people simultaneously, such as live performances of plays and musicals.

Singing from All Directions

You might want to use an omnidirectional microphone in a home recording studio to pick up the room sound if you are recording a band as background music or for a live podcast with a small studio audience to capture the audience’s reactions.

 

Our Favorite Omnidirectional Microphone

Top Pick
Shure SM63 Omnidirectional Dynamic Vocal Microphone for Handheld Applications On-Stage and in Broadcast, Recording, and TV Studios Shure SM63 Omnidirectional Dynamic Vocal Microphone for Handheld Applications On-Stage and in Broadcast, Recording, and TV Studios

This omnidirectional microphone is sleek yet rugged, delivering remarkable performance for a variety of situations, including on stage, in the field, or in the studio.

We earn a commission if you make a purchase, at no additional cost to you.

Shure is one of the most famous and popular brands with an extraordinary reputation for making quality products. The Shure SM63 model is a great example of an omnidirectional mic that delivers exceptional sound and performance at an affordable price.

 

What are polar patterns?

A polar pattern is a graph showing how a mic picks up sound when viewed from above its position.

This naming comes from having a view that is like looking down on the earth from above the North Pole.

Audio engineers test microphones to determine their responsiveness to picking up sounds coming from different directions.

An omnidirectional model has a circular polar pattern that shows its ability to pick up sound equally from all directions.

 

Different Types of Polar Patterns

When recording, audio engineers choose devices based on their quality and their ability to pick up sounds. For picking up the room environment, an omnidirectional mic is the best choice.

Types of Polar Patterns

The sounds picked up by an omnidirectional model are similar to what a human being can hear. Imagine you want to record the sounds of a jungle at night. Using an omnidirectional model for this project would be the perfect choice because sounds come from all directions in the jungle.

Other types of microphones are used to pick up sounds from focused directions with polar patterns that have different shapes.

This video, produced by Podcastage, discusses cardioid (e.g. a unidirectional microphone), bidirectional, and omnidirectional polar patterns.

Here are the three types of polar patterns with some examples of how they are used:

 

Bidirectional Polar Pattern

Bidirectional Polar Pattern“Bi:” means “two.” A bidirectional model has a polar pattern that looks like the symbol for infinity. This is a special-purpose mic. This type of device might be used to record two people facing each other so that both can speak or sing directly into it from the opposite sides.

These devices can also be used to pick up sounds from the right and the left side to create a nicer quality and more-separated recording of the stereo field. For example, this type of microphone is used to record an orchestra’s full ambiance in stereo to capture how it sounds in a concert hall.

 

Unidirectional Polar Pattern

Unidirectional Polar Pattern“Uni” means “one.”

A unidirectional microphone picks up more sound coming from one direction. There are also subcategories in this group that are highly-focused mics. The pick-up pattern for this category is called “cardioid” because it is heart-shaped.

Unidirectional microphones focus on the sound coming from the front of it. They are less sensitive to sounds coming from the back and the sides of it.

A super-cardioid model has a tighter pick-up pattern than a regular cardioid one. A tighter pattern means that the unidirectional microphone focuses on sound coming from more closely to the mic head.

A hyper-cardioid model has an even tighter pick-up pattern. You will notice a steep drop-off in sound with these devices as you move the unidrectional mic further away from the sound source. These ones are useful when you want to isolate what they pick up and not capture any of the room’s sound or other sounds.

Omnidirectional Polar Pattern

Omnidirectional Polar PatternSince omnidirectional models record from all directions equally, a model of this type is often used on a boom stand and held above the sound source. If you want to record a group of people singing a cappella in harmony with each other, you could use an omnidirectional device hanging down from a boom in the center of the group.

They can all sing toward the microphone by standing around it in a circle.

 

Switchable Polar Patterns

Some devices offer the capability to switch from one polar patter to another, convenient if the use of the mic changes. You will find models with the choice of an omnidirectional or unidirectional pattern. You change the pick-up pattern by using an on-mic switch.

These models can be very helpful in home recording studios operating on a low budget. For example, you could use such a model on its unidirectional setting to record your voice-overs and on its omnidirectional setting to record Foley sound effects (such as a door slam) for a radio drama.

In this video, produced by Recordeo, there is a demonstration of different microphone polar patterns. This demonstration shows how each device is sensitive to sounds coming from different directions. It shows how an omnidirectional model sounds the same no matter where the sound comes from to reach the microphone.

 

Features of Omnidirectional Microphones

Equally Sensitive Microphone

The main feature an omnidirectional mic is being equally sensitive to sounds coming from any direction.

This ability is accomplished by using the same sound pressure principle found in models with a single diaphragm.

There are no null points where the sound is not picked-up, and no areas are more sensitive than others.

 

How Omnidirectional Microphones Work

Omnidirectional devices use the pressure principle to control the air pressure on the internal diaphragm found inside the microphone’s capsule. One side of the capsule is exposed to the pressure from external sound. The other side of the capsule is secured in a fixed-pressure chamber that is about the same as the atmospheric pressure.

The Difference between Omnidirectional and Bidirectional Capsules

Sound pressure has a scalar quality.

Sound itself is omnidirectional.

Sound may emanate from a source in a certain direction.

Still, the sound pressure pattern expands in all directions from the source unless some barrier blocks it. The angle that the sound comes in to the microphone does not affect how the sound pressure makes the diaphragm move.

When the sound pressure is less than atmospheric pressure in front (the exposed part) of the diaphragm, it moves in an outward direction.

When the reverse is true, the diaphragm moves inwardly. The difference in this movement is what causes the mic to produce an output signal.

 

Advantages of Omnidirectional Microphones

There are many advantages for using an omnidirectional mic.

The List of Advantages of an Omnidirectional Microphone

Shure gives some nice tips on omnidirectional mic advantages over regular directional microphones, which include:

  • Reduced Wind Noise: Unidirectional microphones/directional microphones have acoustic ports in the rear of the microphone where air can enter. This can make unwanted noise or wind blowing by the ports makes noise. Omnidirectional models have no acoustic ports in the rear.
  • Lower Plosive Sounds: Plosives are the popping sounds, which come from words that start with the letter “P” or “B.” Acoustic ports on unidirectional mics/directional microphones cause more plosives due to the wind rushing past these ports. Omnidirectional models do not have this problem as much.
  • Less Proximity Effect: The proximity effect adds bass to the sound when the sound source is closer to the microphone. Omnidirectional devices have a lower proximity effect than other mic styles like directional microphones.
  • Less Handling or Vibration Sound: Handling and vibration sounds are low-end frequencies. Since omnidirectional devices have less proximity effect, they are less likely to capture lower unwanted vibration or handling noise.
  • Flexible Positioning: An omnidirectional model can be used right side up, forward, backward, or even upside down and the pick-up is the same.
  • No Polar Pattern Pick-Up Problems: With an omnidirectional device there is no chance of speaking outside of the pick-up pattern. If you move away from the microphone, the volume will decrease by the sound will not suddenly be cut-off as can happen with a unidirectional model/directional microphone.

 

Disadvantages of Omnidirectional Microphones

If you want to isolate sounds and not pick up the background noise or room noise, using an omnidirectional model is a terrible idea.

For example, if you want to record a voice-over in a room where there is an air-conditioning system’s low hum, you would not want to use an omnidirectional model for this purpose. Directional microphones tend to be much better for these scenarios.

Live Performance

For any recording projects that you will edit the sound and make a mix, you want to isolate each sound recorded to adjust its level separately without changing the other sounds. For example, using an omnidirectional device for a singer playing guitar will pick up both the voice and the guitar and make it impossible to adjust the levels separately. Again, regular directional mics are a better choice is this scenario.

Omnidirectional mics may be problematic when used for live sound reinforcement if they are placed too close to a speaker or an amplifier because they are notorious for causing feedback problems.

Every type of mic has its own advantages and disadvantages. To learn more about condenser mics click here.

This video is an excerpt from the Audio Masterclass course called Microphone Polar Patterns and Stereo Configurations. It demonstrates an omnidirectional model and a cardioid model in a large auditorium room to show the differences at zero degrees and 90 degrees.

 

What are Omnidirectional Microphones Used For?

Some appropriate uses for omnidirectional models are recording nature sounds in the wild or for recording/sound reinforcement of plays and musicals to help the audience or listener hear the performers more easily.

Setting up a single omnidirectional device in the center of a group that sings toward the mic is another common use. This technique can also record any group of musicians such as barbershop singers, a classic string quartet, a bluegrass group, folk performers, a drum circle, etc. and saves the hassle of doing a multi microphone setup.

Now, if you think it sounds boring to record a string quartet, you need to check out the Bond Quartet and listen to them live from the Royal Albert Hall.

The Bond Quartet has many platinum and gold records. They sold over four million albums. They are the best-selling string quartet of all time. Mozart would be proud of them. This is not chamber music. It is more like a rock concert. The recorded sound of this concert is exceptional.

The mics used for recording their live shows include unidirectional, bidirectional, and omnidirectional. The unidirectional models are used to pick up the individual instruments. The bidirectional models are used to pick up the orchestra and backup singers. The omnidirectional models are used to pick up the shows of the auditorium and the audience applause.

 

How to Decide Which Mic is Best

After you get some experience with microphones with different pick-up patterns, you will get a feel for when it is best to use each one because you will know how the sound.

In this video, produced by Aputure, the hosts discuss the four common pick-up patterns: omnidirectional, cardioid, super-cardioid (shotgun), and hyper-cardioid (super shotgun) and why to choose one type over another. They show the mics in the various styles that they use for recording on film sets.

Useful Resources

 

A Final Word on Omnidirectional Microphones

Every recording studio, audio professional, and sound reinforcement system should have some omnidirectional mics for the many wonderful uses that they support.

Even a budget home recording studio can have a mic that allows a switchable pattern from omnidirectional to unidirectional to have the desired flexibility when recording different sound sources.

I hope this overview gives you the information you need to find the best omnidirectional microphones for your sessions.

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Can You Use a Sock as a DIY Pop Filter? Let’s Find Out! https://myelearningworld.com/sock-as-a-pop-filter/ https://myelearningworld.com/sock-as-a-pop-filter/#respond Wed, 19 Jan 2022 11:45:12 +0000 https://myelearningworld.com/?p=4401 Looking for info on how to make a DIY pop filter out of a sock or other material? When it comes to home recording, you may find that it isn’t quite as easy as your favorite podcast hosts and artists make it look. Getting the clear sound the pros have can be tricky, and the ... Read more

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Looking for info on how to make a DIY pop filter out of a sock or other material?

When it comes to home recording, you may find that it isn’t quite as easy as your favorite podcast hosts and artists make it look. Getting the clear sound the pros have can be tricky, and the cost of good equipment can add up fast.

To save money on some of the equipment that you need, you can try some homemade options such as a DIY pop filter.

I’ll go over the benefits of using a pop filter and show you how to make homemade pop filters in this guide.

Pop filters come in handy with vocal recording, podcasting, voice over work, and so many other applications, so whatever kind of recording you’re doing, you’ll want to read this.

 

What is a Pop Filter and How Does It Work?

Some think that a pop filter is a tool designed to reduce the noises that are near the microphone. Though a pop filter can’t help with background noises, it does a great job of cutting down on explosive sounds. It can eliminate most or all of the popping sounds that occur when you use certain sounds and the noises associated with people who laugh to talk close to the microphone.

Pop Filter and How It WorksA pop filter both reduces the air pressure to prevent those sounds from coming through and acts as a filter to keep the microphone safe from saliva.

 

Does a Sock Work as a Pop Filter?

A sock can work as a DIY mic pop filter and save you some money because you can use one that you already have around the house. The trick is that you need a thin sock that won’t drown out your voice.

Sock as a Pop Filter

If you use one that is too thick, you may find that you need to speak louder to get the microphone to pick up on your voice. I recommend that you check out the pros and cons of using a sock as a pop filter before you read my guide.

Pros:

  • Easy to set up
  • Low price
  • Protects against moisture

Cons:

  • May not work as well as professional pop filters
  • Can block your voice

Check out this video to see how and why you might use a sock as a pop filter.

Sometimes you need even more than one sock 🙂

 

Guide to Making a DIY Pop Filter with a Sock

One of the best things about using a sock as a pop filter is that you don’t need to spend a lot of time setting it up with your microphone.

The hardest part is simply finding the right type of sock to make a pop filter with.

If you choose one that you already have, make sure that you wash it first.

Do not use fabric softener with it as this can lead to pilling and cause the fabric to run onto your microphone.

Thin and lightweight socks work best as homemade pop filters. You can also use thicker socks such as those designed for skiing and snowboarding. I often find that these socks keep the microphone from picking up everything that I need it to pick up though.

Sock as a Pop Filter

After finding the right type of sock, slide the open end over the top of the microphone. Gently pull down on the sock until the toe section covers the device. If you wear a larger size or find that the sock is too big and pools around the base, you can cut it. I recommend cutting off the top of the sock above the ankle. It depends on the size of the sock that you use and the size of your microphone.

You may want to use zip ties, too. Zip ties are perfect for securing the pop filter to your device and keeping the excess fabric out of your way. You just need to wrap one around the base of the microphone and tie it shut. Having a knife or a pair of scissors nearby can help you remove the tie when needed. If you have a larger mic or stand, you may want to use multiple zip ties.

If you’re not sure about the sock methods, watch this video to see some other tips you can try to make a pop filter.

It may be not that easy but it’s worth it!

 

Other Ideas to Make a DIY Pop Filter

Using a sock isn’t your only option to make a pop filter.

A popular DIY pop filter uses both a pair of pantyhose and a wire coat hanger.

You need to focus on the bottom of the hanger, which is the part that holds your clothing. Twist and bend the wire until you form a round shape. You can then slip the pantyhose over the wire and use a rubber band to secure it to the curved part.

I find it helpful to cut off the portion of the pantyhose that overhangs the filter to get it out of my way.

Things You Need

An embroidery hoop that you pick up from a craft store works just as well.

Though you can use pantyhose or tights, I like chicken wire or a metal screen. As long as you don’t sit on top of the microphone, the metal does a good job of keeping saliva away from it and blocking some of the sharp and soft sounds that you otherwise hear.

When using chicken wire or screen, you need wire cutters to cut it to the right size and shape. You can also use embroidery material inside the hoop to make your own pop filter.

Things You Need

Get a look at some of the cheap DIY methods that might work for you in this video.

 

Useful Resources

 

Conclusion

Eliminating the sounds that come from talking into your microphone is easy with the right type of pop filter. You’ll find dozens of commercial pop filters that you can use as well as microphones that have built-in features, but not everyone wants to spend that kind of money.

Thankfully, DIY pop filters are really easy to make and can be just as effective as a microphone pop filter you buy online.

Most of the YouTube content creators also use pop filters for the mics. If you need to choose a microphone for YouTube check this article.

Have any questions about making a pop filter at home? Comment below and we’ll help you out.

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How to Make Your Voice Deeper on the Mic (Or Anywhere!) https://myelearningworld.com/how-to-make-your-voice-deeper-on-mic/ https://myelearningworld.com/how-to-make-your-voice-deeper-on-mic/#respond Fri, 07 Jan 2022 10:40:35 +0000 https://myelearningworld.com/?p=5671 If you’re wondering how to make your voice deeper, you might be surprised that it’s easier than you think. What do Morgan Freeman, Barry White, and James Earl Jones have in common? First, they all have wonderful sounding, deeply resonant voices, which are instantly recognizable by most people. Your body is like an instrument. If ... Read more

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If you’re wondering how to make your voice deeper, you might be surprised that it’s easier than you think.

What do Morgan Freeman, Barry White, and James Earl Jones have in common? First, they all have wonderful sounding, deeply resonant voices, which are instantly recognizable by most people.

Your body is like an instrument. If you get a new set of guitar strings, they will sound nice when placed on a guitar and tuned properly. The same thing is true about your voice and body. You have a unique sound because of the peculiarities of your body, which you can also fine-tune.

This article will show you how to get a deeper voice through exercises and practice with the help of equipment and software.

In addition, I give practical voice coaching tips about how you can strengthen your natural voice with vocal exercises.

Learn how to use the audio recording technology to lower the sound of your vocals to a much deeper octave and how to adjust a high-pitched voice much lower while keeping it in tune.

You have all of this to look forward to on this journey to find and build your deep voice.

Start by saying this phrase out loud, “How low can you go?” Then, repeat the phrase several times. Each time, say it in a lower tone.

 

What Makes Your Voice Sound Deep?

The deepness of your voice is a part naturally occurring and a part of learned behavior. Everyone has a physical structure that gives them a vocal range. A person’s vocal range is the lowest note that a person can sing to how high they can sing.

Basically People Mark These 7 Types of Voice

If they mostly can sing low notes, they are a bass singer.

The next higher range is a baritone.

Just a bit higher is the tenor range.

If they can sing even higher, that is called the alto range.

Next is the mezzo-soprano range.

Higher still is the soprano range.

If a person can sing the really high notes above the soprano range, that is in the falsetto range.

 

1. Human Anatomy

The anatomy of the human voice comes from three systems of air pressure, vibration, and resonance.

The air pressure system involves the diaphragm, ribs, abdominal muscles, muscles in the chest, and the lungs.

Vocal Cords Anatomy

The vibration system involves the voice box (also called the larynx) and the vocal cords (also called vocal folds).

The resonance system involves the vocal tract, including the throat (also called the pharynx), the oral cavity, and the nasal passages.

2. Genetics That Influence the Voice

Scientists are not certain how much genetics influences the human voice, but they do believe it plays a role in why some have a deeper voice than others. Certainly, genetics play a role in the gender of a person, the structure of the vocal cords, and the development of the larynx.

3. Hormones and Testosterone

The larynx has receptors for hormones produced by the thyroid. These hormones play an important function in how the larynx develops and why some have a deep voice.

Testosterone causes the vocal cords to thicken. This thickness produces a deeper, lower pitch for the voice. When an adolescent boy experiences puberty, his voice will start to “crack.’ This means his vocal pitch will shift. As his body accommodates the changes brought about by testosterone, he may sound funny when talking or singing.

The Chemical Composition of Testosterone and Estrogen

The female hormone estrogen does not have any effect on the voice. It cannot make the vocal cords shorter or thinner.

4. Vocal Cords and Diaphragm

The thickness of the vocal cords determines the voice’s pitch. Therefore, a person with thicker vocal cords will have a deeper voice.

The Diaphragm Is Located Under The Lungs

The diaphragm is essential for singing. A flat diaphragm gives a person better control over their air supply that passes from the lungs over the vocal cords. To be a good singer, you need to have the support of a strong airstream coming from the diaphragm.

5. Age, Gender, Body Type, and Size

Teenagers go through a phase that changes their voice during puberty. This process is more dramatic in boys than in girls. As adults get older, their voices may weaken as they become elderly.

A male has Adam’s apple on his neck, whereas a female does not. Males with a lot of testosterone will have deeper voices than females with less testosterone.

Adam's Apple Makes the Voice Deeper

The entire body acts in coordination when a person sings. Height, weight, and size call all affect how your voice sounds. Usually, a taller person has longer vocal cords, which causes them to have a deeper voice.

 

Types of Voices

Every person has more than one voice. They have at least a head voice and a lower-sounding chest voice to use for singing or speaking.

We may have a speaking voice and a singing voice. They can be quite different. For example, a person may stutter when speaking and not have any problem when singing.

Most People Have the Mixed Voice Type

Head Voice

The head voice is responsible for making semi-high notes that are not strained or falsetto. When singing or speaking using the head voice, the sound vibrations are experienced in the head area. As a result, the voice and singing are higher than when using the chest voice. When using the head voice properly, the voice or signing comes out softly with no strain.

Chest Voice

The chest voice has a range of notes that are below the range of the head voice. When using the chest voice, you can place a hand on your chest and feel the vibration. In addition, the chest voice offers lower and warmer-sounding tones.

Mixed Voice

Most people use both their head voice and chest voice, often interchangeably, switching back and forth between them.

 

5 Ways to Make Your Voice Deeper for Recordings or Live Podcasts

The five ways to get a deeper voice for both recording and in real life include 1) using the right microphone and equipment; 2) software, plug-ins, and mobile apps; 3) vocal exercise techniques; 4) proper hydration and; 5) working with a vocal coach.

Ready? How low can you go? Let’s find out.

1. Microphones and Equipment

Choosing the best mic that delivers the vocal quality you are seeking along with the equipment like an EQ and software needed to modify your voice.

Types of Microphones

Getting a mic that records your voice sounding terrific is a valuable thing to do because if you are making a recording and you don’t like the sound of your voice, you will be unhappy with the process.

These Are The Main Types Of Microphones

Your choice of microphone depends on the setting where it will be used. For example, in a circumstance where you are trying to record your voice, and there is a lot of background noise, you would want to use a condenser mic with a tight cardioid pickup pattern. However, this type of mic only picks up what is spoken or sung directly into the mic from near it.

There are many technical aspects of mics to consider. For more detailed information about microphones, read the reviews of the quality microphones for home recording studio use here.

Equipment

Designing a home studio for recording a voice well also includes getting the room set up properly with acoustic treatment, soundproofing if necessary, and having the proper equipment capture the vocals and process them. The processing includes turn an analog signal into a digital signal, applying filters, and adding EQ.

Get some insights about equipment from the forum discussion on the Reddit account for the live streamers on Twitch.

Pop Filters and Windscreens

Pop filters are used to get rid of plosives. Plosives are caused by a rush of air that hits the mic at high speed. They come from saying words that start with “P” or “B” and some other letters.

Use These to Get Rid Of Plosives

There are mic covers/windscreens, which can be used in windy environments to reduce the sound of wind noise.

Proximity Effect

The proximity effect happens when putting a mic very close to the sound source. To cause this phenomenon, speak directly into a mic with your lips almost touching the mic head. Many mics will add some bass to the voice that comes from the interference of the sound waves when a vocalist is in such proximity to the mic. Whether this is desirable or not depends on your choice.

This Is How Proximity Effect Works

I found some interesting tips on the Quora discussion about mic choices and the proximity effect.

Mic Positioning

Using a mic properly is the best way to improve your vocal sound and create a deeper voice. Speak or sing directly into the mic. If the mic has its own gain control, adjust the gain up or down until you find the best sounding voice. Be sure to adjust the input signal that comes from the mic and either goes to your computer or audio interface.

2. Software, Plugins, and Mobile Apps

There are software solutions, plugins, and downloadable apps to lower your recorded voice’s tone.

Software

The category of voice-changing software has tools that you can use to change your voice slightly or very dramatically into something funny like a robot’s voice or an alien. These tools can also be used to lower the tone of your voice to give it a fuller bass sound.

Here is the list of the top-five, voice-changing software that will help you get a deeper voice:

  1. Voxal Voice Changer has a free and a paid version for Mac and Windows.
  2. Fake Voice has a free version for Windows.
  3. Clownfish Voice Changer has free Windows and Chromebook versions.
  4. MorphVOX has a free trials and Windows and Mac versions.
  5. AV Voice Changer Software Diamond has a free trial and paid version for Windows.

Plugins

Music Tech gives a nice overview of the free plug-ins that can be used with various audio editing software platforms.

Here are the top five:

  1. Melda MAutoPitch works on these platforms: PC/Mac, VST/AU/AAX, (32 or 64 bit).
  2. Auburn Sounds Graillon 2 works on these platforms: PC/Mac, VST/AU/AAX, (32 or 64 bit).
  3. Vocov Software vocoder works on these platforms: PC, VST, (32 bit).
  4. SocaLabs Voc Vocal Synth works on these platforms: PC/Mac, VST/AU, (32 or 64 bit).
  5. Kerovee works on these platforms: PC, VST, (32 bit). Use the translation feature to see English.

Mobile Apps

The mobile apps available to change your voice include Voicemod (Windows, Android, and iOS), Voice Changer (Android), and Best Voice Changer (Android).

You can get them at either Google Play for Android devices or at the Apple App store for iOS devices.

3. Vocal Techniques

Using vocal techniques, you can train your voice to be lower.

Warm-Up Exercises for a Deeper Voice

It is always a good idea to use some warm-up exercises before putting any stress on your voice, especially if you are singing and want to make your voice deeper.

Do Warm-Up Exercises to Make Your Voice Deeper

Try some of the warm-up exercises featured on the School of Rock. They include yawing, sighing, humming, straw vocalizing, lip buzzing, tongue trills, loosening the jaw, two-octave glides, sirens, and slides.

Humming

Humming is one way to train your voice deeper. Humming is mentioned in this article by howtosingbetter101 along with 16 other ways to make your voice lower permanently.

Vocal Training

Working with a professional vocal coach can help you lower your voice. This video, produced by Howcast, explains many useful techniques for making your voice sound deeper.

I tried all these techniques and found them to be very useful.

Pacing

Learning to pace your voice gives you more control. Pacing allows silence in-between words to spread out the words and gives you time to focus on your vocal tone.

Relaxing

When you are stressed, you may have that habit of having your voice go higher. Try meditation to learn how to stay calm under stress.

If You Feel Relaxed Your Voice Sounds Deeper

Using Your Diaphragm

Deep voices come from using the diaphragm. You can train yourself to do this. I call it “belly speaking or singing.” Get out of your head voice, with its nasal sound, and force the voice lower by bringing up support from the diaphragm.

This video, produced by Voiceover Masterclass, shows powerful vocal training exercises.

You will enjoy listening to the narrator of this video because he has a lovely deep voice.

4. Hydration

Always stay hydrated by drinking liquids so your voice does not crack and you don’t make unwanted mouth sounds picked up by the mic. This can go a long way to keeping your voice deeper.

Drinking Liquids

Drink plenty of water. Hot tea is also good for the voice.

Effect of Dairy Products

Avoid milk and other dairy products when preparing your voice for a recording. Dairy products can cause the buildup of phlegm in the throat and chest area that interferes with the pure sound of your voice.

Don't Eat Diary Products Day or Two Before Recording

5. Vocal Coaching

It is always helpful to work with a vocal coach to learn the tips and tricks of voice-changing from an expert. Learning to control and manipulate your voice can help you make your voice deeper.

A great way to improve your normal voice is to take online vocal training courses. For in-depth information about the best voiceover training courses, read the reviews here.

 

Useful Resources

 

A Final Word on How to Get a Deeper Voice

Having a beautifully sounding low voice is superb if it is natural. However, even if you were not blessed with such a voice from birth, you can have a great-sounding lower voice with the proper training, microphone, software, and equipment.

Learn from the pros on how to make your voice deeper on mic and read my articles for more information. For example, to learn the differences between a pop filter and foam cover, read my article here.

Putting together a video presentation? Make sure to check out our guide to the best video creation software for your voiceovers. And check out these tips to add audio to Google Slides presentations.

Have any more questions about how to make your voice deeper? Comment below and we’ll give our help.

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What is a Condenser Microphone and How Does It Work? https://myelearningworld.com/what-is-a-condenser-microphone/ https://myelearningworld.com/what-is-a-condenser-microphone/#respond Tue, 21 Dec 2021 07:00:23 +0000 https://myelearningworld.com/?p=4470 What is a condenser microphone? And how do condenser microphones work? If you’re setting up a home studio or doing any sort of audio work, these are just a couple of questions you might have. In the recording industry, the condenser microphone stands out as the top choice of voice-over artists, major studios, producers, vocalists, ... Read more

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What is a condenser microphone? And how do condenser microphones work?

If you’re setting up a home studio or doing any sort of audio work, these are just a couple of questions you might have.

In the recording industry, the condenser microphone stands out as the top choice of voice-over artists, major studios, producers, vocalists, and other industry professionals – but why?

What makes condenser microphones such a popular option?

Should you be using condenser microphones for your own recording projects?

Read on to learn more about what a condenser mic is, the types of condenser microphones, why you might want to use one, and even why you might not want to use one.

 

What is a Condenser Microphone?

In general, there are two types of microphones used today: condenser and dynamic.

Condenser microphones are usually used to pick up detailed sound in a studio environment where audio can be tightly controlled while a dynamic mic is often used in a live setting where volume levels might be higher.

In other words, condenser microphones are a staple in recording studios.

Condenser vs Dynamic Diaphragms

The reason a condenser mic is used for studio work is that it is designed to pick up subtle, nuanced sounds instead of loud, abrasive sounds.

This allows them to capture a more crisp, clear audio signal and reproduce sound that is natural and warm.

I’ll go into more detail about how these microphones work below along with a description of their components, but just know that they are geared toward high-quality recording that produces a lot of clarity and character.

Take a Deeper Dive

Want to know more about the differences between the condenser and dynamic mics? Take a look at this video from Podcastage on YouTube that explains it:

 

Types of Condenser Microphones

Although there are a number of different types of microphones in general, there are really only two types of condenser microphones: large-diaphragm and small-diaphragm. Each has a different characteristic in sound capture, and each is used in a different way during recording.

Large-Diaphragm Condenser Microphones

Large Diaphragm of a Condenser MicDevices that employ a large diaphragm generally receive audio sources from a side-facing position. This is because the diaphragm is over an inch in length, making the surface area of the capsule bigger.

A large-diaphragm condenser mic will usually be fixed in a stationary position in a recording booth.

Large diaphragm condenser microphones are often used to pick up the richness and fullness of low-end sounds as they produce a widening effect that really fills and audio space in the mix.

Small-Diaphragm Condenser Microphones

Small Diaphragm of a Condenser MicSometimes referred to as a pencil microphone due to its small size and usage in long, thin designs, a small-diaphragm condenser mic usually has a diaphragm that is less than an inch in length.

In most cases, units using this configuration will situate the diaphragm in a front-facing position and the audio source will direct its energy toward the top of the microphone.

Small diaphragm condenser microphones may be handheld, but they are often used for recording from a desktop position or in a mounted position in a studio.

In addition, small diaphragm mics are excellent for picking up transients and other high-end sounds.

Take a Deeper Dive

You can learn more about the differences between large-diaphragm and small-diaphragm condenser mics by checking out this video below by ProAudioLand:

 

The Components of Condenser Microphones

Condenser microphones are fairly simple in terms of their design, but the component interaction and science inside them are a bit complex.

Below is a general list of components found in condenser microphones and their functions:

Backplate

Condenser Mic BackplateA backplate is a static piece of metal that sits behind the diaphragm. It remains still while the diaphragm vibrates, and the air pressure difference between the two caused by sound waves creates capacitance that is translated into an audio signal.

A capacitor functions by storing electrical energy between two components. The backplate in a condenser microphone serves as one of these components.

Capsule

Condenser Mic CapsuleA capsule is actually a group of components, including the diaphragm and the backplate. In most cases, the entirety of the sound capture part of the mic is simply referred to as the capsule.

You may also hear some people use “capsule” and “diaphragm” interchangeably, despite this not being technically correct.

Diaphragm

Condenser Mic DiaphragmThe diaphragm functions as the membrane of the capsule. It is the thin, electrically-conducive part of the capsule that vibrates opposite the backplate to cause capacitance. Diaphragms are coated in order to conduct electricity more efficiently, and gold is often the top choice for coating material.

In a capacitor sense, the diaphragm acts as the component opposite the backplate in the storage of energy in an electrical field.

Impedance Converter

Condenser Mic JFETThe impedance converter is the part of a condenser mic that increases the voltage of the electrical signal generated by the diaphragm and backplate vibrations. It exists in many microphones because the low current created by the device is often not sufficient despite sufficient voltage being created.

Power Supply

Condenser Mic Phantom Power SupplyThe power supply is either a dedicated power supply unit or power is supplied via XLR or USB cable. The microphone utilizes power output through the impedance converter that handles the amplification of current.

Take a Deeper Dive

Want to see a detailed view of the components? Matthew McGlynn of Roswell Pro Audio breaks down each piece and works through how the components function and interact.

 

How Does a Condenser Microphone Work?

The capsule of a condenser microphone contains a membrane (diaphragm) that is coated in a material like gold to conduct electricity. This membrane is set in close proximity to a metal backplate.

When sound waves hit the diaphragm, it vibrates in close proximity to the backplate.

In a nutshell, the microphone is taking the physical changes in air pressure (sound waves) that take place as the membrane vibrates against the metal backplate in the capsule.

The difference in pressure between the diaphragm and the backplate (capacitance) is recorded via voltage that is amplified and translated to audio sound wave images in a recording device or recording software.

Take a Deeper Dive

You already know the components of condenser microphones and how they interact, but sometimes it pays to see the technology in action. Check out this YouTube video to see Gary Boss from Audio Technica answer the question.

All microphones have similarities and differences. To take a closer look at how omnidirectional microphones work click here.

 

Condenser Microphone Power Requirements

Condenser mics require external power in order to operate. This is largely because, while it outputs a lot of voltage, it does not produce a current relative to the power needs of recording. To combat this, an impedance converter is typically required in order to boost the signal and make it powerful enough for modern recording equipment.

Dedicated Power Supply Unit

In order to get this power, condenser microphones need to either be attached to a dedicated power supply or a phantom power supply.

In the past, dedicated power supply units were used to power individual condenser microphones during recording, but these supply units were cumbersome and made it difficult to record multiple devices at once.

Some recording professionals may still opt for a dedicated power supply for certain models, but for the most part, phantom power is the way that most of them receive power.

Condenser Mic Phantom Power

Phantom Power

Phantom power is power that is supplied by another peace of gear through a non-power line. In the case of condenser mics, phantom power comes from either an XLR cable or a USB cable depending on the setup. Phantom power is supplied at 48 volts of direct current (DC), and this type of power is sometimes referred to as R48 power. Phantom power eliminates the need for a dedicated power supply, and it also allows microphones to be used across many different pieces of recording equipment by simply plugging the device in.

 

Advantages and Disadvantages of Condenser Microphones

While condenser mics are often the choice for studio work and recording sessions that require a great deal of clarity and nuance, they aren’t suited for every situation.

Below are some advantages and disadvantages of using condenser microphones:

Advantages

Condenser capsules are very sensitive to sound, so they can capture subtle details and rich tones that may be missed by other types of microphones. This can be a great advantage when recording vocals and voice-over work, but it can also benefit acoustic instrument recording requiring a specific focus on tonality.

Condenser Mic Sensitivity to Details

A condenser mic is also ideal for group sound capture when used with an omnidirectional polar pattern. Since they are meant to be stationary and are not usually held by hand, you can place a condenser microphone in a large recording room or vocal booth to capture a wide array of crisp sounds from all around.

This means that you can record more with one device and cut down on post-processing time without having to deal with multiple tracks.

Disadvantages

Perhaps the biggest disadvantage to using a condenser mic is actually one of its advantages: sensitivity to sound.

Because their capsules are very sensitive by design, they can become easily overwhelmed by loud sounds, leading to distortion in recording. This is especially true when using a condenser microphone to record things like drums or amplified signals.

Condenser Mic Sensitivity to Loud Sounds

To add to the volume issue, the diaphragm of a condenser mic can also be easily damaged due to extreme volume levels. The diaphragm is fragile, meaning condenser microphones are also prone to damage when not handled with care. A simple drop or even a very hard bump could potentially damage the relationship between the diaphragm and the backplate.

They also tend to be at a disadvantage when capturing sound in a live environment. This includes situations when speaking before a crowd, singing during a live performance or when providing narration in a play-by-play situation where a handheld mic is required. Because of the sensitive nature of a condenser microphone, the unit will likely pick up background noise, but it can also pick up noises created when handling the device, potentially ruining a recording.

 

What Are Condenser Mics Mostly Used For?

3 Main Areas of Condenser Mic Use

By and large, condenser microphones are used almost exclusively for recording the human voice. This is because they pick up rich detail and reproduce natural tones very well compared to other types of mics, and the human voice produces sound at tolerable volumes for most recording situations.

This is not to say that condenser microphones must be used for quiet voices, but they generally perform better and capture clarity in greater detail from quieter sources.

Condenser microphones are also used for recording acoustic instruments. Things like acoustic guitars and other stringed instruments often shine more brightly when recorded using a condenser mic, and even some light percussive instruments can be recorded using them.

Recording ambient room noise is also a job for condenser microphones because of their sensitivity. This is often done during film production to pad audio recorded on a sound stage for a more natural presentation.

 

Finding the Right Condenser Microphone

Condenser mics come in a variety of price ranges, and top-quality condenser mics can run into the thousands of dollars. What’s important to keep in mind is that you don’t have to spend a fortune to get a good device, but you do need to think about your recording needs.

USB vs XLR Condenser Mics

If you’re podcasting, recording general voice-over work or you’re recording a YouTube video, a USB condenser microphone will likely serve you just fine. In fact, you can check out more information about some of the best mics for YouTube to learn about some exciting options and recording solutions.

If, on the other hand, you’re recording vocal performances for a million-dollar record in a professional studio, you’re probably going to do better with a large-diaphragm condenser mic that utilizes an XLR output and maybe even a dedicated power supply.

 

Useful Resources

A Final Word on Condenser Microphones

So, just what is a condenser microphone? It is the go-to option for recording sounds that really need to showcase subtle detail and clarity.

Condenser microphones offer a lot of versatility when used correctly, and deliver high-quality results without much effort.

Treat your device with care, utilize it properly and it will last you for decades to come.

Have any questions about condenser microphones? Leave a comment below and we’ll help you out.

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PreSonus Eris E3.5 Studio Monitors Review – vs Mackie CR3 vs Edifier R1280T https://myelearningworld.com/presonus-eris-e3-5-review/ https://myelearningworld.com/presonus-eris-e3-5-review/#respond Mon, 20 Dec 2021 11:20:42 +0000 https://myelearningworld.com/?p=2903 This PreSonus Eris E3.5 review will take a close look at these popular studio monitors to see how they stack up for music production and other audio work as well as just general listening. If I am going to acquire a set of studio monitors, they must have a wide optimal listening area. Yeah, I ... Read more

The post PreSonus Eris E3.5 Studio Monitors Review – vs Mackie CR3 vs Edifier R1280T appeared first on MyeLearningWorld.

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This PreSonus Eris E3.5 review will take a close look at these popular studio monitors to see how they stack up for music production and other audio work as well as just general listening.

If I am going to acquire a set of studio monitors, they must have a wide optimal listening area.

Yeah, I need a big, juicy, sweet spot.

How about you?

When I am listening to something exciting, I want the freedom to be able to move around in my home studio and still be able to clearly hear the high frequencies.

You might think that means I need a big set of studio monitors to achieve this. But as the PreSonus Eris E3.5 desktop monitors prove, that’s not the case.

These small but mighty desktop monitors offer excellent sound quality at a great price point, and are perfect for small and mid-size studio spaces.

Read on for my complete PreSonus Eris E3.5 review…

Your Best DealPreSonus Eris E3.5

PreSonus-Eris-E3.5

Top features

  • Accurate Sound
  • Solid Bass
  • Accurate frequency response
  • Excellent Value for a Low Price
  • Great Sound Reproduction for Music Recording, Video Production, and Gaming

Check price →

 

What is so special about the PreSonus Eris E3.5 monitors?

The most impressive thing about these monitors is the value for the price. Compared to other studio monitors, which can cost $1,000 or more; a pair of Eris E3.5 monitors sells for around $100. Certainly, many of the more expensive monitors are terrific if you can afford them.

I reviewed them and gave some of them excellent recommendations also.

At the end of this PreSonus Eris E3.5 review, you will find a link to that article.

For those who want monitors, at a budget price, which give a high-quality reference sound, the Eris E3.5 monitors are the leaders in the low-cost category.

 

Who are the PreSonus Eris E3.5 monitors made for?

The Eris E3.5 monitors are designed for use in the home studio, for those who make video productions for social media (such as YouTube videos), software developers/designers who create video games, and for a substitute for regular multimedia speakers.

PreSonus Eris e3.5

Construction

The woofer (low-frequency transducer) is 3.5 inches (89 mm) and made from woven Kevlar composite. The tweeter (high-frequency transducer) is one inch (25 mm) and has ultra-low-mass with a silk-dome. An acoustic port that sends sound out the back of the monitor creates an excellent bass-frequency sound.

Design

These monitors look spectacular. The design is clean and aesthetically pleasing with plenty of nice features. On the front are the power on/off (with LED), volume knob, and stereo mini-plug jacks (one-eighth inch) for an auxiliary input and headphones jacks. These monitors have an integrated stereo-headphones amplifier built-in.

PreSonus Eris e3.5
Ideal for gaming and home video production

On the back of the left speaker, there are high- and low-frequency acoustic tuning controls, balanced left and right one-quarter-inch TRS jack inputs, left and right unbalanced RCA jack line inputs, and an IEC connector to plug in the power cord for the internal power supply.

Use speaker wires to connect the separate black and red outputs (+/-) from the back of the left powered monitor to the correct black (-) and red (+) inputs on the back of the passive right speaker.

Features

There is protection built-in for RF interference, output current limiting, overheating prevention, and protection from transient and subsonic frequencies.
The amplifier has a soft-start feature. This eliminates any popping sound on power-up, which I appreciate. These monitors are rated for 50 watts of power (25 watts per side) and use Class AB bi-amplification.

Size

These monitor speakers have plenty of power, packed in a cabinet with a small footprint. These speakers are an excellent choice for a recording studio with limited space.

Presonus Eris e3.5

The dimensions of the monitors are width 5.6 inches (14.2 cm) by depth 6.4 inches (16.3 cm) by height 8.3 inches (21.1 cm). This means that they can be hung on the wall, placed on a studio desk, put on a shelf, mounted on stands, and placed anywhere in a home studio. Even though these are professional studio-quality monitors, they can also be used at home, in the office, or school dorms.

Watch this video to see how the PreSonus Eris E3.5 reference monitors look in various spaces. See how they look next to a laptop for a size comparison. Video game development is the perfect type of project for these speakers to get a full-range sound reproduction.

In the next video, an audio engineer from PreSonus, Rick Naqvi, shows the one-inch Kevlar tweeter, which is a feature I think makes the Eris E3.5 monitor exceptional. Nobody would have blamed them for using a three-quarter-inch tweeter that is the type most likely found in multimedia monitors of this size. After all, that would save money and help make this monitor low cost. However, this would also negatively affect the sound. PreSonus went with the higher-quality choice.

PreSonus used the one-inch tweeter because that is what makes these reference monitors sound so accurate. Another helpful feature is the ability to acoustically tune the monitors depending on the room’s characteristics.

 

Sound Quality

The sound quality of the Eris E3.5 monitors coming from the one-inch Kevlar tweeter and the 3.5 inch Kevlar woofer is excellent. These monitors are bigger than average speakers and this is a stand-out feature for the price.

How do they sound?

These speakers are not super-heavy in the low-end frequencies; however, they are very punchy and sound crisp and clean in the low-end without making the mixed sound overly muddy or boomy. The high-end frequency reproduction is superb.

For music recording and mixing you will be able to hear all the instruments accurately thanks to its ability to comfortably handle low and high frequencies with clean and balanced sound.

Setup

Presonus Eris e3.5
High-end and low-end tuning knob on the back of the left-side unit is a nice feature of these monitors.

The setup of these monitors is very easy. You take them out of the box, and then connect the powered speaker to the passive one using speaker wire. Connect an input signal to one of the choices of inputs on the rear or the mini-plug input on the front. Place the speakers in position. Connect the power code and switch the monitors on. That’s it. You are ready to go.

Pairing Experience with Amplifiers

You also have the option of using an audio interface to amplify the signal as desired. If you want more bass sound, you can then add a subwoofer.

 

Calibration

In the video below, featuring the PreSonus audio engineer Rick Naqvi, he discusses how to calibrate your studio monitors. Calibration is necessary to fine-tune your monitors to the characteristics of the room.
You want to first make sure you calibrate based on the volume of the sound. The best range of volume is between 75 to 80 dB for a smaller home studio. For a larger room, you might use 85 dB. Then, you want to calibrate the stereo image of the sound to have the left and the right side of the sound have the same volume. Use the volume buttons on the back of the monitor to make them match.

To calibrate, you use two pieces of equipment, an SPL meter and a tone generator that makes pink noise. You can download a free app for your smartphone that is an SPL meter. It needs to perform C-weighted and slow response-time measurements. Most recording applications have a tone generator function built-in. You need to have pink noise and be able to adjust the volume.

Follow the detailed instructions in the video to do the calibration.

 

Pros and Cons

Here are the things that I think are good and not so good about the PreSonus Eris E3.5 studio monitors:

Pros

  • Beautiful compact design.
  • Reproduces sound accurately.
  • Larger than average tweeter and woofer.
  • Low price.
  • Durable enough for constant daily production use.

Cons

  • If you use the unbalanced RCA jacks, the sound is better when also using an audio interface.
  • To get a heavier bass sound, you need to add a subwoofer.

 

PreSonus Eris E3.5 Technical Specifications

Here are the technical specifications of the Eris E3.5 monitors:

Inputs

  • One stereo one-eight-inch.
  • Two balanced one-quarter-inch TRS.
  • Two unbalanced RCA.

Performance

  • Frequency Response: 80 Hz to 20 kHz
  • Crossover Frequency: 2.8 kHz
  • Amplifier Power: 25 watts per speaker
  • LF Driver: 3.5 inch
  • HF Driver: One-inch silk dome
  • Peak SPL (at one meter): 100 dB
  • Input Impedance: 10 kΩ

User Controls

  • Volume Range: A-type taper
  • MF Control: Variable (minus 6 to plus 6 dB, center 100 Hz)
  • HF Control: Variable (minus 6 to plus 6 dB, center 10 kHz)

Protection

  • RF Interference
  • Output-Current Limiting
  • Over-Temperature
  • Turn-On/Off Transient
  • Subsonic Filter
  • External Mains Fuse

Power

100-120V ~50/60 Hz or 220-240V ~50/60 Hz

Cabinet

Medium-Density Fiberboard that is Vinyl-Laminated

Dimensions and Weight

  • Width: 5.6 inches (141 mm)
  • Depth: 6.4 inches (162 mm)
  • Height: 8.3 inches (210 mm)
  • Weight (per pair): 6.4 pounds (2.9 kilograms)

 

PreSonus Eris E3.5 vs. Mackie CR3

The Mackie CR3-X is the newer model that replaces the Mackie CR3. The Mackie CR3-X is a multimedia monitor designed for home recording studios and gaming. The Mackie CR3-X monitors have the same power as the Eris E3.5 have, which is 50 watts (25 watts per speaker).

The Mackie CR3-X has a three-inch woofer and a three-quarter-inch tweeter. The tweeter is smaller than the one-inch tweeter found on the Eris E3.5. This makes the high-frequency sound of the Mackie CR3-X less robust than the Eris E3.5 monitors.

The Mackie CR3-X and the Eris E3.5 both have a rear port that improves the bass sound. In the front panel, there is a 3.5 mm mini-plug headphone connection. When you plug in the headphones, this turns off the speaker’s sound. That is convenient. I use this feature as a kind of quick mute-switch, especially when I want something to continue to play while I talk over it while working with another person.

PreSonus Eris e3.5

The inputs on the back of the powered speaker include an unbalanced 3.5 mm mini-plug line-in connection, unbalanced RCA inputs, and one-quarter-inch TRS inputs (balanced or unbalanced). The terrific variety of connections allows signal inputs from a mixer, a computer soundcard, an audio interface, or a mobile device.

There is also a switch to choose the side of the stereo sound the powered speaker is placed. The other speaker is passive and receives its signal from the two speaker wire connections coming from the powered speaker.

Unlike the Eris E3.5, which has the ability to make acoustical tuning adjustments, the Mackie CR3-X does not have any ability to be fine-tuned for room conditions.

 

PreSonus Eris E3.5 vs. Edifier R1280T

The Edifier R1280T and the Eris E3.5 monitors are a similar size and cost around the same.

The Edifier R1280T monitors have four-inch (10.16 cm) primary woofers and a dedicated tweeter in each unit, which share 42 watts of power (21 watts per speaker). This is lower than the Eris E3.5, which has 50 watts (25 watts per speaker). That weakness alone is enough for me to choose the Eris E3.5 monitors over the Edifier R1280T model.

Another problem with the Edifier R1280T is the limited inputs. There are two RCA audio jacks. Dual RCA inputs allow using two audio sources such as a PC and an auxiliary source. However, there are no mini-plug or TRS jacks for input.

PreSonus Eris e3.5

The right speaker holds adjustment knobs for master volume, bass, and treble. Having the adjustment for bass and treble is not desirable for studio monitors because to mix properly you want to have accurate sound reproduction and not use any equalization to color the sound. The bass distorts when set to full volume.

Presonus Eris e3.5
The best part about this monitor is the accuracy of the sound reproduction created by one that is such a compact size.

The dimensions of the Edifier R1280T monitors are by 5.7 inches (14.5 cm) width by 7.7 inches (19.6 cm) depth by 9.2 inches (23.4 cm) height, which is a nice compact size. The cabinet finish on the side is a fake wood grain vinyl coating and grey paint on the top and bottom. For me, this is really cheesy and I don’t like it.

The right speaker is powered and the left speaker is passive and connects with the included eight-feet long (2.4 meters) speaker wire. It comes with a remote that only controls volume and has a mute button. To me, having a simple volume remote is useless.

The Edifier R1280T is a multimedia monitor designed for listening to music and games. It can serve as a reference monitor for audio mixing but it is not designed for that. I am not at all impressed with the Edifier R1280T except to say that they make me appreciate the Eris E3.5 monitors all that much more.

 

Why the PreSonus Eris E3.5 Monitors are So Much Better

I am the kind of man who does not like to waste my cash. I want value.

The Eris E3.5 gives a flat response and does not add unwanted boost. Standard multimedia speakers, which cost around this same price, do not come close to providing such accurate reference sound. The Eris E3.5 benefits from the same research and development put into the larger monitor models made by PreSonus.

Presonus-Eris-E35-12

The Kevlar tweeter is a full one-inch size. This is the same size as PreSonus uses in the larger models of monitors made by them. Most multimedia speakers have a smaller tweeter that is three-quarters of an inch. The Kevlar woofer is 3.5 inches. This compares nicely to other multimedia monitors in this class that only have a smaller three-inch woofer. I can really hear the difference and I am sure you will be able to hear this too.

 

What do others think about the PreSonus Eris E3.5 monitors?

Like me, this reviewer in the video below loves the Eris 3.5 monitors. He uses them for video game playing, home studio recording, and video editing/production. He used them in the creation of his video review about them. He agrees with me that there is a huge sound quality that comes from these monitors for a very low cost.

Another expert did a follow-up  Eris 3.5 review after using the monitors every day for two years to do music production and video editing. He calls them the most underrated monitors for $100 on the market. He is as happy with them as the day he bought them. They are must-have speakers according to his review. He recommends using them with an audio interface to improve the stereo separation that is not very good when using the unbalanced RCA jacks.

 

Conclusion

I am in love with the PreSonus Eris E3.5 studio monitors and there is nothing you can do to break us apart. For me, they have the best sound quality for such a small footprint and low cost. They make other monitors in this class take a back seat in comparison. Sure you can spend ten times more to get better performance but that is too much money for me to spend. To consider other monitors, check out My Top 19 Home Studio Monitors.

Your Best DealPreSonus Eris e3.5

PreSonus-Eris-E3.5

Top features

  • Accurate Sound
  • Solid Bass
  • Excellent Value for a Low Price
  • Great Sound Reproduction for Music Recording, Video Production, and Gaming

Check price →

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What is a Dynamic Microphone and How Does It Work? https://myelearningworld.com/how-does-a-dynamic-microphone-work/ https://myelearningworld.com/how-does-a-dynamic-microphone-work/#respond Thu, 16 Dec 2021 08:53:49 +0000 https://myelearningworld.com/?p=3795 What is a dynamic microphone? How do dynamic microphones work? And how does a dynamic mic compare to condenser microphones? These are just some of the questions you might have when setting up your studio. If you want a microphone that’s simple, multi-purpose, and rugged as a tank, then a dynamic microphone is a great ... Read more

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What is a dynamic microphone? How do dynamic microphones work? And how does a dynamic mic compare to condenser microphones?

These are just some of the questions you might have when setting up your studio.

If you want a microphone that’s simple, multi-purpose, and rugged as a tank, then a dynamic microphone is a great choice.

Prized by singers, podcasters, and voiceover artists, the best dynamic microphones are also used to effectively mic up drums, electric guitars, and acoustic guitars.

However, the voiceover equipment market can be a confusing landscape that requires a proper guide, and a dynamic mic has many important attributes that you’ll need to understand before considering specific options.

So how does a dynamic microphone work? Read on to find out.

 

Main Types of Microphones: Dynamic vs Condenser Microphones

There are two types of mics, dynamic and condenser microphones.

 

1. Dynamic Mics

They have minimal moveable components and don’t need an internal amplifier, batteries or outside power source. This is because dynamic microphones actually produce power via their electronics.

Dynamic Mics

Dynamic mics transform sounds into audio signals via the electromagnetic principle, also called the electromagnetic theory of induction. According to this principle, when metal passes through a magnetic field, an electrical current is transported into the metal.

This video provides a clear, simple demonstration of a dynamic mic’s components and how they work. Watch this and you’ll have a clearer answer to your question “What is a dynamic microphone?”

Because they transform one form of energy into another, dynamic microphones are called transducers.

2. Condenser Mics

Condenser microphones are extremely sensitive and are best used with acoustic guitars and quieter vocals. They’re also very well-suited to studios. Condenser mics precisely capture singing or instrumental nuances.

However, since condenser microphones are so sensitive, they’re susceptible to distortion and can pick up popping noises and breathing sounds.

Condenser Mics

 

Types of Dynamic Microphones

There are two types of dynamic microphoness to consider for your intended use. These are moving coil and moving ribbon dynamic mics.

1. Moving Coil

Components of a Moving Coil Dynamic Mic feat. Shure SM58

Moving coil dynamic microphones are the most commonly used type. They utilize a coil of wire attached to a diaphragm within a magnetic field. When sound, such as a voice, vibrates the diaphragm, it makes the coil vibrate, which creates an electrical signal.

2. Moving Ribbon

Components of a Moving Ribbon Dynamic Mic feat. Royer R-10

Moving ribbon dynamic microphones are extremely sensitive mics.

Ribbon microphones are designed to be used for atmospheric types of sounds, such as jazz, folk, blues, or more restrained vocals.

Ribbon microphones contain a thin ribbon of aluminum foil situated between two magnets. When sound waves vibrate the ribbon, they generate an audio signal.

 

Components of Dynamic Microphones

Dynamic mics have components that are uniquely theirs.

Dynamic microphones have seven parts that, together, create their one-of-a-kind sound.

  1. Windscreen (or Grille). The windscreen is the part of the microphone that you speak or sing into.
  2. Diaphragm. The diaphragm collects sounds and transforms them into electrical currents. It can be equated to the human eardrum.
  3. Coil. The coil is a small section of wire attached to the diaphragm. When the diaphragm moves, it shifts the coil, which creates an electrical signal.
  4. Magnetic Core. It produces a magnetic field for the coil.
  5. Capsule. In the capsule, sound vibrations are converted to electrical signals, which are sent to the speakers.
  6. Body. The body is the external housing of the device. The sturdier the body, the more easily its electronics will be able to handle inevitable falls, knocks and drops.
  7. Output. The output (or output jack) is where a cable is plugged into the microphone so that signals can be transported out as sounds.

Dynamic Mic Components feat. AKG P5S

Here’s how all of these components come together to make a dynamic mic work.

How Does a Dynamic Microphone Work?

A dynamic device only has a few parts, but those parts add up to a world-renowned mic!

Windscreen

The windscreen is located underneath the portion of the device that looks like a metal grille. It’s a foam lining designed to protect the mic’s diaphragm from wind interference. Additionally, it prevents dust and debris from entering the microphone.

Windscreen

Windscreens are designed to cut down on disruptive plosives, as well. Plosives happen when a mic is overloaded with blasts of air from words containing the consonants “b,” “p,” “d,” “t,” “g” and “k.” Plosives cause intrusive popping or hissing sounds.

If a microphone’s windscreen can’t effectively eliminate plosives, it can be aided by a pop filter. Pop filters (also called pop shields or pop screens) are in-studio devices that dispel these annoying sounds before they reach the mic.

Windscreens are essential for outdoor scenarios. They’re also valuable in the studio.

Diaphragm

The diaphragm is a two-sided membrane of Mylar (biaxially-oriented polyethylene terephthalate) that moves when sound enters the device. At a diminutive five microns, its delicateness makes it exceptionally attuned to vibrations in the surrounding air.

Dynamic Mic Diaphragm

The diaphragm is usually the make-or-break component of a microphone’s sound quality.

Coil

Dynamic Mic Coil

Copper is used for several reasons:

  1. It produces a powerful audio signal.
  2. It optimizes electromagnetic induction.
  3. Its light weight makes the coil-diaphragm duo more receptive than weightier substances.

When the diaphragm vibrates in response to fluctuating air pressure, it moves the coil. The coil vibrates back and forth in a magnetic field, transforming sound into an electrical signal, which is then carried to the speakers.

Magnetic Core

Dynamic Mic Magnetic Core

The magnetic core produces a magnetic field for the coil so that the vibrations create an electrical signal.

Capsule

Dynamic Mic Capsule

The diaphragm is vital to making the capsule act as a transducer. A transducer, also called an element, transforms sound waves (acoustic energy) into audio signals (electrical energy). The capsule is integral to a microphone’s sound.

Output

The output, or jack, is the area of the device where you plug in a cable. Most microphone outputs will accommodate an XLR cable, a three-pronged cord that transports stereo signals.

Output

Some lower-end mics have an attached cable.

There is a difference between the way different types of mics work. You can read about wireless microphones’ features in this article.

Dynamic microphones have essential features that make them integral parts of performances, presentations, and studios.

 

Features of the Dynamic Microphone

Dynamic microphones have eight features that factor into their sound.

1. Frequency Response

Frequency response, simply put, refers to a mic’s response to various frequencies. It’s the range of frequencies that the microphone can distinguish and replicate. Frequency is a vibration’s speed and is gauged in hertz (Hz).

Let’s say a frequency is vibrating at 50 times per second. This equates to a frequency of 50 Hz. Sound waves always vibrate at precise frequencies, and all models have a unique sound characterized by their receptiveness to certain frequencies.

For example, some models are sensitive to lower frequencies (referred to as a “darker” sound) while “brighter”-sounding microphones are more attuned to higher frequencies.

Frequency ranges 

2. Proximity Effect

The proximity effect is an increase in low bass frequencies the nearer a mic is moved to a sound’s source. In other words, the nearer you are to a microphone, the more low-frequencies it will capture.

Typically, the proximity effect happens when the device and its sound source are about one foot or less from each other. This effect helps ordinary podcasters, for example, sound as though they’re channeling Barry White.

Conversely, when you move away from a mic, it picks up fewer low frequencies, producing an echo effect.

3. On-Axis Response and Off-Axis Response

Axis refers to the angle at which a sound enters a microphone. There are two types:

On-Axis Response and Off-Axis Response

  • On-Axis Response

On-axis response describes sound that enters the mic head-on. This angle has a bright sound, and if your device has a lower sensitivity to high frequencies, on-axis could impart more definition to the sound.

However, if it’s more sensitivity to highs, on-axis could make it more vulnerable to harshness or hissing. Plosives could be an issue, as well.

  • Off-Axis Response

Off-axis response refers to any sound that isn’t directly in front of the microphone. For instance, if there is a sound coming from the side of the room, it will produce an off-axis response. The frequency of the audio will shift or distort.

Off-axis recording can intentionally be used to remedy the abrasiveness of high frequencies.

4. Polar Patterns

A polar pattern illustrates from which direction(s) a mic will be sensitive to picking up sound and from which direction(s) it will ignore sound. At lower frequencies, devices become less directional, and at higher frequencies they become more directional.

Polar Patterns

There are several categories of polar patterns:

Unidirectional/Cardioid Pattern

Cardioid Polar PatternUnidirectional or cardioid microphones have the most basic polar pattern. This pattern is called “cardioid” because it’s heart-shaped. A cardioid mic only picks up wavelengths that are directly in front of it. It overrides any sound that’s behind it or to the side.

Because of this, you need to sing or speak into what’s called the “voice side.” Otherwise, the sound will be picked up badly or not at all.

Cardioid microphones are great for general use, and they regulate feedback. This type has the proximity effect.

Directional/Hypercardioid and Supercardioid Pattern

Hypercardioid and Supercardioid Polar PatternsThese mics have a slimmer heart-shaped pattern and are sensitive to sounds in the front and sides but not sounds 150 degrees behind. They’re useful for recording audio on location, minus ambient noise.

These microphones have the proximity effect.

Bidirectional/Figure 8

Figure-8 Polar PatternBidirectional mics pick up signals from two opposing directions. They are so-named because their polar pattern resembles a figure eight. Bidirectional mics are helpful in interview situations where two people face each other.

These microphones are also feedback-resistant and have the proximity effect.

Omnidirectional

Omnidirectional Polar PatternOmnidirectional mics pick up sounds coming from virtually any direction and don’t cancel out anything. They can easily pick up undesirable sounds. Omnidirectional mics are advantageous in scenarios combining a stationary microphone with a moving audio source.

Omnidirectional mics don’t have the proximity effect.

5. Transient Response

Transients are some of the trickiest aspects of attaining a decent microphone sound. Transients are abrupt, drastic noise spikes. They can happen when a guitar string is first plucked, when a drum is first attacked or when a singer abruptly sings consonants such as “t.”

Transients are difficult to control or predict, because they can happen anytime, to any instrument. They’re also problematic because it’s sometimes difficult to regulate the amount of force used for singing or playing an instrument.

Transient Response

However, dynamic mics react more slowly than condenser ones and may have trouble keeping up with quick transients. In essence, the microphone is too slow.

However, this can actually be an advantage when recording certain types of instruments or vocals.

6. Sensitivity

Sensitivity refers to a mic’s aptitude for transforming acoustic pressure into electrical voltage. If two devices are subjected to the identical sound pressure level and one produces a higher voltage than the other, it has superior sensitivity.

Sensitivity of Microphones to a Single Sound Source

Higher sensitivity microphones need less amplification to make their output sound useable when it reaches the mixer. Less sensitive models need more amplification.

However, this doesn’t necessarily mean that a mic with higher sensitivity is better than one without.

7. SPL (Sound Pressure Level)

Sound pressure level, or SPL, indicates the loudness a microphone can manage before it distorts. Dynamic mics are best at dealing with the loudest sounds before succumbing to distortion.

Max SPL, or maximum SPL, refers to this threshold. Some devices have controls that can make them more capable of withstanding louder instruments, such as electric guitars.

8. Noise

Self-noise, also called equivalent noise level, is the signal a microphone itself generates when there is no sound source. All devices have self-noise. Often, it manifests as a tiny hiss or sounds like white noise.

A current running through the circuitry of an active mic (technically known as Poisson noise or shot noise) is mainly responsible for self-noise. Another culprit is thermal noise (technically called Johnson-Nyquist noise), which means that as temperature escalates, so does self-noise.

Situations When High and Low Mic Self-Noise Are Useful

Noise can also be created by random air molecules pelting the diaphragm, as well as preamp gain and mic cable disturbance. This is technically known as Brownian movement.

However, self-noise isn’t all-bad. In fact, it can be useful in certain situations. In a noisy setting, a microphone’s self-noise helps it reject quieter sounds, leaving more space for loud ones.

 

Advantages and Disadvantages of Dynamic Microphones

Like any piece of equipment, dynamic mics have their pros and cons.

A dynamic mic’s advantages outweigh its disadvantages.

Advantages of Dynamic Microphones:

  • They work well in applications that call for a warm sound, such as voiceovers.
  • They need no power source. This makes them extremely easy to use in a variety of situations.
  • They can endure loud volumes.
  • They’re rugged and can be very forgiving of all sorts of abuse.
  • They’re versatile and can be used for numerous applications.
  • They’re water-resistant.
  • They capably handle plosives.
  • Since they’re simple, they can be very affordable.

Disadvantages of Dynamic Microphones:

  • They’re not ideal for recording delicate sounds.
  • They capture a limited amount of high-frequency detail.
  • They can’t handle recording harmonics.
  • Less detailed sound.
  • You’ll need to be close to the diaphragm to receive a clear signal.
  • Dynamic microphones are versatile pieces of equipment that have a variety of applications.

 

What Are Dynamic Mics Mostly Used For?

Dynamic microphones are suited to a wide range of uses:

  • Podcasts
  • Voiceovers
  • Singing (particularly with several people)
  • Broadcasting
  • Studio recording
  • Presentations
  • Concerts
  • Webinars
  • Videos
  • Recording drums and amps
  • Situations that call for a mic that’s water-resistant and impact-resistant.

 

Useful Resources

 

A Final Word on Dynamic Microphones

In addition to all of these uses, dynamic microphones are ideal for creating professional YouTube videos. The right dynamic YouTube mic can elevate your videos to a more polished level. With a sturdy design, a sound that will make your voice sound warm and inviting and adept handling of pesky plosives, they’re a great choice for your next YouTube videos.

Hopefully, the information in this article has answered your questions, “What is a Dynamic Microphone?” and “How Does a Dynamic Microphone Work?”

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The Great Debate: Choosing Between XLR vs TRS for the Best Sound Quality in Recording https://myelearningworld.com/xlr-vs-trs-sound-quality/ https://myelearningworld.com/xlr-vs-trs-sound-quality/#respond Fri, 11 Jun 2021 13:25:04 +0000 https://myelearningworld.com/?p=5659 Sound quality is usually defined as sound clarity in the recording industry. Essentially, when someone says that a recording has quality, they often mean that the sound is clear and detailed. There are plenty of factors that can affect sound quality, but the two main elements that must work together are your audio inputs and ... Read more

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Sound quality is usually defined as sound clarity in the recording industry. Essentially, when someone says that a recording has quality, they often mean that the sound is clear and detailed.

There are plenty of factors that can affect sound quality, but the two main elements that must work together are your audio inputs and outputs. A problem between either one of these can lead to poor sound quality in the final work.

This is why it’s vital to get a clean signal using the right cables from your audio source to your output. Your cables act as the pathway to transmit audio data, and using the wrong cable can cause an otherwise clean signal to be degraded.

Below, we’ll take a look at XLR vs TRS sound quality as well as:

  • How XLR and TRS connections work
  • Some pros and cons of each
  • How connections types affect sound
  • How to use each cable type in the studio

In my research for this post, I tried a number of different cable configurations to check for things like signal noise and tone. I also tried a variety of cables from different manufacturers to ensure that I was getting thorough, objective results.

In general, there are two main types of connections used in pro audio: XLR and TRS.

What Is XLR?

XLR Connections Stands for External Line Return

If you’ve ever seen a standard microphone cable, you’ve likely seen an XLR connection. XLR stands for external line return.

The name XLR actually applies to the type of connector instead of the cord itself; however, most people in the audio industry will simply refer to a cable with an XLR connector as an XLR cable.

These types of connectors come in male and female versions that utilize pin conductors. There are different configurations that use different amounts of pins, but the three-pin version is the most common.

Male and Female Versions Utilize Pin Conductors

An XLR connection is comprised of audio signal connections and a ground connection. This means that they are balanced connections that offer resistance to noise from radio frequency (RF) interference and electromagnetic interference (EMI).

XLR connections usually measure 2.37” at the widest point. Some microphones accept a mini-XLR connection which measures about half the diameter of a standard XLR connection.

You can see my reviews of some of the best XLR microphones in this article.

What Is TRS?

TRS Stands for Tip, Ring, and Sleeve

In a TRS cable, TRS stands for tip, ring, and sleeve. These types of connections use a 1/4” plug that can be used in many common audio hardware applications, including amplifiers, mixing consoles, FX processing units and recording units.

Just like with an XLR cable, a TRS connection has three different contacts that send signals using conductors and a ground wire. Instead of using pins, however, a TRS connection incorporates the two audio signal contacts and the ground contact into a singular straight plug.

You can hear the sound quality of a TRS connection for yourself in this video from Steve Oakley. He demonstrates XLR and TRS in the studio using a ribbon mic along with an acoustic guitar to let you check out the difference in tone.

TRS connections can sometimes be confused with TS connections since they both look similar in that they are both straight 1/4” plugs that fit into jacks on things like guitar amps. You can tell the difference, however, by noticing that a TRS cable connection will have three separate segments while a TS connection only has two.

Both XLR and TRS are useful for a number of jobs around the studio. In determining XLR vs TRS sound quality characteristics, it pays to know the similarities and differences in order to get the best audio out of your cables.

Cable Features That Affect Sound Quality

Cables' Features Can Help You in Choosing Between the XLR and TRS

Below are some features of XLR and TRS connections that can help you choose between the two. Of course, you’ll want to use the type of connection that fits with your gear, but if you have the choice, it’s good to know how each type is used.

XLR

The following are some features that are beneficial when using an XLR connection:

XLR Will Always Be Balanced

A balanced audio signal is one that has had additional noise removed through a process of inversion that takes place along the signal path. While it’s beyond the scope of this post to go into the technical details of this process, the general idea is that noise generated along the signal path is phased out when it gets to the output.

The Way Balanced Audio Signal Works

An XLR cable will always be a balanced connection, meaning it will typically have much less chance for unwanted noise in the line. A TRS cable will be balanced as well, but TRS inputs and outputs may be unbalanced.

In this video, Andrew from Deity Microphones discuss the importance of choosing between XLR and TRS for the best sound quality in film audio recording.

If a TRS cable is connected to an unbalanced stereo output leading to a balanced mono input on a mixer, it will still transmit audio; however, the result will lack bass and will be out of phase. Whenever you’re using a balanced cable, you want to connect it to a balanced inputs and outputs.

XLR Offers Protection Against Interference

Because of the balanced nature of XLR connections using three conductors and inversion, audio sent through these lines typically experiences less interference from radio frequency (RF) interference and electromagnetic interference (EMI).

Balanced Connection Is Protected from Radio Frequency Interference and Electromagnetic Interference

All kinds of electronic devices can introduce these types of noises, including mobile phones and even other audio gear nearby. When noise gets introduced, it can sound like buzzing, humming, hissing, crackling or other types of distortion.

XLR is often the best choice for studio use since most studios are stocked with electronic gadgets, but they’re also beneficial in live recording situations where you can’t always control the environment.

XLR Can Use Phantom Power

Phantom power is power that is derived from the piece of gear that the cable is plugged into. If a cable can run phantom power, then there is no need to plug a device into a wall socket or other power source.

There Is No Need of a Wall Socket

XLR cables transmit phantom power through the three conductors located in the end connectors. The nice thing about this feature is that if a device is plugged into a phantom power source through XLR and the power isn’t needed, the device will simply ignore the current.

In most cases, phantom power is used to power things like condenser microphones that are most commonly used with XLR cables. Because the mic will use the current automatically, you usually will not need to do anything to ensure that the mic is powered.

XLR Cables Are Tug-Resistant

When it comes to securing connections around the studio, XLR often has an advantage since its connection locks into place. Cables that use TRS or USB are more easy to knock out of a jack by accident.

Tug Resistance Is a Simple but Indispensable Advantage of XLR Cable

This security is especially beneficial when using a number of cables in a crowded studio. An accidental tug or snag on a TRS or USB microphone cable can mean a ruined recording or damaged equipment, but XLR cables are much more difficult to pull out of place accidentally.

You can learn more about XLR and USB microphones in this article.

TRS

Below, you’ll learn about some of the sound quality features of TRS connections.

TRS Doesn’t Require a Preamp

While XLR cables generally require a preamp, TRS cables do not. This can be an advantage because it means less equipment to get a recording job done, but it may limit your options for pre-processing audio.

There Is No Need of a Preamp

A TRS line is assumed to already be at line level, meaning no additional amplification is required to get the signal audio to a usable state.

TRS Can Be Connected to Inputs and Outputs

When using an XLR cable, you’re usually going to be sending a signal one direction. For example, an XLR cable is usually used to send a signal from a microphone to a mixer.

There Are Two Ways How Audio Can Be Sent: Inputs and Outputs

With a TRS connection, audio can be sent both ways. This is especially helpful if you’re using TRS cables to connect equipment in a patch bay or when you’re using a headset microphone.

If you want to know more about choosing between balanced and unbalanced cables, take a look at this video from Multiplier. In it, you’ll learn how different cables can affect sound quality and more.

Once again, I’ll point out that TRS cables should be used with balanced inputs and outputs to reduce the chances for sound quality issues. If you’re not sure whether an input or output is balanced or not, consult with your equipment’s manual or manufacturer.

TRS Is Less Expensive

For the most part, TRS cables are less expensive than XLR. Manufacturing quality can have an effect on the price, but you’re usually going to spend less for a quality TRS cable than you will on a quality XLR cable.

One deciding factor in the cost of cables overall is the materials the wiring is made from as well as the thickness of the wire. Thickness is usually expressed as the gauge of a wire.

The Cost Depends on the Materials the Cable Is Made From

The thicker the wire gauge, the more power it can handle. This doesn’t mean you need to look for the thickest wire possible, but your cables need to at least meet the minimum specifications set out by the manufacturer of the audio equipment you’re using.

Useful Resources

Conclusion

What’s the right choice in the debate over XLR vs TRS sound quality? I recommend using an XLR cable for any type of microphone recording when possible, especially when using a condenser mic.

TRS is usually best when running lines out of gear into recording hardware or patch bays as long as your equipment accepts balanced connections.

It’s also a good idea to always utilize studio acoustic treatments like soundproof curtains to improve sound quality. You can learn more about some of the best soundproof curtains for studio audio in this article.

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Learn the Differences Between NRC and STC Ratings for Your Studio https://myelearningworld.com/stc-vs-nrc/ https://myelearningworld.com/stc-vs-nrc/#respond Mon, 31 May 2021 17:52:19 +0000 https://myelearningworld.com/?p=5454 During the months that I spent setting up my home recording studio, I came across terms such as STC and NRC that others threw around. I wanted to take a few minutes to explain those terms to you and teach you what you need to know as you work on your studio. Knowing what materials ... Read more

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During the months that I spent setting up my home recording studio, I came across terms such as STC and NRC that others threw around. I wanted to take a few minutes to explain those terms to you and teach you what you need to know as you work on your studio.

Knowing what materials to use and how to get the most out of your studio will help you save both money and time as well as avoid a disaster. In this article, I hope that you’ll learn the basics of STC vs NRC and take away some key points:

  • The basics of STC and NRC along with what they mean
  • The materials that you’ll need in your studio
  • How to calculate an NRC rating
  • How to understand the STC rating chart

Sound Transmission Class

STC is an abbreviation for the term Sound Transmission Class and refers to a specific class of materials.

What Is STC?

You will often hear experts mention both STC and Sound Transmission Class, which refer to the same thing. This is a rating given to a material that tells you how well it will keep sound in or out.

The Way Sound Transmission Class Works

Though STC often refers to the materials used in commercial construction, it can also refer to the products and materials that you use in your home or studio. It essentially tells you how well materials will soundproof a room.

Terms: Decibels, Transmission Loss and Frequency

Audio Equipment

Decibel: Decibel is the term used to describe the strength of a signal. It often refers to how loud an electronic item is such as a microphone.

Transmission Loss: The term transmission loss refers to the decrease or loss of the signal’s strength. You’ll often find this term used to describe audio equipment.

Frequency: Frequency tells you how many times an event will repeat over a specific period of time. It goes along directly with STC.

How Is STC Measured?

The Signal Measuring

To measure or calculate STC, you will find the transmission loss values and compare those to the frequency range. This will form a curve that shows you how well the materials work when used at different frequency levels.

Where Is STC Useful? When Is High STC Good and Not?

In my experience, a high STC rating is far better than a lower one. This shows that your studio is soundproof and that you don’t need to worry about sounds getting inside or going outside.

Higher STC Rating Shows that You Don't Need to Worry About the Soundproof Level

Let’s say that you want to host a podcast from your home studio. A low Sound Transmission Class rating means that your microphone may pick up noises from around you or allow the sound of your voice to reach your neighbors. With a higher rating, you get the soundproofing and security that you want.

STC Rating Chart

Single-Pane Window and Standard Interior Door's Rating

I created a simple STC rating chart that shows the figures given to different products on a scale of 25 to more than 60.

  • Single-Pane Windows – 25
  • Standard Interior Doors – 30+
  • Hollow Interior Doors – 45
  • Damping Compounds – 50
  • Concrete Floors – 50
  • Masonry Walls – 60

Keep in mind that traditional building and construction supplies have a lower STC as the manufacturers expect you to use those materials in ordinary ways. They do not create those products as soundproofing supplies.

Disgruntled Neighbor

For example, single-pane windows have a low rating that shows you they may keep the sounds of normal conversations from getting outside. Concrete floors and walls have a higher rating that means your neighbors will hear fewer of the things that you do.

Soundproofing materials have a higher rating. You can use a single product or a combination of materials such as panels and curtains to build the perfect home studio.

Materials for High STC Rating

There are many products that have a high STC rating and can make your home studio more soundproof. The most common example is drywall as different types and sizes can damper and block higher sounds.

Drywall Installation

You may want to invest in damping compounds that you can apply to your existing walls. I found that products such as Green Glue work quite well and are easy to use.

I also recommend looking into acoustic foam and panels. You can check out this article to see how the rating also relates to home windows as your studio may have one or more windows.

Noise Reduction Coefficient

Though STC is a class of materials, Noise Reduction Coefficient is a rating that applies to the absorption of those materials.

What Is the NRC and NRC Rating?

NRC Rating

As you look at STC vs NRC, you’ll quickly see that the two terms are similar but also different. The NRC rating tells you how well materials will absorb noises and sounds in a specific frequency range.

How to Calculate NRC?

I highly recommend looking over this article to get an idea of how brands calculate this rating. The manufacturer will first use a test process to determine the absorption level in a standard room.

Calculating the NRC Rating

The company will then place an acoustic material in the room and perform a second round of tests. Once they subtract the two figures, they get the NRC rating. You can perform the same tests in your home studio.

Where Is NRC Useful? Is a Higher or Lower NRC Better?

NRC is useful in home studios because it gives you a good idea of what your listeners will hear. If you have a low rating, your listeners may hear everything from the dog next door barking to traffic on the street. Those noises can turn them off and make them avoid your recordings.

Consequences of Low NRC Rating

You’ll find this rating listed between zero and one. A rating that is closer to one such as .9 tells you that the product absorbs almost no sounds. If you have a rating closer to zero such as .1, you’ll know that the product absorbs more noises and that you don’t need to worry about picking up ambient sounds.

Let’s say that you want to build a vocal booth for voiceover work. You want a lower rating that ensures no sounds from your studio escape outside. In this article about vocal booths, you can pick up tips on designing one.

Noise Reduction Coefficient Chart

Different Materials' NRC Rating

Check out the following chart to see the ratings given to specific materials.

  • Marble – 0
  • Drywall – 0.15
  • Carpet – 0.4
  • Ceiling Tiles – 0.7
  • Acoustic Panels – 1

I strongly encourage you to think about the materials that you already have in your home as you look over this chart. That will help you determine the sound absorption that your studio already has and what materials can increase your rating.

Products and Materials for NRC

Acoustic foam panels are just one of the products that you can use to increase the NRC of a home studio. You can click here to find out more about the top acoustic panels that you can use, too.

Acoustic Foam Panels and Curtains Can Help to Increase the NRC

If you want to block noises and have windows in your studio, I recommend trying soundproofing curtains. They are just as easy to install as traditional curtains are but block street noise from getting inside. They also absorb more of the sounds that you produce.

For curtains that perform both tasks, I suggest looking for those with a vinyl lining on the back. This lining absorbs noises from your studio.

Sound Absorption Average

Sound Absorption Average or SAA is another rating that you need to know. This is a number awarded to a product by the American Society for Testing and Materials (ASTM) that shows its coefficient in a frequency range of 200 to 250 Hz.

The Way Sound Absorption Works

Though similar to NRC, SAA refers to a lower frequency range. You may need to look at all three figures when turning a home studio into a professional studio.

STC vs NRC

If you’re a visual learner and still have questions about STC vs NRC, give this short YouTube video a watch. I like that it goes over the differences in around three minutes.

The most important thing to keep in mind is that STC is a rating given to specific products to explain how well the product keeps sounds from escaping from a given room. On the other hand, the NRC tells you how well a product absorbs the same sounds.

Useful Resources

Conclusion

Building a brand new studio in your home is easier than you might think and lets you create a space for recording audiobooks and podcasts along with records and videos. Depending on how busy your home is and the noises you hear, you may want to invest in some soundproofing materials. In this article, you can get a look at the best acoustic blankets on the market. I hope that you found my article on STC vs NRC helpful as you look at which products to add to your studio.

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The Interesting Soundproofing Debate: Egg Crate Foam Vs Pyramid Foam https://myelearningworld.com/egg-crate-vs-pyramid-foam/ https://myelearningworld.com/egg-crate-vs-pyramid-foam/#respond Tue, 25 May 2021 08:23:28 +0000 https://myelearningworld.com/?p=5352 Are you debating on whether to use egg crate foam or pyramid foam to soundproof your room? If so, you have come to the right place. This is an argument that has been going on for a long time and has led people to wonder which one they should use to soundproof their space. I ... Read more

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Are you debating on whether to use egg crate foam or pyramid foam to soundproof your room? If so, you have come to the right place. This is an argument that has been going on for a long time and has led people to wonder which one they should use to soundproof their space.

I have been recording podcasts for several years and have used a variety of soundproofing materials. Therefore, I will address this common quarrel by giving the pros and cons of each, explaining how to properly install them, and discussing when each type of foam tends to work best.

Ultimately, you must decide what will work best for you and your needs, but I will help you with this difficult decision by giving you my feedback and reaction to using an egg crate foam and a pyramid foam.

However, I will go ahead and let you know that this will overall depend on your budget if you care that your recording space looks nice or not, and what type of sound and noise you would like to keep out or in.

I have used both egg crate foam as well as pyramid foam and have found that they work best for different reasons. We will get more into that below.

Soundproofing Your Room with Egg Crate Foam

It can be used for a variety of different things such as mattress toppers to increase comfortability, packaging to protect breakable items and soundproofing against unwanted noise.

Egg Crate Foam is Made from Several Different Foam Materials

Egg crate foam is a good product to use for soundproofing because the cone design minimizes sound. It does this through its echo reduction method that occurs when noise reaches the cones.

When you have a sensitive microphone, it is crucial to choose a great soundproofing material. If you feel like you may need a different microphone, check out this article for suggestions. It gives you a look at several of the best vocal microphones to use with different music genres.

Egg Crate Foam is the Perfect Solution for an Overly Sensitive Microphone

The following are the pros and cons of using egg crate foam for soundproofing:

Pros:

  • Egg crate foam is easy to install yourself.
  • It is widely used for all types of rooms and professionals.
  • Egg crate foam is very affordable.
  • It is recommended for beginners.
  • This type of foam helps with echo and sound distortion.
  • It is also easy to find and purchase.

Cons:

  • Egg crate foam works best in smaller rooms.
  • It can only reduce a small amount of noise.
  • This type of foam is not very attractive or appealing.
  • You may need to cover it with other fabrics to make it look better and give you an extra layer of soundproofing.
  • This type of foam only works if the tiles are placed correctly. Do not leave any space where sound can travel through.
  • Egg crate foam cannot get much thicker to reduce more sound.
  • It is better at absorbing higher sound frequencies than pyramid foam.

If you would like to know more information on using egg crate foam for soundproofing, check out Acoustic Fields’ YouTube video. He will provide you with details on closed- and open celled egg crate foam. In addition, he will also tell you how to properly use it in your room.

Soundproofing Your Room with Pyramid Foam

Pyramid foam is known for its pointed tips and is a good product for absorbing sound waves and frequencies. It will not completely stop the noise, but it is known to absorb a good amount of it.

The Thicker it is, the Better it Will Reduce Sound

You can increase the thickness of pyramid foam by applying several layers of the foam where needed.

If you are looking for pyramid foam, you may be able to find excellent options in this article. It provides you with several different acoustic foam panels that are considered to be best for home recording studios.

Use Pyramid Foam for Your Home Studio

The following are the pros and cons of using pyramid foam for soundproofing:

Pros:

  • Pyramid foam reduces bass sounds very well.
  • This type of foam does a good job at diffusing sounds.
  • It has a more interesting and attractive look than egg crate foam.
  • Pyramid foam also enhances sound quality.
  • It is easy to find and purchase.

Cons:

  • Pyramid foam does not block overall sound very well.
  • It is more expensive than egg crate foam.
  • This type of foam only works if the tiles are placed correctly. Do not leave any space where sound can travel through.
  • Pyramid foam is better at absorbing lower sound frequencies than egg crate foam.
  • Several layers may need to be applied to make it thick and reduce more sounds. However, it is a good option for reducing more sounds because of its thickness.

If you would like more information on using pyramid foam for soundproofing, take a look at Greg Salazar’s YouTube video. He will show you how he installed pyramid foam in his room as well as give you his personal opinion on them.

Greg rents his space, so he will show you what to do if you also rent your space and would like to install pyramid foam. The goal is to ensure that your walls do not get messed up for your landlord.

How to Soundproof Your Room with Egg Create or Pyramid Foam

Below, I will tell you how to properly install acoustic foam to soundproof your room.

  1. Gather your collection of egg crate or pyramid foam.
  2. Clean the walls with rubbing alcohol to remove any dirt.
  3. Make sure that the foam is clean and prepare it to be installed.
  4. Attach the foam to the cardboard using glue, nails, adhesive, staples, or pushpins. These will help secure them in place.
  5. After everything is dry, attach the cardboard to the wall using adhesive.
  6. Make sure that you cover the entire surface of the wall. Do not miss any spot or sound will still be able to pass through.
  7. You may have to place tape in between cracks and use blankets or curtains to cover the egg crate foam for extra soundproofing and to make it look more attractive.

Do not Forget About Wall Preparation

What Should You Choose?

Choosing between these two types of foams for soundproofing is a personal choice. What works for you and your needs may not work for someone else and their needs.

Everyone Chooses according to Their Needs

Below, I will help you with your decision by telling you when you should use egg crate foam as well as when you should use pyramid foam.

When to use egg crate foam:

  1. If you need to minimize high frequencies, choose egg crate foam as it typically only focuses on high-frequency sounds.
  2. If you are recording in a small room, choose egg crate foam because it does well at reducing sound in a smaller space.
  3. Select egg crate foam if you are experiencing an echo-related issue. Egg crate foam is great for echo noise reduction.
  4. If you need something fast, cheap, and do not care about how it looks, choose egg crate foam. This foam is easily accessible, not very attractive, and extremely affordable.

When to use pyramid foam:

  1. If you have a recording studio, select pyramid foam as it is best for these types of spaces.
  2. If you are producing audio and do not want the outer sound to reflect and mix with the audio, choose pyramid foam because it does an excellent job at absorbing sound and keeping it from intertwining with the audio.
  3. If bass-related sounds are your issue, select pyramid foam as this type of foam works well for bass-related issues.
  4. Choose pyramid foam if you are willing to spend more money, would like your soundproofing room to look more appealing, and need a thicker material that can reduce more sound.

Useful Resources:

Conclusion

I hope that this article helped guide you in making the decision of whether to use egg crate foam or pyramid foam to soundproof your room.

While there are a variety of different solutions to soundproofing, these two are the most debatable and easiest to install. Both have their own unique ways of helping reduce and minimize specific sounds that may travel into your recording space.

Therefore, it is up to you to decide which one you think would work best for you and your needs. Regardless, they are both quick, easy ways to begin soundproofing your room.

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Egg Carton Soundproofing: How to Soundproof a Room on the Cheap https://myelearningworld.com/how-to-soundproof-a-room-with-egg-cartons/ https://myelearningworld.com/how-to-soundproof-a-room-with-egg-cartons/#respond Tue, 18 May 2021 10:06:16 +0000 https://myelearningworld.com/?p=5134 Are you looking for a simple way to soundproof your room quickly? If so, you have come to the right place. I will tell you about an easy life hack that may change your life when it comes to concealing noise — egg carton soundproofing. I have been recording podcasts for several years and have ... Read more

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Are you looking for a simple way to soundproof your room quickly? If so, you have come to the right place. I will tell you about an easy life hack that may change your life when it comes to concealing noise — egg carton soundproofing.

I have been recording podcasts for several years and have noticed that it is common to experience extra noises while recording.

I have had to improvise whenever I do not have the time to go to the store. You will also need to find a way to reduce the chances of these noises occurring if you are short on time or money.

If you buy eggs often, you most likely have the tool that we need to soundproof your room. That’s right, it is an egg carton! Go to your refrigerator and take your eggs out of the carton because you are going to need this handy item.

In this article, you’ll:

  • Know if soundproofing with egg cartons is worth it compared to acoustic foam or other alternatives.
  • Learn 5 steps to soundproof the room using this extraordinary material.
  • Find some other soundproofing alternatives.

Some may find this method to be funny, while others may find it to be interesting. However, I promise that it works quickly and effectively.

 

Do Egg Cartons Work for Soundproofing?

Egg cartons do work for soundproofing a room, but I must add that it is only a cheap, temporary solution. It is convenient if you need a quick fix to any sounds coming into the room that you are recording in, as egg cartons are commonly found in everyone’s refrigerator.

Do Egg Cartons Work for Soundproofing?

My advice would be not to use this as a permanent solution and to begin investing in other better products that can soundproof your room more successfully.

Below, I will list the pros and cons of soundproofing a room with egg cartons. This will help you make the decision yourself before you begin implementing this soundproofing method.

Pros:

  • Good method for beginners
  • Inexpensive
  • Most households have egg cartons
  • Easy to put on walls

Cons:

  • Only a temporary fix for noise
  • May not get rid of all noises
  • Will need to find something more permanent
  • If not put on correctly, it may not work effectively

This will help you make the decision yourself before you begin implementing this soundproofing method.

 

Egg Carton Soundproofing: A Step-by-Step Guide

I will provide a step-by-step guide to help you in the process of setting up this unique soundproofing method. It is not difficult and only contains five steps. Follow these steps to successfully soundproof your room with egg cartons:

Step 1: Gather a collection of empty egg cartons

The majority of individuals and families have egg cartons in their refrigerators or recycle bins because eggs are a common food to eat. Therefore, you should have egg cartons around your home or at your neighbors’ homes that you can use. If not, you can go buy some eggs and take them out of the cartons.

Gather a collection of empty egg cartons

Foam or cardboard are both effective, so it does not matter which type you have.

Step 2: Clean egg cartons

Before executing this plan, make sure you clean the egg cartons. This may not seem like a big or important step, but you do not want to use dirty egg cartons, especially if any egg yolk or shells are in them.

Clean egg cartons

This will get on your walls and potentially stain them.

Step 3: Prepare the walls

Before attaching the egg cartons to the walls, prepare your walls. This will require adding soft material to the wall to give the room more soundproofing.

Prepare the walls

A few of the commonly used soft materials are blankets, cardboard, paper, and curtains. You can tape these items to your wall or put up curtain rods.

Step 4: Attach the egg cartons to the wall

The next and final step is to add the egg cartons. You can use a variety of different things to do this such as glue, starch, wallpaper paste, adhesive, nails, staples, pushpins, or thumbtacks.

Attach the egg cartons to the wall

Keep in mind that this may not look very appealing, but it is a quick and affordable way to start soundproofing your room.

Step 5: Look around for other solutions

You can try to keep your room airtight if the goal is to keep all noises out. This will require checking the windows and doors for any gaps that may be peeking through.

Look around for other solutions

You can fill these gaps with paper, tape, or acoustic sealant.

If you are interested in watching someone soundproof their studio with empty egg cartons, check out this video. Throughout the video, you will see a man named Johnny buying the items needed as well as going through the process of soundproofing his studio.

He used egg cartons, cardboard, a glue gun, and hot glue. At the end, he gives his opinion of this soundproofing method, which he seems happy with. You can also clearly hear the difference after the egg cartons have been placed on his walls.

Other Soundproofing Possibilities

There are other soundproofing techniques that you can try if you do not want to use egg cartons. I will discuss these techniques briefly below, and you can decide which way may work best for you and your budget.

1. Foam Panels

Acoustic foam panels cost between $50-$200. They come in three different styles, which are wedges, pyramids, and egg crates.

Foam Panels

To determine which acoustic foam panels you should choose, I would recommend checking the noise reduction coefficient (NRC) rating.

This rating is usually a number between 0-10 (10 being the best). A decent NRC rating is around 8, so you should keep that number in mind when shopping for acoustic foam panels.

2. Soundproof Curtains

Soundproof curtains are another great product to keep noise from coming into your room. They may appear to look like regular curtains, but they are specifically created with thicker and heavier materials to help absorb sound waves.

Soundproof Curtains

This is a more costly method, as you will most likely spend around $30-$50 per curtain.

3. Soundproof Blankets

Soundproof blankets are an affordable option for soundproofing a room. They prevent air from passing through their fibers, which blocks out any unneeded sound waves.

Soundproof Blankets

While you can find soundproof blankets that are cheap, it is best to buy more expensive ones that work better. These range from $30-$200.

4. Anti-Vibration Pads

They are one of the cheapest options on this list, as you can purchase a four-pack for less than $20.

Anti-Vibration Pads

It is worth noting that anti-vibration pads mainly focus on vibration sounds. Therefore, other types of sound waves and noises will not be reduced effectively.

5. Vocal Booth

A vocal booth is an area where the person recording is secluded. All noises and sounds are kept out of the booth, and only the noise coming from the individual recording is sheltered in the booth.

Vocal Booth

However, vocal booths are the most expensive option on this list. The majority of these booths cost between $900-$10,000. Sometimes, you can find a used one for around $200, but at that price, it may not be very effective. In this article, you’ll find ways to get a vocal booth.

 

Is Using Egg Cartons for Soundproofing Worth it?

Using egg cartons for soundproofing is worth it if you have a low budget and need something effective fast.

It may take time to place egg cartons on your walls, but you will be glad that you did it in the end. Not everyone can afford an expensive product or item to reduce sounds. Therefore, using a handy, easily accessible item in your home, like the egg crate, will do the job well.

Is Using Egg Cartons for Soundproofing Worth it?

If you have the time and patience, I suggest getting started with this useful technique. You will not regret it even if it is just for the time being!

 

Useful Links

 

Conclusion

I hope that this article answered your questions about using egg cartons to soundproof your room.

While there are better alternatives to soundproofing a room or studio, like acoustic foam panels and soundproofing blankets, this is a simple, convenient, and super cheap way to solve your problem of sound coming into your recording place or the neighbors getting angry at your loud noise.

Regardless, it is a quick, temporary fix and I do recommend finding a more permanent solution in the near future.

Have any questions about egg carton soundproofing? Leave a comment below and we’ll help you out.

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Can You Hear Me Now? Easily Solve “Microphone Picking Up Background Noise But Not Voice” Problems With These Steps https://myelearningworld.com/microphone-picking-up-background-noise-but-not-voice/ https://myelearningworld.com/microphone-picking-up-background-noise-but-not-voice/#respond Wed, 12 May 2021 07:38:12 +0000 https://myelearningworld.com/?p=5131 One of the most frustrating problems you can run into during recording or even when on a Zoom call is when your audio input picks up background noise but not your voice. Usually, this background noise isn’t actually audio, but instead, it’s a hum or static sound. Thankfully, I’ve discovered many ways to easily troubleshoot ... Read more

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One of the most frustrating problems you can run into during recording or even when on a Zoom call is when your audio input picks up background noise but not your voice. Usually, this background noise isn’t actually audio, but instead, it’s a hum or static sound.

Thankfully, I’ve discovered many ways to easily troubleshoot and solve these problems, and I’m ready to share my knowledge with you. Using advanced digital audio meters, I’ve been able to pick up even slight variances in frequency and gain, allowing me to see when and where background audio is being captured.

In order to track down the source of each problem listed below, I also took a deep dive into the specs of not only my recording devices but also my digital audio workstation software, plugins, and even my operating system settings. Check out my tips and tricks below to fix problems with your microphone picking up background noise but not voice audio.

I walk you through several important steps you can take to find and eliminate common causes of a recording device only picking up background noise. Whether it’s a loose connection or something more complicated, I explain what’s going on and how to get it fixed fast.

What’s That Sound?

In my personal experience, an audio input that is picking up background sounds but not voice sounds isn’t actually recording audio at all. Instead, the sound you’re hearing is electrical interference or noise generated by a power supply unit nearby.

Electrical Interference

If a device is recording properly, it should be capturing all sounds, including your voice any other audio source in proximity. There’s no realistic way that it’s filtering out just your voice while still capturing sounds around you.

Background noise could sound like humming, hissing, buzzing, static, or chirping. Usually, this problem will mean you’re getting no audio recorded from your input device, but you may get a little bit of your voice overlapping with the background noise if you’re using an analog device.

Background Noises

When using a digital input device, your voice is either going to be coming through or it’s not. There really isn’t a middle ground in digital recording.

To fix the problem of only picking up background noise, you first need to figure out where the issue is is originating from. There are four places to check:

  • Your mic
  • Your cables and connections
  • Your recording software
  • Your system sound settings

Identifying the Cause

I find that solving recording issues in my studio usually means starting with the simple stuff first.

A Piece of Advice

I’ve encountered many audio professionals over the years who ended up tearing their studios apart to track down a problem when it turned out to be something simple like flipping a switch or making sure a connection was tight.

To help you avoid wasting time, here are some common problems and solution that can lead to your microphone picking up noise instead of your voice:

Check Your Connections

When I’ve run into issues in my recording studio involving a recording input picking up background noise but not my voice, the first things I check are my connections. A loose connection can sometimes cause electrical noise to be passed along, but my actual vocal audio won’t be processed.

Connections

When checking connections, make sure each one is complete and that there is no wiggle room. A worn or bent connector pin or jack can cause an incomplete and buzzy connection.

I also recommend ensuring your cables are not touching one another when possible. Even when shielded, a cable’s signal could interfere with another’s signal pathway if the two are in close proximity.

The Right Cable Usage

Whether you’re using a device with a USB connection, 3.5mm connection or an XLR connection, you still need to manage your cabling properly. You can find out more about some of the best XLR mics available today in this article.

Check Your Device Settings

If your connections are all secure and complete, I’d recommend taking a look at your voice over mic settings. Many recording units have an onboard switch that allows you to select different polar patterns for directional recording.

Microphone Settings

If your recording device is set to an omnidirectional polar pattern, it will be recording sound from all directions. This could lead to more background noise being picked up as opposed to your voice.

Instead, consider choosing a cardioid polar pattern when speaking directly into a condenser capsule. Using any other pattern may pick up more indirect and ambient sounds, and this could lead to background noise overpowering a voice recording.

Using Cardioid Polar Pattern While Singing

If your recording device does not include the ability to change polar patterns, you may need to choose a different recording device altogether. Some devices are manufactured with a fixed polar pattern that is designed for picking up vocals more efficiently.

Look at the Settings in Your Software

Your recording software may also be to blame for microphone picking up background but not voice audio. The first thing I check in my recording software when troubleshooting microphone problems is which piece of recording gear I have selected for my default input.

Recording Software Advice

Most digital audio workstation software allows you to either select a default input device for all recording or to select different devices to be used during multi-track recording. If your recording is picking up background noise but not your voice, you may have the wrong input device selected.

In this video, GMODISM shows more ways to reduce or eliminate background noises such as clicking, popping, keyboard typing sounds and more.

Pro Tip: If you’re noticing popping and clicking during voice recording, consider using a pop filter and a shock mount to insulate your mic from extraneous noise.

Examine Your Operating System’s Sound Settings

No matter what type of operating system you’re using, it likely has adjustable sound settings. In these settings, you should be able to adjust things like the default input device, audio effects, volume levels for playback and recording as well as sensitivity and boost settings.

The Most Popular Operating Systems

Adjusting your system’s sound settings may resolve problems involving your audio input only recording background noise and not your voice. Operating system sound settings options usually offer you the ability to monitor the audio of input device, so use this option to test your input if it is available.

Is your recording picking up all sounds from your PC instead of just your voice? Learn how to fix this common problem by checking out this video from 404ms.

Pro Tip: When recording a voiceover while also using screen recording software, use studio headphones to eliminate system sounds and notifications from being picked up. If you want these sounds to be recorded, they should only be recorded internally as recording them from your speakers could create feedback and echo.

Access Sound Settings in Windows 10

  1. Right-click on the home screen Windows icon
  2. Left-click on “Settings”
  3. Select “System” from the options presented
  4. Select “Sound” from the list
  5. You’ll be shown the various input and output settings available, including the option to test your microphone

Access Sound Settings in Apple OS

  1. Select the Apple menu icon
  2. Choose “System Preferences”
  3. Select “Sound”
  4. You will now have the ability to choose input and output settings to see your default recording and playback devices and levels
  5. If you’re using the recording input built into your Mac, these settings may also include an option to reduce background noise. To enable this, select “Use Ambient Noise Reduction”

Pro Tip: Different audio platforms have differing requirements for loudness. When using meters in your digital audio workstation software, check the requirements of your preferred hosting platform to ensure you stay within the platform’s guidelines.

Other Things to Think About

If you’ve checked your input device, cables, software, and operating system sound settings and you’re still getting background noise instead of your voice, here are some other things to check:

Are You Using Multiple Mics?

If you’re using multiple mics, it’s possible that the background noise you’re picking up is coming from an input that is armed for recording when it shouldn’t be. This could be the case when you have recording units in different rooms, but it could also happen when you have a device still armed in your recording software from a previous session.

Multiple Mics

You might also run into a problem when you use multiple mics to record both ambient and nearby sounds. If the ambient input device is left recording while the nearby unit is muted, you’re going to hear background noise and no vocals.

To fix this problem, consider setting up a flow chart for your recording session when using multiple inputs at the same time. This chart can help you remember where each unit has been placed and what each will be used for so you don’t leave one armed when it should be muted.

Flow Chart

If you’re recording with multiple inputs, wireless is usually the way to go when you need distance. You can learn more about some of the best wireless microphones I’ve reviewed here.

Monitoring Settings

From music to voiceovers to gaming audio, I’ve worked in recording for many years, and I still sometimes find myself making the mistake of leaving a recording device in monitoring mode during a recording session. Monitoring a mic usually is done through headphones, so the signal will be routed to a different output.

Monitoring Mode System

When you forget to take an audio input out of monitoring mode, you might not actually record anything with the device, but you will still hear the sounds the device is capturing. This can give you a false sense of what is actually being recorded, and you likely won’t notice the mistake until you playback the recording and hear nothing but the hum of a dead audio signal.

A Man Who Forgot to Take an Audio Input Out of Monitoring Mode

You can correct this by getting into the habit of monitoring during certain times before or in between takes. You could also look for an audio interface device that uses LED lights to visually show what mode a particular input is using at the moment.

Useful Resources

Conclusion

Finally, I want to point out that a properly organized recording environment can not only help to eliminate microphone picking up background noise but not voice audio issues, but it also helps me to work more efficiently. This last part is crucial when I need to put out new content for YouTube quickly.

Speaking of YouTube, in this article, I provide a review of some of the best YouTube mics available today. Many of the mics covered include features that help to eliminate recording problems like picking up background noise instead of vocal audio.

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Muffled Mic Can Destroy a Great Recording – Easy Tips on How to Clear Up a Muffled Mic https://myelearningworld.com/why-does-my-mic-sound-muffled/ https://myelearningworld.com/why-does-my-mic-sound-muffled/#respond Fri, 26 Mar 2021 11:34:49 +0000 https://myelearningworld.com/?p=4509 When it comes to recording, clarity is crucial. Unfortunately, even the best microphones can sound muffled, and this problem can kill an otherwise perfect recording. To make matters worse, if you aren’t monitoring your recording using a good pair of studio headphones, you may not even notice that your recording sounds like underwater until you ... Read more

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When it comes to recording, clarity is crucial. Unfortunately, even the best microphones can sound muffled, and this problem can kill an otherwise perfect recording. To make matters worse, if you aren’t monitoring your recording using a good pair of studio headphones, you may not even notice that your recording sounds like underwater until you get your audio into post for editing. Once you hit this stage, you may play your audio back only to be left wondering: “Why does my mic sound muffled?” This creates a huge problem because, although there are software tools available that can restore some muffled audio, you may have to go back and re-record a session that can’t be fixed due to muffling.

Easy Steps For Clearer Audio

A muffled sound can stem from internal problems within the recording unit itself (make sure you’ve actually cleaned your microphone before doing anything else), but they can also be the result of your recording environment, gear placement, and more. When a mic sounds muffled, the details of your recording often end up destroyed, and once recorded this way, even the best post-processing tools and techniques can have a hard time bringing them back.

Below are some common causes for your device sounding muffled and how to fix them:

Your EQ Settings

EQ, also known as equalization, is the process by which you raise or lower frequencies in a recording. Your EQ settings allow you to manipulate your audio by giving it more bass, mid-range, and treble. This can be done with broad bands, narrow bands or even tiny bands that are specific to one frequency.

The Importance of a Balanced Mix

The problem is that raising bass too much can cause a recording to sound muffled or muddy. Lower frequencies tend to take up a lot of head space within a recording. When too much bass is introduced, clarity suffers because too many tones are competing for your audio space at once.

How to EQ to Remove Muffling

EQ settings will be specific to your sound source and the complexity of your recording. For example, if you’re recording the human voice, you will want to roll off bass frequencies below 100Hz. This is because even baritone voices won’t reach much further below this mark, and by cutting, you give yourself more room to accentuate mid-range frequencies without raising them. This prevents harshness while reducing muffling and brings overall clarity to a voice.

Frequency Spectrum Division

If you’re recording specific instruments, you’ll want to temper your EQ settings for each one individually. Bassy instruments, like kick drums and bass guitars, already have bass to them, so you may experience muffling and muddiness if you raise low EQ levels. Once again, it’s almost always better to cut frequencies than to raise them, so consider cutting mid- and high-end frequencies instead of raising lower frequencies.

If you’re recording multiple sound sources that have a broad range of frequencies at once, consider using a frequency spectrum analyzer plugin to see where hot spots may be developing during your recording session. This tool will give you a visual representation of where frequencies are peaking so that you can narrowly define your EQ settings and cut specific low-end frequencies to reduce muffling and mud.

Something is Blocking Your Port or Capsule

Other 2 Reasons of Muffled Sound

Another possibility that could lead to a muffled sound is something physically blocking your microphone. This could be the case if you’re recording using a smartphone or laptop mic that has a small port. If debris blocks the port, sound waves have a harder time penetrating, and this can cause your recording to sound muffled.

Additionally, if you’re using a windscreen or other type of cover, the thickness of the material matters. If your covering is too thick, it won’t let enough of the short high-end frequencies through, but bass tones can still penetrate. This causes muffling because you’re only capturing the lower frequencies that give a foundation to the clearer mid- and high-end sounds.

Use the Appropriate Windscreen

To solve this issue, make sure your ports are clear of debris, and use the appropriate windscreen for your specific device. Also, make sure you even need a windscreen before using one. If you’re recording in a studio environment that has been properly treated with acoustic paneling or in a vocal booth that has sound deadening-material applied, using a windscreen if likely going to result in a muffled recording.

Your Audio Source is Too Close, Too Far or Off-Axis

Sound Source Position

Perhaps one of the most common answers to the question “why does my mic sound muffled?” is that your sound source is too close. This is especially true when you’re recording with a condenser microphone that offers greater sound sensitivity or with a headset microphone that’s placed very close to your mouth.

The problem with being too close to a device while recording is that sound can overwhelm the capsule in a condenser mic and lead to a muffled, distorted recording. This can be an issue when recording the human voice, but it can be a problem when recording instruments as well.

You may also experience this problem if your audio source is not facing your recording device properly. When using a cardioid polar pattern, the capsule is only picking on sound from one direction. If your sound source isn’t facing the mic’s capsule, your recording could sound muffled because the recording is going to pick of various reverberating reflections from walls, ceilings and other surfaces in your recording space. Even if you think that a surface isn’t reflective of sound, virtually any hard surface will reflect at least a little bit of sound. These reverberations all stack up in tiny amounts and can cause muffling when they bounce back to your microphone.

How to Solve the Problem

Do not Forget about The Distance and Microphone Polar Pattern

To remedy this, position your sound source appropriately to match your selected polar pattern. If you’re using a cardioid pattern, only direct sound toward the front of the capsule. Also, choose your distance based on the type of mic you’re using and the volume of your audio source.

  • If you’re recording the human voice at a normal speaking volume, try to maintain between six and 12 inches between your sound source and your microphone
  • For situations involving recording multiple sounds at once, consider the use of multiple recording devices and a multi-track recorder to capture and process each sound source individually for greater clarity
  • When recording loud sounds, consider the use of a dynamic mic instead of a condenser. Check out our guide explaining how dynamic microphones work.
  • Choose the right polarity pattern for your needs, and keep your sound source facing the proper direction during recording

Muffled Mic Issues With the Blue Yeti

Blue Yeti

I also wanted to highlight some tips that specifically pertain to muffled sounds and the Blue Yeti. It is an incredible piece of gear that offers a lot for podcasters, voiceover artists, YouTube content creators and more, and I consistently rate it among my top picks whenever it’s included in my reviews.

  • The Blue Yeti utilizes a condenser capsule, so it needs to be positioned between six and 12 inches from your sound source for the clearest results in most cases
  • You want to keep the Blue Yeti either mounted on a desktop or mounted in a shock mount while recording with it. Holding the mic during recording can lead to discrepancies in positioning and proximity to your sound source, both of which can result in muffled audio
  • Another consideration for getting the cleanest audio from the Blue Yeti is the condition of your USB cable. If your cable is damaged or is not making a tight connection, you may experience some ground noise that results in a low-level hum. While this doesn’t cause physical muffling, it can result in your recording sounding muffled as the humming will take up aural space in the background

Monitor Your Recording

I also recommend that anyone who has the ability to monitor during recording should do so. Many microphones include an onboard headphone jack that gives you the ability to hear what’s being recorded in real-time. By monitoring while recording, you can catch potential problems and correct them before getting too deep into a recording session.

Studio Headphones are Suitable for Monitoring Your Recording

You’ll want to use neutral studio headphones while monitoring for the best results. If your headphones are tuned for bass, you may hear more bass than actually exists in a recording. This can cause you to make unnecessary adjustments that can alter the final recording in a negative way leading to muffling. Likewise, headphones that are tuned for top-end sounds may not allow you to hear problems in the low-end until you’ve already finished recording and your audio is in post-production for editing.

It Takes Trying Several Things

I also want to point out that you may need to make a few adjustments and test them over time to find the right settings and placement to solve the problem after asking: “why does my mic sound muffled”. Recording is a precise and complex blend of testing and comparing results, and audio pros have spent many years honing their craft by trying things out and creating innovative solutions.

This is why many audio professionals are able to solve other problems quickly, including microphone issues with high-pitch noise.

You should also keep in mind that audio is subjective to a degree. What sounds muffled to you might sound fine to someone else. As a result, try not to overthink things, and when possible, bring in someone else to take a listen to your recording to see if they hear what you hear. Having a second set of ears to give an objective listen can help you to get a better understanding of how things sound when you may be too close to the project.

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If Your Mic Sounds Like a Robot Online, You’re Not Alone – Get Rid of Weird Audio Glitches https://myelearningworld.com/why-does-my-mic-sound-like-a-robot/ https://myelearningworld.com/why-does-my-mic-sound-like-a-robot/#respond Thu, 25 Mar 2021 07:33:34 +0000 https://myelearningworld.com/?p=4480 These days, more and more people are spending more time at home and using the Internet to communicate with colleagues, family and friends. Chat and conferencing software and apps like Zoom, Discord and Google Meet allow you to interact in real-time using both video and audio, helping to bridge the gap between the physical and ... Read more

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These days, more and more people are spending more time at home and using the Internet to communicate with colleagues, family and friends. Chat and conferencing software and apps like Zoom, Discord and Google Meet allow you to interact in real-time using both video and audio, helping to bridge the gap between the physical and the virtual. Even though these technologies are designed to be simple to set up and easy to use, technical issues can still lead to unexpected results.

One of the biggest problems people face when streaming audio during online chat is the issue of distortion. Often, this problem leads to you sounding slow and without tone. This can lead to you wondering why your microphone sounds like a robot, and it can make it impossible for others to understand you, including transcription software apps that offer closed captioning services.

Ask Others if You Sound Wrong

When this problem strikes, other people may have a hard time hearing you. Worst of all, you may not even notice the problem until someone else tells you that your voice sounds robotic.

Why Does My Mic Sound Like a Robot?

There are a number of hardware factors that can affect the quality and clarity of your mic’s sound capture, but by and large, the majority of issues that cause your device to sound like a robot are software-based.

Below is the most common cause for your microphone sounding like a robot and how to fix it.

Your Connection

The Most Common Problem - Internet Connection

Chat apps like Discord rely on voice-over-IP (VoIP) technology to provide audio chat. When using a VoIP service, your audio is captured by your mic, translated into digital information and that information is then streamed over your connection to the person you’re talking with.

A poor connection or a connection that is suffering from packet loss, or the loss of bits of data in a stream, will try to fill in the gaps. This is what can cause distortion and a robotic sound.

Essentially, when a stream is interrupted and then re-established quickly, the delayed audio may be sent all at once and played quickly. Conversely, if audio information is missing during a stream of information, the other person may be getting duplicate information on a small scale that stretches out pieces of audio. This is what causes the robot microphone sound.

How to Solve the Problem

You Are Far Away from a Wi-Fi Signal Source

When it comes to solving connection issues affecting your audio quality, you may need to get more people involved to find a solution. Of course, the simplest way to tackle the issue is to check your Internet connection at home or in your recording space.

To do this, you can ensure that you’re connected to a stable high-speed connection. In Windows, you can do this by left-clicking the WiFi signal icon in the task bar and selecting a strong signal. On a Mac, you can click on the WiFi signal icon in the menu bar to select your connection.

If you’re connected to a weak signal provider, like a WiFi router that is located far away, you may experience data loss frequently. This can be a contributing factor if you find yourself asking “why does my mic sound like a robot?” This can also happen if you’re in an area that is experiencing a lot of WiFi interference.

Check Your Connection Speed and Packet Loss for Free

Good Internet Speed

If your connection is stable and strong and you’re still having audio glitches, you can check your connection speed and packet loss. To do this, simply search for speed test and packet loss services using your preferred search engine.

There are a number of free services that can conduct these tests quickly right from your browser. If you’re noticing slow speeds or significant packet loss, you may need to contact your Internet service provider (ISP).

Getting your ISP involved allows a professional to take a deeper look into the issue of robotic-sounding audio. Something as simple as changing a setting on the backend of your connection may be able to boost performance and reduce audio issues.

Solving Problems in Discord

In Discord specifically, you can solve issues that can make your voice sound like a robot by changing your server settings.

To fix it, you can adjust your Discord settings by completing these steps:

How to Set a Voice Region in Discord

  1. Connect to your server
  2. Look for one of your Voice Channels and left-click on the gear “Edit Channel”
  3. Select “Overview” from the list
  4. Next, look for the Region Override box, and left-click on the option
  5. You want to change your server to the one located closest to the person or group with which you are speaking.

This will help to eliminate connection issues that may cause delay and a robotic effect on your voice.

Listen to Your Mic in Playback to Check Its Quality

You can also check the quality of your microphone by listening to your audio in playback. To do this in Windows 10, follow these steps:

  1. Right-click on the speaker icon (volume settings) in your taskbar
  2. Select “Open Sound Settings”
  3. Inside the “Input” section, make sure your device is selected from the dropdown list.
  4. Then, left-click on “Device properties”
  5. You then want to left-click on “Additional Device Properties” under “Related Settings” to the rightSteps 1-5 to Turn On Mic Playback
  6. In the window that opens, select the “Listen” tab
  7. Check the box that is labeled “Listen to This Device”
  8. Don’t forget to “Apply”

Step 6-8 to Turn On Mic Playback

You should now be able to hear your mic’s playback through your default speakers or headphones.

Technology is Not Perfect

Although these steps can solve most concerns about audio glitches causing a robotic sound, certain factors can affect your audio data that are beyond your control. For example, if your ISP has a brief interruption of service or if your WiFi signal experiences a short interruption, your audio can come across as robotic momentarily. Likewise, the audio problem could come down to a connection issue that is happening to with person you’re speaking with. Just remember that no ISP is perfect, and problems can and do occur.

The good news is that by checking your connection, ensuring that your settings are correct in your preferred chat app, and by listening to your microphone in playback, you can reduce audio troubles and get answers to the question: “Why does my mic sound like a robot?”.

The post If Your Mic Sounds Like a Robot Online, You’re Not Alone – Get Rid of Weird Audio Glitches appeared first on MyeLearningWorld.

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Answering Question: What is the Fuzzy Thing on a Microphone — All the Types are Included https://myelearningworld.com/fuzzy-thing-on-a-microphone/ https://myelearningworld.com/fuzzy-thing-on-a-microphone/#respond Tue, 23 Mar 2021 10:48:55 +0000 https://myelearningworld.com/?p=4444 If you are questioning what is the fuzzy thing on a microphone, you have come to the right place. The fuzzy thing is called a windscreen, and I do recommend buying one for your mic because it helps reduce pressure as well as any popping or wind noise that may occur while recording. Throughout this article, I ... Read more

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If you are questioning what is the fuzzy thing on a microphone, you have come to the right place. The fuzzy thing is called a windscreen, and I do recommend buying one for your mic because it helps reduce pressure as well as any popping or wind noise that may occur while recording. Throughout this article, I will explain what a windscreen is, its essential uses, why you should consider purchasing one, and the different types that you can get.

Why do you need to use protection for your microphone?

You need to use protection for your microphone to prevent any type of noise that could occur in the background while you are using a device. If you do not use protection for your device, some of the types of noises that your listeners may hear in addition to your voice are popping, wind noise, thumping, and more. This is a nuisance to the listener as well as the individual using the mic. However, it can easily be prevented by purchasing and using a windscreen.

Reducing Any Background Noise

One of the main functions of a windscreen is to reduce the turbulence around the mic. By reducing the turbulence, you will reduce any background noise. A windscreen typically looks like a fuzzy, furry fabric that absorbs any occurring wind energy. Therefore, they may not look like they do much, but they do help out the microphone user quite a bit.

If you still have the question of what is the fuzzy thing on a microphone and would like an up-close look, check out Scott Dumas’ YouTube video. During the video, he will give you a look at different windscreens to consider as well as show you how he records outside on a windy day with one.

There are a variety of different types of windscreens that you can purchase. Below, I will go over a few types that are very popular upon microphone users.

Foam Windscreens

What it is made of: A foam windscreen is made of foam. Cheaper foam windscreens are usually made of thin acoustic foam, while more expensive foam windscreens are made of open-cell acoustic foam.

Foam Windscreens

Purpose: The purpose of the foam windscreen is to reduce a great amount of wind noise as well as maintain the high-frequency loss to a certain amount.

Best for: The foam windscreen is best for protecting the microphone from wind noises, pops, and loud thuds while speaking.

Pros and cons: An advantage of a foam windscreen is its reliability to prevent wind noises from occurring. A disadvantage is that the cheaper options are not very durable and will need to be replaced often.

Deadcats

What it is made of: A deadcat is a fluffy windscreen. It is commonly made of fake furry materials.

Deadcats

Purpose: The purpose of the deadcat is to reduce any pickup noises in the mic from the wind.

Best for: The deadcat is mostly used for outdoor mic recording. If it is a windy day, you can bring your deadcat outside and begin recording.

Pros and cons: The advantages of the deadcat are that you easily make one yourself, they are strongly encouraged to use, and many production crews for movies and entertainers use them while recording outside. A disadvantage of a deadcat is that if you do not make it correctly, it may not work effectively and your recording will be filled with wind noise.

If you would like to know how to make your own deadcat, watch DIY Video Studio’s YouTube video. In the video, he will show you what it sounds like to speak into a microphone on a windy day with no deadcat vs speaking into a microphone on a windy day with a deadcat. He also gives a thorough explanation on how to create your own deadcat to use in the future.

It’s easier than you think!

Blimp Covers

What it is made of: A blimp cover is made of some type of plastic mesh materials. The mesh material also comes equipped with a thin layer of foam inside.

Blimp Covers
Purpose: The purpose of a blimp cover is to offer the microphone a bigger open-air chamber that surrounds it. This will help create space between the air that is moving and the capsule of the mic. By using a blimp cover along with another form of windscreen, you are providing your mic with the optimal protection from wind noise.

Best for: The blimp cover is best for protection against wind speeds as well as wind sounds.

Pros and cons: An advantage of a blimp is that it provides excellent shielding from wind with the addition of another type of windscreen. A disadvantage of the blimp is that you may experience a loss of high frequencies while recording due to the layers around the mic.

The Importance of Windscreens

Windscreens are a wonderful accessory to your microphone. They work hard to eliminate the strength and speed of wind gusts that may hit the microphone capsule. You have a variety of choices such as purchasing an easy slip-on windscreen, buying a more complex windscreen, or to make your own fuzzy windscreen. Depending on your preference, each will add a layer of protection that will shelter your mic from wind, handling, and background noises.

To determine what type of windscreen you should buy, take a look at Podcastage’s YouTube video. He goes over the differences between pop filters and windscreens. He also will help you decide which one may work best for you by testing each and giving you his opinion of them.

Useful Links

Conclusion

I hope you found my article to be helpful in explaining the answer to your question of what is the fuzzy thing on a microphone. Overall, a windscreen will enhance your microphone performance by reducing surrounding noises. For those that plan to record outside at any point, it would be crucial to buy some type of windscreen to improve the quality of your voice recordings. If you already own a windscreen and are looking for the perfect microphone to use with it, take a look at my list of omnidirectional mics that everyone should own.

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How Do Wireless Microphones Work? Everything You Need to Know https://myelearningworld.com/wireless-microphone-guide/ https://myelearningworld.com/wireless-microphone-guide/#respond Sat, 20 Mar 2021 14:48:22 +0000 https://myelearningworld.com/?p=4156 If you’ve ever asked yourself “How do wireless microphones work?”, this guide is for you. Think of this as the ultimate guide to wireless mics with all the details about how they work, common uses, what to look for when choosing one, and more. Not so long ago, performers had to deal with an unruly ... Read more

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If you’ve ever asked yourself “How do wireless microphones work?”, this guide is for you. Think of this as the ultimate guide to wireless mics with all the details about how they work, common uses, what to look for when choosing one, and more.

Not so long ago, performers had to deal with an unruly tangle of microphone cables. The cables were unsightly, and they invited all types of mishaps, such as trips, falls, and jacks popping out of amps mid-performance.

The mic cable also tethered musicians, as well as other types of entertainers and presenters, to one spot.

Wireless microphones (also called cordless) have exploded in popularity as a convenient and effective method of transmitting singing and speech.

Wireless mics are now a cornerstone of audio capture in numerous scenarios, offering unparalleled flexibility and mobility. They are prominently featured in live performances, allowing musicians and performers to move freely while delivering clear vocals. In public speaking engagements, corporate settings, and conferences, these microphones empower presenters to engage with audiences confidently.

In the world of entertainment, film, and television production, wireless microphones ensure synchronized audio capture, enabling actors to move naturally on set while maintaining audio quality. Sports commentators also rely on them to provide live commentary during games. In educational settings, wireless mics aid teachers in delivering clear lessons, particularly in larger classrooms or for students with hearing impairments.

Their adaptability and ongoing technological advancements continue to make wireless mic systems an essential tool for high-quality audio communication across diverse industries.

Of course, you might assume wireless mics are expensive, but the good news is you don’t need to worry about their price. The market has all different types of wireless mics fitting all budgets. Affordable wireless mic systems come in handy for home and office use, voiceovers, presentations, lectures, and classes that don’t require perfect sound or noise reduction.

Cordless mics can also be an effective choice for these purposes, as well as larger-scale productions such as concerts.

So how does a wireless microphone work? Read on to find out.

 

How Does a Cordless Mic Work?

Before we answer the question of “How do wireless microphones work?,” let’s figure out how wired microphones differ from cordless ones, what a wireless microphone system (WMS) consists of, what frequency they work at, as well as their pros and cons, where they are used, and what to look for when buying them.

Guide

What’s the Difference Between Cable and Wireless Microphones?

Put simply, a wired microphone transforms a sound into an electrical signal. From there, the signal is carried via a cable to a mixer or sound system, where it emerges as audio.

A cordless microphone, on the other hand, contains a battery-operated transmitter that sends audio signals through the air via radio waves.

What Are the Components of a Wireless System?

The components of a wireless system are unlike those of a corded microphone and perform differently.

1. The Microphone

Types of Wireless Microphone Systems

There are three types of cordless mics:

a) Handheld Wireless Microphone with Built-In Transmitter

Many lead vocalists prefer this type of device. It’s a streamlined system because the wireless transmitter is built into the mic’s handle (also called the capsule), and its only other element is a wireless receiver. Some refer to it as a two-in-one.

Handheld Wireless Microphone Systems

Cable devices are usually available in cordless models if a user basically likes them but wants a cordless version. Singers or other users have more mobility with this type of mic.

b) Wireless Headset Mic with Body Pack Receiver

If you’re a dynamic performer such as Britney Spears or Cher, you’ll need to move with as little encumbrance as possible. It’s important to use a WMS that allows you to be active, sing, and not trip over a labyrinth of wires without sacrificing sound quality.

Headset Wireless Microphone Systems

A headset mic, comprised of a microphone that’s worn on the head, a body pack transmitter and a cordless receiver works well for those who need a lightweight option that permits freedom of movement.

c) Lavalier Microphone

Lavalier (or lapel) mics are small, discreet microphones that are fastened to ties, collars and other clothing. It links to a body pack transmitter, which then sends the signal to a wireless receiver.

Lavalier Wireless Microphone Systems

You may have seen broadcasters, public speakers and interviewers use this type of mic.

No matter what type you use, though, it needs to be paired with a transmitter.

2. The Transmitter

Types of Transmitters

A transmitter is a device that literally transmits the microphone’s audio signals to a receiver.

There are three types of transmitters.

a) Handheld Microphone Transmitter

Handheld Microphone Transmitter Examples

A handheld transmitter is built into the mic’s body. This makes the microphone somewhat larger than a traditional corded one The transmitter’s job is to convert audio signals to radio signals.

These wireless signals are broadcast from an antenna at the microphone’s base. A handheld transmitter is battery operated.

b) Plug-In

Plug-In Transmitter Examples

Plug-in transmitters, or plug-on, are standalone devices that can transform most non-cordless microphones into wireless. It attaches to the lower part of the model that’s usually connected to a cable.

c) Belt Pack

If a microphone is hands-free, such as a headset or lavalier, it uses a transmitter called a belt pack or body pack. A body pack is a boxy device with an antenna, and it’s about the size of a deck of cards or a pack of cigarettes.

Belt Pack Transmitter Examples

A belt pack contains the components that relay a signal to a remote receiver. It clips onto a belt or waistband, or it can be tucked into a pocket.

The third most important piece of equipment that transforms audio signals to sound is the receiver.

3. The Receiver

The transmitter sends its signal to the receiver, a piece of equipment that transforms radio waves into audio signals. These audio signals then pass through the sound system. A typical receiver has two antennas so that it can effectively capture a strong signal from the transmitter.

The transmitter and the receiver need to be set to the same radio frequency so that the mic signal is sent correctly.

Types of Receivers

There are three types of receivers, and each has a different method of receiving the transmitted signal.

a) Non-Diversity

Non-diversity receivers only have one antenna to capture the transmitter’s signals. This type of receiver is notorious for issues such as random interference, fades and dropouts (total loss of audio).

Scheme: How Non-Diversity Receiver Works

Few manufacturers carry non-diversity receivers because of their unreliability and subpar function.

b) Diversity

Diversity receivers have two antennas. Each antenna connects to the same receiver. If the signal weakens on one antenna, the receiver shifts to the other.

Scheme: How Diversity Receiver Works

Diversity receivers have spotty performance. Since they function indiscriminately, sometimes they strengthen a weak signal, but they’re also known to diminish a strong one.

c) True Diversity

True diversity receivers have two individual antennas spaced about two inches apart. Ideally, they should each be attached at a 45-degree angle. Each one is connected to its own receiver.

Scheme: How True Diversity Receiver Works

The receiver “intelligently” assesses the signal from each antenna and chooses the strongest one. Dropouts are much less likely with a true diversity receiver, and they’re the choice of most professionals.

Now that you know what each part of a WMS is, here’s how you can set one up.

The video demonstrates the process of setting up a basic wireless system with one receiver and one handheld or body pack transmitter.

The right frequency is essential for providing a clear channel to carry the mic’s sound.

What is Wireless Microphone Frequency?

Audio frequency is the gauge of how high or low the pitch of an audio signal is. Frequency is measured in Hertz (Hz). The frequency spectrum audible to the human ear is 20 Hz to 20,000 Hz.

A cordless mic transmits and also receives audio on a radio frequency, or operating frequency. These operating frequencies are divided into ranges, also called bands:

a) FM (Frequency Modulation)

This is the most popular frequency for cordless devices. Frequency modulation is a means of sending a signal on a radio frequency wave.

Freqency Modulated Signal

Many cordless microphones utilize frequency modulation. When they do, it requires access to approximately 200 kHz bandwidth. Bandwidth refers to the spectrum of frequencies that an electronic signal encompasses.

The radio frequencies, or RF, needed to access this bandwidth are:

VHF (Very High Frequency) – 30 to 300 MHz
UHF (Ultra High Frequency) – 300 MHz to 3 GHz

VHF

Mics utilizing VHF radio frequencies have a simple setup, because they only operate on one frequency. However, they’re susceptible to disruption because other wireless devices share the same frequency.

UHF TV Range

One of the advantages of using the UHF band (also known as the television band) is that the device can be adjusted to numerous frequencies. Not only does this help prevent interference from other crodless devices in the vicinity (also known as “getting stepped on”), but it permits the use of several radio mics at the same time.

Frequency Spectrum Bands

The UHF range encompasses unassigned TV channels (also called white spaces). Some of the channels are reserved for actual television stations or public safety channels (police, fire department, etc.).

Use of UHF channels depends upon how many white spaces are available in each town. The microphone’s manufacturer can help you identify the best frequency range for your location.

  • 900 MHz Range

This range spans 902 to 928 MHz. These are channels beyond the conventional TV spectrum. They’re well-suited to digital wireless mics.

  • 2.4 GHz Range

This band can be used license-free worldwide. However, it may be susceptible to interference from WiFi equipment, and it only offers a few radio channels.

  • 614 MHz to 698 MHz Range

This range has been reclaimed by the FCC and auctioned off to cellular providers, including T-Mobile, for wireless broadband use. As of July 13, 2020, it is now a Federal offense to use this space for cordless microphones, and it could result in fines or even criminal action.

Even if you try to use this band, your device will experience continuous interference, or it will simply stop working. That means you’ll have to shell out cash for an entire system that’s not in the 614 MHz to 698 MHz range.

b) Fixed-Frequency

These devices have a preset frequency that cannot be modified or changed. Because of this, they can only be used in one fixed area.

c) Frequency-Agile

A frequency-agile system automatically seeks the best frequency. These systems are more sophisticated and automatically display these frequencies directly on their screen.

Basic systems indicate the presence of interferences with an LED light. In this case, you’ll need to continue searching for and eliminating occupied frequencies until you find one that’s acceptable.

Frequency-Agile vs Fixed Frequency

In the United States, licenses are required to use wireless mics on unassigned television channels, since they are part of the Broadcast Auxiliary Service (BAS). The Broadcast Auxiliary Service is a radio frequency system encompassing channels that are not used by the general public, but rather a path that an audio signal utilizes.

The FCC, however, usually ignores and doesn’t enforce this cordless mic licensing requirement.

Check out the video below and learn how to put together a basic wireless microphone setup and how to keep the components from interfering with each other.

There are pros and cons to using a cordless device. Knowing them can help you decide if a cordless mic is or isn’t right for you.

Advantages and Disadvantages of Wireless Microphones

Like any piece of equipment, cordless mics have advantages and disadvantages.

Advantages

  • It allows complete freedom of movement.
  • Can be hands-free.
  • They eliminate cluttered-looking cables.
  • Eliminate tripping hazards.
  • They have a clean, aesthetically pleasing appearance.
  • Lavalier mics have a good signal-to-noise ratio.
  • There are several versions to choose from to suit your needs.

Disadvantages

  • They have a short range of about 300 feet.
  • Wireless mics with built-in batteries are not operational while they’re charging.
  • Dead spots. These are places where the device won’t work and signal quality suffers.
  • They’re susceptible to interference from other cordless devices which can affect audio quality.
  • You’re using a public radio frequency, so the FCC could always reallocate it. This would force you to buy a new batch of microphones that can access another frequency spectrum.
  • You’re limited to buying the mic, transmitter and receiver in the same package, from the same manufacturer. If you mix brands or components from different systems, they’ll create interference. A receiver using one frequency won’t work with a transmitter using another, and the reverse. This is especially problematic when frequencies aren’t adjustable.

Cordless microphones are extremely adaptable to numerous scenarios and have virtually unlimited uses.

What Are They Used For?

Wireless microphones are versatile devices that can be used by numerous individuals and in many settings where vocal amplification is needed.

  • Lead vocalists
  • Background vocalists
  • Teachers and professors
  • Fitness instructors
  • Interviewers and interviewees
  • Public speakers
  • DJs
  • Broadcasters
  • Worship leaders
  • Auctioneers
  • Business meetings
  • Karaoke
  • Plays
  • Television
  • Video production
  • Filmmaking
  • Courtroom

Choosing a Wireless Microphone

Let’s consider the characteristics of a cordless mic that you should pay attention to when choosing it.

1. Microphone Type

There are two types of wireless devices: analog and digital.

a) Analog

Analog mics use cables and transform sound waves into electrical signals.

b) Digital

Digital one encodes sound waves into radio signals. These signals are then sent to a receiver. The receiver transmits the signal into a sound system, where it emerges as speech or singing.

Digital and Analog Modulations of a Radio Wave

Contrary to their name, digital devices aren’t totally digital. Like an analog system, they use an analog signal. However, digital systems send binary code via the signal, rather than straight analog sound.

It’s much easier to filter out intrusive noise with a digital microphone. That’s because they’re simply encoding and decoding audio information. Since the receiver only recognizes digital data, it completely disregards anything else on the transmission medium.

Some digital mics offer encryption, which is a means of jumbling data so it can’t be understood by hackers or others trying to intercept sensitive information. This is helpful during things such as business presentations, for example, where a company needs a high degree of confidentiality.

This video gives a super-simple explanation about what each wireless mic component does and how they all work together.


2. Range

Range is the distance that a microphone transmits sound. Some mics have short ranges, while others have ranges of 1,000 feet. Determine how far you’ll be from your audience or subject and multiply that by two. It’s better to be on the safe side and overestimate the range you’ll need.

The price of a system often equates with its range.

3. Size

Size of the cordless microphone depends upon its intended use and your personal preference.

  • If you like the solid feel of an object, the size of a handheld mic would probably be the way to go. It’s also great if you don’t need to use your hands much, and it’s a nice size if you want that “classic” look.
  • If you prefer to use an inconspicuous mic that leaves your hands free, then a tiny lavalier one would work well.
  • The size of a wireless headset device falls between the larger handheld microphone and the tiny lavalier. It’s ideal if you need hands-free use, and if you need to feel something more substantial on your body.
  • There are also very compact systems in which the mic is built into the transmitter. Its battery can last up to seven hours and the transmitter and receiver synch in a brisk three seconds. This microphone’s range is only about 70 feet, though, so it’s best for close-up scenarios such as interviews.

4. Battery Life

Some wireless microphones use two single-use, disposable AA batteries. It’s best to purchase alkaline batteries because of their high quality, longevity, and dependability.

Some have a rechargeable, nine-volt battery built into the unit. Rechargeable batteries are the more convenient and inexpensive option.

You won’t be out of as much cash as you would be from constantly replacing batteries, and you won’t be scrambling onstage or elsewhere to put batteries in or to remember to put them in, in the first place.

Some rechargeable batteries last approximately five hours, and one manufacturer claims that theirs lasts a whopping 30 hours.

5. Latency

Latency is a measure of the time it takes for a signal (from the microphone) to turn into a sound (the speech or singing that you hear). High latency occurs when someone sings or speaks, and there is a conspicuous delay. High latency can also be distracting for the presenter.

A to D to A Conversion

Wireless systems must transform analog signals into digital signals and then back to analog. They also need to find a channel with the strongest signal to maintain good sound quality.

Although this happens in a blink, this can add up to a latency that can be problematic in cheaper cordless models. Your best bet is to pay more money for a reliable, high quality mic.

Useful Resources

A Final Word on Wireless Mic Systems

Cordless microphones and wireless systems are great for performers and presenters who want freedom of movement minus a hazardous tangle of wires. They offer some serious advantages over their corded counterparts that have made them a fan favorite.

With wireless mics, performers and presenters can break free from the leash of cords. Cables on stage also can be a recipe for accidents waiting to happen. They’re like those hidden banana peels just waiting to trip you up. Wireless mics eliminate that risk, making sure your show goes off without a hitch.

And let’s not forget flexibility. With wireless, you’re not tied down by cord length. You can move around, switch up your setup, and adapt to different venues and scenarios. It’s all about convenience and adaptability, whether you’re in a classroom, on a movie set, or giving a killer presentation. In the world of audio, wireless systems are like the superheroes of the stage!

Of course, there are features unique to each piece of equipment that need to be adjusted and then synced with each other in order to make the entire system properly function. The result can be great, matchless sound. If this is what you’re seeking, then hopefully the above information will clear up any confusion you may have. It can also point you toward using one professionally and answer the question, “How does a wireless microphone work?”

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How to Make the Best Choice When Considering a Pop Filter vs. Foam Cover https://myelearningworld.com/pop-filter-vs-foam-cover/ https://myelearningworld.com/pop-filter-vs-foam-cover/#respond Thu, 18 Mar 2021 13:53:23 +0000 https://myelearningworld.com/?p=4378 Even the best microphones aren’t perfect, and sometimes they can’t regulate unwanted sounds. Whether you’re singing or speaking, rogue noises can intrude upon your audio, rendering it flawed or completely unusable. I was struggling with these issues until I discovered pop filters and foam microphone covers (windscreens). As their names suggest, these are filters that ... Read more

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Even the best microphones aren’t perfect, and sometimes they can’t regulate unwanted sounds. Whether you’re singing or speaking, rogue noises can intrude upon your audio, rendering it flawed or completely unusable.

I was struggling with these issues until I discovered pop filters and foam microphone covers (windscreens). As their names suggest, these are filters that screen out extraneous noises, resulting in purer audio.

I also learned that they’re not interchangeable. Each filter functions differently and is used in different situations. Each one works better with specific microphones.

Here, I’ll discuss a pop filter vs. foam cover, so you can decide which one is right for you.

Why You Need to Use Filters for Your Mic

Why You Need to Use Filters for Your Mic

I highly recommend using microphone filters, because they screen out noises made by wind, breath and high-end/low-end issues. They also eliminate popping sounds created when singing or saying certain consonants. Filters keep saliva off the microphone, as well as dirt, dust and debris.

Some filters are designed to be used indoors, while others are intended to be used outdoors. Because of this, they shouldn’t be used interchangeably

Read on to learn all about selecting the mic filter that’s right for you.

Things to Consider When Buying a Microphone Filter

Microphone filters may look like simple devices. However, there are numerous features to take into consideration when you’re debating between a pop filter vs. foam cover.

Size

Pop filters are generally between four and six inches. The smaller ones limit range of motion, because the singer or speaker has to be positioned just-so in front of them. If you have a smaller mic, a smaller pop filter is probably best.

Choosing a Pop Filter's Size

Larger filters, though, are less restrictive, allowing the user to focus on what they’re doing, rather than how they’re doing it.

Keep in mind, though, that larger filters can weigh down the microphone. Lavalier mics are one of the smallest mics which means that there’s no need to buy a huge pop filter for them. If you want to choose the best lavalier mic click here.

Installation

Make sure the filter installs easily and stays put.

Choosing a Suitable Pop Filter

Gooseneck

A gooseneck’s quality is just as important as the filter’s quality. Find one that doesn’t sag under the weight of the filter and needs incessant repositioning.

Choosing a Suitable Pop Filter for a Gooseneck

It should also be easy to bend into place.

Shape

Curved filters provide more microphone coverage, accommodating performers who like to move freely.

Choosing the Shape

Flat filters are less expensive than curved ones. However, you must be careful to speak or sing directly into the mic so that you’re less likely to create plosives.

Material

Pop filters come in both woven nylon (which is considered to be the industry standard) and metal mesh. If you want a more classic sound, your best bet is nylon. If you prefer a more modern style, check out metal mesh filters.

Choosing the Material

Here are more details about what a pop filter is and what it does.

Pop Filter

A pop filter is the circular device resembling a lollipop that’s placed between a microphone and someone who is singing or talking.

What is a Pop Filter’s Purpose

Its specific purpose is to filter plosives. These are popping sounds (thus the filter’s name) created when you expel sharp gusts of air.

Condenser mics are more susceptible to plosives than others.

Plosives are comprised of six hard consonants. In order from strongest to weakest, these are P, B, T, D, K and G.

Plosives

The Beatles’ “Ticket to Ride” contains the plosives T, K and D. Another good example is “Peter Piper picked a peck of pickled peppers.” It abounds in P and K plosives.

The Beatles’ “Ticket to Ride”

Pop filters also help minimize sibilance (also called fricatives). Sibilance is snake-like hissing caused by pronouncing or singing an S or Sh sound. A good example of sibilance is, “She sells seashells beside the seashore.”

Pop filters direct air downward, which allows sound to pass straight through to the mic. This is known as diffraction.

Choosing a pop filter can be challenging, especially if you’ve never used one before. In four information-packed minutes, Bandrew of Podcastage helps you navigate through pop filters by demonstrating and ranking the effectives of seven of them.

This includes free ones that come with mics to pricier models.

Advantages:

  • Pop filters minimize plosives and sibilance
  • Eliminate problems with the high and low end. This also makes the recording easier to edit
  • Protect the microphone from saliva, which can corrode it
  • Easy to use
  • When properly placed, a pop filter can help users stay the correct distance from the mic

Disadvantages:

  • Not as effective as windscreens for reducing background noise
  • Some metal pop filters slightly whistle
  • Can suffer from the proximity effect
  • If you’re doing video work, it will block your face
  • If you’re doing voiceover work, you’ll have difficulty seeing the copy

What It’s Best For:

Pop filters are excellent for indoor use to diminish plosives and sibilance when using voice over microphones. Without one, your audio can sound abrasive and amateurish. They’re essential for doing high-quality voiceovers, podcasts and YouTube videos that keep your listeners engaged.

New to podcasting? Then you’ll want to check out this video by Edward Smith. You’ll hear comparisons of mics with and without pop filters, as well as pop filters vs. foam windscreens.


If you do any type of outdoor recording or presentations, a foam mic cover is the best choice for this scenario.

Types of Pop Filters

Two types of pop filters are available: nylon mesh and metallic mesh.

Nylon Mesh Pop Filters

Nylon pop filters are made of a double layer of nylon stretched inside a plastic or metal hoop. The first and second layers dissipate your breath and intercept plosives before they reach the microphone.

Nylon Mesh Pop Filters

Did you know you can make a DYI nylon mesh pop filter? All you need is a wire hanger and a pair of pantyhose. Simply bend the hanger into a circle, and cut off one leg of the pantyhose, but leave the foot.

Slip the nylon over the hanger, pull tight, trim off the excess material and tape into place. That’s it!

The Beatles famously used pantyhose mic filters during their impromptu 1969 performance on the roof of Apple Records.

I thought this video by Mike Delgaudio of Booth Junkie was extremely helpful in showing how a pop filter’s price doesn’t necessarily equate to quality. He does a rundown of pop filters, their effectiveness and whether they change the incoming sound. (Complete with waveforms!)

Mike also explains how to perfect your diction to diminish plosives.

Metallic Mesh Pop Filters

These disc-shaped filters are made of woven metal mesh or perforated metal. They have wider holes than nylon filters and provide the best noise shield.

Metallic Mesh Pop Filters

This is because metallic mesh filters have specially shaped openings that deflect gusts of air downward, while having less of a detrimental impact on high frequencies.

Some metal mesh pop filters also have a layer of nylon mesh. Many users believe that metal filters have a more professional appearance than nylon ones.

Foam Cover

A foam cover, or windscreen, is a porous, polyurethane cylinder that fits securely over a microphone’s grille.

What is a Foam Cover’s Purpose

Whereas a pop filter is used to control plosives, a windscreen’s primary purpose is to block out the sound of wind. Windscreens are about half an inch thick and filter gentle breezes up to two miles per hour.

Foam Cover’s Purpose

Many manufacturers include custom-sized windscreens with their mics. Universal windscreens are also available that fit over a variety of microphones. Inexpensive and portable, they also safeguard the mic from moisture.

Like the pop filter, a windscreen dissipates low frequency interference caused by bursts of air. However, it disperses air from all sides, rather than only the front.

Advantages:

  • Great for working outdoors to capture sound with minimal wind interference
  • Pairs with omnidirectional mics
  • Ease of use
  • Reduces excessive background noise

Disadvantages:

  • Foam dries out as time goes by, and the flakes can fall off and into the microphone
  • Not as effective as pop filters for reducing plosives
  • Foam absorbs some high frequencies, which can dull the sound of your recording

What It’s Best For:

Windscreens are ideal for outdoor recordings or presentations that must sound clean and free of random wind noises. This is especially crucial if you’re in a situation that’s a one-time opportunity, and a do-over won’t be possible.

Types of Windscreens

There are two other versions of windscreens in addition to the foam type.

Windjammers

Also known as windsocks or, more disturbingly, dead cats, windjammers are fluffy, synthetic fur covers that fit completely over a microphone. You’ve probably seen them on boom poles at outdoor interviews and sporting events.

Windjammers

Windjammers are lined with polyurethane foam for extra wind interference reduction. They are fitted over blimp-shaped microphones, which have their own built-in windscreens. This adds an additional layer that makes the windjammer even more effective.

Windjammers are also used with shotgun mics.

Dead cats with strands of fur that are 1.5 inches or longer are more effective than shorter ones. The fur obstructs wind while permitting audio to go through, without sacrificing the mic’s high-frequency response.

Dead cats handle strong wind of approximately 15 miles per hour.

Blimps

Large, pill-shaped windscreens called blimps, baskets or zeppelins (no relation to the band) provide the most effective level of wind protection.

Blimps

Since blimps contain the entire microphone, surrounding it in an open chamber, they completely safeguard it from disturbance coming from all directions.

Using a dead cat along with a blimp can make it even more resistant to wind.

Useful Resources

Conclusion

Microphone filters are valuable pieces of equipment, because there’s one for all circumstances, whether indoors or outdoors. They’re also versatile devices that work with any type of mic, including the best XLR microphones. If you’re debating about a pop filter vs. foam cover, this article should point you in the right direction.

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Choosing Between XLR Microphones and USB Microphones https://myelearningworld.com/xlr-vs-usb/ https://myelearningworld.com/xlr-vs-usb/#respond Thu, 18 Mar 2021 06:55:20 +0000 https://myelearningworld.com/?p=4358 When considering mics for a recording studio or live sound reinforcement, you will first need to decide if you prefer to work with mics that use an XLR connector or a USB connector. The XLR connector has been the audio industry’s standard for more than 60 years. The USB connector is a more modern invention ... Read more

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When considering mics for a recording studio or live sound reinforcement, you will first need to decide if you prefer to work with mics that use an XLR connector or a USB connector. The XLR connector has been the audio industry’s standard for more than 60 years.

The USB connector is a more modern invention that allows the mic to connect directly to a computer or other electronic device with a USB port. This article will give you the knowledge you need to evaluate the best budget microphones for your home studio or to use at live events.

Before making a choice, let’s have a closer look at each type of microphones. The first will be XLR mics. Here we go!

XLR Microphones

XLRs are one of the most popular mics (and one of the oldest ones as well). Someone just loves them, and someone finds them terribly inconvenient. That’s what I think of them.

XLR Microphones

Here are my pros and cons for using an XLR mic:

Pros

  • The XLR mic cable standard has been in use since the 1950s and is compatible with most professional audio equipment.
  • A locking feature helps make sure the cable stays connected.
  • XLR mics can be used to transmit phantom power that is needed by condenser mics.
  • XLR cables easily and securely connect with each other to extend the cable length.
  • The construction of an XLR cable is very durable.

Cons

  • XLR mic cables are more expensive than USB cables. A budget-priced 10-foot XLR is around $10. A 10-foot USB cable is around $5.
  • An XLR mic cannot connect directly to a computer unless you use an adaptor and this only works when you use a dynamic mic that does not require phantom power to function.
  • XLR condenser mics require using an audio interface device that costs from a few hundred dollars to thousands for a top-end unit.
  • An XLR mic system may require another piece of equipment called a mic activator to provide enough power to the mic.
  • The equipment for an XLR mic system is heavier to carry than a USB mic system.

And, of course, what can we do without setting-up? Perhaps someone does not like XLR microphones precisely because they do not know how to set them up correctly? Now you will see everything clearly.

How to Setup an XLR Mic

Here are some examples of how to set up an XLR mic system.

Setup 1 – XLR Omnidirectional Mic with an XLR-to-USB Cable Connected to a Computer

If you want to use an omnidirectional mic (such as a Shure 58), which does not require phantom power, then you can use an XLR-to-USB cable to plug it directly into your computer.

This video, produced by Podcastage, shows how to use an XLR-to-USB cable. It also shows the problem that happens when trying to use an XLR-to-USB cable with a condenser mic. A condenser mic does not work when plugged directly into a computer. A computer does not provide enough power through the USB cable to allow a condenser mic to work properly.

Setup 2 – XLR Mic with an Audio Interface Connected to a Computer

Another way to use an XLR mic is to connect it to an audio interface and then connect the audio interface to your computer.

This video, produced by Anson Alexander, shows how to use an XLR mic with a Focusrite Scarlett 2i2 audio interface (costs around $140). He adds an additional piece of equipment in the mic-cable pathway, which is a Cloudlifter CL-1 (costs around $150) as a pre-amp. He uses this to boost the mic’s gain (volume) before it connects to the audio interface.

As we can see in the video, the audio interface connects directly to the computer using a USB cable. It gets all the power it needs to operate from the computer over the USB cable. The audio interface also accepts a second signal that could be from an instrument.

There is a real-time monitor output on the audio interface that can be used to listen to the input signals without the delay of analog-to-digital conversion. You can wear headphones to hear yourself as you record. The reviewer in the video is using a headset mic with headphones. Both mic and headphones are plugged into the audio interface.

For this setup, there was a need to add the Cloudlifter device because the mic he is using requires a lot of power to operate. The audio interface cannot provide enough power to increase the mic signal from mic level to line level. The Cloudlifter gives a mic about a 24 dB boost of clean gain. Depending on the mic you use, it may not be necessary to use this extra piece of equipment to boost the mic gain.

XLR Mic with an Audio Interface Connected to a Computer
The Cloudlifter uses the phantom power it receives from the audio interface to boost the signal of a mic that does not require phantom power to operate, such as a dynamic or ribbon mic. In the next video, we can see how to use an audio interface with a condenser mic.

In this video, produced by Kettner Creative, he shows how to connect three different mics: an omnidirectional dynamic Shure SM58 mic, a dynamic Shure SM7B mic, and a wide-diaphragm condenser microphone that requires 48V of phantom power.

The Shure SM58 works with an XLR-to-USB cable connected directly from the mic to the computer. The Shure SM7B requires some gain boost that is provided by the use of an audio interface. He shows a PreSonus AudioBox 22VSL audio interface device. It works well with the Shure SM58, the Shure SM7B, and the wide-diaphragm condenser microphone. The audio interface has a switchable phantom power that is needed when using a condenser mic.

And now let’s move on to the main opponents of XLR microphones — USB mics.

USB Microphones

Microphones with the USB interface appeared not so long ago, but have already firmly occupied their niche in the market of professional audio equipment. Let’s take a closer look…

USB Microphones

Here are my pros and cons for using a USB mic:

Pros

  • Connects directly to a computer with no extra gear needed.
  • Lower cost.
  • Lighter weight for the equipment needed.
  • Super easy to set up.
  • Nice quality for podcasts and videos.

Cons

  • A USB mic is not as easy to use with XLR-based audio equipment.
  • There are no separate components so is not easy to upgrade.
  • Not using an audio interface gives much less control over the sound.

Someone thinks that setting a USB microphone up is much easier. Let’s find out more about it.

How to Setup a USB Mic

Some USB mics require downloading software to make it work, but this is rare now. Most USB mics are plug-and-play, so all you need to do is use the included USB cable to connect it to your computer. You may have to use a USB adapter cable or a USB hub if the USB cable that comes with the mic is not the same USB style as the input jacks offered on your computer or another device.

Alternative Setup Using an Analog Mixer

In this video, produced by TheLucios Life, he shows how to connect a Rode NT USB mic to an audio mixer. This is interesting because a USB mic sends a digital signal to a computer, and in this case, he is connecting the mic to a YAMAHA MG10XY analog sound mixer.

He uses the USB mic’s headphone outlet to get the analog signal connected to the sound mixer, and then he can add effects to the sound using the mixer. It is an interesting workaround to go from digital to analog, which is the reverse of what is normally done. Using the headphone jack’s output gives a line-level signal, which is strong enough for the mixer to work with.

What are the main differences between XLR and USB mics?

Here are some notes about the differences and how they might affect your recording and live-performance options:

  • In professional audio recording sessions, XLR mics are much more common.
  • XLR mics are usually higher quality than USB mics.
  • XLR mics are just one component in a three-component set-up (mic, pre-amp, analog-to-digital converter). It is easier to upgrade components.
  • USB mics include the mic, pre-amp, and an analog-to-digital converter in one device, making it not possible to upgradeon one of the components.
  • Many USB condenser mics have the same mic elements as their XLR counterpart. The sound quality is virtually identical. The only difference is the way the mic connects to another device.

What are the main differences between XLR and USB mics?

Difficult Choice: XLR or USB?

There is a trade-off between the two styles. Here are some reviewer’s opinions and my professional advice about which style you should use for certain purposes.

In this video, produced by Alpha Gaming, USB vs. XLR mics are explained, with the reviewer concluding that if you can afford it, an XLR system is a better choice. However, for those on a limited budget, a decent quality USB mic is a good start for gamers and podcasters until they can afford to upgrade.

The reviewer compares the Yeti Nano USB mic (costs around $100) with a Blue Ember XLR mic (costs around $100) that is used with a Yamaha MG10XU mixer (cost of around $200).

The XLR system is more complex and costly (total cost of $300). It requires being comfortable with a bit of a learning curve to understand how to use the mixer. For an audiophile interested in getting the best sound possible, the XLR system offers substantially more control.

The reviewer compares the sound of the Blue Ember XLR mic (costs around $100) with the sound of the high-end HyperX Quadcast USB mic (costs around $130). He thinks it is not worth the extra money to buy the high-quality USB mic, and it would be better to save for an XLR system.

Why You Should Choose an XLR Mic

  • Mics with XLR connectors are more suitable for live performances, especially if the performers move around, which can be even better accommodated by an XLR wireless mic system. It is generally better for more versatile uses to have an XLR system.
  • XLR mics are built to be durable with the assumption that they will be used for live performances. They have to withstand abuse such as being dropped. The sturdy build means that they may provide many years of service. I have some Shure SM58 XLR mics that I have used for more than 30 years. Nothing else in my life lasted that long, including my marriage!

XLR Microphones vs. USB Microphones

Why You Should Choose a USB Mic

  • USB mics are more suitable for podcasting and making videos for YouTube. A USB mic is usually plug-and-play, so the setup is effortless. You connect it with the USB cable to your computer or another device, make sure your device or computer recognizes the connection, and then use the mic with your favorite audio recording software.
  • USB mics are less expensive than an XLR mic system. A nice USB mic like the Blue Yeti costs around $100. Some designs are very attractive. The aesthetics of the mic may be an important consideration if the mic shows in your YouTube videos.
  • Even though XLR mics are made to be used by bands on the road, a USB system is more compact and much lighter due to having to carry less equipment. You can easily take a USB mic and a laptop or tablet device to record or live-stream almost anywhere. If you plan to do a globe-trotting travel show with live streams from exotic locations, a USB mic and laptop are what you want to carry along with you. You do not want to drag around a bulky mixer and an audio interface.

In this video, produced by Alpha Gaming, the reviewer compares four of the most popular USB mics. The comparison is interesting between the Blue Yeti, the HyperX Quadcast, the Razer, and the Samson.

 

The type of mic that will suit your needs depends on what you want to accomplish. My favorite XLR mics are any of the mics made by Shure. For a USB mic, I like the Blue Yeti to take on trips and the Samson for use in my home recording studio. I like the Samson because it is the only mic with two channels built-in. I can use it to record my singing with my acoustic guitar and easily record the two tracks live.

Final Words

Hopefully, this guide helps you decide the mic(s) you want to use for certain purposes. Most professional audio recording engineers have many types of mics and use each one for the most suitable purpose. I like both XLR and USB mics. At my last count, I think I have more than four dozen mics of various types so that I always have the mic that I want to use for any audio project.

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Clash of Titans: USB Microphones vs 3.5 mm Microphones. Which One to Choose? https://myelearningworld.com/usb-vs-3-5mm/ https://myelearningworld.com/usb-vs-3-5mm/#respond Fri, 12 Mar 2021 11:21:38 +0000 https://myelearningworld.com/?p=4146   If you are caught in the dilemma of choosing between a USB or 3.5 mm microphone, you have come to the right place. I will help you ultimately decide which one to purchase by providing you with the detailed differences, the pros and cons, the steps to set them up, and the reasons why you should ... Read more

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If you are caught in the dilemma of choosing between a USB or 3.5 mm microphone, you have come to the right place. I will help you ultimately decide which one to purchase by providing you with the detailed differences, the pros and cons, the steps to set them up, and the reasons why you should choose each mic. Once you have decided which type of microphone you would like to buy, you should then look for one that is in your price range.

If you have a limited budget and need an affordable mic, check out this article on the best budget microphones.

USB Microphones

A USB mic is a microphone that possesses a USB output. It connects directly to any computer or laptop that has a USB port. This output is known as a digital audio signal. It is an affordable, easy option to plug into your computer and begin recording your voice immediately.

Pros:

  • Most USB microphones are affordable.
  • Most computers have numerous USB ports, allowing you to connect multiple microphones to your computer at the same time
  • USB microphones will provide the same quality audio output regardless of what type of computer you use or the hardware that it possesses.
  • Majority of computers recognize USB microphones as separate audio devices, which means a source card is not needed to use multiple recording sources.
  • These devices are easy to plug in and begin using as well as take on-the-go with you.
  • No extra cables or equipment needed
  • You will have the ability to record a wide range of voices with different pitches, tones, quirks, and timbres.

Cons:

  • If a USB microphone seems to be too cheap, it most likely is and will not perform well. There are many cheap USB mics, and you will be replacing equipment often if you purchase one of the cheap options.
  • A lot of USB microphones have latency issues. This means that there is a delay between the entering time of the sound and the exit time of the sound.
  • Majority of USB microphones are created for podcasting. Therefore, if you are looking for a microphone to create audio content for something other than podcasting, a USB mic may not be a good choice for the quality of your sound.
  • USB mics are typically more appealing for beginners and entry-level microphone users.

USB Microphones
Credits: fifinemicrophone.com

3.5 mm Microphones

A 3.5 mm mic is a device that possesses an 3.5 mm analog output. It plugs directly into any computer that has a headphone jack slot. Since most older computers do not contain a USB port, an analog mic can be used by connecting to the 3.5 mm headphone jack. An audio interface is usually already built into the jacks that are inside these computers.

Pros:

  • The quality of a 3.5 mm microphone is better than USB devices. Your voice will sound crisp and clear.
  • A 3.5 mm mic can take advantage of the features included in the sound card, such as special effects.
  • Not a lot of latency issues are reported with the 3.5 mm device.
  • They are great for going live and using instruments.
  • You will have more control over the sound quality.
  • These devices offer more compatibility as older computers and laptops are more likely to only accept analog mics.
  • They are easy to plug in and begin using.

Cons:

  • 3.5 mm devices are more expensive than USB mics.
  • They may produce static noise from wiring and connections.
  • You may need additional equipment to begin using the mic.

3.5 mm Microphones
Credits: lsin.panasonic.com

If you would like to know how to improve your audio quality with a 3.5 mm microphone, check out Podcastage’s YouTube video. He will explain how he is able to make his 3.5 mm device sound good, give recommendations, and show you how he sets the mic up.

What are the Main Differences?

There are a few key differences of these two microphones that we will discuss below.

What are the Main Differences?
It is important that you keep these four differences in mind to help you decide on the most suitable microphone to you and your personal and professional goals.

  1. One of the main differences is how each device sends its signal to the computer. The 3.5 mm device directly outputs its sound, whereas the USB device has a built-in processing hardware that converts the signal.
  2. USB microphones are one of the most affordable audio devices on the market. 3.5 mm microphones tend to be more expensive than USB devices, but the audio quality may be better.
  3. If there is an issue with the sound of the 3.5 mm mic, you can purchase a new sound card. You cannot do this with a USB mic because the audio adapter is built into the device.
  4. Majority of older computers do not have a USB port to plug a USB mic into. If you have an older computer, your only choice may be a 3.5 mm mic.

3.5 mm Microphones vs USB Microphones

There are many reasons to choose a 3.5 mm mic, and there are many reasons why you should choose a USB mic. Below, I will give five reasons to choose each type of device.

Why you should choose a 3.5 mm mic:

  1. Recording live music or instrument playing is best on a 3.5 mm mic.
  2. The sound quality may be better on a 3.5 mm mic.
  3. If you have an older computer or laptop, a 3.5 mm mic is guaranteed to be compatible.
  4. These devices give you more control over your sound and use the special effects of the sound card.
  5. If you have been using microphones for a long period of time, a 3.5 mm device is better for more experienced users.

3.5 mm Microphones vs USB Microphones

Why you should choose a USB mic:

  1. Most USB devices are affordable and cost-effective.
  2. They are able to be taken along with you on trips and use while on-the-go.
  3. USB mics are very easy to plug in and immediately start using.
  4. These devices are great for beginner microphone users.
  5. If you are a podcaster, a USB mic is the perfect choice for you.

If you’re looking for a perfect zoom-mic, check this article. It includes different models with several connecting types.

Summing up

Overall, the type of microphone that you should choose depends on your needs and goals. There are a lot of factors to consider when selecting a microphone, such as if you plan to use the mic personally or professionally, to create content for YouTube or podcasts, what type of computer you have, if you plan to travel, if you plan to record live or not, how much money you are willing and able to spend, and so much more. It is not only important to evaluate the benefits of each microphone, but also to consider what your plans of the microphone are.

To find out more information about the different types of mics that are commonly used, take a look at BarbsterFilms’ YouTube video. He gives you an in-depth description of the differences between a variety of devices including USB, XLR, 3.5 mm, LAV, AUX, and shotgun microphones.

Useful Resources

Conclusion

As you can see, both of these microphones are great choices for individuals looking to quickly connect their microphone to a computer or laptop and start using. A USB mic connects to the computer through an open USB port and possesses its own processing driver and hardware, while a 3.5 mm microphone connects to the computer through a headphone jack and depends on the computer system to process. Therefore, you should determine the quality of your sound hardware in your computer before you decide which type of mic you would like to purchase.

If you think that these microphone types are not something you’re looking for check the best wireless models here.

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M-Audio AV42 Studio Monitors Review – vs AV40 vs AV32 https://myelearningworld.com/m-audio-av42-review/ https://myelearningworld.com/m-audio-av42-review/#respond Thu, 01 Oct 2020 06:45:42 +0000 https://myelearningworld.com/?p=2919 The M-Audio AV42 monitors are a desktop size that packs a nice punch. They can be used as reference monitors for sound mixing and audio track creation for video productions. They also serve as quality multimedia monitors for enjoying games and watching films. If you need your desktop monitors to be all-purpose, the M-Audio AV42 ... Read more

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The M-Audio AV42 monitors are a desktop size that packs a nice punch. They can be used as reference monitors for sound mixing and audio track creation for video productions. They also serve as quality multimedia monitors for enjoying games and watching films. If you need your desktop monitors to be all-purpose, the M-Audio AV42 monitors are a good set to consider.

Your Best DealM-Audio AV42

M-Audio AV42

Top features

  • Class A/B architecture
  • 20 Watts Per Channel Amplifier
  • Optimized Bass Reflex Sound and Crystal-Clear Highs

Check price →

What is superb about the M-Audio AV42 Monitors?

The bass woofer in these two-way monitors is four-inches in diameter. The woofer speaker is coated with polypropylene. This helps produce a tight, precise bass sound with remarkable accuracy.

The one-inch tweeter is cooled by ferrofluid and has a silk cone. It uses OptImage IV tweeter wave guides for improved stereo imaging. There is a blue power LED light on the front that can be used to help align the wave guides.

Many desktop monitors, which are designed for multimedia use, get by with a smaller three-quarter-inch tweeter. A full one-inch tweeter sounds much better than a smaller one. The increased diameter from a three-quarter-inch tweeter to a one-inch tweeter is a big factor in how clearly the monitor reproduces the high-frequency sounds. It is very easy to hear the difference when conducting an A/B side-by-side test.

M-Audio AV42
RCA inputs for plugging in mixers, gaming systems, and other gadgets

Construction

The AV42 monitors are made from medium-density fiberboard (MDF) covered by a black laminated vinyl finish that has no seams. The MDF material is made from wood fibers combined with a wax and resin binder, which is made into panels through a high-pressure and high-temperature power-pressing process.

The woofer is coated with polypropylene. This material does not need as much power to drive it as metal does, which is found on other woofers. The woofer has a high-temperature voice coil. The tweeter is a cone design made from silk. Silk gives a very nice reproduction of the high frequencies. The drivers are ferrofluid cooled.

The power requirements are 100 to 120 volts at 50/60 Hz (for Europe, 220 to 240 volts at 50/60 Hz). The power cord is included and is detachable.

Design

The MDF cabinets are designed to be acoustically inert. This stops unwanted resonance that could create frequencies that might otherwise make a muddy-sounding bass.

Features

M-Audio AV42
M-Audio AV42 is a pair of compact desktop monitors, the siblings of the older AV40 model.

The small compact size lets you put these monitors almost anywhere. They can be put on a shelf, set on a desk, hung on a wall, or mounted on floor stands. They come in a classic black color, which makes them nondescript and they pretty much blend in with the typical home studio surroundings.

The safety features include magnetic shielding, RF interference protection, on/off transient protection, output current limiting, and thermal protection.

Size

The dimensions are width 5.7 inches (14.5 centimeters) by depth 7.4 inches (18.8 centimeters) by height 8.4 inches (20.3 centimeters). The weight is 7.56 pounds (3.43 kilograms).

Sound Quality

The M-Audio AV42 monitors shoot for a sound reproduction that is in the middle between accuracy and niceness. Accuracy is needed for doing sound mixing such as making the audio tracks for your YouTube recordings. Niceness is a soft coloration of the sound to make it more enjoyable for listening while playing video games or watching some media (online streams, television, or movies, etc.).

M-Audio AV42

I give the M-Audio AV42 monitors high marks for being a pleasing middle-of-the-road solution. I like to play video games and listen to the sound of the game using headphones because my cat jumps and the dogs bark when the game suddenly gets louder when I use the speakers. Also, I like to have clear, high-end frequencies to get the feeling, by hearing something, when an opponent is sneaking up on me in a shooter game.

At the same time, I like to have accurate reference sound for mixing my voiceovers and the audio tracks I create for video productions. I don’t wear headphones for that work and the M-Audio AV42 monitors give me a great reference sound to work with when playing back my mix.

Who are the AV42 made for?

Audio enthusiasts who do a lit bit of everything will find these all-purpose monitors a superb choice. They have a nice sound for playing video games while wearing headphones with enough bass power and high-end clarity and an expansive stereo field with a wide sweet spot.

M-Audio AV42

They can be used to listen to media playback and can fill a small- to medium-sized room with robust sound. They are also capable of serving as reference monitors for a home studio and used when creating audio tracks for video productions or music mixing.

Setup

The RCA inputs allow connecting to any audio source that uses that style jack. Connecting to a mobile device, laptop, or smartphone is easy to do via the one-eight-inch mini stereo plug input.

If you want to see an unboxing and setup without much commentary, this video gives you a visual guide,. It is easy to follow but has almost no audio explanation of what the guy is doing. There is no sales pitch here. This video just lets you see the steps needed to take the monitors out of their box and hook them up, that is all.

If you prefer to get a detailed narrative while the box is opened, this is another unboxing video with a vocal description of everything. This unit in the video is designed to be used in Europe so it shows an alternative power cable.

Pros and Cons

For a quick overview here are the pros and cons:

Pros

  • Nice sound for compact desktop monitors.
  • Modestly priced.
  • Useful for multimedia and reference monitors.
  • Has volume protection that cuts off the sound, if the speakers are overdriven.
  • Easy to set up with included cables.

Cons

  • The power switch is on the back of the left speaker and not integrated with the volume control knob that is on the front.
  • Needs an adaptor to use one-quarter-inch XLR connectors.

M-Audio AV42 Specifications

Here are the specifications:

  • Amplification: Active, Two-Way
  • Amplifier: Integrated, Class D, 50 watts
  • Output: 20 watts per speaker (40 watts total)
  • Frequency Response: 75 Hz to 20 MHz
  • Nominal Impedance: 10 KOhm
  • Signal-To-Noise Ratio: 90 dB
  • Sensitivity: 101.5 dB
  • Crossover Frequency: 2700 Hz
  • Connectivity: Wired
  • Controls: Power On/Off, Volume

M-Audio AV42 vs. AV40

The M-Audio AV42 is an upgrade from the AV 40. The AV 40 comes in a bright red color, which some find a bit off-putting unless you have Andy Warhol art prints of tomato cans on your home studio walls, then it fits right in. You probably cannot find a new set of M-Audio AV40 monitors because the AV40 model has now been replaced by the AV42 newer version.

One of the technical differences is the M-Audio AV42 model comes with waveguides that can be aligned using the light emanating from the LED power-on indicator. The previous AV40 model does not have wave guides. A wave guide works by physically directing the sound wave in such a way as to enhance the sound and give it certain characteristics as well as a location in the stereo field.

With the M-Audio AV42, you can use the wave guides to help direct the high-end frequencies coming out of the tweeters to create the sweet spot you like. A sweet spot is the position between your monitor and yourself where they sound the best to your ears.

M-Audio AV42

This sweet spot fine-tuning works well if you are going to be sitting in the same place all the time. If that is the case, you can tune the monitors and then move on. It is less helpful if you plan to move around or listen to the audio playback from various heights (like standing when using a mic on a floor stand as well as sitting at a desk while mixing.)

The size of these two models of monitors is nearly identical with the AV40 being just a bit larger than the newer Av42. The AV40 has the dimensions of width 6 inches (15.2 centimeters) by depth 7.3 inches (18.5 centimeters) by height 8.8 inches (22.4 centimeters).

M-Audio AV42 vs. AV32

M-Audio AV42
Front-panel 1/8-inch stereo auxiliary input for connecting your audio sources, 1/8-inch headphone output, and volume control.

The M-Audio AV42 and the AV32 are easy to compare. Think of the model AV32 as the little brother of the slightly larger and much more powerful AV42 model. The AV32 has a one-inch silk cone tweeter and a three-inch polypropylene-coated cone in the woofer. The AV32 woofer is one inch smaller, at three inches, so the bass response is less punchy than the larger AV42 model with its four-inch woofer. They both use ferrofluid for cooling.

The design is similar between both models in this series, just scaled down for the AV32 model. They both are made from medium-density fiberboard (MDF) covered by a black laminated vinyl finish. They both have wave guides to direct the high-frequency sound.

For the AV series, M-Audio removed the speaker grills (covers) so that the wave guides will not be impaired. The wave guides broaden the sound coming from the tweeters to give a larger, more accurate sound stage (aka sweet spot).

M-Audio AV42
4-inch polypropylene-coated woofer for tight, accurate bass.

I did notice the height of the monitors changes the sound significantly, which is more noticeable with the AV32 speakers than the larger AV42 model. Play around with different monitor heights when you are fine-tuning the directions to set the wave guides until you find a spot that is “just right” as Goldilocks would say.

The AV32 monitors are noticeably smaller. The dimensions are width 5.2 inches (13.2 centimeters) by depth 5.9 inches (15.0 centimeters) by height 7.5 inches (19.1 centimeters). The weight is 5.5 pounds (2.5 kilograms).

The largest difference is the sound output. The AV32 has only 10 watts per channel (a total of 20 watts). This is half the size of the VA42 that offers 20 watts per channel with a total of 40 watts.

It is interesting to see the reviews from a few years back that praise the AV32 monitors like this one from Andrei Roman. They really hold up and are still popular many years later. At four minutes into this video, there is a sound test. Enjoy the goofy dancing, while you get some idea of how these monitors sound. You will not learn about the quality because that depends on the way you listen to the video; however, you can get a general idea about the sound volume and the presence of the bass in the mix.

Another video from Digital DJ Tips compares the AV32 and AV42 models. The reviewer also talks about the improvements made over the previous models of AV30 and AV40 that these new models replaced.

The opinion of this reviewer is similar to mine. The AV32 and AV42 models are not going to give the same quality as more expensive professional studio reference monitors. They do add some sound coloration that while pleasant to the ear may not be wanted for those seeking an actual true reference sound. However, all-in-all, the price point of the AV42 monitors is reasonable for what they offer. They are quite useful and represent an exceptional value for the money.

Honestly, I don’t think the price difference between the two models justifies getting the lower-powered AV32 model. Having only 10 watts of power for each speaker is too little for my tastes. Even if I am not driving my speakers at full volume, I like them to have the capability to increase volume. With more room to increase the power, the sound is better, with less distortion.

I like to test monitors when running them at half the maximum power output rating. For this reason, if I wanted to get a pair of the M-Audio monitors in this series, I would readily choose the AV42 model over the AV32 model to get more power.

M-Audio AV42
Universal compatibility with tablets, computers, or mobile devices.

In this video from the manufacturer, you can see the AV32 model sitting on top of the larger AV42. It shows the attention to detail that the manufacture used when deciding to remove the grill and upgrade these monitors with wave guides. The poly material used for the woofer is strong enough to take a poking by a finger and bounce back without damaging the driver.

You can connect your computer to the back of the active speaker and then you can also connect another device to the aux input on the front of the speaker. When you plug in headphones on the front, this cuts the speaker sound. The headphone volume can be controlled by the volume knob, also found on the front.

What Others Think of the M-Audio AV42 Monitors

This music producer from Powercoat Music explains why it is important to have high-quality monitors in a home recording studio. The recommendation is to use one set of good monitors and stick with them to train your ear. The idea is to make a mix that works as best as possible on many different sound systems.
Toward the end of this video is an explanation of how to place the monitors for the best sound. The manufacturer recommends placing them three to five feet apart and away from the listener to form an equilateral triangle, with the listener’s head centered. Then, angle the monitors slightly inward so that they face you. Also, be sure to place them at least three feet away from the nearest wall or other flat surfaces to avoid any unwanted sound reflections.

The bottom line is that the AV42 are reasonably priced and work well for hearing a bit more of bass if that is your preference. The bass is strong from a monitor set without a subwoofer but not overpowering.

Conclusion

The M-Audio AV42 monitors are a superb choice for those that expect their monitors to do the triple duty of being wonderful for playing video games, listening to media, and mixing audio for home studio recordings/video productions. They provide an excellent reference sound and have some nice coloration that makes listening to them also enjoyable for regular purposes, such as gaming. One of my favorite things to do is to make the mixes of audio files for video game development using these monitors as my reference.

Your Best DealM-Audio AV42

M-Audio AV42

Top features

  • Class A/B architecture
  • 20 Watts Per Channel Amplifier
  • Optimized Bass Reflex Sound and Crystal-Clear Highs

Check price →

If you want to see my thoughts about other studio monitors, be sure to check out my reviews of My Top-19 Home Studio Monitors. Happy mixing!

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KEF LS50 Studio Mini-Monitors Review – vs SVS Ultra Bookshelf vs ELAC Uni-fi UB5 vs KEF R300 https://myelearningworld.com/kef-ls50-review/ https://myelearningworld.com/kef-ls50-review/#respond Fri, 11 Sep 2020 07:51:42 +0000 https://myelearningworld.com/?p=2886 The KEF LS50 mini-monitor won many awards starting in 2012 with the Best Design Award from the Japan Institute of Design and the Product of the Year Award in 2013 from publications such as What Hi-Fi? Sound & Vision, Top High End, and SoundStage Hifi! These monitors subsequently won awards for innovation through 2016 and ... Read more

The post KEF LS50 Studio Mini-Monitors Review – vs SVS Ultra Bookshelf vs ELAC Uni-fi UB5 vs KEF R300 appeared first on MyeLearningWorld.

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The KEF LS50 mini-monitor won many awards starting in 2012 with the Best Design Award from the Japan Institute of Design and the Product of the Year Award in 2013 from publications such as What Hi-Fi? Sound & Vision, Top High End, and SoundStage Hifi! These monitors subsequently won awards for innovation through 2016 and continue to be popular to this day.

Your Best DealKEF LS50 White Blue

KEF LS50 Monitors

What is it like?

  • Produces a large tuning sweet spot
  • Ensures a clean and expansive sound
  • Reproduces audio unaltered
  • Four classy colors

Killer feature: Accuracy.

Check price →

Let’s explore more and find out how it compares to its nearest competitors.

In 2012, KEF celebrated its 50th anniversary by the release of the KEF LS50 mini-monitor. The KEF LS50 mini-monitor continued the previous model’s innovation by using the Uni-Q driver units and the crossover from the LS3/5a model. This monitor is an engineered loudspeaker and designed to provide an accurate reproduction of the sound from a speaker housed in a small enclosure.

50th Anniversary Model
Mind-blowing quality in a bookshelf model.

The breakthrough technology of the KEF LS50 mini-monitor comes from its cabinet construction, port design, and baffle shape with constrained layer damping that greatly reduces resonance. The port optimization derives from computations based on fluid dynamics that create less turbulence at higher volume levels.

The low-frequency/mid-frequency cone is made of an alloy made of magnesium and aluminum. The high-frequency unit is rear vented. All these detailed design elements create excellent sound definition, clarity, and imaging from an amazingly small enclosure. The first version of the KEF LS50 mini-monitor came in a high-gloss black enamel cabinet with a stunning rose-gold Uni-Q driver. Later, a white gloss color was added.

Check out the video from KEF International about the release of the LS50 model, it shows the beauty and elegance of this monitor. Using the pioneering Blade technology, which was originally invented to meet the stringent requirements of the BBC, the KEF LS50 is a professionally sounding monitor for the home recording studio.

In the 1970s, KEF worked with the BBC to develop the previous model of the LS3/5a studio speaker as an engineered monitor speaker that has accurate sound reproduction The LS50 model brings this innovation to the home studio. The challenge was to get an accurate representation of the original spacious sound with all the exciting feeling of a live performance.

The three technological breakthroughs of the LS50 model are:

  1. Constrained Layer Damping: This damping, placed between the brace and the enclosure walls and the baffle in front, prevents cabinet vibration that could otherwise color the mid-range sound
  2. Curved Baffle: The curved baffle’s shape allows the sound waves to spread out from the drive unit with minimal reflection from the edges to give a spacious sound. The baffle curvature also increases the rigidity. This reduces vibration.
  3. Elliptical Reflex Port: The port tube has a flexible wall that allows the mid-range sound traveling through the tube to escape back into the cabinet preventing longitudinal resonance that might otherwise radiate adding unwanted color to the mid-range sound. The port tube has flared walls to avoid the chuffing noises that might arise from air turbulence in the port tube.

Construction

Here are some of the particulars regarding the design, features, Uni-Q driver array, and size of the LS50.

The driver technology from the previous Blade technology was the basis for the development of the Uni-Q driver for the LS50. It has a tangerine waveguide with an optimal dome shape to create a spherical wavefront. This works together with the Z-flex surround to create a wide tweeter sound dispersion. The result is a very spacious sound with a wide sweet spot.

The stiffened dome of the high-frequency unit has a mid-range cone made of Mg/Al alloy. These diaphragms move as rigid pistons with the break-up control of the mid-range unit allowing an accurate, clean sound.

KEF LS50 White
The KEF looks fantastic: it’s compact and powerful enough to cover most typical studio needs.

The engineering advancements came from using the Finite Element method for the modeling of the vibrations and how the air behaves inside the cabinet, the Boundary Element for modeling the sound radiation outside the cabinet, and Computational Fluid Dynamics to evaluate the airflow through the reflex port.

These modeling techniques let the engineers see how the cabinet walls vibrated and how using various materials and shapes made the sound pressure change inside the enclosure. This engineering analysis ultimately resulted in a near-perfect compact bookshelf-sized (D10.9″ x W7.9″ x H11.9″) design.

Check out the video from KEF America that explains the innovative Uni-Q driver array technology. Rather than having a separate woofer speaker for the low notes and a tweeter for the mid/high notes, as is found in other speaker designs, the Uni-Q design puts the tweeter in the exact acoustic center of the woofer speaker.

Sound Quality

The Uni-Q design means that all sound frequencies come from one physical point in space and time. This more closely resembles how sound is experienced from an original source. It also allows the sound to be more widely dispersed. The main benefit of this design is, no matter where a person is in the room, it is possible to hear a great stereo image of the sound.

Here are the pros and the cons of the LS50:

Pros

  • Design: One of the main reason with the LS50 won so many awards is due to its elegant design. These monitors are museum quality and absolutely gorgeous. If you want to impress clients these are the monitors to have.
  • Sound Quality: With a frequency range of 47 Hz to 45 kHz, the LS50 model covers all the sound frequencies that a human ear can register. The bass response is surprisingly robust. The Uni-Q placement of the tweeter in the center of the woofer creates a magnificent sound that has a wide dispersion and large sweet spot. This gives an accurate sound reproduction that is very enjoyable to hear from anywhere in the room.
  • Durable: KEF products are made for high-end users with no skimping on quality materials. The manufacturer offers a five-year warranty against any defects.
  • Compact: The bookshelf size of 10.9 inches by 7.9 inches by 11.9 inches allows these speakers to be hung from walls, placed easily on a tabletop/desk, or mounted on stands.

Cons

  • Price: These are not budget speakers. They are expensive; however, I obviously think they are worth the price.
  • Wired: The standard LS50 model is a wired speaker. If you want a wireless solution you will have to go for the LS50 Nocturne series.

KEF LS50 Specifications

  • Model: KEF LS50
  • Style: The design is a two-way bass reflex.
  • Uni-Q Driver Array
    Its Uni-Q driver array ensures a clean and expansive sound.

    Driver: The driver is a Uni-Q array with a high-frequency 25 mm (one inch) vented-aluminum dome and a concentrically installed magnesium/aluminum alloy low/mid-frequency 130 mm (5.25 inches) dome.

  • Frequency Response (±3 dB): 79 Hz to 28 kHz.
  • Frequency Range (-6 dB): 47 Hz to 45 kHz.
  • Sensitivity (2.83 volts/m) 85 dB.
  • Crossover Frequency: 2.2 kHz.
  • Amplifier Power: 25 to 100 watts.
  • Maximum Output: 106 dB.
  • Harmonic Distortion 2nd and 3rd harmonics (90 dB, one meter): Less than 0.4% 175 Hz to 20 kHz.
  • Impedance: 8 Ω (min. 3.2 Ω).
  • Weight: 7.2 kg (15.8 lbs.).
  • Dimensions w/terminal (H x W x D): 302 mm x 200 mm x 278 mm (11.9” x 7.9” x 10.9”)

Comparisons to Other Monitors

Let’s take a look at how the KEF LS50 compares to a few other monitors in this class.

KEF LS50 vs. SVS Ultra Bookshelf

Here is a comparison of the specifications between the KEF LS50 monitor versus the SVS Ultra Bookshelf monitor.

  • Drivers: Both of these monitors have two-way speakers. The LS50 has a one-inch (2.54 cm) vented-dome tweeter installed in the acoustic center of a 5.35-inch (13.59 cm) magnesium/aluminum alloy woofer. The SVS Ultra has a one-inch (2.54 cm) aluminum hard-dome tweeter and a separate 6.5-inch (16.51 cm) composite glass/fiber woofer. The “sweet spot” of the LS 50, where it sounds nice in the room, is slightly wider than the SVS Ultra.
  • Frequency Response: The LS50 frequency range is 79 Hz to 28 kHz. The SVS Ultra frequency range is greater at 45 Hz to 32 kHz. The maximum frequency range of human hearing is 20 Hz to 20 kHz. People can “feel” low frequencies down to 20 Hz so the SVS Ultra, with its slightly better low-end, may sound better to some people. The extra frequencies above 20 kHz may be heard by dogs but humans do not hear them.

    KEF LS50 Design
    “An innovative concept inspired by the legendary LS3/5a, the LS50 mini monitor speaker is designed to bring a professional studio monitor concept into the home.” – KEF
  • Impedance: The impedance is the same, at eight ohms, for both of these monitors.
  • Sensitivity: The sensitivity of the LS50 is 85 dB. For the SVS Ultra, it is 87 dB. Sensitivity is the sound level where the speakers work the best. Higher sensitivity creates louder speaker volume. Having sensitivity above 90 dB is excellent. The average sensitivity for all monitors is 87 to 88 dB. The LS50 sensitivity is slightly below average, whereas the SVS Ultra’s sensitivity is slightly better than the LS50 and meets the average specifications of other monitors.
  • Power Range: The power range of the LS50 is 25 to 100 watts. The power range of the SVS Ultra is 20 to 150 watts, allowing them to be louder.
  • KEF LS50
    “Although some manufacturers have flirted with solutions such as this before, none has executed it as spectacularly as KEF.” – What Hi-Fi? Hall of Fame: 2010s

    Input Type: Bi-amping or bi-wiring is not possible with the single post on the LS50. The SVS Ultra has a five-way post that allows for bi-amping or bi-wiring. Bi-amping allows using two different amps. One is for the low frequencies. Another is for the mid-to-high frequencies. This does not increase volume much; however, the stronger amping increases the signal strength to improve the sound clarity with a cleaner, more solid bass sound, and more details in the high frequencies.

  • Size: The LS50 is smaller with the dimensions of 302 mm height by 200 mm width by 278 mm depth (11.9” x 7.9” x 10.9”). The dimensions of the SVS Ultra are 379 mm height by 216 mm width by 282 mm depth (14.9” x 8.5” x 11.1”).
  • Weight: The LS50 is lighter with a weight of 7.2 kg (15.8 lbs.) compared to the SVS Ultra at 8.6 kg (19 lbs.).
  • Finish: The finish on the LS50 is polymer/lacquer. Most think this is a nicer finish than the SV Ultra finish of MDF/Oak veneer.
  • Colors: The LS50 comes in black and high-gloss piano black or piano white. The SVS Ultra comes in plain black or white.
  • Stand Height: The recommended stand height for the LS50 is 46 cm to 71 cm (18 to 28 inches) and for the SVS Ultra is 56 cm to 71 cm (22 to 28 inches).
  • Warranty: Both of these monitors have a five-year, parts and labor, warranty against manufacturing defects.

KEF LS50 vs. ELAC Uni-fi UB5

Here is a direct comparison of the specifications between the KEF LS50 monitor versus the SELAC Uni-fi UB5 monitor.

  • Drivers: The LS50 has two-way speakers. The SELAC Uni-fi UB5 has three-way speakers. The LS50 has a one-inch (2.54 cm) vented-dome tweeter installed in the acoustic center of a 5.35-inch (13.59 cm) magnesium/aluminum alloy woofer. The SELAC Uni-fi UB5 has a one-inch (2.54 cm) aluminum soft-dome concentrically mounted tweeter with a 4.0-inch (10.16 cm) midrange aluminum cone and a separate 5.25-inch (13.34 cm) aluminum cone woofer.
  • Frequency Response: The LS50 frequency range is 79 Hz to 28 kHz. The SELAC Uni-fi UB5 frequency range is 46 Hz to 25 kHz.
  • Impedance: The impedance is eight ohms for the LS50 and four ohms for the SELAC Uni-fi UB5. Due to the lower impedance, the SELAC Uni-fi UB5 will extract about twice the power from an amplifier as the LS50.
  • Sensitivity: The sensitivity of both the LS50 and the SELAC Uni-fi UB5 is 85 dB.
  • KEF LS50
    “It is rare to find a loudspeaker that offers this combination of clarity and neutrality” – Stereophile Product of the Year Awards 2013

    Power Range: The power range of the LS50 is 25 to 100 watts. The power range of the SELAC Uni-fi UB5 is 40 to 140 watts, allowing the SELAC Uni-fi UB5 speakers to be louder.

  • Input Type: Bi-amping or bi-wiring is not possible with the single post on the LS50. The SELAC Uni-fi UB5 has a five-way post that allows for bi-amping or bi-wiring. Bi-amping allows using two different amps. One is for the low frequencies. Another is for the mid-to-high frequencies.
  • Size: The LS50 has the dimensions of 302 mm height by 200 mm width by 278 mm depth (11.9” x 7.9” x 10.9”). The dimensions of the SELAC Uni-fi UB5 are very similar to the LS50 with 325 mm height by 201 mm width by 274 mm depth (12.8” x 7.9” x 10.8”).
  • Weight: The LS50 is much lighter with a weight of 7.2 kg (15.8 lbs.) compared to the SELAC Uni-fi UB5 at 16.3 kg (35.9 lbs.), which is more than double the weight.
  • Finish: The finish on the LS50 is polymer/lacquer. Most think this is a nicer finish than the SELAC Uni-fi UB5 finish of black, brushed vinyl.
  • Colors: The LS50 comes in black and high-gloss piano black or piano white. The SELAC Uni-fi UB5 comes in plain black.
  • Stand Height: The recommended stand height for the LS50 is 46 cm to 71 cm (18 to 28 inches) and for the SELAC Uni-fi UB5, the recommendation is a heavy, sturdy stand of 61 cm to 79 cm (24 to 31 inches) height.
  • Warranty: The S50 has a five-year, parts and labor, warranty against manufacturing defects. The parts and labor warranty for the SELAC Uni-fi UB5 is ten years.

KEF LS50 vs. KEF R300

The KEF 2R300 is a bigger speaker from KEF that provides more bass volume.

KEF LS50
Hold your breath and shoo away the insects – the KEF will reveal anything that happened.

  • Drivers: The LS50 has two-way speakers. The KEF R300 has three-way speakers. The LS50 has a one-inch (2.54 cm) vented-dome tweeter installed in the acoustic center of a 5.35-inch (13.59 cm) magnesium/aluminum alloy woofer. The KEF R300 has a one-inch (2.54 cm) aluminum dome concentrically mounted tweeter with a 5.0-inch (12.70 cm) midrange magnesium/aluminum cone and a separate 6.5-inch (15.24 cm) aluminum cone woofer.
  • Frequency Response: The LS50 frequency range is 79 Hz to 28 kHz. The KEF R300 frequency range is 50 Hz to 28 kHz giving it a stronger bass response.
  • Impedance: The impedance is eight ohms for the LS50 and the KEF R300.
  • KEF LS50 Official Speaker Stand
    “…we think you’ll struggle to find a better balanced system unless you spend thousands more.” – Hi-Fi + Value-Priced Loudspeaker of the Year

    Sensitivity: The sensitivity of the LS50 is 85 dB and the KEF R300 is 88 dB allowing more speaker volume for the KEF R300 model.

  • Power Range: The power range of the LS50 is 25 to 100 watts. The power range of the KEF R300 is 25 to 120 watts, allowing the KEF R300 speakers to be louder.
  • Input Type: Bi-amping or bi-wiring is not possible with the single post on the LS50. The KEF R300 has two sets of input terminals that allow for bi-amping or bi-wiring. Bi-amping allows using two different amps. One is for the low frequencies. Another is for the mid-to-high frequencies.
  • Size: The LS50 has the dimensions of 302 mm height by 200 mm width by 278 mm depth (11.9” x 7.9” x 10.9”). The dimensions of the KEF R300 are larger than the LS50 with 389 mm height by 203 mm width by 340 mm depth (15.3” x 8.3” x 13.4”).
  • Weight: The LS50 is much lighter with a weight of 7.2 kg (15.8 lbs.) compared to the KEF R300 at 12.0 kg (26.4 lbs.).
  • Finish: The finish on both the LS50 and the KEF R300 is polymer/lacquer for the glossy finishes. The KEF R300 also has a walnut veneer finish offered.
  • Colors: The LS50 comes in black and high-gloss piano black or piano white. The KEF R300 comes in high-gloss piano black or piano white and walnut.
  • Stand Height: The recommended stand height for the LS50 is 46 cm to 71 cm (18 to 28 inches) and for the KEF R300, the recommendation is a sturdier stand of 61 cm to 79 cm (24 to 31 inches) height.
  • Warranty: Both the S50 and the KEF R300 have a five-year, parts and labor, warranty against manufacturing defects.

User Reviews

User reviews are very positive for the LS50, with almost everyone giving close to the perfect score of five stars.

Typical reviewers say things like this:

I could listen to the LS50 speakers all day and never tire of the excellent sound. Robert

These monitors are expensive so I had to save up for them. I am really happy that I did and will never go back to using cheap speakers in my home recording studio again. Victor

I have been extremely pleased with the sound of my LS50 monitors that I use daily when creating YouTube videos in my home studio. Lucy

Your Best DealKEF LS50 White Blue

KEF LS50 Monitors

What is it like?

  • Produces a large tuning sweet spot
  • Ensures a clean and expansive sound
  • Reproduces audio unaltered
  • Four classy colors

Killer feature: Accuracy.

Check price →

Conclusion

By far, the LS50 is my favorite choice for a high-quality monitor in this compact bookshelf size. If you are a serious audiophile like me, you will fall in love with the sound of these monitors. They are worth the price and will give many years of excellent use. They are especially useful in a smaller home studio.

If you want to explore more choices for home studio monitors be sure to check out the reviews of my 19 top home studio monitors.

The post KEF LS50 Studio Mini-Monitors Review – vs SVS Ultra Bookshelf vs ELAC Uni-fi UB5 vs KEF R300 appeared first on MyeLearningWorld.

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